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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53BEC it is the complementary color #1AC413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E53BEC shade: #EA3BE7, #FB4DFA, #FF5FFF, #FF71FF and #FF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E53BEC shade: #E53BEC, #D429D9, #C317C6, #B205B3 and #A100A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E53BEC shade: #E53CEC, #EC3CC3, #EC3C94, #EC3C65 and #EC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E53BEC shade: #E53CEC, #B53CEC, #863CEC, #573CEC and #3C3CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E53BEC shade matches the following richer shades: #E53CEC and #F52BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E53BEC shade: #E53CEC, #D54DDA, #C55FC9, #B570B8 and #A581A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E53BEC shade: #853CEC, #B43CEC, #E33CEC, #EC3CC6 and #EC3C97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E53BEC shade: #BB13C2, #DF17E8, #E53CEC, #EA62EF and #EF87F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E53BEC shade: #E53BEC, #EC563C and #3CEC9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E53BEC shade: #E53BEC, #ECE33C and #3CECE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E53BEC shade: #E53BEC, #EC563C, #45EC3C and #3CD1EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E53BEC shade: #E53BEC, #EC8B3C, #45EC3C and #3C9DEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 75 / 0 / 7

HEX #E53BEC

RGB 229 59 236

HSL 297.63, 0.82%, 0.58%

LAB 57.89, 82.49, -54.39

 

Complementary color

CMYK 87 / 0 / 90 / 23

HEX #1AC413

RGB 26 196 19

HSL 117.63, 0.82%, 0.42%

LAB 69.29, -68.83, 66.1

 

CMYK 0 / 75 / 1 / 8

HEX #EA3BE7

RGB 234 59 231

HSL 301.03, 0.81%, 0.57%

LAB 58.41, 82.7, -50.72

 

CMYK 0 / 69 / 0 / 2

HEX #FB4DFA

RGB 251 77 250

HSL 300.34, 0.96%, 0.64%

LAB 63.93, 83.65, -52.36

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 3 / 75 / 0 / 7

HEX #E53BEC

RGB 229 59 236

HSL 297.63, 0.82%, 0.58%

LAB 57.89, 82.49, -54.39

 

CMYK 2 / 81 / 0 / 15

HEX #D429D9

RGB 212 41 217

HSL 298.3, 0.7%, 0.51%

LAB 52.5, 80.89, -52.42

 

CMYK 2 / 88 / 0 / 22

HEX #C317C6

RGB 195 23 198

HSL 298.97, 0.79%, 0.43%

LAB 47.36, 78.36, -49.88

 

CMYK 1 / 97 / 0 / 30

HEX #B205B3

RGB 178 5 179

HSL 299.66, 0.95%, 0.36%

LAB 42.5, 74.68, -46.69

 

CMYK 0 / 100 / 1 / 37

HEX #A100A0

RGB 161 0 160

HSL 300.37, 1%, 0.32%

LAB 38.05, 69.51, -42.63

 

CMYK 3 / 75 / 0 / 7

HEX #E53CEC

RGB 229 60 236

HSL 297.61, 0.82%, 0.58%

LAB 57.99, 82.2, -54.24

 

CMYK 0 / 75 / 17 / 7

HEX #EC3CC3

RGB 236 60 195

HSL 313.98, 0.82%, 0.58%

LAB 57.08, 77.73, -32.34

 

CMYK 0 / 75 / 37 / 7

HEX #EC3C94

RGB 236 60 148

HSL 330, 0.82%, 0.58%

LAB 55.28, 72.24, -7.68

 

CMYK 0 / 75 / 57 / 7

HEX #EC3C65

RGB 236 60 101

HSL 346.02, 0.82%, 0.58%

LAB 54.03, 68.27, 18.55

 

CMYK 0 / 75 / 75 / 7

HEX #EC3C3C

RGB 236 60 60

HSL 0, 0.82%, 0.58%

LAB 53.37, 66.13, 41.64

 

CMYK 3 / 75 / 0 / 7

HEX #E53CEC

RGB 229 60 236

HSL 297.61, 0.82%, 0.58%

LAB 57.99, 82.2, -54.24

 

CMYK 23 / 75 / 0 / 7

HEX #B53CEC

RGB 181 60 236

HSL 281.25, 0.82%, 0.58%

LAB 50.82, 73.13, -66.13

 

CMYK 43 / 75 / 0 / 7

HEX #863CEC

RGB 134 60 236

HSL 265.23, 0.82%, 0.58%

LAB 44.74, 65.19, -76.29

 

CMYK 63 / 75 / 0 / 7

HEX #573CEC

RGB 87 60 236

HSL 249.2, 0.82%, 0.58%

LAB 40.1, 58.93, -84.08

 

CMYK 75 / 75 / 0 / 7

HEX #3C3CEC

RGB 60 60 236

HSL 240, 0.82%, 0.58%

LAB 38.28, 56.4, -87.14

 

CMYK 3 / 75 / 0 / 7

HEX #E53CEC

RGB 229 60 236

HSL 297.61, 0.82%, 0.58%

LAB 57.99, 82.2, -54.24

 

CMYK 3 / 83 / 0 / 1

HEX #F52BFD

RGB 245 43 253

HSL 297.71, 0.98%, 0.58%

LAB 60.1, 91.78, -60.18

 

CMYK 3 / 75 / 0 / 7

HEX #E53CEC

RGB 229 60 236

HSL 297.61, 0.82%, 0.58%

LAB 57.99, 82.2, -54.24

 

CMYK 2 / 65 / 0 / 15

HEX #D54DDA

RGB 213 77 218

HSL 297.87, 0.66%, 0.58%

LAB 56.6, 70.16, -46.46

 

CMYK 2 / 53 / 0 / 21

HEX #C55FC9

RGB 197 95 201

HSL 297.74, 0.5%, 0.58%

LAB 56.36, 55.35, -37.33

 

CMYK 2 / 39 / 0 / 28

HEX #B570B8

RGB 181 112 184

HSL 297.5, 0.34%, 0.58%

LAB 56.95, 38.75, -26.84

 

CMYK 1 / 22 / 0 / 35

HEX #A581A6

RGB 165 129 166

HSL 298.38, 0.17%, 0.58%

LAB 58.46, 20.41, -14.36

 

CMYK 44 / 75 / 0 / 7

HEX #853CEC

RGB 133 60 236

HSL 264.89, 0.82%, 0.58%

LAB 44.62, 65.04, -76.49

 

CMYK 24 / 75 / 0 / 7

HEX #B43CEC

RGB 180 60 236

HSL 280.91, 0.82%, 0.58%

LAB 50.68, 72.95, -66.37

 

CMYK 4 / 75 / 0 / 7

HEX #E33CEC

RGB 227 60 236

HSL 296.93, 0.82%, 0.58%

LAB 57.67, 81.81, -54.75

 

CMYK 0 / 75 / 16 / 7

HEX #EC3CC6

RGB 236 60 198

HSL 312.95, 0.82%, 0.58%

LAB 57.21, 78.13, -33.85

 

CMYK 0 / 75 / 36 / 7

HEX #EC3C97

RGB 236 60 151

HSL 328.98, 0.82%, 0.58%

LAB 55.38, 72.55, -9.31

 

CMYK 4 / 90 / 0 / 24

HEX #BB13C2

RGB 187 19 194

HSL 297.6, 0.82%, 0.42%

LAB 45.53, 76.95, -50.56

 

CMYK 4 / 90 / 0 / 9

HEX #DF17E8

RGB 223 23 232

HSL 297.42, 0.82%, 0.5%

LAB 54.16, 88.15, -58.16

 

CMYK 3 / 75 / 0 / 7

HEX #E53CEC

RGB 229 60 236

HSL 297.61, 0.82%, 0.58%

LAB 57.99, 82.2, -54.24

 

CMYK 2 / 59 / 0 / 6

HEX #EA62EF

RGB 234 98 239

HSL 297.87, 0.82%, 0.66%

LAB 63.72, 70.18, -46.77

 

CMYK 2 / 44 / 0 / 5

HEX #EF87F3

RGB 239 135 243

HSL 297.78, 0.82%, 0.74%

LAB 70.97, 55.07, -37.56

 

CMYK 3 / 75 / 0 / 7

HEX #E53BEC

RGB 229 59 236

HSL 297.63, 0.82%, 0.58%

LAB 57.89, 82.49, -54.39

 

CMYK 0 / 64 / 75 / 7

HEX #EC563C

RGB 236 86 60

HSL 8.86, 0.82%, 0.58%

LAB 56.89, 56.5, 45.47

 

CMYK 75 / 0 / 33 / 7

HEX #3CEC9D

RGB 60 236 157

HSL 153.07, 0.82%, 0.58%

LAB 83.64, -61.34, 26.06

 

CMYK 3 / 75 / 0 / 7

HEX #E53BEC

RGB 229 59 236

HSL 297.63, 0.82%, 0.58%

LAB 57.89, 82.49, -54.39

 

CMYK 0 / 4 / 75 / 7

HEX #ECE33C

RGB 236 227 60

HSL 56.93, 0.82%, 0.58%

LAB 88.49, -14.74, 76.71

 

CMYK 75 / 0 / 4 / 7

HEX #3CECE3

RGB 60 236 227

HSL 176.93, 0.82%, 0.58%

LAB 85.25, -44.64, -8.2

 

CMYK 3 / 75 / 0 / 7

HEX #E53BEC

RGB 229 59 236

HSL 297.63, 0.82%, 0.58%

LAB 57.89, 82.49, -54.39

 

CMYK 0 / 64 / 75 / 7

HEX #EC563C

RGB 236 86 60

HSL 8.86, 0.82%, 0.58%

LAB 56.89, 56.5, 45.47

 

CMYK 71 / 0 / 75 / 7

HEX #45EC3C

RGB 69 236 60

HSL 116.93, 0.82%, 0.58%

LAB 82.69, -73.03, 68.24

 

CMYK 75 / 11 / 0 / 7

HEX #3CD1EC

RGB 60 209 236

HSL 189.2, 0.82%, 0.58%

LAB 77.65, -29.58, -24.42

 

CMYK 3 / 75 / 0 / 7

HEX #E53BEC

RGB 229 59 236

HSL 297.63, 0.82%, 0.58%

LAB 57.89, 82.49, -54.39

 

CMYK 0 / 41 / 75 / 7

HEX #EC8B3C

RGB 236 139 60

HSL 26.93, 0.82%, 0.58%

LAB 66.99, 30.92, 56

 

CMYK 71 / 0 / 75 / 7

HEX #45EC3C

RGB 69 236 60

HSL 116.93, 0.82%, 0.58%

LAB 82.69, -73.03, 68.24

 

CMYK 75 / 33 / 0 / 7

HEX #3C9DEC

RGB 60 157 236

HSL 206.93, 0.82%, 0.58%

LAB 62.62, -2.03, -47.76

 

Description

Color code: HEX #E53BEC | qconv.com Color code: HEX #E53BEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 59 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 59 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 75 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 75% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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