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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5234B it is the complementary color #1ADCB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5234B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5234B shade: #EA2346, #FB3559, #FF476C, #FF597F and #FF6B92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5234B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5234B shade: #E5234B, #D41138, #C30025, #B20012 and #A10000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5234B shade: #E5244C and #E52424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5234B shade: #E5244C, #E52480, #E524B4, #E224E5 and #AE24E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5234B shade matches the following richer shades: #E5244C and #F91040

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5234B shade: #E5244C, #D13857, #BE4C63, #AA5F6F and #96737A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5234B shade: #E524B5, #E52481, #E5244E, #E52E24 and #E56124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5234B shade: #A41331, #C8183C, #E5244C, #EA496A and #EE6E88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5234B shade: #E5234B, #E5E224 and #249BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5234B shade: #E5234B, #4EE524 and #244EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5234B shade: #E5234B, #E5E224, #24E5BB and #2427E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5234B shade: #E5234B, #AFE524, #24E5BB and #5B24E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 67 / 10

HEX #E5234B

RGB 229 35 75

HSL 347.63, 0.79%, 0.52%

LAB 49.94, 71.35, 28.55

 

Complementary color

CMYK 88 / 0 / 18 / 14

HEX #1ADCB4

RGB 26 220 180

HSL 167.63, 0.79%, 0.48%

LAB 78.87, -53.09, 7.3

 

CMYK 0 / 85 / 70 / 8

HEX #EA2346

RGB 234 35 70

HSL 349.45, 0.83%, 0.53%

LAB 50.85, 72.42, 32.87

 

CMYK 0 / 79 / 65 / 2

HEX #FB3559

RGB 251 53 89

HSL 349.09, 0.96%, 0.6%

LAB 55.86, 73.66, 28.6

 

CMYK 0 / 72 / 58 / 0

HEX #FF476C

RGB 255 71 108

HSL 347.93, 1%, 0.64%

LAB 58.83, 70.57, 21.47

 

CMYK 0 / 65 / 50 / 0

HEX #FF597F

RGB 255 89 127

HSL 346.27, 1%, 0.67%

LAB 61.6, 65.46, 14.18

 

CMYK 0 / 58 / 43 / 0

HEX #FF6B92

RGB 255 107 146

HSL 344.19, 1%, 0.71%

LAB 64.84, 59.65, 7.81

 

CMYK 0 / 85 / 67 / 10

HEX #E5234B

RGB 229 35 75

HSL 347.63, 0.79%, 0.52%

LAB 49.94, 71.35, 28.55

 

CMYK 0 / 92 / 74 / 17

HEX #D41138

RGB 212 17 56

HSL 348, 0.85%, 0.45%

LAB 45.2, 69.17, 33.44

 

CMYK 0 / 100 / 81 / 24

HEX #C30025

RGB 195 0 37

HSL 348.62, 1%, 0.38%

LAB 40.79, 66.05, 38.8

 

CMYK 0 / 100 / 90 / 30

HEX #B20012

RGB 178 0 18

HSL 353.93, 1%, 0.35%

LAB 36.95, 61.39, 44.05

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 84 / 67 / 10

HEX #E5244C

RGB 229 36 76

HSL 347.56, 0.79%, 0.52%

LAB 50.03, 71.2, 28.06

 

CMYK 0 / 84 / 84 / 10

HEX #E52424

RGB 229 36 36

HSL 0, 0.79%, 0.52%

LAB 49.55, 69.79, 50.05

 

CMYK 0 / 84 / 67 / 10

HEX #E5244C

RGB 229 36 76

HSL 347.56, 0.79%, 0.52%

LAB 50.03, 71.2, 28.06

 

CMYK 0 / 84 / 44 / 10

HEX #E52480

RGB 229 36 128

HSL 331.4, 0.79%, 0.52%

LAB 51.24, 74.72, -1.85

 

CMYK 0 / 84 / 21 / 10

HEX #E524B4

RGB 229 36 180

HSL 315.23, 0.79%, 0.52%

LAB 53.18, 80.14, -29.81

 

CMYK 1 / 84 / 0 / 10

HEX #E224E5

RGB 226 36 229

HSL 299.07, 0.79%, 0.52%

LAB 55.16, 86.22, -54.84

 

CMYK 24 / 84 / 0 / 10

HEX #AE24E5

RGB 174 36 229

HSL 282.9, 0.79%, 0.52%

LAB 46.87, 77.69, -68.63

 

CMYK 0 / 84 / 67 / 10

HEX #E5244C

RGB 229 36 76

HSL 347.56, 0.79%, 0.52%

LAB 50.03, 71.2, 28.06

 

CMYK 0 / 94 / 74 / 2

HEX #F91040

RGB 249 16 64

HSL 347.64, 0.95%, 0.52%

LAB 52.82, 78.62, 39.45

 

CMYK 0 / 84 / 67 / 10

HEX #E5244C

RGB 229 36 76

HSL 347.56, 0.79%, 0.52%

LAB 50.03, 71.2, 28.06

 

CMYK 0 / 73 / 58 / 18

HEX #D13857

RGB 209 56 87

HSL 347.84, 0.62%, 0.52%

LAB 48.35, 60.89, 18.48

 

CMYK 0 / 60 / 48 / 25

HEX #BE4C63

RGB 190 76 99

HSL 347.89, 0.47%, 0.52%

LAB 48.28, 47.8, 10.57

 

CMYK 0 / 44 / 35 / 33

HEX #AA5F6F

RGB 170 95 111

HSL 347.2, 0.31%, 0.52%

LAB 49.35, 32.32, 4.45

 

CMYK 0 / 23 / 19 / 41

HEX #96737A

RGB 150 115 122

HSL 348, 0.14%, 0.52%

LAB 52.01, 14.89, 1.46

 

CMYK 0 / 84 / 21 / 10

HEX #E524B5

RGB 229 36 181

HSL 314.92, 0.79%, 0.52%

LAB 53.23, 80.26, -30.32

 

CMYK 0 / 84 / 44 / 10

HEX #E52481

RGB 229 36 129

HSL 331.09, 0.79%, 0.52%

LAB 51.27, 74.81, -2.41

 

CMYK 0 / 84 / 66 / 10

HEX #E5244E

RGB 229 36 78

HSL 346.94, 0.79%, 0.52%

LAB 50.06, 71.3, 26.89

 

CMYK 0 / 80 / 84 / 10

HEX #E52E24

RGB 229 46 36

HSL 3.11, 0.79%, 0.52%

LAB 50.38, 67.44, 50.77

 

CMYK 0 / 58 / 84 / 10

HEX #E56124

RGB 229 97 36

HSL 18.96, 0.79%, 0.52%

LAB 57.4, 48.39, 56.82

 

CMYK 0 / 88 / 70 / 36

HEX #A41331

RGB 164 19 49

HSL 347.59, 0.79%, 0.36%

LAB 35.16, 56.11, 23.35

 

CMYK 0 / 88 / 70 / 22

HEX #C8183C

RGB 200 24 60

HSL 347.73, 0.79%, 0.44%

LAB 43.15, 65.24, 27.97

 

CMYK 0 / 84 / 67 / 10

HEX #E5244C

RGB 229 36 76

HSL 347.56, 0.79%, 0.52%

LAB 50.03, 71.2, 28.06

 

CMYK 0 / 69 / 55 / 8

HEX #EA496A

RGB 234 73 106

HSL 347.7, 0.79%, 0.6%

LAB 55.38, 63.61, 17.35

 

CMYK 0 / 54 / 43 / 7

HEX #EE6E88

RGB 238 110 136

HSL 347.81, 0.79%, 0.68%

LAB 62.6, 51.72, 10

 

CMYK 0 / 85 / 67 / 10

HEX #E5234B

RGB 229 35 75

HSL 347.63, 0.79%, 0.52%

LAB 49.94, 71.35, 28.55

 

CMYK 0 / 1 / 84 / 10

HEX #E5E224

RGB 229 226 36

HSL 59.07, 0.79%, 0.52%

LAB 87.57, -17.92, 82.01

 

CMYK 84 / 32 / 0 / 10

HEX #249BE5

RGB 36 155 229

HSL 203.01, 0.79%, 0.52%

LAB 61.2, -5.73, -46.17

 

CMYK 0 / 85 / 67 / 10

HEX #E5234B

RGB 229 35 75

HSL 347.63, 0.79%, 0.52%

LAB 49.94, 71.35, 28.55

 

CMYK 66 / 0 / 84 / 10

HEX #4EE524

RGB 78 229 36

HSL 106.94, 0.79%, 0.52%

LAB 80.62, -70.52, 72.98

 

CMYK 84 / 66 / 0 / 10

HEX #244EE5

RGB 36 78 229

HSL 226.94, 0.79%, 0.52%

LAB 40.38, 41.95, -79.75

 

CMYK 0 / 85 / 67 / 10

HEX #E5234B

RGB 229 35 75

HSL 347.63, 0.79%, 0.52%

LAB 49.94, 71.35, 28.55

 

CMYK 0 / 1 / 84 / 10

HEX #E5E224

RGB 229 226 36

HSL 59.07, 0.79%, 0.52%

LAB 87.57, -17.92, 82.01

 

CMYK 84 / 0 / 18 / 10

HEX #24E5BB

RGB 36 229 187

HSL 166.94, 0.79%, 0.52%

LAB 81.84, -54.3, 7.87

 

CMYK 84 / 83 / 0 / 10

HEX #2427E5

RGB 36 39 229

HSL 239.07, 0.79%, 0.52%

LAB 32.88, 63.03, -92.15

 

CMYK 0 / 85 / 67 / 10

HEX #E5234B

RGB 229 35 75

HSL 347.63, 0.79%, 0.52%

LAB 49.94, 71.35, 28.55

 

CMYK 24 / 0 / 84 / 10

HEX #AFE524

RGB 175 229 36

HSL 76.79, 0.79%, 0.52%

LAB 84.63, -41.13, 78.02

 

CMYK 84 / 0 / 18 / 10

HEX #24E5BB

RGB 36 229 187

HSL 166.94, 0.79%, 0.52%

LAB 81.84, -54.3, 7.87

 

CMYK 60 / 84 / 0 / 10

HEX #5B24E5

RGB 91 36 229

HSL 257.1, 0.79%, 0.52%

LAB 36.26, 67.55, -86.44

 

Description

Color code: HEX #E5234B | qconv.com Color code: HEX #E5234B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 35 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 35 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 67 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 67% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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