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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53978 it is the complementary color #1AC687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E53978 shade: #EA3973, #FB4B86, #FF5D99, #FF6FAC and #FF81BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E53978 shade: #E53978, #D42765, #C31552, #B2033F and #A1002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E53978 shade: #E53878, #E53849 and #E53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E53978 shade: #E53878, #E538A6, #E538D5, #C738E5 and #9838E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E53978 shade matches the following richer shades: #E53878 and #F72673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E53978 shade: #E53878, #D34B7D, #C15D81, #AF6F86 and #9D818B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E53978 shade: #E538D4, #E538A6, #E53878, #E5384A and #E55538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E53978 shade: #B41751, #D81C61, #E53878, #EA5D91 and #EF81A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E53978 shade: #E53978, #E5C838 and #38BDE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E53978 shade: #E53978, #78E538 and #3878E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E53978 shade: #E53978, #E5C838, #38E5A6 and #3855E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E53978 shade: #E53978, #CEE538, #38E5A6 and #4F38E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 48 / 10

HEX #E53978

RGB 229 57 120

HSL 338.02, 0.77%, 0.56%

LAB 52.88, 68.71, 5.36

 

Complementary color

CMYK 87 / 0 / 32 / 22

HEX #1AC687

RGB 26 198 135

HSL 158.02, 0.77%, 0.44%

LAB 71.12, -55.17, 20.38

 

CMYK 0 / 76 / 51 / 8

HEX #EA3973

RGB 234 57 115

HSL 340.34, 0.81%, 0.57%

LAB 53.66, 69.66, 9.59

 

CMYK 0 / 70 / 47 / 2

HEX #FB4B86

RGB 251 75 134

HSL 339.89, 0.96%, 0.64%

LAB 59.22, 70.06, 6.63

 

CMYK 0 / 64 / 40 / 0

HEX #FF5D99

RGB 255 93 153

HSL 337.78, 1%, 0.68%

LAB 62.83, 66.24, 0.89

 

CMYK 0 / 56 / 33 / 0

HEX #FF6FAC

RGB 255 111 172

HSL 334.58, 1%, 0.72%

LAB 66.22, 60.67, -5.02

 

CMYK 0 / 49 / 25 / 0

HEX #FF81BF

RGB 255 129 191

HSL 330.48, 1%, 0.75%

LAB 69.98, 54.69, -10.13

 

CMYK 0 / 75 / 48 / 10

HEX #E53978

RGB 229 57 120

HSL 338.02, 0.77%, 0.56%

LAB 52.88, 68.71, 5.36

 

CMYK 0 / 82 / 52 / 17

HEX #D42765

RGB 212 39 101

HSL 338.5, 0.69%, 0.49%

LAB 47.48, 67.67, 8.79

 

CMYK 0 / 89 / 58 / 24

HEX #C31552

RGB 195 21 82

HSL 338.97, 0.81%, 0.42%

LAB 42.38, 65.69, 13.01

 

CMYK 0 / 98 / 65 / 30

HEX #B2033F

RGB 178 3 63

HSL 339.43, 0.97%, 0.35%

LAB 37.64, 62.62, 18.13

 

CMYK 0 / 100 / 73 / 37

HEX #A1002C

RGB 161 0 44

HSL 343.6, 1%, 0.32%

LAB 33.48, 57.86, 24.35

 

CMYK 0 / 76 / 48 / 10

HEX #E53878

RGB 229 56 120

HSL 337.8, 0.77%, 0.56%

LAB 52.78, 69.02, 5.2

 

CMYK 0 / 76 / 68 / 10

HEX #E53849

RGB 229 56 73

HSL 354.1, 0.77%, 0.56%

LAB 51.8, 65.9, 32.04

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 0 / 76 / 48 / 10

HEX #E53878

RGB 229 56 120

HSL 337.8, 0.77%, 0.56%

LAB 52.78, 69.02, 5.2

 

CMYK 0 / 76 / 28 / 10

HEX #E538A6

RGB 229 56 166

HSL 321.85, 0.77%, 0.56%

LAB 54.28, 73.66, -19.92

 

CMYK 0 / 76 / 7 / 10

HEX #E538D5

RGB 229 56 213

HSL 305.55, 0.77%, 0.56%

LAB 56.38, 79.84, -43.81

 

CMYK 13 / 76 / 0 / 10

HEX #C738E5

RGB 199 56 229

HSL 289.6, 0.77%, 0.56%

LAB 52.54, 76.47, -59.28

 

CMYK 34 / 76 / 0 / 10

HEX #9838E5

RGB 152 56 229

HSL 273.29, 0.77%, 0.56%

LAB 45.85, 68.07, -70.42

 

CMYK 0 / 76 / 48 / 10

HEX #E53878

RGB 229 56 120

HSL 337.8, 0.77%, 0.56%

LAB 52.78, 69.02, 5.2

 

CMYK 0 / 85 / 53 / 3

HEX #F72673

RGB 247 38 115

HSL 337.89, 0.93%, 0.56%

LAB 54.45, 77.63, 11.04

 

CMYK 0 / 76 / 48 / 10

HEX #E53878

RGB 229 56 120

HSL 337.8, 0.77%, 0.56%

LAB 52.78, 69.02, 5.2

 

CMYK 0 / 64 / 41 / 17

HEX #D34B7D

RGB 211 75 125

HSL 337.94, 0.61%, 0.56%

LAB 52.24, 57.56, 1.04

 

CMYK 0 / 52 / 33 / 24

HEX #C15D81

RGB 193 93 129

HSL 338.4, 0.45%, 0.56%

LAB 52.68, 43.92, -1.05

 

CMYK 0 / 37 / 23 / 31

HEX #AF6F86

RGB 175 111 134

HSL 338.44, 0.29%, 0.56%

LAB 54.24, 28.6, -1.98

 

CMYK 0 / 18 / 11 / 38

HEX #9D818B

RGB 157 129 139

HSL 338.57, 0.13%, 0.56%

LAB 56.81, 12.44, -1.35

 

CMYK 0 / 76 / 7 / 10

HEX #E538D4

RGB 229 56 212

HSL 305.9, 0.77%, 0.56%

LAB 56.33, 79.7, -43.32

 

CMYK 0 / 76 / 28 / 10

HEX #E538A6

RGB 229 56 166

HSL 321.85, 0.77%, 0.56%

LAB 54.28, 73.66, -19.92

 

CMYK 0 / 76 / 48 / 10

HEX #E53878

RGB 229 56 120

HSL 337.8, 0.77%, 0.56%

LAB 52.78, 69.02, 5.2

 

CMYK 0 / 76 / 68 / 10

HEX #E5384A

RGB 229 56 74

HSL 353.76, 0.77%, 0.56%

LAB 51.82, 65.95, 31.47

 

CMYK 0 / 63 / 76 / 10

HEX #E55538

RGB 229 85 56

HSL 10.06, 0.77%, 0.56%

LAB 55.52, 54.39, 45.74

 

CMYK 0 / 87 / 55 / 29

HEX #B41751

RGB 180 23 81

HSL 337.83, 0.77%, 0.4%

LAB 39.43, 61.49, 9.08

 

CMYK 0 / 87 / 55 / 15

HEX #D81C61

RGB 216 28 97

HSL 337.98, 0.77%, 0.48%

LAB 47.36, 70.69, 11.19

 

CMYK 0 / 76 / 48 / 10

HEX #E53878

RGB 229 56 120

HSL 337.8, 0.77%, 0.56%

LAB 52.78, 69.02, 5.2

 

CMYK 0 / 60 / 38 / 8

HEX #EA5D91

RGB 234 93 145

HSL 337.87, 0.77%, 0.64%

LAB 59.31, 59.09, -0.01

 

CMYK 0 / 46 / 29 / 6

HEX #EF81A9

RGB 239 129 169

HSL 338.18, 0.77%, 0.72%

LAB 67.21, 46.58, -2.11

 

CMYK 0 / 75 / 48 / 10

HEX #E53978

RGB 229 57 120

HSL 338.02, 0.77%, 0.56%

LAB 52.88, 68.71, 5.36

 

CMYK 0 / 13 / 76 / 10

HEX #E5C838

RGB 229 200 56

HSL 49.94, 0.77%, 0.56%

LAB 80.88, -4.28, 70.73

 

CMYK 76 / 17 / 0 / 10

HEX #38BDE5

RGB 56 189 229

HSL 193.87, 0.77%, 0.56%

LAB 71.48, -22.24, -30.1

 

CMYK 0 / 75 / 48 / 10

HEX #E53978

RGB 229 57 120

HSL 338.02, 0.77%, 0.56%

LAB 52.88, 68.71, 5.36

 

CMYK 48 / 0 / 76 / 10

HEX #78E538

RGB 120 229 56

HSL 97.8, 0.77%, 0.56%

LAB 82.01, -59.1, 69.35

 

CMYK 76 / 48 / 0 / 10

HEX #3878E5

RGB 56 120 229

HSL 217.8, 0.77%, 0.56%

LAB 51.76, 17.19, -61.2

 

CMYK 0 / 75 / 48 / 10

HEX #E53978

RGB 229 57 120

HSL 338.02, 0.77%, 0.56%

LAB 52.88, 68.71, 5.36

 

CMYK 0 / 13 / 76 / 10

HEX #E5C838

RGB 229 200 56

HSL 49.94, 0.77%, 0.56%

LAB 80.88, -4.28, 70.73

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A6

RGB 56 229 166

HSL 158.15, 0.77%, 0.56%

LAB 81.64, -57.31, 18.64

 

CMYK 76 / 63 / 0 / 10

HEX #3855E5

RGB 56 85 229

HSL 229.94, 0.77%, 0.56%

LAB 42.76, 39.21, -75.82

 

CMYK 0 / 75 / 48 / 10

HEX #E53978

RGB 229 57 120

HSL 338.02, 0.77%, 0.56%

LAB 52.88, 68.71, 5.36

 

CMYK 10 / 0 / 76 / 10

HEX #CEE538

RGB 206 229 56

HSL 67.98, 0.77%, 0.56%

LAB 86.72, -28.19, 75.47

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A6

RGB 56 229 166

HSL 158.15, 0.77%, 0.56%

LAB 81.64, -57.31, 18.64

 

CMYK 66 / 76 / 0 / 10

HEX #4F38E5

RGB 79 56 229

HSL 247.98, 0.77%, 0.56%

LAB 38.11, 58.01, -83.42

 

Description

Color code: HEX #E53978 | qconv.com Color code: HEX #E53978 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 57 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 57 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 48 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 48% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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