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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4DF96 it is the complementary color #1B2069. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4DF96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4DF96 shade: #E9DF91, #FAF1A4, #FFFFB7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4DF96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4DF96 shade: #E4DF96, #D3CD83, #C2BB70, #B1A95D and #A0974A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4DF96 shade: #E4DF96, #E4CA96, #E4B596, #E4A096 and #E49696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4DF96 shade: #E4DF96, #D4E496, #BFE496, #AAE496 and #96E497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4DF96 shade matches the following richer shades: #E4DF96, #EFE88B and #F9F180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4DF96 shade: #E4DF96, #D9D5A0, #CECCAB, #C4C3B6 and #B9B9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4DF96 shade: #E4B596, #E4CA96, #E4DF96, #D4E496 and #BFE496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4DF96 shade: #D3CB54, #DBD575, #E4DF96, #ECE9B6 and #F5F3D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4DF96 shade: #E4DF96, #96E4A0 and #BF96E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4DF96 shade: #E4DF96, #96E4DF and #DF96E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4DF96 shade: #E4DF96, #96E4A0, #969BE4 and #E496D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4DF96 shade: #E4DF96, #96E4B7, #969BE4 and #E496C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

Complementary color

CMYK 74 / 70 / 0 / 59

HEX #1B2069

RGB 27 32 105

HSL 236.15, 0.59%, 0.26%

LAB 16.92, 24.73, -43.26

 

CMYK 0 / 4 / 38 / 9

HEX #E9DF91

RGB 233 223 145

HSL 53.18, 0.67%, 0.74%

LAB 88.04, -7.69, 39.46

 

CMYK 0 / 4 / 34 / 2

HEX #FAF1A4

RGB 250 241 164

HSL 53.72, 0.9%, 0.81%

LAB 94.28, -8.05, 38.32

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 0 / 3 / 38 / 17

HEX #D3CD83

RGB 211 205 131

HSL 55.5, 0.48%, 0.67%

LAB 81.37, -8.71, 37.59

 

CMYK 0 / 4 / 42 / 24

HEX #C2BB70

RGB 194 187 112

HSL 54.88, 0.4%, 0.6%

LAB 74.94, -8.31, 38.78

 

CMYK 0 / 5 / 47 / 31

HEX #B1A95D

RGB 177 169 93

HSL 54.29, 0.35%, 0.53%

LAB 68.4, -7.82, 40.01

 

CMYK 0 / 6 / 54 / 37

HEX #A0974A

RGB 160 151 74

HSL 53.72, 0.37%, 0.46%

LAB 61.74, -7.22, 41.24

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 0 / 11 / 34 / 11

HEX #E4CA96

RGB 228 202 150

HSL 40, 0.59%, 0.74%

LAB 82.34, 1.7, 29.34

 

CMYK 0 / 21 / 34 / 11

HEX #E4B596

RGB 228 181 150

HSL 23.85, 0.59%, 0.74%

LAB 77.13, 12.77, 22.28

 

CMYK 0 / 30 / 34 / 11

HEX #E4A096

RGB 228 160 150

HSL 7.69, 0.59%, 0.74%

LAB 72.12, 23.99, 15.35

 

CMYK 0 / 34 / 34 / 11

HEX #E49696

RGB 228 150 150

HSL 0, 0.59%, 0.74%

LAB 69.83, 29.33, 12.14

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 7 / 0 / 34 / 11

HEX #D4E496

RGB 212 228 150

HSL 72.31, 0.59%, 0.74%

LAB 87.82, -17.62, 36.35

 

CMYK 16 / 0 / 34 / 11

HEX #BFE496

RGB 191 228 150

HSL 88.46, 0.59%, 0.74%

LAB 86.39, -25.34, 34.2

 

CMYK 25 / 0 / 34 / 11

HEX #AAE496

RGB 170 228 150

HSL 104.62, 0.59%, 0.74%

LAB 85.12, -32.69, 32.29

 

CMYK 34 / 0 / 34 / 11

HEX #96E497

RGB 150 228 151

HSL 120.77, 0.59%, 0.74%

LAB 84.07, -39.05, 30.2

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 0 / 3 / 42 / 6

HEX #EFE88B

RGB 239 232 139

HSL 55.8, 0.76%, 0.74%

LAB 90.75, -10.5, 45.97

 

CMYK 0 / 3 / 49 / 2

HEX #F9F180

RGB 249 241 128

HSL 56.03, 0.91%, 0.74%

LAB 93.71, -12.07, 55.05

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 0 / 2 / 26 / 15

HEX #D9D5A0

RGB 217 213 160

HSL 55.79, 0.43%, 0.74%

LAB 84.42, -6.92, 26.77

 

CMYK 0 / 1 / 17 / 19

HEX #CECCAB

RGB 206 204 171

HSL 56.57, 0.26%, 0.74%

LAB 81.43, -4.82, 16.72

 

CMYK 0 / 1 / 7 / 23

HEX #C4C3B6

RGB 196 195 182

HSL 55.71, 0.11%, 0.74%

LAB 78.55, -1.96, 6.64

 

CMYK 4 / 4 / 0 / 25

HEX #B9B9C0

RGB 185 185 192

HSL 240, 0.05%, 0.74%

LAB 75.34, 1.33, -3.54

 

CMYK 0 / 21 / 34 / 11

HEX #E4B596

RGB 228 181 150

HSL 23.85, 0.59%, 0.74%

LAB 77.13, 12.77, 22.28

 

CMYK 0 / 11 / 34 / 11

HEX #E4CA96

RGB 228 202 150

HSL 40, 0.59%, 0.74%

LAB 82.34, 1.7, 29.34

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 7 / 0 / 34 / 11

HEX #D4E496

RGB 212 228 150

HSL 72.31, 0.59%, 0.74%

LAB 87.82, -17.62, 36.35

 

CMYK 16 / 0 / 34 / 11

HEX #BFE496

RGB 191 228 150

HSL 88.46, 0.59%, 0.74%

LAB 86.39, -25.34, 34.2

 

CMYK 0 / 4 / 60 / 17

HEX #D3CB54

RGB 211 203 84

HSL 56.22, 0.59%, 0.58%

LAB 80.29, -11.91, 58.75

 

CMYK 0 / 3 / 47 / 14

HEX #DBD575

RGB 219 213 117

HSL 56.47, 0.59%, 0.66%

LAB 83.93, -11.03, 47.89

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 0 / 1 / 23 / 7

HEX #ECE9B6

RGB 236 233 182

HSL 56.67, 0.59%, 0.82%

LAB 91.45, -7.01, 25.22

 

CMYK 0 / 1 / 12 / 4

HEX #F5F3D7

RGB 245 243 215

HSL 56, 0.6%, 0.9%

LAB 95.34, -3.97, 13.75

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 34 / 0 / 30 / 11

HEX #96E4A0

RGB 150 228 160

HSL 127.69, 0.59%, 0.74%

LAB 84.23, -37.58, 25.79

 

CMYK 16 / 34 / 0 / 11

HEX #BF96E4

RGB 191 150 228

HSL 271.54, 0.59%, 0.74%

LAB 68.38, 29.98, -33.76

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 34 / 0 / 2 / 11

HEX #96E4DF

RGB 150 228 223

HSL 176.15, 0.59%, 0.74%

LAB 85.65, -24.97, -5.19

 

CMYK 2 / 34 / 0 / 11

HEX #DF96E4

RGB 223 150 228

HSL 296.15, 0.59%, 0.74%

LAB 71.62, 39.83, -28.49

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 34 / 0 / 30 / 11

HEX #96E4A0

RGB 150 228 160

HSL 127.69, 0.59%, 0.74%

LAB 84.23, -37.58, 25.79

 

CMYK 34 / 32 / 0 / 11

HEX #969BE4

RGB 150 155 228

HSL 236.15, 0.59%, 0.74%

LAB 66.16, 15.19, -37.48

 

CMYK 0 / 34 / 5 / 11

HEX #E496D9

RGB 228 150 217

HSL 308.46, 0.59%, 0.74%

LAB 71.77, 39.41, -22.18

 

CMYK 0 / 2 / 34 / 11

HEX #E4DF96

RGB 228 223 150

HSL 56.15, 0.59%, 0.74%

LAB 87.71, -9.05, 36.44

 

CMYK 34 / 0 / 20 / 11

HEX #96E4B7

RGB 150 228 183

HSL 145.38, 0.59%, 0.74%

LAB 84.68, -33.42, 14.46

 

CMYK 34 / 32 / 0 / 11

HEX #969BE4

RGB 150 155 228

HSL 236.15, 0.59%, 0.74%

LAB 66.16, 15.19, -37.48

 

CMYK 0 / 34 / 15 / 11

HEX #E496C2

RGB 228 150 194

HSL 326.15, 0.59%, 0.74%

LAB 71.01, 35.56, -10.61

 

Description

Color code: HEX #E4DF96 | qconv.com Color code: HEX #E4DF96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 223 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 223 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 34 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 34% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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