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Color name
HEX #E52B98

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E52B98 it is the complementary color #1AD467. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E52B98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E52B98 shade: #EA2B93, #FB3DA6, #FF4FB9, #FF61CC and #FF73DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E52B98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E52B98 shade: #E52B98, #D41985, #C30772, #B2005F and #A1004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E52B98 shade: #E52A97, #E52A65, #E52A32 and #E52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E52B98 shade: #E52A97, #E52ACA, #CD2AE5, #9B2AE5 and #682AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E52B98 shade matches the following richer shades: #E52A97 and #F8169B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E52B98 shade: #E52A97, #D13D94, #BE5091, #AA648D and #97778A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E52B98 shade: #CC2AE5, #E52ACC, #E52A9A, #E52A68 and #E52A36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E52B98 shade: #A7156A, #CC1982, #E52A97, #E94EA9 and #EE73BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E52B98 shade: #E52B98, #E59A2A and #2AE5E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E52B98 shade: #E52B98, #9AE52A and #2A9AE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E52B98 shade: #E52B98, #E59A2A, #2AE574 and #2A74E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E52B98 shade: #E52B98, #E5D22A, #2AE574 and #2A3CE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 34 / 10

HEX #E52B98

RGB 229 43 152

HSL 324.84, 0.78%, 0.53%

LAB 52.57, 75.5, -14.26

 

Complementary color

CMYK 88 / 0 / 51 / 17

HEX #1AD467

RGB 26 212 103

HSL 144.84, 0.78%, 0.47%

LAB 75, -65.96, 41.79

 

CMYK 0 / 82 / 37 / 8

HEX #EA2B93

RGB 234 43 147

HSL 327.33, 0.82%, 0.54%

LAB 53.31, 76.16, -10.08

 

CMYK 0 / 76 / 34 / 2

HEX #FB3DA6

RGB 251 61 166

HSL 326.84, 0.96%, 0.61%

LAB 58.6, 77.54, -13

 

CMYK 0 / 69 / 27 / 0

HEX #FF4FB9

RGB 255 79 185

HSL 323.86, 1%, 0.65%

LAB 61.96, 74.98, -18.83

 

CMYK 0 / 62 / 20 / 0

HEX #FF61CC

RGB 255 97 204

HSL 319.37, 1%, 0.69%

LAB 65.1, 70.64, -24.83

 

CMYK 0 / 55 / 13 / 0

HEX #FF73DF

RGB 255 115 223

HSL 313.71, 1%, 0.73%

LAB 68.64, 65.72, -30

 

CMYK 0 / 81 / 34 / 10

HEX #E52B98

RGB 229 43 152

HSL 324.84, 0.78%, 0.53%

LAB 52.57, 75.5, -14.26

 

CMYK 0 / 88 / 37 / 17

HEX #D41985

RGB 212 25 133

HSL 325.35, 0.79%, 0.46%

LAB 47.48, 73.26, -10.83

 

CMYK 0 / 96 / 42 / 24

HEX #C30772

RGB 195 7 114

HSL 325.85, 0.93%, 0.4%

LAB 42.72, 69.89, -6.61

 

CMYK 0 / 100 / 47 / 30

HEX #B2005F

RGB 178 0 95

HSL 327.98, 1%, 0.35%

LAB 38.36, 65.18, -1.46

 

CMYK 0 / 100 / 53 / 37

HEX #A1004C

RGB 161 0 76

HSL 331.68, 1%, 0.32%

LAB 34.19, 59.76, 4.34

 

CMYK 0 / 82 / 34 / 10

HEX #E52A97

RGB 229 42 151

HSL 325.03, 0.78%, 0.53%

LAB 52.45, 75.63, -13.84

 

CMYK 0 / 82 / 56 / 10

HEX #E52A65

RGB 229 42 101

HSL 341.07, 0.78%, 0.53%

LAB 50.98, 71.33, 14.16

 

CMYK 0 / 82 / 78 / 10

HEX #E52A32

RGB 229 42 50

HSL 357.43, 0.78%, 0.53%

LAB 50.15, 68.82, 43.3

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 0 / 82 / 34 / 10

HEX #E52A97

RGB 229 42 151

HSL 325.03, 0.78%, 0.53%

LAB 52.45, 75.63, -13.84

 

CMYK 0 / 82 / 12 / 10

HEX #E52ACA

RGB 229 42 202

HSL 308.66, 0.78%, 0.53%

LAB 54.64, 81.75, -40.27

 

CMYK 10 / 82 / 0 / 10

HEX #CD2AE5

RGB 205 42 229

HSL 292.3, 0.78%, 0.53%

LAB 52.17, 81.34, -59.83

 

CMYK 32 / 82 / 0 / 10

HEX #9B2AE5

RGB 155 42 229

HSL 276.26, 0.78%, 0.53%

LAB 44.63, 73.26, -72.39

 

CMYK 55 / 82 / 0 / 10

HEX #682AE5

RGB 104 42 229

HSL 259.89, 0.78%, 0.53%

LAB 38.3, 66.68, -83.03

 

CMYK 0 / 82 / 34 / 10

HEX #E52A97

RGB 229 42 151

HSL 325.03, 0.78%, 0.53%

LAB 52.45, 75.63, -13.84

 

CMYK 0 / 91 / 38 / 3

HEX #F8169B

RGB 248 22 155

HSL 324.69, 0.94%, 0.53%

LAB 54.97, 83.56, -12.07

 

CMYK 0 / 82 / 34 / 10

HEX #E52A97

RGB 229 42 151

HSL 325.03, 0.78%, 0.53%

LAB 52.45, 75.63, -13.84

 

CMYK 0 / 71 / 29 / 18

HEX #D13D94

RGB 209 61 148

HSL 324.73, 0.62%, 0.53%

LAB 50.72, 64.91, -15.01

 

CMYK 0 / 58 / 24 / 25

HEX #BE5091

RGB 190 80 145

HSL 324.55, 0.46%, 0.53%

LAB 50.37, 51.36, -14.05

 

CMYK 0 / 41 / 17 / 33

HEX #AA648D

RGB 170 100 141

HSL 324.86, 0.29%, 0.53%

LAB 51.36, 33.98, -10.45

 

CMYK 0 / 21 / 9 / 41

HEX #97778A

RGB 151 119 138

HSL 324.38, 0.13%, 0.53%

LAB 53.61, 15.76, -5.56

 

CMYK 11 / 82 / 0 / 10

HEX #CC2AE5

RGB 204 42 229

HSL 291.98, 0.78%, 0.53%

LAB 52.01, 81.16, -60.09

 

CMYK 0 / 82 / 11 / 10

HEX #E52ACC

RGB 229 42 204

HSL 308.02, 0.78%, 0.53%

LAB 54.73, 82.02, -41.26

 

CMYK 0 / 82 / 33 / 10

HEX #E52A9A

RGB 229 42 154

HSL 324.06, 0.78%, 0.53%

LAB 52.56, 75.94, -15.46

 

CMYK 0 / 82 / 55 / 10

HEX #E52A68

RGB 229 42 104

HSL 340.11, 0.78%, 0.53%

LAB 51.05, 71.54, 12.44

 

CMYK 0 / 82 / 76 / 10

HEX #E52A36

RGB 229 42 54

HSL 356.15, 0.78%, 0.53%

LAB 50.19, 68.95, 41.13

 

CMYK 0 / 87 / 37 / 35

HEX #A7156A

RGB 167 21 106

HSL 325.07, 0.78%, 0.37%

LAB 37.47, 60.89, -10.03

 

CMYK 0 / 88 / 36 / 20

HEX #CC1982

RGB 204 25 130

HSL 324.8, 0.78%, 0.45%

LAB 45.83, 71.17, -11.63

 

CMYK 0 / 82 / 34 / 10

HEX #E52A97

RGB 229 42 151

HSL 325.03, 0.78%, 0.53%

LAB 52.45, 75.63, -13.84

 

CMYK 0 / 67 / 27 / 9

HEX #E94EA9

RGB 233 78 169

HSL 324.77, 0.78%, 0.61%

LAB 57.69, 67.66, -16.42

 

CMYK 0 / 52 / 21 / 7

HEX #EE73BB

RGB 238 115 187

HSL 324.88, 0.78%, 0.69%

LAB 64.98, 55.53, -15.62

 

CMYK 0 / 81 / 34 / 10

HEX #E52B98

RGB 229 43 152

HSL 324.84, 0.78%, 0.53%

LAB 52.57, 75.5, -14.26

 

CMYK 0 / 33 / 82 / 10

HEX #E59A2A

RGB 229 154 42

HSL 35.94, 0.78%, 0.53%

LAB 69.42, 19.42, 65.06

 

CMYK 82 / 0 / 0 / 10

HEX #2AE5E5

RGB 42 229 229

HSL 180, 0.78%, 0.53%

LAB 83.01, -42.6, -12.61

 

CMYK 0 / 81 / 34 / 10

HEX #E52B98

RGB 229 43 152

HSL 324.84, 0.78%, 0.53%

LAB 52.57, 75.5, -14.26

 

CMYK 33 / 0 / 82 / 10

HEX #9AE52A

RGB 154 229 42

HSL 84.06, 0.78%, 0.53%

LAB 83.48, -48.68, 75.2

 

CMYK 82 / 33 / 0 / 10

HEX #2A9AE5

RGB 42 154 229

HSL 204.06, 0.78%, 0.53%

LAB 61.01, -4.67, -46.46

 

CMYK 0 / 81 / 34 / 10

HEX #E52B98

RGB 229 43 152

HSL 324.84, 0.78%, 0.53%

LAB 52.57, 75.5, -14.26

 

CMYK 0 / 33 / 82 / 10

HEX #E59A2A

RGB 229 154 42

HSL 35.94, 0.78%, 0.53%

LAB 69.42, 19.42, 65.06

 

CMYK 82 / 0 / 49 / 10

HEX #2AE574

RGB 42 229 116

HSL 143.74, 0.78%, 0.53%

LAB 80.62, -68.18, 42.54

 

CMYK 82 / 49 / 0 / 10

HEX #2A74E5

RGB 42 116 229

HSL 216.26, 0.78%, 0.53%

LAB 50.26, 18.29, -63.63

 

CMYK 0 / 81 / 34 / 10

HEX #E52B98

RGB 229 43 152

HSL 324.84, 0.78%, 0.53%

LAB 52.57, 75.5, -14.26

 

CMYK 0 / 8 / 82 / 10

HEX #E5D22A

RGB 229 210 42

HSL 53.9, 0.78%, 0.53%

LAB 83.4, -9.83, 77.13

 

CMYK 82 / 0 / 49 / 10

HEX #2AE574

RGB 42 229 116

HSL 143.74, 0.78%, 0.53%

LAB 80.62, -68.18, 42.54

 

CMYK 82 / 74 / 0 / 10

HEX #2A3CE5

RGB 42 60 229

HSL 234.22, 0.78%, 0.53%

LAB 36.71, 52.93, -85.8

 

Description

Color code: HEX #E52B98 | qconv.com Color code: HEX #E52B98 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 43 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 43 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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