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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E51983 it is the complementary color #1AE67C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E51983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E51983 shade: #EA197E, #FB2B91, #FF3DA4, #FF4FB7 and #FF61CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E51983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E51983 shade: #E51983, #D40770, #C3005D, #B2004A and #A10037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E51983 shade: #E61A84, #E61A4D and #E61A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E51983 shade: #E61A84, #E61ABB, #D91AE6, #A21AE6 and #6B1AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E51983 shade matches the following richer shades: #E61A84 and #FA0584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E51983 shade: #E61A84, #D12E83, #BC4382, #A85781 and #936C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E51983 shade: #D81AE6, #E61ABD, #E61A86, #E61A50 and #E61A1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E51983 shade: #9B1159, #C0156E, #E61A84, #EA3F97 and #EE64AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E51983 shade: #E51983, #E6A21A and #1AD8E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E51983 shade: #E51983, #86E61A and #1A86E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E51983 shade: #E51983, #E6A21A, #1AE679 and #1A5EE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E51983 shade: #E51983, #E6DF1A, #1AE679 and #1A20E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 43 / 10

HEX #E51983

RGB 229 25 131

HSL 328.82, 0.8%, 0.5%

LAB 50.68, 76.88, -4.5

 

Complementary color

CMYK 89 / 0 / 46 / 10

HEX #1AE67C

RGB 26 230 124

HSL 148.82, 0.8%, 0.5%

LAB 80.89, -68.48, 38.95

 

CMYK 0 / 89 / 46 / 8

HEX #EA197E

RGB 234 25 126

HSL 331, 0.83%, 0.51%

LAB 51.49, 77.59, -0.16

 

CMYK 0 / 83 / 42 / 2

HEX #FB2B91

RGB 251 43 145

HSL 330.58, 0.96%, 0.58%

LAB 56.37, 79.94, -4

 

CMYK 0 / 76 / 36 / 0

HEX #FF3DA4

RGB 255 61 164

HSL 328.14, 1%, 0.62%

LAB 59.23, 78.3, -10.82

 

CMYK 0 / 69 / 28 / 0

HEX #FF4FB7

RGB 255 79 183

HSL 324.55, 1%, 0.65%

LAB 61.89, 74.74, -17.79

 

CMYK 0 / 62 / 21 / 0

HEX #FF61CA

RGB 255 97 202

HSL 320.13, 1%, 0.69%

LAB 65.02, 70.38, -23.81

 

CMYK 0 / 89 / 43 / 10

HEX #E51983

RGB 229 25 131

HSL 328.82, 0.8%, 0.5%

LAB 50.68, 76.88, -4.5

 

CMYK 0 / 97 / 47 / 17

HEX #D40770

RGB 212 7 112

HSL 329.27, 0.94%, 0.43%

LAB 46.07, 73.47, -0.04

 

CMYK 0 / 100 / 52 / 24

HEX #C3005D

RGB 195 0 93

HSL 331.38, 1%, 0.38%

LAB 41.83, 68.85, 5.29

 

CMYK 0 / 100 / 58 / 30

HEX #B2004A

RGB 178 0 74

HSL 335.06, 1%, 0.35%

LAB 37.77, 63.61, 11.21

 

CMYK 0 / 100 / 66 / 37

HEX #A10037

RGB 161 0 55

HSL 339.5, 1%, 0.32%

LAB 33.67, 58.39, 17.44

 

CMYK 0 / 89 / 43 / 10

HEX #E61A84

RGB 230 26 132

HSL 328.82, 0.8%, 0.5%

LAB 50.95, 77.04, -4.67

 

CMYK 0 / 89 / 67 / 10

HEX #E61A4D

RGB 230 26 77

HSL 345, 0.8%, 0.5%

LAB 49.61, 73.3, 26.97

 

CMYK 0 / 89 / 89 / 10

HEX #E61A1A

RGB 230 26 26

HSL 0, 0.8%, 0.5%

LAB 49.05, 71.69, 54.33

 

CMYK 0 / 89 / 43 / 10

HEX #E61A84

RGB 230 26 132

HSL 328.82, 0.8%, 0.5%

LAB 50.95, 77.04, -4.67

 

CMYK 0 / 89 / 19 / 10

HEX #E61ABB

RGB 230 26 187

HSL 312.65, 0.8%, 0.5%

LAB 53.11, 82.85, -33.98

 

CMYK 6 / 89 / 0 / 10

HEX #D91AE6

RGB 217 26 230

HSL 296.18, 0.8%, 0.5%

LAB 53.17, 86.48, -58.67

 

CMYK 30 / 89 / 0 / 10

HEX #A21AE6

RGB 162 26 230

HSL 280, 0.8%, 0.5%

LAB 44.42, 78.29, -73.26

 

CMYK 53 / 89 / 0 / 10

HEX #6B1AE6

RGB 107 26 230

HSL 263.82, 0.8%, 0.5%

LAB 37.07, 72.14, -85.61

 

CMYK 0 / 89 / 43 / 10

HEX #E61A84

RGB 230 26 132

HSL 328.82, 0.8%, 0.5%

LAB 50.95, 77.04, -4.67

 

CMYK 0 / 98 / 47 / 2

HEX #FA0584

RGB 250 5 132

HSL 328.9, 0.96%, 0.5%

LAB 54.13, 83.45, 0.45

 

CMYK 0 / 89 / 43 / 10

HEX #E61A84

RGB 230 26 132

HSL 328.82, 0.8%, 0.5%

LAB 50.95, 77.04, -4.67

 

CMYK 0 / 78 / 37 / 18

HEX #D12E83

RGB 209 46 131

HSL 328.71, 0.64%, 0.5%

LAB 48.45, 67.75, -8.22

 

CMYK 0 / 64 / 31 / 26

HEX #BC4382

RGB 188 67 130

HSL 328.76, 0.47%, 0.5%

LAB 47.39, 54.55, -9.57

 

CMYK 0 / 48 / 23 / 34

HEX #A85781

RGB 168 87 129

HSL 328.89, 0.32%, 0.5%

LAB 47.91, 38.42, -8.5

 

CMYK 0 / 27 / 13 / 42

HEX #936C80

RGB 147 108 128

HSL 329.23, 0.15%, 0.5%

LAB 50.08, 18.83, -4.95

 

CMYK 6 / 89 / 0 / 10

HEX #D81AE6

RGB 216 26 230

HSL 295.88, 0.8%, 0.5%

LAB 53.01, 86.32, -58.95

 

CMYK 0 / 89 / 18 / 10

HEX #E61ABD

RGB 230 26 189

HSL 312.06, 0.8%, 0.5%

LAB 53.21, 83.1, -35

 

CMYK 0 / 89 / 42 / 10

HEX #E61A86

RGB 230 26 134

HSL 328.24, 0.8%, 0.5%

LAB 51.02, 77.22, -5.78

 

CMYK 0 / 89 / 65 / 10

HEX #E61A50

RGB 230 26 80

HSL 344.12, 0.8%, 0.5%

LAB 49.67, 73.45, 25.22

 

CMYK 0 / 89 / 89 / 10

HEX #E61A1A

RGB 230 26 26

HSL 0, 0.8%, 0.5%

LAB 49.05, 71.69, 54.33

 

CMYK 0 / 89 / 43 / 39

HEX #9B1159

RGB 155 17 89

HSL 328.7, 0.8%, 0.34%

LAB 34.17, 57.04, -4.32

 

CMYK 0 / 89 / 43 / 25

HEX #C0156E

RGB 192 21 110

HSL 328.77, 0.8%, 0.42%

LAB 42.56, 67.16, -4.41

 

CMYK 0 / 89 / 43 / 10

HEX #E61A84

RGB 230 26 132

HSL 328.82, 0.8%, 0.5%

LAB 50.95, 77.04, -4.67

 

CMYK 0 / 73 / 35 / 8

HEX #EA3F97

RGB 234 63 151

HSL 329.12, 0.8%, 0.58%

LAB 55.36, 71.1, -9.37

 

CMYK 0 / 58 / 28 / 7

HEX #EE64AB

RGB 238 100 171

HSL 329.13, 0.8%, 0.66%

LAB 61.85, 60.28, -11.22

 

CMYK 0 / 89 / 43 / 10

HEX #E51983

RGB 229 25 131

HSL 328.82, 0.8%, 0.5%

LAB 50.68, 76.88, -4.5

 

CMYK 0 / 30 / 89 / 10

HEX #E6A21A

RGB 230 162 26

HSL 40, 0.8%, 0.5%

LAB 71.38, 15.2, 71.24

 

CMYK 89 / 6 / 0 / 10

HEX #1AD8E6

RGB 26 216 230

HSL 184.12, 0.8%, 0.5%

LAB 79.07, -37.39, -19.1

 

CMYK 0 / 89 / 43 / 10

HEX #E51983

RGB 229 25 131

HSL 328.82, 0.8%, 0.5%

LAB 50.68, 76.88, -4.5

 

CMYK 42 / 0 / 89 / 10

HEX #86E61A

RGB 134 230 26

HSL 88.24, 0.8%, 0.5%

LAB 82.77, -56.39, 77.51

 

CMYK 89 / 42 / 0 / 10

HEX #1A86E6

RGB 26 134 230

HSL 208.24, 0.8%, 0.5%

LAB 55.05, 6.36, -56.5

 

CMYK 0 / 89 / 43 / 10

HEX #E51983

RGB 229 25 131

HSL 328.82, 0.8%, 0.5%

LAB 50.68, 76.88, -4.5

 

CMYK 0 / 30 / 89 / 10

HEX #E6A21A

RGB 230 162 26

HSL 40, 0.8%, 0.5%

LAB 71.38, 15.2, 71.24

 

CMYK 89 / 0 / 47 / 10

HEX #1AE679

RGB 26 230 121

HSL 147.94, 0.8%, 0.5%

LAB 80.85, -68.98, 40.36

 

CMYK 89 / 59 / 0 / 10

HEX #1A5EE6

RGB 26 94 230

HSL 220, 0.8%, 0.5%

LAB 44.14, 31.62, -74.15

 

CMYK 0 / 89 / 43 / 10

HEX #E51983

RGB 229 25 131

HSL 328.82, 0.8%, 0.5%

LAB 50.68, 76.88, -4.5

 

CMYK 0 / 3 / 89 / 10

HEX #E6DF1A

RGB 230 223 26

HSL 57.94, 0.8%, 0.5%

LAB 86.84, -16.24, 83.3

 

CMYK 89 / 0 / 47 / 10

HEX #1AE679

RGB 26 230 121

HSL 147.94, 0.8%, 0.5%

LAB 80.85, -68.98, 40.36

 

CMYK 89 / 86 / 0 / 10

HEX #1A20E6

RGB 26 32 230

HSL 238.24, 0.8%, 0.5%

LAB 31.73, 65.82, -94.66

 

Description

Color code: HEX #E51983 | qconv.com Color code: HEX #E51983 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 25 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 25 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 43 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 43% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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