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Color name
HEX #E51933

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E51933 it is the complementary color #1AE6CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E51933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E51933 shade: #EA192E, #FB2B41, #FF3D54, #FF4F67 and #FF617A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E51933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E51933 shade: #E51933, #D40720, #C3000D, #B20000 and #A10000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E51933 shade: #E61A34 and #E61A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E51933 shade: #E61A34, #E61A6B, #E61AA2, #E61AD9 and #BB1AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E51933 shade matches the following richer shades: #E61A34 and #FA0524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E51933 shade: #E61A34, #D12E43, #BC4352, #A85762 and #936C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E51933 shade: #E61AA2, #E61A6B, #E61A35, #E6351A and #E66B1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E51933 shade: #9B1123, #C0152B, #E61A34, #EA3F54 and #EE6475

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E51933 shade: #E51933, #D8E61A and #1A86E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E51933 shade: #E51933, #35E61A and #1A35E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E51933 shade: #E51933, #D8E61A, #1AE6CA and #271AE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E51933 shade: #E51933, #9BE61A, #1AE6CA and #641AE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 78 / 10

HEX #E51933

RGB 229 25 51

HSL 352.35, 0.8%, 0.5%

LAB 49, 72.17, 41.54

 

Complementary color

CMYK 89 / 0 / 11 / 10

HEX #1AE6CC

RGB 26 230 204

HSL 172.35, 0.8%, 0.5%

LAB 82.47, -50.94, -0.2

 

CMYK 0 / 89 / 80 / 8

HEX #EA192E

RGB 234 25 46

HSL 353.97, 0.83%, 0.51%

LAB 49.96, 73.29, 45.61

 

CMYK 0 / 83 / 74 / 2

HEX #FB2B41

RGB 251 43 65

HSL 353.65, 0.96%, 0.58%

LAB 54.68, 74.99, 41.08

 

CMYK 0 / 76 / 67 / 0

HEX #FF3D54

RGB 255 61 84

HSL 352.89, 1%, 0.62%

LAB 57.31, 72.3, 33.49

 

CMYK 0 / 69 / 60 / 0

HEX #FF4F67

RGB 255 79 103

HSL 351.82, 1%, 0.65%

LAB 59.74, 67.49, 25.58

 

CMYK 0 / 62 / 52 / 0

HEX #FF617A

RGB 255 97 122

HSL 350.51, 1%, 0.69%

LAB 62.69, 61.82, 18.57

 

CMYK 0 / 89 / 78 / 10

HEX #E51933

RGB 229 25 51

HSL 352.35, 0.8%, 0.5%

LAB 49, 72.17, 41.54

 

CMYK 0 / 97 / 85 / 17

HEX #D40720

RGB 212 7 32

HSL 352.68, 0.94%, 0.43%

LAB 44.59, 69.47, 46.38

 

CMYK 0 / 100 / 93 / 24

HEX #C3000D

RGB 195 0 13

HSL 356, 1%, 0.38%

LAB 40.62, 65.59, 50.38

 

CMYK 0 / 100 / 100 / 30

HEX #B20000

RGB 178 0 0

HSL 0, 1%, 0.35%

LAB 36.86, 61.17, 51.27

 

CMYK 0 / 100 / 100 / 37

HEX #A10000

RGB 161 0 0

HSL 0, 1%, 0.32%

LAB 33.09, 56.8, 47.21

 

CMYK 0 / 89 / 77 / 10

HEX #E61A34

RGB 230 26 52

HSL 352.35, 0.8%, 0.5%

LAB 49.26, 72.3, 41.32

 

CMYK 0 / 89 / 89 / 10

HEX #E61A1A

RGB 230 26 26

HSL 0, 0.8%, 0.5%

LAB 49.05, 71.69, 54.33

 

CMYK 0 / 89 / 77 / 10

HEX #E61A34

RGB 230 26 52

HSL 352.35, 0.8%, 0.5%

LAB 49.26, 72.3, 41.32

 

CMYK 0 / 89 / 53 / 10

HEX #E61A6B

RGB 230 26 107

HSL 336.18, 0.8%, 0.5%

LAB 50.24, 75.08, 9.5

 

CMYK 0 / 89 / 30 / 10

HEX #E61AA2

RGB 230 26 162

HSL 320, 0.8%, 0.5%

LAB 52.03, 79.97, -20.99

 

CMYK 0 / 89 / 6 / 10

HEX #E61AD9

RGB 230 26 217

HSL 303.82, 0.8%, 0.5%

LAB 54.63, 86.78, -48.85

 

CMYK 19 / 89 / 0 / 10

HEX #BB1AE6

RGB 187 26 230

HSL 287.35, 0.8%, 0.5%

LAB 48.28, 81.81, -66.81

 

CMYK 0 / 89 / 77 / 10

HEX #E61A34

RGB 230 26 52

HSL 352.35, 0.8%, 0.5%

LAB 49.26, 72.3, 41.32

 

CMYK 0 / 98 / 86 / 2

HEX #FA0524

RGB 250 5 36

HSL 352.41, 0.96%, 0.5%

LAB 52.46, 78.95, 54.21

 

CMYK 0 / 89 / 77 / 10

HEX #E61A34

RGB 230 26 52

HSL 352.35, 0.8%, 0.5%

LAB 49.26, 72.3, 41.32

 

CMYK 0 / 78 / 68 / 18

HEX #D12E43

RGB 209 46 67

HSL 352.27, 0.64%, 0.5%

LAB 46.86, 62.86, 28.68

 

CMYK 0 / 64 / 56 / 26

HEX #BC4352

RGB 188 67 82

HSL 352.56, 0.47%, 0.5%

LAB 46.06, 49.7, 17.8

 

CMYK 0 / 48 / 42 / 34

HEX #A85762

RGB 168 87 98

HSL 351.85, 0.32%, 0.5%

LAB 47, 34.31, 8.9

 

CMYK 0 / 27 / 23 / 42

HEX #936C71

RGB 147 108 113

HSL 352.31, 0.15%, 0.5%

LAB 49.64, 16.31, 3.32

 

CMYK 0 / 89 / 30 / 10

HEX #E61AA2

RGB 230 26 162

HSL 320, 0.8%, 0.5%

LAB 52.03, 79.97, -20.99

 

CMYK 0 / 89 / 53 / 10

HEX #E61A6B

RGB 230 26 107

HSL 336.18, 0.8%, 0.5%

LAB 50.24, 75.08, 9.5

 

CMYK 0 / 89 / 77 / 10

HEX #E61A35

RGB 230 26 53

HSL 352.06, 0.8%, 0.5%

LAB 49.28, 72.34, 40.76

 

CMYK 0 / 77 / 89 / 10

HEX #E6351A

RGB 230 53 26

HSL 7.94, 0.8%, 0.5%

LAB 51.2, 65.59, 55.91

 

CMYK 0 / 53 / 89 / 10

HEX #E66B1A

RGB 230 107 26

HSL 23.82, 0.8%, 0.5%

LAB 59.35, 43.79, 62.02

 

CMYK 0 / 89 / 77 / 39

HEX #9B1123

RGB 155 17 35

HSL 352.17, 0.8%, 0.34%

LAB 32.9, 53.42, 29.05

 

CMYK 0 / 89 / 78 / 25

HEX #C0152B

RGB 192 21 43

HSL 352.28, 0.8%, 0.42%

LAB 41.08, 62.99, 35.42

 

CMYK 0 / 89 / 77 / 10

HEX #E61A34

RGB 230 26 52

HSL 352.35, 0.8%, 0.5%

LAB 49.26, 72.3, 41.32

 

CMYK 0 / 73 / 64 / 8

HEX #EA3F54

RGB 234 63 84

HSL 352.63, 0.8%, 0.58%

LAB 53.69, 65.69, 28.14

 

CMYK 0 / 58 / 51 / 7

HEX #EE6475

RGB 238 100 117

HSL 352.61, 0.8%, 0.66%

LAB 60.41, 54.59, 17.9

 

CMYK 0 / 89 / 78 / 10

HEX #E51933

RGB 229 25 51

HSL 352.35, 0.8%, 0.5%

LAB 49, 72.17, 41.54

 

CMYK 6 / 0 / 89 / 10

HEX #D8E61A

RGB 216 230 26

HSL 64.12, 0.8%, 0.5%

LAB 87.61, -25.46, 83.46

 

CMYK 89 / 42 / 0 / 10

HEX #1A86E6

RGB 26 134 230

HSL 208.24, 0.8%, 0.5%

LAB 55.05, 6.36, -56.5

 

CMYK 0 / 89 / 78 / 10

HEX #E51933

RGB 229 25 51

HSL 352.35, 0.8%, 0.5%

LAB 49, 72.17, 41.54

 

CMYK 77 / 0 / 89 / 10

HEX #35E61A

RGB 53 230 26

HSL 112.06, 0.8%, 0.5%

LAB 80.42, -75.35, 74.57

 

CMYK 89 / 77 / 0 / 10

HEX #1A35E6

RGB 26 53 230

HSL 232.06, 0.8%, 0.5%

LAB 34.96, 56.31, -89.28

 

CMYK 0 / 89 / 78 / 10

HEX #E51933

RGB 229 25 51

HSL 352.35, 0.8%, 0.5%

LAB 49, 72.17, 41.54

 

CMYK 6 / 0 / 89 / 10

HEX #D8E61A

RGB 216 230 26

HSL 64.12, 0.8%, 0.5%

LAB 87.61, -25.46, 83.46

 

CMYK 89 / 0 / 12 / 10

HEX #1AE6CA

RGB 26 230 202

HSL 171.76, 0.8%, 0.5%

LAB 82.42, -51.47, 0.78

 

CMYK 83 / 89 / 0 / 10

HEX #271AE6

RGB 39 26 230

HSL 243.82, 0.8%, 0.5%

LAB 31.54, 68.19, -94.96

 

CMYK 0 / 89 / 78 / 10

HEX #E51933

RGB 229 25 51

HSL 352.35, 0.8%, 0.5%

LAB 49, 72.17, 41.54

 

CMYK 33 / 0 / 89 / 10

HEX #9BE61A

RGB 155 230 26

HSL 82.06, 0.8%, 0.5%

LAB 83.78, -49.23, 78.75

 

CMYK 89 / 0 / 12 / 10

HEX #1AE6CA

RGB 26 230 202

HSL 171.76, 0.8%, 0.5%

LAB 82.42, -51.47, 0.78

 

CMYK 57 / 89 / 0 / 10

HEX #641AE6

RGB 100 26 230

HSL 261.76, 0.8%, 0.5%

LAB 36.29, 71.54, -86.93

 

Description

Color code: HEX #E51933 | qconv.com Color code: HEX #E51933 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 25 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 25 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 78 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 78% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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