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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E51EB6 it is the complementary color #1AE149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E51EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E51EB6 shade: #EA1EB1, #FB30C4, #FF42D7, #FF54EA and #FF66FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E51EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E51EB6 shade: #E51EB6, #D40CA3, #C30090, #B2007D and #A1006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E51EB6 shade: #E51FB6, #E51F81, #E51F4C and #E51F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E51EB6 shade: #E51FB6, #DE1FE5, #A91FE5, #741FE5 and #3E1FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E51EB6 shade matches the following richer shades: #E51FB6 and #F90BC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E51EB6 shade: #E51FB6, #D134AB, #BC48A1, #A85C96 and #94708B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E51EB6 shade: #AA1FE5, #DE1FE5, #E51FB7, #E51F82 and #E51F4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E51EB6 shade: #9F137E, #C4179B, #E51FB6, #E944C2 and #ED69CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E51EB6 shade: #E51EB6, #E5751F and #1FE5C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E51EB6 shade: #E51EB6, #B7E51F and #1FB7E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E51EB6 shade: #E51EB6, #E5751F, #1FE54D and #1F8FE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E51EB6 shade: #E51EB6, #E5B01F, #1FE54D and #1F54E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 21 / 10

HEX #E51EB6

RGB 229 30 182

HSL 314.17, 0.79%, 0.51%

LAB 52.91, 81.44, -31.4

 

Complementary color

CMYK 88 / 0 / 68 / 12

HEX #1AE149

RGB 26 225 73

HSL 134.17, 0.79%, 0.49%

LAB 78.78, -73.67, 59.38

 

CMYK 0 / 87 / 24 / 8

HEX #EA1EB1

RGB 234 30 177

HSL 316.76, 0.83%, 0.52%

LAB 53.59, 81.86, -27.35

 

CMYK 0 / 81 / 22 / 2

HEX #FB30C4

RGB 251 48 196

HSL 316.26, 0.96%, 0.59%

LAB 58.61, 84.18, -30.34

 

CMYK 0 / 74 / 16 / 0

HEX #FF42D7

RGB 255 66 215

HSL 312.7, 1%, 0.63%

LAB 61.71, 82.85, -36.28

 

CMYK 0 / 67 / 8 / 0

HEX #FF54EA

RGB 255 84 234

HSL 307.37, 1%, 0.66%

LAB 64.6, 79.75, -42.4

 

CMYK 0 / 60 / 1 / 0

HEX #FF66FD

RGB 255 102 253

HSL 300.78, 1%, 0.7%

LAB 67.91, 75.91, -47.68

 

CMYK 0 / 87 / 21 / 10

HEX #E51EB6

RGB 229 30 182

HSL 314.17, 0.79%, 0.51%

LAB 52.91, 81.44, -31.4

 

CMYK 0 / 94 / 23 / 17

HEX #D40CA3

RGB 212 12 163

HSL 314.7, 0.89%, 0.44%

LAB 48.14, 78.1, -27.87

 

CMYK 0 / 100 / 26 / 24

HEX #C30090

RGB 195 0 144

HSL 315.69, 1%, 0.38%

LAB 43.68, 73.63, -23.63

 

CMYK 0 / 100 / 30 / 30

HEX #B2007D

RGB 178 0 125

HSL 317.87, 1%, 0.35%

LAB 39.49, 68.11, -18.68

 

CMYK 0 / 100 / 34 / 37

HEX #A1006A

RGB 161 0 106

HSL 320.5, 1%, 0.32%

LAB 35.24, 62.51, -13.53

 

CMYK 0 / 86 / 21 / 10

HEX #E51FB6

RGB 229 31 182

HSL 314.24, 0.79%, 0.51%

LAB 52.97, 81.28, -31.31

 

CMYK 0 / 86 / 44 / 10

HEX #E51F81

RGB 229 31 129

HSL 330.3, 0.79%, 0.51%

LAB 50.95, 75.74, -2.89

 

CMYK 0 / 86 / 67 / 10

HEX #E51F4C

RGB 229 31 76

HSL 346.36, 0.79%, 0.51%

LAB 49.69, 72.17, 27.63

 

CMYK 0 / 86 / 86 / 10

HEX #E51F1F

RGB 229 31 31

HSL 0, 0.79%, 0.51%

LAB 49.18, 70.67, 52.11

 

CMYK 0 / 86 / 21 / 10

HEX #E51FB6

RGB 229 31 182

HSL 314.24, 0.79%, 0.51%

LAB 52.97, 81.28, -31.31

 

CMYK 3 / 86 / 0 / 10

HEX #DE1FE5

RGB 222 31 229

HSL 297.88, 0.79%, 0.51%

LAB 54.2, 86.39, -56.41

 

CMYK 26 / 86 / 0 / 10

HEX #A91FE5

RGB 169 31 229

HSL 281.82, 0.79%, 0.51%

LAB 45.73, 78.07, -70.51

 

CMYK 49 / 86 / 0 / 10

HEX #741FE5

RGB 116 31 229

HSL 265.76, 0.79%, 0.51%

LAB 38.46, 71.47, -82.71

 

CMYK 73 / 86 / 0 / 10

HEX #3E1FE5

RGB 62 31 229

HSL 249.39, 0.79%, 0.51%

LAB 33.27, 67.24, -91.48

 

CMYK 0 / 86 / 21 / 10

HEX #E51FB6

RGB 229 31 182

HSL 314.24, 0.79%, 0.51%

LAB 52.97, 81.28, -31.31

 

CMYK 0 / 96 / 22 / 2

HEX #F90BC1

RGB 249 11 193

HSL 314.12, 0.95%, 0.51%

LAB 56.32, 88.7, -32.2

 

CMYK 0 / 86 / 21 / 10

HEX #E51FB6

RGB 229 31 182

HSL 314.24, 0.79%, 0.51%

LAB 52.97, 81.28, -31.31

 

CMYK 0 / 75 / 18 / 18

HEX #D134AB

RGB 209 52 171

HSL 314.52, 0.63%, 0.51%

LAB 50.63, 70.75, -28.77

 

CMYK 0 / 62 / 14 / 26

HEX #BC48A1

RGB 188 72 161

HSL 313.97, 0.46%, 0.51%

LAB 49.37, 56.71, -25.09

 

CMYK 0 / 45 / 11 / 34

HEX #A85C96

RGB 168 92 150

HSL 314.21, 0.3%, 0.51%

LAB 49.72, 39.14, -18.3

 

CMYK 0 / 24 / 6 / 42

HEX #94708B

RGB 148 112 139

HSL 315, 0.14%, 0.51%

LAB 51.55, 18.9, -9.25

 

CMYK 26 / 86 / 0 / 10

HEX #AA1FE5

RGB 170 31 229

HSL 282.12, 0.79%, 0.51%

LAB 45.88, 78.21, -70.26

 

CMYK 3 / 86 / 0 / 10

HEX #DE1FE5

RGB 222 31 229

HSL 297.88, 0.79%, 0.51%

LAB 54.2, 86.39, -56.41

 

CMYK 0 / 86 / 20 / 10

HEX #E51FB7

RGB 229 31 183

HSL 313.94, 0.79%, 0.51%

LAB 53.01, 81.4, -31.83

 

CMYK 0 / 86 / 43 / 10

HEX #E51F82

RGB 229 31 130

HSL 330, 0.79%, 0.51%

LAB 50.98, 75.83, -3.45

 

CMYK 0 / 86 / 66 / 10

HEX #E51F4D

RGB 229 31 77

HSL 346.06, 0.79%, 0.51%

LAB 49.71, 72.22, 27.05

 

CMYK 0 / 88 / 21 / 38

HEX #9F137E

RGB 159 19 126

HSL 314.14, 0.79%, 0.35%

LAB 36.64, 61.82, -24.02

 

CMYK 0 / 88 / 21 / 23

HEX #C4179B

RGB 196 23 155

HSL 314.22, 0.79%, 0.43%

LAB 45.24, 72.59, -27.83

 

CMYK 0 / 86 / 21 / 10

HEX #E51FB6

RGB 229 31 182

HSL 314.24, 0.79%, 0.51%

LAB 52.97, 81.28, -31.31

 

CMYK 0 / 71 / 17 / 9

HEX #E944C2

RGB 233 68 194

HSL 314.18, 0.79%, 0.59%

LAB 57.42, 74.42, -31.28

 

CMYK 0 / 56 / 13 / 7

HEX #ED69CE

RGB 237 105 206

HSL 314.09, 0.79%, 0.67%

LAB 63.81, 62.62, -28.16

 

CMYK 0 / 87 / 21 / 10

HEX #E51EB6

RGB 229 30 182

HSL 314.17, 0.79%, 0.51%

LAB 52.91, 81.44, -31.4

 

CMYK 0 / 49 / 86 / 10

HEX #E5751F

RGB 229 117 31

HSL 26.06, 0.79%, 0.51%

LAB 61.2, 38.53, 61.8

 

CMYK 86 / 0 / 14 / 10

HEX #1FE5C4

RGB 31 229 196

HSL 170, 0.79%, 0.51%

LAB 82.01, -52.35, 3.36

 

CMYK 0 / 87 / 21 / 10

HEX #E51EB6

RGB 229 30 182

HSL 314.17, 0.79%, 0.51%

LAB 52.91, 81.44, -31.4

 

CMYK 20 / 0 / 86 / 10

HEX #B7E51F

RGB 183 229 31

HSL 73.94, 0.79%, 0.51%

LAB 85.1, -38.17, 79.62

 

CMYK 86 / 20 / 0 / 10

HEX #1FB7E5

RGB 31 183 229

HSL 193.94, 0.79%, 0.51%

LAB 69.34, -21.3, -33.45

 

CMYK 0 / 87 / 21 / 10

HEX #E51EB6

RGB 229 30 182

HSL 314.17, 0.79%, 0.51%

LAB 52.91, 81.44, -31.4

 

CMYK 0 / 49 / 86 / 10

HEX #E5751F

RGB 229 117 31

HSL 26.06, 0.79%, 0.51%

LAB 61.2, 38.53, 61.8

 

CMYK 86 / 0 / 66 / 10

HEX #1FE54D

RGB 31 229 77

HSL 133.94, 0.79%, 0.51%

LAB 80.1, -74.1, 59.24

 

CMYK 86 / 38 / 0 / 10

HEX #1F8FE5

RGB 31 143 229

HSL 206.06, 0.79%, 0.51%

LAB 57.65, 0.89, -51.8

 

CMYK 0 / 87 / 21 / 10

HEX #E51EB6

RGB 229 30 182

HSL 314.17, 0.79%, 0.51%

LAB 52.91, 81.44, -31.4

 

CMYK 0 / 23 / 86 / 10

HEX #E5B01F

RGB 229 176 31

HSL 43.94, 0.79%, 0.51%

LAB 74.7, 7.45, 72.65

 

CMYK 86 / 0 / 66 / 10

HEX #1FE54D

RGB 31 229 77

HSL 133.94, 0.79%, 0.51%

LAB 80.1, -74.1, 59.24

 

CMYK 86 / 63 / 0 / 10

HEX #1F54E5

RGB 31 84 229

HSL 223.94, 0.79%, 0.51%

LAB 41.67, 37.9, -77.63

 

Description

Color code: HEX #E51EB6 | qconv.com Color code: HEX #E51EB6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 30 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 30 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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