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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53CE1 it is the complementary color #1AC31E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53CE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E53CE1 shade: #EA3CDC, #FB4EEF, #FF60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53CE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E53CE1 shade: #E53CE1, #D42ACE, #C318BB, #B206A8 and #A10095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E53CE1 shade: #E53EE1, #E53EB4, #E53E87, #E53E5A and #E53E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E53CE1 shade: #E53EE1, #BC3EE5, #8F3EE5, #623EE5 and #3E3EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E53CE1 shade matches the following richer shades: #E53EE1 and #F62CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E53CE1 shade: #E53EE1, #D350D0, #C161BF, #AF73AE and #9E859D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E53CE1 shade: #8F3EE5, #BB3EE5, #E53EE2, #E53EB5 and #E53E89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E53CE1 shade: #B719B3, #DC1ED7, #E53EE1, #EA62E6 and #EF87EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E53CE1 shade: #E53CE1, #E5623E and #3EE5A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E53CE1 shade: #E53CE1, #E2E53E and #3EE2E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E53CE1 shade: #E53CE1, #E5623E, #3EE541 and #3EC1E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E53CE1 shade: #E53CE1, #E5943E, #3EE541 and #3E8FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 2 / 10

HEX #E53CE1

RGB 229 60 225

HSL 301.42, 0.76%, 0.57%

LAB 57.39, 80.5, -49

 

Complementary color

CMYK 87 / 0 / 85 / 24

HEX #1AC31E

RGB 26 195 30

HSL 121.42, 0.76%, 0.43%

LAB 69, -68.11, 63.63

 

CMYK 0 / 74 / 6 / 8

HEX #EA3CDC

RGB 234 60 220

HSL 304.83, 0.81%, 0.58%

LAB 57.93, 80.78, -45.27

 

CMYK 0 / 69 / 5 / 2

HEX #FB4EEF

RGB 251 78 239

HSL 304.16, 0.96%, 0.65%

LAB 63.5, 81.64, -46.95

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 74 / 2 / 10

HEX #E53CE1

RGB 229 60 225

HSL 301.42, 0.76%, 0.57%

LAB 57.39, 80.5, -49

 

CMYK 0 / 80 / 3 / 17

HEX #D42ACE

RGB 212 42 206

HSL 302.12, 0.67%, 0.5%

LAB 51.96, 78.99, -46.99

 

CMYK 0 / 88 / 4 / 24

HEX #C318BB

RGB 195 24 187

HSL 302.81, 0.78%, 0.43%

LAB 46.77, 76.56, -44.41

 

CMYK 0 / 97 / 6 / 30

HEX #B206A8

RGB 178 6 168

HSL 303.49, 0.93%, 0.36%

LAB 41.88, 72.97, -41.14

 

CMYK 0 / 100 / 7 / 37

HEX #A10095

RGB 161 0 149

HSL 304.47, 1%, 0.32%

LAB 37.38, 67.9, -37.01

 

CMYK 0 / 73 / 2 / 10

HEX #E53EE1

RGB 229 62 225

HSL 301.44, 0.76%, 0.57%

LAB 57.6, 79.91, -48.67

 

CMYK 0 / 73 / 21 / 10

HEX #E53EB4

RGB 229 62 180

HSL 317.6, 0.76%, 0.57%

LAB 55.48, 73.56, -26.25

 

CMYK 0 / 73 / 41 / 10

HEX #E53E87

RGB 229 62 135

HSL 333.77, 0.76%, 0.57%

LAB 53.87, 68.49, -2.19

 

CMYK 0 / 73 / 61 / 10

HEX #E53E5A

RGB 229 62 90

HSL 349.94, 0.76%, 0.57%

LAB 52.78, 64.92, 23.21

 

CMYK 0 / 73 / 73 / 10

HEX #E53E3E

RGB 229 62 62

HSL 0, 0.76%, 0.57%

LAB 52.34, 63.47, 39.01

 

CMYK 0 / 73 / 2 / 10

HEX #E53EE1

RGB 229 62 225

HSL 301.44, 0.76%, 0.57%

LAB 57.6, 79.91, -48.67

 

CMYK 18 / 73 / 0 / 10

HEX #BC3EE5

RGB 188 62 229

HSL 285.27, 0.76%, 0.57%

LAB 51.6, 72.38, -60.87

 

CMYK 38 / 73 / 0 / 10

HEX #8F3EE5

RGB 143 62 229

HSL 269.1, 0.76%, 0.57%

LAB 45.55, 64.14, -70.95

 

CMYK 57 / 73 / 0 / 10

HEX #623EE5

RGB 98 62 229

HSL 252.93, 0.76%, 0.57%

LAB 40.73, 57.26, -79.04

 

CMYK 73 / 73 / 0 / 10

HEX #3E3EE5

RGB 62 62 229

HSL 240, 0.76%, 0.57%

LAB 38.07, 53.29, -83.52

 

CMYK 0 / 73 / 2 / 10

HEX #E53EE1

RGB 229 62 225

HSL 301.44, 0.76%, 0.57%

LAB 57.6, 79.91, -48.67

 

CMYK 0 / 82 / 2 / 4

HEX #F62CF2

RGB 246 44 242

HSL 301.19, 0.92%, 0.57%

LAB 59.71, 90.14, -54.68

 

CMYK 0 / 73 / 2 / 10

HEX #E53EE1

RGB 229 62 225

HSL 301.44, 0.76%, 0.57%

LAB 57.6, 79.91, -48.67

 

CMYK 0 / 62 / 1 / 17

HEX #D350D0

RGB 211 80 208

HSL 301.37, 0.6%, 0.57%

LAB 56.23, 66.83, -41.39

 

CMYK 0 / 50 / 1 / 24

HEX #C161BF

RGB 193 97 191

HSL 301.25, 0.44%, 0.57%

LAB 55.73, 51.46, -32.63

 

CMYK 0 / 34 / 1 / 31

HEX #AF73AE

RGB 175 115 174

HSL 301, 0.27%, 0.57%

LAB 56.52, 33.26, -21.82

 

CMYK 0 / 16 / 1 / 38

HEX #9E859D

RGB 158 133 157

HSL 302.4, 0.11%, 0.57%

LAB 58.49, 13.88, -9.23

 

CMYK 38 / 73 / 0 / 10

HEX #8F3EE5

RGB 143 62 229

HSL 269.1, 0.76%, 0.57%

LAB 45.55, 64.14, -70.95

 

CMYK 18 / 73 / 0 / 10

HEX #BB3EE5

RGB 187 62 229

HSL 284.91, 0.76%, 0.57%

LAB 51.46, 72.19, -61.11

 

CMYK 0 / 73 / 1 / 10

HEX #E53EE2

RGB 229 62 226

HSL 301.08, 0.76%, 0.57%

LAB 57.65, 80.06, -49.15

 

CMYK 0 / 73 / 21 / 10

HEX #E53EB5

RGB 229 62 181

HSL 317.25, 0.76%, 0.57%

LAB 55.52, 73.69, -26.76

 

CMYK 0 / 73 / 40 / 10

HEX #E53E89

RGB 229 62 137

HSL 333.05, 0.76%, 0.57%

LAB 53.93, 68.69, -3.29

 

CMYK 0 / 86 / 2 / 28

HEX #B719B3

RGB 183 25 179

HSL 301.52, 0.76%, 0.41%

LAB 44.26, 73.01, -43.83

 

CMYK 0 / 86 / 2 / 14

HEX #DC1ED7

RGB 220 30 215

HSL 301.58, 0.76%, 0.49%

LAB 53, 84.14, -50.4

 

CMYK 0 / 73 / 2 / 10

HEX #E53EE1

RGB 229 62 225

HSL 301.44, 0.76%, 0.57%

LAB 57.6, 79.91, -48.67

 

CMYK 0 / 58 / 2 / 8

HEX #EA62E6

RGB 234 98 230

HSL 301.76, 0.76%, 0.65%

LAB 63.29, 68.67, -42.44

 

CMYK 0 / 44 / 1 / 6

HEX #EF87EC

RGB 239 135 236

HSL 301.73, 0.76%, 0.73%

LAB 70.69, 53.83, -34.17

 

CMYK 0 / 74 / 2 / 10

HEX #E53CE1

RGB 229 60 225

HSL 301.42, 0.76%, 0.57%

LAB 57.39, 80.5, -49

 

CMYK 0 / 57 / 73 / 10

HEX #E5623E

RGB 229 98 62

HSL 12.93, 0.76%, 0.57%

LAB 57.79, 48.82, 45.07

 

CMYK 73 / 0 / 28 / 10

HEX #3EE5A5

RGB 62 229 165

HSL 157.01, 0.76%, 0.57%

LAB 81.72, -56.78, 19.29

 

CMYK 0 / 74 / 2 / 10

HEX #E53CE1

RGB 229 60 225

HSL 301.42, 0.76%, 0.57%

LAB 57.39, 80.5, -49

 

CMYK 1 / 0 / 73 / 10

HEX #E2E53E

RGB 226 229 62

HSL 61.08, 0.76%, 0.57%

LAB 88.24, -19.77, 75.54

 

CMYK 73 / 1 / 0 / 10

HEX #3EE2E5

RGB 62 226 229

HSL 181.08, 0.76%, 0.57%

LAB 82.42, -39.41, -13.48

 

CMYK 0 / 74 / 2 / 10

HEX #E53CE1

RGB 229 60 225

HSL 301.42, 0.76%, 0.57%

LAB 57.39, 80.5, -49

 

CMYK 0 / 57 / 73 / 10

HEX #E5623E

RGB 229 98 62

HSL 12.93, 0.76%, 0.57%

LAB 57.79, 48.82, 45.07

 

CMYK 73 / 0 / 72 / 10

HEX #3EE541

RGB 62 229 65

HSL 121.08, 0.76%, 0.57%

LAB 80.43, -71.62, 64.22

 

CMYK 73 / 16 / 0 / 10

HEX #3EC1E5

RGB 62 193 229

HSL 192.93, 0.76%, 0.57%

LAB 72.77, -23.58, -28.1

 

CMYK 0 / 74 / 2 / 10

HEX #E53CE1

RGB 229 60 225

HSL 301.42, 0.76%, 0.57%

LAB 57.39, 80.5, -49

 

CMYK 0 / 35 / 73 / 10

HEX #E5943E

RGB 229 148 62

HSL 30.9, 0.76%, 0.57%

LAB 68.16, 23.38, 56.02

 

CMYK 73 / 0 / 72 / 10

HEX #3EE541

RGB 62 229 65

HSL 121.08, 0.76%, 0.57%

LAB 80.43, -71.62, 64.22

 

CMYK 73 / 38 / 0 / 10

HEX #3E8FE5

RGB 62 143 229

HSL 210.9, 0.76%, 0.57%

LAB 58.35, 3.92, -50.65

 

Description

Color code: HEX #E53CE1 | qconv.com Color code: HEX #E53CE1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 60 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 60 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 2 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 2% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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