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Color name
HEX #E519DD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E519DD it is the complementary color #1AE622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E519DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E519DD shade: #EA19D8, #FB2BEB, #FF3DFE, #FF4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E519DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E519DD shade: #E519DD, #D407CA, #C300B7, #B200A4 and #A10091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E519DD shade: #E61ADE, #E61AA6, #E61A6F, #E61A38 and #E61A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E519DD shade: #E61ADE, #B61AE6, #7F1AE6, #481AE6 and #1A1AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E519DD shade matches the following richer shades: #E61ADE and #FA05F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E519DD shade: #E61ADE, #D12ECA, #BC43B7, #A857A4 and #936C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E519DD shade: #801AE6, #B61AE6, #E61ADF, #E61AA8 and #E61A72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E519DD shade: #9B1196, #C015BA, #E61ADE, #EA3FE3 and #EE64E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E519DD shade: #E519DD, #E6491A and #1AE69B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E519DD shade: #E519DD, #DFE61A and #1ADFE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E519DD shade: #E519DD, #E6491A, #1AE620 and #1AB6E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E519DD shade: #E519DD, #E6861A, #1AE620 and #1A79E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 3 / 10

HEX #E519DD

RGB 229 25 221

HSL 302.35, 0.8%, 0.5%

LAB 54.63, 87.3, -51.13

 

Complementary color

CMYK 89 / 0 / 85 / 10

HEX #1AE622

RGB 26 230 34

HSL 122.35, 0.8%, 0.5%

LAB 80.14, -77.74, 72.69

 

CMYK 0 / 89 / 8 / 8

HEX #EA19D8

RGB 234 25 216

HSL 305.17, 0.83%, 0.51%

LAB 55.22, 87.48, -47.29

 

CMYK 0 / 83 / 6 / 2

HEX #FB2BEB

RGB 251 43 235

HSL 304.62, 0.96%, 0.58%

LAB 60.1, 90.25, -50.1

 

CMYK 0 / 76 / 0 / 0

HEX #FF3DFE

RGB 255 61 254

HSL 300.31, 1%, 0.62%

LAB 63.14, 89.7, -55.79

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 89 / 3 / 10

HEX #E519DD

RGB 229 25 221

HSL 302.35, 0.8%, 0.5%

LAB 54.63, 87.3, -51.13

 

CMYK 0 / 97 / 5 / 17

HEX #D407CA

RGB 212 7 202

HSL 302.93, 0.94%, 0.43%

LAB 49.99, 83.53, -47.82

 

CMYK 0 / 100 / 6 / 24

HEX #C300B7

RGB 195 0 183

HSL 303.69, 1%, 0.38%

LAB 45.66, 78.58, -43.82

 

CMYK 0 / 100 / 8 / 30

HEX #B200A4

RGB 178 0 164

HSL 304.72, 1%, 0.35%

LAB 41.45, 73.01, -39.44

 

CMYK 0 / 100 / 10 / 37

HEX #A10091

RGB 161 0 145

HSL 305.96, 1%, 0.32%

LAB 37.15, 67.33, -34.93

 

CMYK 0 / 89 / 3 / 10

HEX #E61ADE

RGB 230 26 222

HSL 302.35, 0.8%, 0.5%

LAB 54.9, 87.48, -51.25

 

CMYK 0 / 89 / 28 / 10

HEX #E61AA6

RGB 230 26 166

HSL 318.82, 0.8%, 0.5%

LAB 52.19, 80.41, -23.11

 

CMYK 0 / 89 / 52 / 10

HEX #E61A6F

RGB 230 26 111

HSL 335, 0.8%, 0.5%

LAB 50.35, 75.36, 7.2

 

CMYK 0 / 89 / 76 / 10

HEX #E61A38

RGB 230 26 56

HSL 351.18, 0.8%, 0.5%

LAB 49.31, 72.44, 39.08

 

CMYK 0 / 89 / 89 / 10

HEX #E61A1A

RGB 230 26 26

HSL 0, 0.8%, 0.5%

LAB 49.05, 71.69, 54.33

 

CMYK 0 / 89 / 3 / 10

HEX #E61ADE

RGB 230 26 222

HSL 302.35, 0.8%, 0.5%

LAB 54.9, 87.48, -51.25

 

CMYK 21 / 89 / 0 / 10

HEX #B61AE6

RGB 182 26 230

HSL 285.88, 0.8%, 0.5%

LAB 47.49, 81.07, -68.13

 

CMYK 45 / 89 / 0 / 10

HEX #7F1AE6

RGB 127 26 230

HSL 269.71, 0.8%, 0.5%

LAB 39.52, 74.09, -81.49

 

CMYK 69 / 89 / 0 / 10

HEX #481AE6

RGB 72 26 230

HSL 253.53, 0.8%, 0.5%

LAB 33.63, 69.59, -91.43

 

CMYK 89 / 89 / 0 / 10

HEX #1A1AE6

RGB 26 26 230

HSL 240, 0.8%, 0.5%

LAB 31.05, 67.88, -95.79

 

CMYK 0 / 89 / 3 / 10

HEX #E61ADE

RGB 230 26 222

HSL 302.35, 0.8%, 0.5%

LAB 54.9, 87.48, -51.25

 

CMYK 0 / 98 / 4 / 2

HEX #FA05F1

RGB 250 5 241

HSL 302.2, 0.96%, 0.5%

LAB 58.77, 95.25, -55.57

 

CMYK 0 / 89 / 3 / 10

HEX #E61ADE

RGB 230 26 222

HSL 302.35, 0.8%, 0.5%

LAB 54.9, 87.48, -51.25

 

CMYK 0 / 78 / 3 / 18

HEX #D12ECA

RGB 209 46 202

HSL 302.58, 0.64%, 0.5%

LAB 51.58, 76.83, -45.32

 

CMYK 0 / 64 / 3 / 26

HEX #BC43B7

RGB 188 67 183

HSL 302.48, 0.47%, 0.5%

LAB 49.65, 62.3, -37.59

 

CMYK 0 / 48 / 2 / 34

HEX #A857A4

RGB 168 87 164

HSL 302.96, 0.32%, 0.5%

LAB 49.28, 44.27, -27.24

 

CMYK 0 / 27 / 1 / 42

HEX #936C91

RGB 147 108 145

HSL 303.08, 0.15%, 0.5%

LAB 50.66, 22.02, -14.15

 

CMYK 44 / 89 / 0 / 10

HEX #801AE6

RGB 128 26 230

HSL 270, 0.8%, 0.5%

LAB 39.65, 74.19, -81.27

 

CMYK 21 / 89 / 0 / 10

HEX #B61AE6

RGB 182 26 230

HSL 285.88, 0.8%, 0.5%

LAB 47.49, 81.07, -68.13

 

CMYK 0 / 89 / 3 / 10

HEX #E61ADF

RGB 230 26 223

HSL 302.06, 0.8%, 0.5%

LAB 54.96, 87.62, -51.73

 

CMYK 0 / 89 / 27 / 10

HEX #E61AA8

RGB 230 26 168

HSL 318.24, 0.8%, 0.5%

LAB 52.27, 80.63, -24.16

 

CMYK 0 / 89 / 50 / 10

HEX #E61A72

RGB 230 26 114

HSL 334.12, 0.8%, 0.5%

LAB 50.42, 75.58, 5.49

 

CMYK 0 / 89 / 3 / 39

HEX #9B1196

RGB 155 17 150

HSL 302.17, 0.8%, 0.34%

LAB 37.06, 64.78, -38.2

 

CMYK 0 / 89 / 3 / 25

HEX #C015BA

RGB 192 21 186

HSL 302.11, 0.8%, 0.42%

LAB 46.03, 76.34, -45.04

 

CMYK 0 / 89 / 3 / 10

HEX #E61ADE

RGB 230 26 222

HSL 302.35, 0.8%, 0.5%

LAB 54.9, 87.48, -51.25

 

CMYK 0 / 73 / 3 / 8

HEX #EA3FE3

RGB 234 63 227

HSL 302.46, 0.8%, 0.58%

LAB 58.6, 80.94, -48.17

 

CMYK 0 / 58 / 3 / 7

HEX #EE64E8

RGB 238 100 232

HSL 302.61, 0.8%, 0.66%

LAB 64.26, 69.16, -42

 

CMYK 0 / 89 / 3 / 10

HEX #E519DD

RGB 229 25 221

HSL 302.35, 0.8%, 0.5%

LAB 54.63, 87.3, -51.13

 

CMYK 0 / 68 / 89 / 10

HEX #E6491A

RGB 230 73 26

HSL 13.82, 0.8%, 0.5%

LAB 53.67, 58.78, 57.74

 

CMYK 89 / 0 / 33 / 10

HEX #1AE69B

RGB 26 230 155

HSL 157.94, 0.8%, 0.5%

LAB 81.39, -62.64, 23.95

 

CMYK 0 / 89 / 3 / 10

HEX #E519DD

RGB 229 25 221

HSL 302.35, 0.8%, 0.5%

LAB 54.63, 87.3, -51.13

 

CMYK 3 / 0 / 89 / 10

HEX #DFE61A

RGB 223 230 26

HSL 62.06, 0.8%, 0.5%

LAB 88.14, -22.56, 84.09

 

CMYK 89 / 3 / 0 / 10

HEX #1ADFE6

RGB 26 223 230

HSL 182.06, 0.8%, 0.5%

LAB 81.13, -40.58, -15.98

 

CMYK 0 / 89 / 3 / 10

HEX #E519DD

RGB 229 25 221

HSL 302.35, 0.8%, 0.5%

LAB 54.63, 87.3, -51.13

 

CMYK 0 / 68 / 89 / 10

HEX #E6491A

RGB 230 73 26

HSL 13.82, 0.8%, 0.5%

LAB 53.67, 58.78, 57.74

 

CMYK 89 / 0 / 86 / 10

HEX #1AE620

RGB 26 230 32

HSL 121.76, 0.8%, 0.5%

LAB 80.13, -77.82, 73.1

 

CMYK 89 / 21 / 0 / 10

HEX #1AB6E6

RGB 26 182 230

HSL 194.12, 0.8%, 0.5%

LAB 69.03, -20.73, -34.47

 

CMYK 0 / 89 / 3 / 10

HEX #E519DD

RGB 229 25 221

HSL 302.35, 0.8%, 0.5%

LAB 54.63, 87.3, -51.13

 

CMYK 0 / 42 / 89 / 10

HEX #E6861A

RGB 230 134 26

HSL 31.76, 0.8%, 0.5%

LAB 64.92, 30.05, 66.26

 

CMYK 89 / 0 / 86 / 10

HEX #1AE620

RGB 26 230 32

HSL 121.76, 0.8%, 0.5%

LAB 80.13, -77.82, 73.1

 

CMYK 89 / 47 / 0 / 10

HEX #1A79E6

RGB 26 121 230

HSL 212.06, 0.8%, 0.5%

LAB 51.39, 14.39, -62.39

 

Description

Color code: HEX #E519DD | qconv.com Color code: HEX #E519DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 25 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 25 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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