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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E516CE it is the complementary color #1AE931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E516CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E516CE shade: #EA16C9, #FB28DC, #FF3AEF, #FF4CFF and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E516CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E516CE shade: #E516CE, #D404BB, #C300A8, #B20095 and #A10082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E516CE shade: #E316CD, #E31695, #E3165E, #E31627 and #E31616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E516CE shade: #E316CD, #C316E3, #8C16E3, #5416E3 and #1D16E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E516CE shade matches the following richer shades: #E316CD and #F802DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E516CE shade: #E316CD, #CF2BBD, #BB3FAD, #A7539D and #93678E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E516CE shade: #8B16E3, #C116E3, #E316CF, #E31698 and #E31662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E516CE shade: #980F89, #BE13AB, #E316CD, #EB38D7 and #EF5DDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E516CE shade: #E516CE, #E35416 and #16E3A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E516CE shade: #E516CE, #CFE316 and #16CFE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E516CE shade: #E516CE, #E35416, #16E32B and #16A6E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E516CE shade: #E516CE, #E39116, #16E32B and #1668E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 10 / 10

HEX #E516CE

RGB 229 22 206

HSL 306.67, 0.82%, 0.49%

LAB 53.69, 85.62, -44.05

 

Complementary color

CMYK 89 / 0 / 79 / 9

HEX #1AE931

RGB 26 233 49

HSL 126.67, 0.82%, 0.51%

LAB 81.14, -77.81, 69.88

 

CMYK 0 / 91 / 14 / 8

HEX #EA16C9

RGB 234 22 201

HSL 309.34, 0.83%, 0.5%

LAB 54.33, 85.88, -40.13

 

CMYK 0 / 84 / 12 / 2

HEX #FB28DC

RGB 251 40 220

HSL 308.82, 0.96%, 0.57%

LAB 59.15, 88.79, -43.16

 

CMYK 0 / 77 / 6 / 0

HEX #FF3AEF

RGB 255 58 239

HSL 304.87, 1%, 0.61%

LAB 62.1, 88.28, -49.12

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 90 / 10 / 10

HEX #E516CE

RGB 229 22 206

HSL 306.67, 0.82%, 0.49%

LAB 53.69, 85.62, -44.05

 

CMYK 0 / 98 / 12 / 17

HEX #D404BB

RGB 212 4 187

HSL 307.21, 0.96%, 0.42%

LAB 49.1, 81.73, -40.53

 

CMYK 0 / 100 / 14 / 24

HEX #C300A8

RGB 195 0 168

HSL 308.31, 1%, 0.38%

LAB 44.84, 76.56, -36.25

 

CMYK 0 / 100 / 16 / 30

HEX #B20095

RGB 178 0 149

HSL 309.78, 1%, 0.35%

LAB 40.63, 70.99, -31.67

 

CMYK 0 / 100 / 19 / 37

HEX #A10082

RGB 161 0 130

HSL 311.55, 1%, 0.32%

LAB 36.35, 65.32, -26.94

 

CMYK 0 / 90 / 10 / 11

HEX #E316CD

RGB 227 22 205

HSL 306.44, 0.82%, 0.49%

LAB 53.29, 85.13, -44.14

 

CMYK 0 / 90 / 34 / 11

HEX #E31695

RGB 227 22 149

HSL 322.83, 0.82%, 0.49%

LAB 50.77, 78.54, -15.22

 

CMYK 0 / 90 / 59 / 11

HEX #E3165E

RGB 227 22 94

HSL 338.93, 0.82%, 0.49%

LAB 49.15, 74.09, 15.86

 

CMYK 0 / 90 / 83 / 11

HEX #E31627

RGB 227 22 39

HSL 355.02, 0.82%, 0.49%

LAB 48.32, 71.77, 47.27

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

CMYK 0 / 90 / 10 / 11

HEX #E316CD

RGB 227 22 205

HSL 306.44, 0.82%, 0.49%

LAB 53.29, 85.13, -44.14

 

CMYK 14 / 90 / 0 / 11

HEX #C316E3

RGB 195 22 227

HSL 290.63, 0.82%, 0.49%

LAB 49.16, 83.1, -63.63

 

CMYK 38 / 90 / 0 / 11

HEX #8C16E3

RGB 140 22 227

HSL 274.54, 0.82%, 0.49%

LAB 40.73, 75.7, -77.73

 

CMYK 63 / 90 / 0 / 11

HEX #5416E3

RGB 84 22 227

HSL 258.15, 0.82%, 0.49%

LAB 33.99, 70.62, -89.07

 

CMYK 87 / 90 / 0 / 11

HEX #1D16E3

RGB 29 22 227

HSL 242.05, 0.82%, 0.49%

LAB 30.35, 68.33, -95.23

 

CMYK 0 / 90 / 10 / 11

HEX #E316CD

RGB 227 22 205

HSL 306.44, 0.82%, 0.49%

LAB 53.29, 85.13, -44.14

 

CMYK 0 / 99 / 11 / 3

HEX #F802DC

RGB 248 2 220

HSL 306.83, 0.98%, 0.49%

LAB 57.24, 92.34, -46.21

 

CMYK 0 / 90 / 10 / 11

HEX #E316CD

RGB 227 22 205

HSL 306.44, 0.82%, 0.49%

LAB 53.29, 85.13, -44.14

 

CMYK 0 / 79 / 9 / 19

HEX #CF2BBD

RGB 207 43 189

HSL 306.59, 0.66%, 0.49%

LAB 50.3, 75.27, -39.85

 

CMYK 0 / 66 / 7 / 27

HEX #BB3FAD

RGB 187 63 173

HSL 306.77, 0.5%, 0.49%

LAB 48.43, 62, -33.65

 

CMYK 0 / 50 / 6 / 35

HEX #A7539D

RGB 167 83 157

HSL 307.14, 0.34%, 0.49%

LAB 48.05, 44.76, -25.02

 

CMYK 0 / 30 / 3 / 42

HEX #93678E

RGB 147 103 142

HSL 306.82, 0.18%, 0.49%

LAB 49.32, 24.34, -14.39

 

CMYK 39 / 90 / 0 / 11

HEX #8B16E3

RGB 139 22 227

HSL 274.24, 0.82%, 0.49%

LAB 40.59, 75.59, -77.96

 

CMYK 15 / 90 / 0 / 11

HEX #C116E3

RGB 193 22 227

HSL 290.05, 0.82%, 0.49%

LAB 48.83, 82.8, -64.17

 

CMYK 0 / 90 / 9 / 11

HEX #E316CF

RGB 227 22 207

HSL 305.85, 0.82%, 0.49%

LAB 53.4, 85.4, -45.12

 

CMYK 0 / 90 / 33 / 11

HEX #E31698

RGB 227 22 152

HSL 321.95, 0.82%, 0.49%

LAB 50.89, 78.84, -16.84

 

CMYK 0 / 90 / 57 / 11

HEX #E31662

RGB 227 22 98

HSL 337.76, 0.82%, 0.49%

LAB 49.24, 74.34, 13.52

 

CMYK 0 / 90 / 10 / 40

HEX #980F89

RGB 152 15 137

HSL 306.57, 0.82%, 0.33%

LAB 35.64, 62.58, -32.51

 

CMYK 0 / 90 / 10 / 25

HEX #BE13AB

RGB 190 19 171

HSL 306.67, 0.82%, 0.41%

LAB 44.74, 74.11, -38.26

 

CMYK 0 / 90 / 10 / 11

HEX #E316CD

RGB 227 22 205

HSL 306.44, 0.82%, 0.49%

LAB 53.29, 85.13, -44.14

 

CMYK 0 / 76 / 9 / 8

HEX #EB38D7

RGB 235 56 215

HSL 306.7, 0.82%, 0.57%

LAB 57.46, 81.37, -43.17

 

CMYK 0 / 61 / 7 / 6

HEX #EF5DDF

RGB 239 93 223

HSL 306.58, 0.82%, 0.65%

LAB 62.93, 70.87, -39.04

 

CMYK 0 / 90 / 10 / 10

HEX #E516CE

RGB 229 22 206

HSL 306.67, 0.82%, 0.49%

LAB 53.69, 85.62, -44.05

 

CMYK 0 / 63 / 90 / 11

HEX #E35416

RGB 227 84 22

HSL 18.15, 0.82%, 0.49%

LAB 54.79, 53.22, 59.69

 

CMYK 90 / 0 / 27 / 11

HEX #16E3A6

RGB 22 227 166

HSL 162.15, 0.82%, 0.49%

LAB 80.66, -59.35, 17.22

 

CMYK 0 / 90 / 10 / 10

HEX #E516CE

RGB 229 22 206

HSL 306.67, 0.82%, 0.49%

LAB 53.69, 85.62, -44.05

 

CMYK 9 / 0 / 90 / 11

HEX #CFE316

RGB 207 227 22

HSL 65.85, 0.82%, 0.49%

LAB 86.14, -27.81, 82.6

 

CMYK 90 / 9 / 0 / 11

HEX #16CFE3

RGB 22 207 227

HSL 185.85, 0.82%, 0.49%

LAB 76.28, -34.29, -21.72

 

CMYK 0 / 90 / 10 / 10

HEX #E516CE

RGB 229 22 206

HSL 306.67, 0.82%, 0.49%

LAB 53.69, 85.62, -44.05

 

CMYK 0 / 63 / 90 / 11

HEX #E35416

RGB 227 84 22

HSL 18.15, 0.82%, 0.49%

LAB 54.79, 53.22, 59.69

 

CMYK 90 / 0 / 81 / 11

HEX #16E32B

RGB 22 227 43

HSL 126.15, 0.82%, 0.49%

LAB 79.2, -76.74, 69.69

 

CMYK 90 / 27 / 0 / 11

HEX #16A6E3

RGB 22 166 227

HSL 197.85, 0.82%, 0.49%

LAB 64.15, -13.46, -40.43

 

CMYK 0 / 90 / 10 / 10

HEX #E516CE

RGB 229 22 206

HSL 306.67, 0.82%, 0.49%

LAB 53.69, 85.62, -44.05

 

CMYK 0 / 36 / 90 / 11

HEX #E39116

RGB 227 145 22

HSL 36, 0.82%, 0.49%

LAB 67.01, 22.9, 68.65

 

CMYK 90 / 0 / 81 / 11

HEX #16E32B

RGB 22 227 43

HSL 126.15, 0.82%, 0.49%

LAB 79.2, -76.74, 69.69

 

CMYK 90 / 54 / 0 / 11

HEX #1668E3

RGB 22 104 227

HSL 216, 0.82%, 0.49%

LAB 46.47, 23.84, -68.67

 

Description

Color code: HEX #E516CE | qconv.com Color code: HEX #E516CE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 22 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 22 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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