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Color name
HEX #E5285C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5285C it is the complementary color #1AD7A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5285C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5285C shade: #EA2857, #FB3A6A, #FF4C7D, #FF5E90 and #FF70A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5285C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5285C shade: #E5285C, #D41649, #C30436, #B20023 and #A10010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5285C shade: #E52A5D, #E52A2B and #E52A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5285C shade: #E52A5D, #E52A90, #E52AC2, #D52AE5 and #A22AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5285C shade matches the following richer shades: #E52A5D and #F81654

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5285C shade: #E52A5D, #D13D66, #BE506F, #AA6477 and #977780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5285C shade: #E52AC2, #E52A90, #E52A5F, #E52A2D and #E5582A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5285C shade: #A7153D, #CC194A, #E52A5D, #E94E79 and #EE7395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5285C shade: #E5285C, #E5D52A and #2AA9E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5285C shade: #E5285C, #5FE52A and #2A5FE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5285C shade: #E5285C, #E5D52A, #2AE5B0 and #2A39E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5285C shade: #E5285C, #BCE52A, #2AE5B0 and #522AE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 60 / 10

HEX #E5285C

RGB 229 40 92

HSL 343.49, 0.78%, 0.53%

LAB 50.63, 71.21, 19.15

 

Complementary color

CMYK 88 / 0 / 24 / 16

HEX #1AD7A3

RGB 26 215 163

HSL 163.49, 0.78%, 0.47%

LAB 76.96, -55.27, 13.62

 

CMYK 0 / 83 / 63 / 8

HEX #EA2857

RGB 234 40 87

HSL 345.46, 0.82%, 0.54%

LAB 51.49, 72.21, 23.5

 

CMYK 0 / 77 / 58 / 2

HEX #FB3A6A

RGB 251 58 106

HSL 345.08, 0.96%, 0.61%

LAB 56.66, 73.3, 19.59

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7D

RGB 255 76 125

HSL 343.58, 1%, 0.65%

LAB 59.81, 70.1, 12.84

 

CMYK 0 / 63 / 44 / 0

HEX #FF5E90

RGB 255 94 144

HSL 341.37, 1%, 0.68%

LAB 62.74, 64.96, 5.95

 

CMYK 0 / 56 / 36 / 0

HEX #FF70A3

RGB 255 112 163

HSL 338.6, 1%, 0.72%

LAB 66.13, 59.2, -0.03

 

CMYK 0 / 83 / 60 / 10

HEX #E5285C

RGB 229 40 92

HSL 343.49, 0.78%, 0.53%

LAB 50.63, 71.21, 19.15

 

CMYK 0 / 90 / 66 / 17

HEX #D41649

RGB 212 22 73

HSL 343.89, 0.81%, 0.46%

LAB 45.71, 69.24, 23.68

 

CMYK 0 / 98 / 72 / 24

HEX #C30436

RGB 195 4 54

HSL 344.29, 0.96%, 0.39%

LAB 41.14, 66.23, 29

 

CMYK 0 / 100 / 80 / 30

HEX #B20023

RGB 178 0 35

HSL 348.2, 1%, 0.35%

LAB 37.09, 61.78, 35.02

 

CMYK 0 / 100 / 90 / 37

HEX #A10010

RGB 161 0 16

HSL 354.04, 1%, 0.32%

LAB 33.17, 57.02, 40.51

 

CMYK 0 / 82 / 59 / 10

HEX #E52A5D

RGB 229 42 93

HSL 343.64, 0.78%, 0.53%

LAB 50.81, 70.81, 18.79

 

CMYK 0 / 82 / 81 / 10

HEX #E52A2B

RGB 229 42 43

HSL 359.68, 0.78%, 0.53%

LAB 50.08, 68.62, 46.99

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 0 / 82 / 59 / 10

HEX #E52A5D

RGB 229 42 93

HSL 343.64, 0.78%, 0.53%

LAB 50.81, 70.81, 18.79

 

CMYK 0 / 82 / 37 / 10

HEX #E52A90

RGB 229 42 144

HSL 327.27, 0.78%, 0.53%

LAB 52.21, 74.92, -10.04

 

CMYK 0 / 82 / 15 / 10

HEX #E52AC2

RGB 229 42 194

HSL 311.23, 0.78%, 0.53%

LAB 54.25, 80.68, -36.27

 

CMYK 7 / 82 / 0 / 10

HEX #D52AE5

RGB 213 42 229

HSL 294.87, 0.78%, 0.53%

LAB 53.45, 82.73, -57.7

 

CMYK 29 / 82 / 0 / 10

HEX #A22AE5

RGB 162 42 229

HSL 278.5, 0.78%, 0.53%

LAB 45.63, 74.31, -70.73

 

CMYK 0 / 82 / 59 / 10

HEX #E52A5D

RGB 229 42 93

HSL 343.64, 0.78%, 0.53%

LAB 50.81, 70.81, 18.79

 

CMYK 0 / 91 / 66 / 3

HEX #F81654

RGB 248 22 84

HSL 343.54, 0.94%, 0.53%

LAB 53.14, 78.56, 27.97

 

CMYK 0 / 82 / 59 / 10

HEX #E52A5D

RGB 229 42 93

HSL 343.64, 0.78%, 0.53%

LAB 50.81, 70.81, 18.79

 

CMYK 0 / 71 / 51 / 18

HEX #D13D66

RGB 209 61 102

HSL 343.38, 0.62%, 0.53%

LAB 49.32, 60.26, 10.68

 

CMYK 0 / 58 / 42 / 25

HEX #BE506F

RGB 190 80 111

HSL 343.09, 0.46%, 0.53%

LAB 49.29, 47.14, 4.75

 

CMYK 0 / 41 / 30 / 33

HEX #AA6477

RGB 170 100 119

HSL 343.71, 0.29%, 0.53%

LAB 50.68, 30.65, 1.6

 

CMYK 0 / 21 / 15 / 41

HEX #977780

RGB 151 119 128

HSL 343.13, 0.13%, 0.53%

LAB 53.31, 13.98, -0.15

 

CMYK 0 / 82 / 15 / 10

HEX #E52AC2

RGB 229 42 194

HSL 311.23, 0.78%, 0.53%

LAB 54.25, 80.68, -36.27

 

CMYK 0 / 82 / 37 / 10

HEX #E52A90

RGB 229 42 144

HSL 327.27, 0.78%, 0.53%

LAB 52.21, 74.92, -10.04

 

CMYK 0 / 82 / 59 / 10

HEX #E52A5F

RGB 229 42 95

HSL 342.99, 0.78%, 0.53%

LAB 50.85, 70.94, 17.63

 

CMYK 0 / 82 / 80 / 10

HEX #E52A2D

RGB 229 42 45

HSL 359.04, 0.78%, 0.53%

LAB 50.1, 68.67, 45.95

 

CMYK 0 / 62 / 82 / 10

HEX #E5582A

RGB 229 88 42

HSL 14.76, 0.78%, 0.53%

LAB 55.89, 52.62, 52.93

 

CMYK 0 / 87 / 63 / 35

HEX #A7153D

RGB 167 21 61

HSL 343.56, 0.78%, 0.37%

LAB 36.15, 57.17, 17.03

 

CMYK 0 / 88 / 64 / 20

HEX #CC194A

RGB 204 25 74

HSL 343.58, 0.78%, 0.45%

LAB 44.27, 66.79, 20.89

 

CMYK 0 / 82 / 59 / 10

HEX #E52A5D

RGB 229 42 93

HSL 343.64, 0.78%, 0.53%

LAB 50.81, 70.81, 18.79

 

CMYK 0 / 67 / 48 / 9

HEX #E94E79

RGB 233 78 121

HSL 343.35, 0.78%, 0.61%

LAB 56.24, 62.62, 9.64

 

CMYK 0 / 52 / 37 / 7

HEX #EE7395

RGB 238 115 149

HSL 343.41, 0.78%, 0.69%

LAB 63.84, 50.72, 4.33

 

CMYK 0 / 83 / 60 / 10

HEX #E5285C

RGB 229 40 92

HSL 343.49, 0.78%, 0.53%

LAB 50.63, 71.21, 19.15

 

CMYK 0 / 7 / 82 / 10

HEX #E5D52A

RGB 229 213 42

HSL 54.87, 0.78%, 0.53%

LAB 84.18, -11.34, 77.79

 

CMYK 82 / 26 / 0 / 10

HEX #2AA9E5

RGB 42 169 229

HSL 199.25, 0.78%, 0.53%

LAB 65.38, -13.06, -39.6

 

CMYK 0 / 83 / 60 / 10

HEX #E5285C

RGB 229 40 92

HSL 343.49, 0.78%, 0.53%

LAB 50.63, 71.21, 19.15

 

CMYK 59 / 0 / 82 / 10

HEX #5FE52A

RGB 95 229 42

HSL 102.99, 0.78%, 0.53%

LAB 81.09, -66.53, 72.15

 

CMYK 82 / 59 / 0 / 10

HEX #2A5FE5

RGB 42 95 229

HSL 222.99, 0.78%, 0.53%

LAB 44.71, 31.65, -72.65

 

CMYK 0 / 83 / 60 / 10

HEX #E5285C

RGB 229 40 92

HSL 343.49, 0.78%, 0.53%

LAB 50.63, 71.21, 19.15

 

CMYK 0 / 7 / 82 / 10

HEX #E5D52A

RGB 229 213 42

HSL 54.87, 0.78%, 0.53%

LAB 84.18, -11.34, 77.79

 

CMYK 82 / 0 / 23 / 10

HEX #2AE5B0

RGB 42 229 176

HSL 162.99, 0.78%, 0.53%

LAB 81.66, -56.47, 13.41

 

CMYK 82 / 75 / 0 / 10

HEX #2A39E5

RGB 42 57 229

HSL 235.19, 0.78%, 0.53%

LAB 36.13, 54.57, -86.76

 

CMYK 0 / 83 / 60 / 10

HEX #E5285C

RGB 229 40 92

HSL 343.49, 0.78%, 0.53%

LAB 50.63, 71.21, 19.15

 

CMYK 18 / 0 / 82 / 10

HEX #BCE52A

RGB 188 229 42

HSL 73.16, 0.78%, 0.53%

LAB 85.45, -35.89, 77.69

 

CMYK 82 / 0 / 23 / 10

HEX #2AE5B0

RGB 42 229 176

HSL 162.99, 0.78%, 0.53%

LAB 81.66, -56.47, 13.41

 

CMYK 64 / 82 / 0 / 10

HEX #522AE5

RGB 82 42 229

HSL 252.83, 0.78%, 0.53%

LAB 36.19, 64.55, -86.58

 

Description

Color code: HEX #E5285C | qconv.com Color code: HEX #E5285C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 40 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 40 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 60% 10% C M Y K

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Provide designers and agencies with accurate color values.

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