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Color name
HEX #E52BAC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E52BAC it is the complementary color #1AD453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E52BAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E52BAC shade: #EA2BA7, #FB3DBA, #FF4FCD, #FF61E0 and #FF73F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E52BAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E52BAC shade: #E52BAC, #D41999, #C30786, #B20073 and #A10060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E52BAC shade: #E52AAB, #E52A79, #E52A46 and #E52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E52BAC shade: #E52AAB, #E52ADE, #B92AE5, #872AE5 and #542AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E52BAC shade matches the following richer shades: #E52AAB and #F816B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E52BAC shade: #E52AAB, #D13DA4, #BE509C, #AA6495 and #97778D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E52BAC shade: #B92AE5, #E52ADE, #E52AAD, #E52A7B and #E52A49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E52BAC shade: #A7157A, #CC1995, #E52AAB, #E94EBA and #EE73C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E52BAC shade: #E52BAC, #E5872A and #2AE5D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E52BAC shade: #E52BAC, #ADE52A and #2AADE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E52BAC shade: #E52BAC, #E5872A, #2AE562 and #2A87E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E52BAC shade: #E52BAC, #E5BF2A, #2AE562 and #2A4FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 25 / 10

HEX #E52BAC

RGB 229 43 172

HSL 318.39, 0.78%, 0.53%

LAB 53.35, 77.73, -24.88

 

Complementary color

CMYK 88 / 0 / 61 / 17

HEX #1AD453

RGB 26 212 83

HSL 138.39, 0.78%, 0.47%

LAB 74.78, -68.69, 50.78

 

CMYK 0 / 82 / 29 / 8

HEX #EA2BA7

RGB 234 43 167

HSL 321.05, 0.82%, 0.54%

LAB 54.04, 78.26, -20.8

 

CMYK 0 / 76 / 26 / 2

HEX #FB3DBA

RGB 251 61 186

HSL 320.53, 0.96%, 0.61%

LAB 59.34, 79.75, -23.47

 

CMYK 0 / 69 / 20 / 0

HEX #FF4FCD

RGB 255 79 205

HSL 317.05, 1%, 0.65%

LAB 62.73, 77.46, -29.04

 

CMYK 0 / 62 / 12 / 0

HEX #FF61E0

RGB 255 97 224

HSL 311.77, 1%, 0.69%

LAB 65.9, 73.44, -34.8

 

CMYK 0 / 55 / 5 / 0

HEX #FF73F3

RGB 255 115 243

HSL 305.14, 1%, 0.73%

LAB 69.46, 68.83, -39.76

 

CMYK 0 / 81 / 25 / 10

HEX #E52BAC

RGB 229 43 172

HSL 318.39, 0.78%, 0.53%

LAB 53.35, 77.73, -24.88

 

CMYK 0 / 88 / 28 / 17

HEX #D41999

RGB 212 25 153

HSL 318.93, 0.79%, 0.46%

LAB 48.25, 75.36, -21.73

 

CMYK 0 / 96 / 31 / 24

HEX #C30786

RGB 195 7 134

HSL 319.47, 0.93%, 0.4%

LAB 43.47, 71.88, -17.84

 

CMYK 0 / 100 / 35 / 30

HEX #B20073

RGB 178 0 115

HSL 321.24, 1%, 0.35%

LAB 39.08, 67.04, -13.06

 

CMYK 0 / 100 / 40 / 37

HEX #A10060

RGB 161 0 96

HSL 324.22, 1%, 0.32%

LAB 34.85, 61.49, -7.7

 

CMYK 0 / 82 / 25 / 10

HEX #E52AAB

RGB 229 42 171

HSL 318.61, 0.78%, 0.53%

LAB 53.23, 77.83, -24.47

 

CMYK 0 / 82 / 47 / 10

HEX #E52A79

RGB 229 42 121

HSL 334.65, 0.78%, 0.53%

LAB 51.49, 72.83, 2.74

 

CMYK 0 / 82 / 69 / 10

HEX #E52A46

RGB 229 42 70

HSL 351.02, 0.78%, 0.53%

LAB 50.4, 69.58, 32.1

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 0 / 82 / 25 / 10

HEX #E52AAB

RGB 229 42 171

HSL 318.61, 0.78%, 0.53%

LAB 53.23, 77.83, -24.47

 

CMYK 0 / 82 / 3 / 10

HEX #E52ADE

RGB 229 42 222

HSL 302.25, 0.78%, 0.53%

LAB 55.67, 84.55, -50.04

 

CMYK 19 / 82 / 0 / 10

HEX #B92AE5

RGB 185 42 229

HSL 285.88, 0.78%, 0.53%

LAB 49.04, 77.96, -65.03

 

CMYK 41 / 82 / 0 / 10

HEX #872AE5

RGB 135 42 229

HSL 269.84, 0.78%, 0.53%

LAB 41.94, 70.44, -76.9

 

CMYK 63 / 82 / 0 / 10

HEX #542AE5

RGB 84 42 229

HSL 253.48, 0.78%, 0.53%

LAB 36.36, 64.73, -86.29

 

CMYK 0 / 82 / 25 / 10

HEX #E52AAB

RGB 229 42 171

HSL 318.61, 0.78%, 0.53%

LAB 53.23, 77.83, -24.47

 

CMYK 0 / 91 / 28 / 3

HEX #F816B3

RGB 248 22 179

HSL 318.32, 0.94%, 0.53%

LAB 55.87, 85.97, -24.79

 

CMYK 0 / 82 / 25 / 10

HEX #E52AAB

RGB 229 42 171

HSL 318.61, 0.78%, 0.53%

LAB 53.23, 77.83, -24.47

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA4

RGB 209 61 164

HSL 318.24, 0.62%, 0.53%

LAB 51.35, 66.93, -23.53

 

CMYK 0 / 58 / 18 / 25

HEX #BE509C

RGB 190 80 156

HSL 318.55, 0.46%, 0.53%

LAB 50.79, 52.96, -19.94

 

CMYK 0 / 41 / 12 / 33

HEX #AA6495

RGB 170 100 149

HSL 318, 0.29%, 0.53%

LAB 51.64, 35.31, -14.75

 

CMYK 0 / 21 / 7 / 41

HEX #97778D

RGB 151 119 141

HSL 318.75, 0.13%, 0.53%

LAB 53.7, 16.32, -7.18

 

CMYK 19 / 82 / 0 / 10

HEX #B92AE5

RGB 185 42 229

HSL 285.88, 0.78%, 0.53%

LAB 49.04, 77.96, -65.03

 

CMYK 0 / 82 / 3 / 10

HEX #E52ADE

RGB 229 42 222

HSL 302.25, 0.78%, 0.53%

LAB 55.67, 84.55, -50.04

 

CMYK 0 / 82 / 24 / 10

HEX #E52AAD

RGB 229 42 173

HSL 317.97, 0.78%, 0.53%

LAB 53.31, 78.07, -25.52

 

CMYK 0 / 82 / 46 / 10

HEX #E52A7B

RGB 229 42 123

HSL 334.01, 0.78%, 0.53%

LAB 51.55, 73, 1.62

 

CMYK 0 / 82 / 68 / 10

HEX #E52A49

RGB 229 42 73

HSL 350.05, 0.78%, 0.53%

LAB 50.45, 69.72, 30.38

 

CMYK 0 / 87 / 27 / 35

HEX #A7157A

RGB 167 21 122

HSL 318.49, 0.78%, 0.37%

LAB 38.12, 62.7, -19.1

 

CMYK 0 / 88 / 27 / 20

HEX #CC1995

RGB 204 25 149

HSL 318.44, 0.78%, 0.45%

LAB 46.58, 73.21, -22.02

 

CMYK 0 / 82 / 25 / 10

HEX #E52AAB

RGB 229 42 171

HSL 318.61, 0.78%, 0.53%

LAB 53.23, 77.83, -24.47

 

CMYK 0 / 67 / 20 / 9

HEX #E94EBA

RGB 233 78 186

HSL 318.19, 0.78%, 0.61%

LAB 58.34, 69.83, -25.26

 

CMYK 0 / 52 / 16 / 7

HEX #EE73C8

RGB 238 115 200

HSL 318.54, 0.78%, 0.69%

LAB 65.44, 57.41, -22.26

 

CMYK 0 / 81 / 25 / 10

HEX #E52BAC

RGB 229 43 172

HSL 318.39, 0.78%, 0.53%

LAB 53.35, 77.73, -24.88

 

CMYK 0 / 41 / 82 / 10

HEX #E5872A

RGB 229 135 42

HSL 29.84, 0.78%, 0.53%

LAB 65.08, 29.5, 61.23

 

CMYK 82 / 0 / 8 / 10

HEX #2AE5D2

RGB 42 229 210

HSL 173.9, 0.78%, 0.53%

LAB 82.48, -47.89, -3.35

 

CMYK 0 / 81 / 25 / 10

HEX #E52BAC

RGB 229 43 172

HSL 318.39, 0.78%, 0.53%

LAB 53.35, 77.73, -24.88

 

CMYK 24 / 0 / 82 / 10

HEX #ADE52A

RGB 173 229 42

HSL 77.97, 0.78%, 0.53%

LAB 84.53, -41.69, 76.52

 

CMYK 82 / 24 / 0 / 10

HEX #2AADE5

RGB 42 173 229

HSL 197.97, 0.78%, 0.53%

LAB 66.55, -15.22, -37.77

 

CMYK 0 / 81 / 25 / 10

HEX #E52BAC

RGB 229 43 172

HSL 318.39, 0.78%, 0.53%

LAB 53.35, 77.73, -24.88

 

CMYK 0 / 41 / 82 / 10

HEX #E5872A

RGB 229 135 42

HSL 29.84, 0.78%, 0.53%

LAB 65.08, 29.5, 61.23

 

CMYK 82 / 0 / 57 / 10

HEX #2AE562

RGB 42 229 98

HSL 137.97, 0.78%, 0.53%

LAB 80.41, -70.73, 50.68

 

CMYK 82 / 41 / 0 / 10

HEX #2A87E5

RGB 42 135 229

HSL 210.16, 0.78%, 0.53%

LAB 55.56, 6.53, -55.12

 

CMYK 0 / 81 / 25 / 10

HEX #E52BAC

RGB 229 43 172

HSL 318.39, 0.78%, 0.53%

LAB 53.35, 77.73, -24.88

 

CMYK 0 / 17 / 82 / 10

HEX #E5BF2A

RGB 229 191 42

HSL 47.81, 0.78%, 0.53%

LAB 78.51, -0.12, 72.95

 

CMYK 82 / 0 / 57 / 10

HEX #2AE562

RGB 42 229 98

HSL 137.97, 0.78%, 0.53%

LAB 80.41, -70.73, 50.68

 

CMYK 82 / 66 / 0 / 10

HEX #2A4FE5

RGB 42 79 229

HSL 228.13, 0.78%, 0.53%

LAB 40.8, 41.73, -79.05

 

Description

Color code: HEX #E52BAC | qconv.com Color code: HEX #E52BAC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 43 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 43 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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