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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E522DF it is the complementary color #1ADD20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E522DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E522DF shade: #EA22DA, #FB34ED, #FF46FF, #FF58FF and #FF6AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E522DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E522DF shade: #E522DF, #D410CC, #C300B9, #B200A6 and #A10093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E522DF shade: #E524DF, #E524AB, #E52477, #E52443 and #E52424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E522DF shade: #E524DF, #B724E5, #8324E5, #4F24E5 and #2424E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E522DF shade matches the following richer shades: #E524DF and #F910F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E522DF shade: #E524DF, #D138CD, #BE4CBA, #AA5FA8 and #967395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E522DF shade: #8124E5, #B524E5, #E524E2, #E524AF and #E5247B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E522DF shade: #A4139F, #C818C3, #E524DF, #EA49E5 and #EE6EEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E522DF shade: #E522DF, #E54E24 and #24E59B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E522DF shade: #E522DF, #E2E524 and #24E2E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E522DF shade: #E522DF, #E54E24, #24E527 and #24BBE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E522DF shade: #E522DF, #E58824, #24E527 and #2481E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 3 / 10

HEX #E522DF

RGB 229 34 223

HSL 301.85, 0.79%, 0.52%

LAB 55.21, 86.22, -51.35

 

Complementary color

CMYK 88 / 0 / 86 / 13

HEX #1ADD20

RGB 26 221 32

HSL 121.85, 0.79%, 0.48%

LAB 77.3, -75.35, 70.6

 

CMYK 0 / 85 / 7 / 8

HEX #EA22DA

RGB 234 34 218

HSL 304.8, 0.83%, 0.53%

LAB 55.78, 86.42, -47.54

 

CMYK 0 / 79 / 6 / 2

HEX #FB34ED

RGB 251 52 237

HSL 304.22, 0.96%, 0.59%

LAB 60.85, 88.65, -50.02

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 85 / 3 / 10

HEX #E522DF

RGB 229 34 223

HSL 301.85, 0.79%, 0.52%

LAB 55.21, 86.22, -51.35

 

CMYK 0 / 92 / 4 / 17

HEX #D410CC

RGB 212 16 204

HSL 302.45, 0.86%, 0.45%

LAB 50.37, 83.04, -48.37

 

CMYK 0 / 100 / 5 / 24

HEX #C300B9

RGB 195 0 185

HSL 303.08, 1%, 0.38%

LAB 45.78, 78.86, -44.82

 

CMYK 0 / 100 / 7 / 30

HEX #B200A6

RGB 178 0 166

HSL 304.04, 1%, 0.35%

LAB 41.56, 73.29, -40.45

 

CMYK 0 / 100 / 9 / 37

HEX #A10093

RGB 161 0 147

HSL 305.22, 1%, 0.32%

LAB 37.27, 67.61, -35.97

 

CMYK 0 / 84 / 3 / 10

HEX #E524DF

RGB 229 36 223

HSL 301.87, 0.79%, 0.52%

LAB 55.33, 85.87, -51.15

 

CMYK 0 / 84 / 25 / 10

HEX #E524AB

RGB 229 36 171

HSL 318.03, 0.79%, 0.52%

LAB 52.8, 79.08, -25.14

 

CMYK 0 / 84 / 48 / 10

HEX #E52477

RGB 229 36 119

HSL 334.2, 0.79%, 0.52%

LAB 50.98, 73.97, 3.22

 

CMYK 0 / 84 / 71 / 10

HEX #E52443

RGB 229 36 67

HSL 350.36, 0.79%, 0.52%

LAB 49.89, 70.79, 33.26

 

CMYK 0 / 84 / 84 / 10

HEX #E52424

RGB 229 36 36

HSL 0, 0.79%, 0.52%

LAB 49.55, 69.79, 50.05

 

CMYK 0 / 84 / 3 / 10

HEX #E524DF

RGB 229 36 223

HSL 301.87, 0.79%, 0.52%

LAB 55.33, 85.87, -51.15

 

CMYK 20 / 84 / 0 / 10

HEX #B724E5

RGB 183 36 229

HSL 285.7, 0.79%, 0.52%

LAB 48.24, 79.08, -66.34

 

CMYK 43 / 84 / 0 / 10

HEX #8324E5

RGB 131 36 229

HSL 269.53, 0.79%, 0.52%

LAB 40.81, 71.76, -78.78

 

CMYK 66 / 84 / 0 / 10

HEX #4F24E5

RGB 79 36 229

HSL 253.37, 0.79%, 0.52%

LAB 35.17, 66.58, -88.29

 

CMYK 84 / 84 / 0 / 10

HEX #2424E5

RGB 36 36 229

HSL 240, 0.79%, 0.52%

LAB 32.47, 64.27, -92.85

 

CMYK 0 / 84 / 3 / 10

HEX #E524DF

RGB 229 36 223

HSL 301.87, 0.79%, 0.52%

LAB 55.33, 85.87, -51.15

 

CMYK 0 / 94 / 3 / 2

HEX #F910F2

RGB 249 16 242

HSL 301.8, 0.95%, 0.52%

LAB 58.9, 94.51, -55.94

 

CMYK 0 / 84 / 3 / 10

HEX #E524DF

RGB 229 36 223

HSL 301.87, 0.79%, 0.52%

LAB 55.33, 85.87, -51.15

 

CMYK 0 / 73 / 2 / 18

HEX #D138CD

RGB 209 56 205

HSL 301.57, 0.62%, 0.52%

LAB 52.72, 74.47, -45.24

 

CMYK 0 / 60 / 2 / 25

HEX #BE4CBA

RGB 190 76 186

HSL 302.11, 0.47%, 0.52%

LAB 51.45, 59.55, -36.47

 

CMYK 0 / 44 / 1 / 33

HEX #AA5FA8

RGB 170 95 168

HSL 301.6, 0.31%, 0.52%

LAB 51.33, 41.42, -26.38

 

CMYK 0 / 23 / 1 / 41

HEX #967395

RGB 150 115 149

HSL 301.71, 0.14%, 0.52%

LAB 52.86, 19.82, -13.13

 

CMYK 44 / 84 / 0 / 10

HEX #8124E5

RGB 129 36 229

HSL 268.91, 0.79%, 0.52%

LAB 40.55, 71.52, -79.21

 

CMYK 21 / 84 / 0 / 10

HEX #B524E5

RGB 181 36 229

HSL 285.08, 0.79%, 0.52%

LAB 47.93, 78.76, -66.85

 

CMYK 0 / 84 / 1 / 10

HEX #E524E2

RGB 229 36 226

HSL 300.93, 0.79%, 0.52%

LAB 55.49, 86.31, -52.59

 

CMYK 0 / 84 / 24 / 10

HEX #E524AF

RGB 229 36 175

HSL 316.79, 0.79%, 0.52%

LAB 52.97, 79.54, -27.22

 

CMYK 0 / 84 / 46 / 10

HEX #E5247B

RGB 229 36 123

HSL 332.95, 0.79%, 0.52%

LAB 51.09, 74.3, 0.96

 

CMYK 0 / 88 / 3 / 36

HEX #A4139F

RGB 164 19 159

HSL 302.07, 0.79%, 0.36%

LAB 39.35, 67.5, -39.93

 

CMYK 0 / 88 / 3 / 22

HEX #C818C3

RGB 200 24 195

HSL 301.7, 0.79%, 0.44%

LAB 48.1, 78.63, -46.9

 

CMYK 0 / 84 / 3 / 10

HEX #E524DF

RGB 229 36 223

HSL 301.87, 0.79%, 0.52%

LAB 55.33, 85.87, -51.15

 

CMYK 0 / 69 / 2 / 8

HEX #EA49E5

RGB 234 73 229

HSL 301.86, 0.79%, 0.6%

LAB 59.81, 78.08, -47.37

 

CMYK 0 / 54 / 2 / 7

HEX #EE6EEA

RGB 238 110 234

HSL 301.88, 0.79%, 0.68%

LAB 65.96, 65.12, -40.44

 

CMYK 0 / 85 / 3 / 10

HEX #E522DF

RGB 229 34 223

HSL 301.85, 0.79%, 0.52%

LAB 55.21, 86.22, -51.35

 

CMYK 0 / 66 / 84 / 10

HEX #E54E24

RGB 229 78 36

HSL 13.06, 0.79%, 0.52%

LAB 54.27, 56.69, 54.14

 

CMYK 84 / 0 / 32 / 10

HEX #24E59B

RGB 36 229 155

HSL 156.99, 0.79%, 0.52%

LAB 81.17, -61.61, 23.67

 

CMYK 0 / 85 / 3 / 10

HEX #E522DF

RGB 229 34 223

HSL 301.85, 0.79%, 0.52%

LAB 55.21, 86.22, -51.35

 

CMYK 1 / 0 / 84 / 10

HEX #E2E524

RGB 226 229 36

HSL 60.93, 0.79%, 0.52%

LAB 88.13, -20.63, 82.37

 

CMYK 84 / 1 / 0 / 10

HEX #24E2E5

RGB 36 226 229

HSL 180.93, 0.79%, 0.52%

LAB 82.07, -41.67, -14.04

 

CMYK 0 / 85 / 3 / 10

HEX #E522DF

RGB 229 34 223

HSL 301.85, 0.79%, 0.52%

LAB 55.21, 86.22, -51.35

 

CMYK 0 / 66 / 84 / 10

HEX #E54E24

RGB 229 78 36

HSL 13.06, 0.79%, 0.52%

LAB 54.27, 56.69, 54.14

 

CMYK 84 / 0 / 83 / 10

HEX #24E527

RGB 36 229 39

HSL 120.93, 0.79%, 0.52%

LAB 79.93, -76.45, 71.41

 

CMYK 84 / 18 / 0 / 10

HEX #24BBE5

RGB 36 187 229

HSL 193.06, 0.79%, 0.52%

LAB 70.58, -23.03, -31.53

 

CMYK 0 / 85 / 3 / 10

HEX #E522DF

RGB 229 34 223

HSL 301.85, 0.79%, 0.52%

LAB 55.21, 86.22, -51.35

 

CMYK 0 / 41 / 84 / 10

HEX #E58824

RGB 229 136 36

HSL 31.09, 0.79%, 0.52%

LAB 65.27, 28.81, 63.5

 

CMYK 84 / 0 / 83 / 10

HEX #24E527

RGB 36 229 39

HSL 120.93, 0.79%, 0.52%

LAB 79.93, -76.45, 71.41

 

CMYK 84 / 44 / 0 / 10

HEX #2481E5

RGB 36 129 229

HSL 211.09, 0.79%, 0.52%

LAB 53.74, 9.7, -58.04

 

Description

Color code: HEX #E522DF | qconv.com Color code: HEX #E522DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 34 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 34 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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