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Color name
HEX #E51BAC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E51BAC it is the complementary color #1AE453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E51BAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E51BAC shade: #EA1BA7, #FB2DBA, #FF3FCD, #FF51E0 and #FF63F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E51BAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E51BAC shade: #E51BAC, #D40999, #C30086, #B20073 and #A10060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E51BAC shade: #E61AAC, #E61A75, #E61A3E and #E61A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E51BAC shade: #E61AAC, #E61AE3, #B11AE6, #7A1AE6 and #431AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E51BAC shade matches the following richer shades: #E61AAC and #FA05B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E51BAC shade: #E61AAC, #D12EA3, #BC439A, #A85791 and #936C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E51BAC shade: #AF1AE6, #E61AE6, #E61AAF, #E61A79 and #E61A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E51BAC shade: #9B1174, #C01590, #E61AAC, #EA3FB9 and #EE64C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E51BAC shade: #E51BAC, #E6791A and #1AE6CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E51BAC shade: #E51BAC, #AFE61A and #1AAFE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E51BAC shade: #E51BAC, #E6791A, #1AE650 and #1A86E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E51BAC shade: #E51BAC, #E6B61A, #1AE650 and #1A49E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 25 / 10

HEX #E51BAC

RGB 229 27 172

HSL 316.93, 0.8%, 0.5%

LAB 52.31, 80.73, -26.48

 

Complementary color

CMYK 89 / 0 / 64 / 11

HEX #1AE453

RGB 26 228 83

HSL 136.93, 0.8%, 0.5%

LAB 79.8, -73.53, 56.46

 

CMYK 0 / 88 / 29 / 8

HEX #EA1BA7

RGB 234 27 167

HSL 319.42, 0.83%, 0.51%

LAB 53.02, 81.2, -22.36

 

CMYK 0 / 82 / 26 / 2

HEX #FB2DBA

RGB 251 45 186

HSL 318.93, 0.96%, 0.58%

LAB 57.97, 83.66, -25.57

 

CMYK 0 / 75 / 20 / 0

HEX #FF3FCD

RGB 255 63 205

HSL 315.63, 1%, 0.62%

LAB 60.98, 82.41, -31.75

 

CMYK 0 / 68 / 12 / 0

HEX #FF51E0

RGB 255 81 224

HSL 310.69, 1%, 0.66%

LAB 63.78, 79.35, -38.11

 

CMYK 0 / 61 / 5 / 0

HEX #FF63F3

RGB 255 99 243

HSL 304.62, 1%, 0.69%

LAB 67.02, 75.52, -43.59

 

CMYK 0 / 88 / 25 / 10

HEX #E51BAC

RGB 229 27 172

HSL 316.93, 0.8%, 0.5%

LAB 52.31, 80.73, -26.48

 

CMYK 0 / 96 / 28 / 17

HEX #D40999

RGB 212 9 153

HSL 317.44, 0.92%, 0.43%

LAB 47.61, 77.22, -22.71

 

CMYK 0 / 100 / 31 / 24

HEX #C30086

RGB 195 0 134

HSL 318.77, 1%, 0.38%

LAB 43.25, 72.53, -18.18

 

CMYK 0 / 100 / 35 / 30

HEX #B20073

RGB 178 0 115

HSL 321.24, 1%, 0.35%

LAB 39.08, 67.04, -13.06

 

CMYK 0 / 100 / 40 / 37

HEX #A10060

RGB 161 0 96

HSL 324.22, 1%, 0.32%

LAB 34.85, 61.49, -7.7

 

CMYK 0 / 89 / 25 / 10

HEX #E61AAC

RGB 230 26 172

HSL 317.06, 0.8%, 0.5%

LAB 52.44, 81.08, -26.26

 

CMYK 0 / 89 / 49 / 10

HEX #E61A75

RGB 230 26 117

HSL 333.24, 0.8%, 0.5%

LAB 50.51, 75.81, 3.78

 

CMYK 0 / 89 / 73 / 10

HEX #E61A3E

RGB 230 26 62

HSL 349.41, 0.8%, 0.5%

LAB 49.39, 72.65, 35.67

 

CMYK 0 / 89 / 89 / 10

HEX #E61A1A

RGB 230 26 26

HSL 0, 0.8%, 0.5%

LAB 49.05, 71.69, 54.33

 

CMYK 0 / 89 / 25 / 10

HEX #E61AAC

RGB 230 26 172

HSL 317.06, 0.8%, 0.5%

LAB 52.44, 81.08, -26.26

 

CMYK 0 / 89 / 1 / 10

HEX #E61AE3

RGB 230 26 227

HSL 300.88, 0.8%, 0.5%

LAB 55.18, 88.19, -53.64

 

CMYK 23 / 89 / 0 / 10

HEX #B11AE6

RGB 177 26 230

HSL 284.41, 0.8%, 0.5%

LAB 46.71, 80.35, -69.43

 

CMYK 47 / 89 / 0 / 10

HEX #7A1AE6

RGB 122 26 230

HSL 268.24, 0.8%, 0.5%

LAB 38.88, 73.57, -82.57

 

CMYK 71 / 89 / 0 / 10

HEX #431AE6

RGB 67 26 230

HSL 252.06, 0.8%, 0.5%

LAB 33.23, 69.32, -92.09

 

CMYK 0 / 89 / 25 / 10

HEX #E61AAC

RGB 230 26 172

HSL 317.06, 0.8%, 0.5%

LAB 52.44, 81.08, -26.26

 

CMYK 0 / 98 / 28 / 2

HEX #FA05B5

RGB 250 5 181

HSL 316.9, 0.96%, 0.5%

LAB 55.86, 87.95, -25.95

 

CMYK 0 / 89 / 25 / 10

HEX #E61AAC

RGB 230 26 172

HSL 317.06, 0.8%, 0.5%

LAB 52.44, 81.08, -26.26

 

CMYK 0 / 78 / 22 / 18

HEX #D12EA3

RGB 209 46 163

HSL 316.93, 0.64%, 0.5%

LAB 49.68, 71.41, -25.52

 

CMYK 0 / 64 / 18 / 26

HEX #BC439A

RGB 188 67 154

HSL 316.86, 0.47%, 0.5%

LAB 48.31, 57.78, -22.58

 

CMYK 0 / 48 / 14 / 34

HEX #A85791

RGB 168 87 145

HSL 317.04, 0.32%, 0.5%

LAB 48.49, 40.95, -17.2

 

CMYK 0 / 27 / 7 / 42

HEX #936C88

RGB 147 108 136

HSL 316.92, 0.15%, 0.5%

LAB 50.34, 20.29, -9.3

 

CMYK 24 / 89 / 0 / 10

HEX #AF1AE6

RGB 175 26 230

HSL 283.82, 0.8%, 0.5%

LAB 46.4, 80.07, -69.95

 

CMYK 0 / 89 / 0 / 10

HEX #E61AE6

RGB 230 26 230

HSL 300, 0.8%, 0.5%

LAB 55.35, 88.62, -55.06

 

CMYK 0 / 89 / 24 / 10

HEX #E61AAF

RGB 230 26 175

HSL 316.18, 0.8%, 0.5%

LAB 52.57, 81.42, -27.82

 

CMYK 0 / 89 / 47 / 10

HEX #E61A79

RGB 230 26 121

HSL 332.06, 0.8%, 0.5%

LAB 50.62, 76.12, 1.51

 

CMYK 0 / 89 / 71 / 10

HEX #E61A42

RGB 230 26 66

HSL 348.24, 0.8%, 0.5%

LAB 49.44, 72.81, 33.37

 

CMYK 0 / 89 / 25 / 39

HEX #9B1174

RGB 155 17 116

HSL 316.96, 0.8%, 0.34%

LAB 35.26, 60.04, -19.94

 

CMYK 0 / 89 / 25 / 25

HEX #C01590

RGB 192 21 144

HSL 316.84, 0.8%, 0.42%

LAB 43.88, 70.74, -23.35

 

CMYK 0 / 89 / 25 / 10

HEX #E61AAC

RGB 230 26 172

HSL 317.06, 0.8%, 0.5%

LAB 52.44, 81.08, -26.26

 

CMYK 0 / 73 / 21 / 8

HEX #EA3FB9

RGB 234 63 185

HSL 317.19, 0.8%, 0.58%

LAB 56.63, 75.07, -27.29

 

CMYK 0 / 58 / 16 / 7

HEX #EE64C7

RGB 238 100 199

HSL 316.96, 0.8%, 0.66%

LAB 62.86, 64.07, -25.66

 

CMYK 0 / 88 / 25 / 10

HEX #E51BAC

RGB 229 27 172

HSL 316.93, 0.8%, 0.5%

LAB 52.31, 80.73, -26.48

 

CMYK 0 / 47 / 89 / 10

HEX #E6791A

RGB 230 121 26

HSL 27.94, 0.8%, 0.5%

LAB 62.14, 36.79, 64.14

 

CMYK 89 / 0 / 12 / 10

HEX #1AE6CA

RGB 26 230 202

HSL 171.76, 0.8%, 0.5%

LAB 82.42, -51.47, 0.78

 

CMYK 0 / 88 / 25 / 10

HEX #E51BAC

RGB 229 27 172

HSL 316.93, 0.8%, 0.5%

LAB 52.31, 80.73, -26.48

 

CMYK 24 / 0 / 89 / 10

HEX #AFE61A

RGB 175 230 26

HSL 76.18, 0.8%, 0.5%

LAB 84.89, -41.82, 80.12

 

CMYK 89 / 24 / 0 / 10

HEX #1AAFE6

RGB 26 175 230

HSL 196.18, 0.8%, 0.5%

LAB 66.97, -17.05, -37.68

 

CMYK 0 / 88 / 25 / 10

HEX #E51BAC

RGB 229 27 172

HSL 316.93, 0.8%, 0.5%

LAB 52.31, 80.73, -26.48

 

CMYK 0 / 47 / 89 / 10

HEX #E6791A

RGB 230 121 26

HSL 27.94, 0.8%, 0.5%

LAB 62.14, 36.79, 64.14

 

CMYK 89 / 0 / 65 / 10

HEX #1AE650

RGB 26 230 80

HSL 135.88, 0.8%, 0.5%

LAB 80.4, -74.44, 58.35

 

CMYK 89 / 42 / 0 / 10

HEX #1A86E6

RGB 26 134 230

HSL 208.24, 0.8%, 0.5%

LAB 55.05, 6.36, -56.5

 

CMYK 0 / 88 / 25 / 10

HEX #E51BAC

RGB 229 27 172

HSL 316.93, 0.8%, 0.5%

LAB 52.31, 80.73, -26.48

 

CMYK 0 / 21 / 89 / 10

HEX #E6B61A

RGB 230 182 26

HSL 45.88, 0.8%, 0.5%

LAB 76.29, 4.62, 75.05

 

CMYK 89 / 0 / 65 / 10

HEX #1AE650

RGB 26 230 80

HSL 135.88, 0.8%, 0.5%

LAB 80.4, -74.44, 58.35

 

CMYK 89 / 68 / 0 / 10

HEX #1A49E6

RGB 26 73 230

HSL 226.18, 0.8%, 0.5%

LAB 39.07, 44.86, -82.49

 

Description

Color code: HEX #E51BAC | qconv.com Color code: HEX #E51BAC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 27 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 27 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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