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Color name
HEX #E52FCC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E52FCC it is the complementary color #1AD033. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E52FCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E52FCC shade: #EA2FC7, #FB41DA, #FF53ED, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E52FCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E52FCC shade: #E52FCC, #D41DB9, #C30BA6, #B20093 and #A10080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E52FCC shade: #E52ECC, #E52E9B, #E52E69, #E52E38 and #E52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E52FCC shade: #E52ECC, #CD2EE5, #9C2EE5, #6A2EE5 and #392EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E52FCC shade matches the following richer shades: #E52ECC and #F81BDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E52FCC shade: #E52ECC, #D241BE, #BF54B1, #AC67A3 and #997A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E52FCC shade: #9C2EE5, #CD2EE5, #E52ECD, #E52E9C and #E52E6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E52FCC shade: #AC1597, #D01AB7, #E52ECC, #EA53D5 and #EE78DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E52FCC shade: #E52FCC, #E56B2E and #2EE5B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E52FCC shade: #E52FCC, #CDE52E and #2ECDE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E52FCC shade: #E52FCC, #E56B2E, #2EE547 and #2EA8E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E52FCC shade: #E52FCC, #E5A22E, #2EE547 and #2E71E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 11 / 10

HEX #E52FCC

RGB 229 47 204

HSL 308.24, 0.78%, 0.54%

LAB 55.12, 80.89, -40.65

 

Complementary color

CMYK 88 / 0 / 75 / 18

HEX #1AD033

RGB 26 208 51

HSL 128.24, 0.78%, 0.46%

LAB 73.27, -70.59, 61.66

 

CMYK 0 / 80 / 15 / 8

HEX #EA2FC7

RGB 234 47 199

HSL 311.23, 0.82%, 0.55%

LAB 55.73, 81.24, -36.76

 

CMYK 0 / 74 / 13 / 2

HEX #FB41DA

RGB 251 65 218

HSL 310.65, 0.96%, 0.62%

LAB 61.09, 82.67, -38.98

 

CMYK 0 / 67 / 7 / 0

HEX #FF53ED

RGB 255 83 237

HSL 306.28, 1%, 0.66%

LAB 64.61, 80.54, -44.05

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 79 / 11 / 10

HEX #E52FCC

RGB 229 47 204

HSL 308.24, 0.78%, 0.54%

LAB 55.12, 80.89, -40.65

 

CMYK 0 / 86 / 13 / 17

HEX #D41DB9

RGB 212 29 185

HSL 308.85, 0.76%, 0.47%

LAB 49.95, 78.65, -38.01

 

CMYK 0 / 94 / 15 / 24

HEX #C30BA6

RGB 195 11 166

HSL 309.46, 0.89%, 0.4%

LAB 45.07, 75.31, -34.69

 

CMYK 0 / 100 / 17 / 30

HEX #B20093

RGB 178 0 147

HSL 310.45, 1%, 0.35%

LAB 40.53, 70.73, -30.61

 

CMYK 0 / 100 / 20 / 37

HEX #A10080

RGB 161 0 128

HSL 312.3, 1%, 0.32%

LAB 36.24, 65.07, -25.85

 

CMYK 0 / 80 / 11 / 10

HEX #E52ECC

RGB 229 46 204

HSL 308.2, 0.78%, 0.54%

LAB 55.04, 81.12, -40.78

 

CMYK 0 / 80 / 32 / 10

HEX #E52E9B

RGB 229 46 155

HSL 324.26, 0.78%, 0.54%

LAB 52.93, 75.11, -15.5

 

CMYK 0 / 80 / 54 / 10

HEX #E52E69

RGB 229 46 105

HSL 340.66, 0.78%, 0.54%

LAB 51.42, 70.63, 12.34

 

CMYK 0 / 80 / 76 / 10

HEX #E52E38

RGB 229 46 56

HSL 356.72, 0.78%, 0.54%

LAB 50.57, 68.02, 40.41

 

CMYK 0 / 80 / 80 / 10

HEX #E52E2E

RGB 229 46 46

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

 

CMYK 0 / 80 / 11 / 10

HEX #E52ECC

RGB 229 46 204

HSL 308.2, 0.78%, 0.54%

LAB 55.04, 81.12, -40.78

 

CMYK 10 / 80 / 0 / 10

HEX #CD2EE5

RGB 205 46 229

HSL 292.13, 0.78%, 0.54%

LAB 52.5, 80.37, -59.29

 

CMYK 32 / 80 / 0 / 10

HEX #9C2EE5

RGB 156 46 229

HSL 276.07, 0.78%, 0.54%

LAB 45.19, 72.19, -71.47

 

CMYK 54 / 80 / 0 / 10

HEX #6A2EE5

RGB 106 46 229

HSL 259.67, 0.78%, 0.54%

LAB 39.03, 65.39, -81.82

 

CMYK 75 / 80 / 0 / 10

HEX #392EE5

RGB 57 46 229

HSL 243.61, 0.78%, 0.54%

LAB 34.97, 60.97, -88.66

 

CMYK 0 / 80 / 11 / 10

HEX #E52ECC

RGB 229 46 204

HSL 308.2, 0.78%, 0.54%

LAB 55.04, 81.12, -40.78

 

CMYK 0 / 89 / 12 / 3

HEX #F81BDA

RGB 248 27 218

HSL 308.14, 0.94%, 0.54%

LAB 57.85, 89.99, -44.11

 

CMYK 0 / 80 / 11 / 10

HEX #E52ECC

RGB 229 46 204

HSL 308.2, 0.78%, 0.54%

LAB 55.04, 81.12, -40.78

 

CMYK 0 / 69 / 10 / 18

HEX #D241BE

RGB 210 65 190

HSL 308.28, 0.62%, 0.54%

LAB 53.17, 69.44, -35.88

 

CMYK 0 / 56 / 7 / 25

HEX #BF54B1

RGB 191 84 177

HSL 307.85, 0.46%, 0.54%

LAB 52.5, 54.71, -29.59

 

CMYK 0 / 40 / 5 / 33

HEX #AC67A3

RGB 172 103 163

HSL 307.83, 0.29%, 0.54%

LAB 53.08, 36.82, -20.75

 

CMYK 0 / 20 / 3 / 40

HEX #997A95

RGB 153 122 149

HSL 307.74, 0.13%, 0.54%

LAB 54.93, 16.84, -9.99

 

CMYK 32 / 80 / 0 / 10

HEX #9C2EE5

RGB 156 46 229

HSL 276.07, 0.78%, 0.54%

LAB 45.19, 72.19, -71.47

 

CMYK 10 / 80 / 0 / 10

HEX #CD2EE5

RGB 205 46 229

HSL 292.13, 0.78%, 0.54%

LAB 52.5, 80.37, -59.29

 

CMYK 0 / 80 / 10 / 10

HEX #E52ECD

RGB 229 46 205

HSL 307.87, 0.78%, 0.54%

LAB 55.09, 81.26, -41.27

 

CMYK 0 / 80 / 32 / 10

HEX #E52E9C

RGB 229 46 156

HSL 323.93, 0.78%, 0.54%

LAB 52.96, 75.21, -16.03

 

CMYK 0 / 80 / 53 / 10

HEX #E52E6B

RGB 229 46 107

HSL 340, 0.78%, 0.54%

LAB 51.47, 70.77, 11.19

 

CMYK 0 / 88 / 12 / 33

HEX #AC1597

RGB 172 21 151

HSL 308.34, 0.78%, 0.38%

LAB 40.48, 67.54, -33.2

 

CMYK 0 / 88 / 12 / 18

HEX #D01AB7

RGB 208 26 183

HSL 308.24, 0.78%, 0.46%

LAB 48.97, 78.11, -38.44

 

CMYK 0 / 80 / 11 / 10

HEX #E52ECC

RGB 229 46 204

HSL 308.2, 0.78%, 0.54%

LAB 55.04, 81.12, -40.78

 

CMYK 0 / 65 / 9 / 8

HEX #EA53D5

RGB 234 83 213

HSL 308.34, 0.78%, 0.62%

LAB 60.32, 72.04, -37.55

 

CMYK 0 / 50 / 7 / 7

HEX #EE78DE

RGB 238 120 222

HSL 308.14, 0.78%, 0.7%

LAB 67.19, 58.49, -31.87

 

CMYK 0 / 79 / 11 / 10

HEX #E52FCC

RGB 229 47 204

HSL 308.24, 0.78%, 0.54%

LAB 55.12, 80.89, -40.65

 

CMYK 0 / 53 / 80 / 10

HEX #E56B2E

RGB 229 107 46

HSL 20, 0.78%, 0.54%

LAB 59.32, 43.91, 54.34

 

CMYK 80 / 0 / 21 / 10

HEX #2EE5B4

RGB 46 229 180

HSL 163.93, 0.78%, 0.54%

LAB 81.79, -55.17, 11.5

 

CMYK 0 / 79 / 11 / 10

HEX #E52FCC

RGB 229 47 204

HSL 308.24, 0.78%, 0.54%

LAB 55.12, 80.89, -40.65

 

CMYK 10 / 0 / 80 / 10

HEX #CDE52E

RGB 205 229 46

HSL 67.87, 0.78%, 0.54%

LAB 86.61, -28.97, 78.14

 

CMYK 80 / 10 / 0 / 10

HEX #2ECDE5

RGB 46 205 229

HSL 187.87, 0.78%, 0.54%

LAB 76.01, -31.17, -23.18

 

CMYK 0 / 79 / 11 / 10

HEX #E52FCC

RGB 229 47 204

HSL 308.24, 0.78%, 0.54%

LAB 55.12, 80.89, -40.65

 

CMYK 0 / 53 / 80 / 10

HEX #E56B2E

RGB 229 107 46

HSL 20, 0.78%, 0.54%

LAB 59.32, 43.91, 54.34

 

CMYK 80 / 0 / 69 / 10

HEX #2EE547

RGB 46 229 71

HSL 128.2, 0.78%, 0.54%

LAB 80.22, -73.25, 61.74

 

CMYK 80 / 27 / 0 / 10

HEX #2EA8E5

RGB 46 168 229

HSL 200, 0.78%, 0.54%

LAB 65.16, -12.15, -39.94

 

CMYK 0 / 79 / 11 / 10

HEX #E52FCC

RGB 229 47 204

HSL 308.24, 0.78%, 0.54%

LAB 55.12, 80.89, -40.65

 

CMYK 0 / 29 / 80 / 10

HEX #E5A22E

RGB 229 162 46

HSL 38.03, 0.78%, 0.54%

LAB 71.35, 15.28, 65.41

 

CMYK 80 / 0 / 69 / 10

HEX #2EE547

RGB 46 229 71

HSL 128.2, 0.78%, 0.54%

LAB 80.22, -73.25, 61.74

 

CMYK 80 / 51 / 0 / 10

HEX #2E71E5

RGB 46 113 229

HSL 218.03, 0.78%, 0.54%

LAB 49.55, 20.54, -64.77

 

Description

Color code: HEX #E52FCC | qconv.com Color code: HEX #E52FCC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 47 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 47 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 11 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 11% 10% C M Y K

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