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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4DCD3CE it is the complementary color #1B232CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4DCD3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4DCD3CE shade: #E9DCCECE, #FAEEE1CE, #FFFFF4CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4DCD3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4DCD3CE shade: #E4DCD3CE, #D3CAC0CE, #C2B8ADCE, #B1A69ACE and #A09487CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4DCD3CE shade: #E4DCD3, #E4D7D3 and #E4D3D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4DCD3CE shade: #E4DCD3, #E4E0D3, #E3E4D3, #DEE4D3 and #D9E4D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4DCD3CE shade matches the following richer shades: #E4DCD3, #EADCCD, #EFDCC7, #F5DDC1 and #FBDDBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4DCD3CE shade: #E4DCD3, #DEDBD9, #D8DBDE, #D3DBE4 and #CDDAEA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4DCD3CE shade: #E4D3D3, #E4D7D3, #E4DCD3, #E4E0D3 and #E3E4D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4DCD3CE shade: #C5B3A0, #D4C7B9, #E4DCD3, #F4F0EC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4DCD3CE shade: #E4DCD3, #D8E4D3 and #D5D3E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4DCD3CE shade: #E4DCD3, #D3E4DC and #DCD3E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4DCD3CE shade: #E4DCD3, #D8E4D3, #D3DBE4 and #DFD3E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4DCD3CE shade: #E4DCD3, #D3E4D3, #D3DBE4 and #E4D3E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 6 / 9

HEX #E4DCD3CE

RGBA 228 220 211 0.81

HSLA 31.76, 0.24%, 0.86%, 0.81

LABA 88.15, 1.19, 5.38, 0.81

 

Complementary color

CMYK 31 / 17 / 0 / 67

HEX #1B232CCE

RGBA 27 35 44 0.81

HSLA 211.76, 0.24%, 0.14%, 0.81

LABA 13.33, -0.81, -7.13, 0.81

 

CMYK 0 / 5 / 9 / 7

HEX #E9DCCECE

RGBA 233 220 206 0.81

HSLA 31.11, 0.38%, 0.86%, 0.81

LABA 88.43, 2.12, 8.46, 0.81

 

CMYK 0 / 4 / 8 / 2

HEX #FAEEE1CE

RGBA 250 238 225 0.81

HSLA 31.2, 0.71%, 0.93%, 0.81

LABA 94.7, 1.89, 7.72, 0.81

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF4CE

RGBA 255 255 244 0.81

HSLA 60, 1%, 0.98%, 0.81

LABA 99.73, -1.88, 5.24, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 3 / 6 / 9

HEX #E4DCD3CE

RGBA 228 220 211 0.81

HSLA 31.76, 0.24%, 0.86%, 0.81

LABA 88.15, 1.19, 5.38, 0.81

 

CMYK 0 / 3 / 7 / 14

HEX #D3CAC0CE

RGBA 211 202 192 0.81

HSLA 31.58, 0.18%, 0.79%, 0.81

LABA 81.78, 1.4, 6.09, 0.81

 

CMYK 0 / 4 / 9 / 19

HEX #C2B8ADCE

RGBA 194 184 173 0.81

HSLA 31.43, 0.15%, 0.72%, 0.81

LABA 75.31, 1.63, 6.84, 0.81

 

CMYK 0 / 5 / 11 / 25

HEX #B1A69ACE

RGBA 177 166 154 0.81

HSLA 31.3, 0.13%, 0.65%, 0.81

LABA 68.72, 1.89, 7.63, 0.81

 

CMYK 0 / 6 / 13 / 30

HEX #A09487CE

RGBA 160 148 135 0.81

HSLA 31.2, 0.12%, 0.58%, 0.81

LABA 62, 2.17, 8.47, 0.81

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 0 / 6 / 7 / 11

HEX #E4D7D3

RGB 228 215 211

HSL 14.12, 0.24%, 0.86%

LAB 86.9, 3.78, 3.56

 

CMYK 0 / 7 / 7 / 11

HEX #E4D3D3

RGB 228 211 211

HSL 0, 0.24%, 0.86%

LAB 85.9, 5.87, 2.11

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 0 / 2 / 7 / 11

HEX #E4E0D3

RGB 228 224 211

HSL 45.88, 0.24%, 0.86%

LAB 89.16, -0.88, 6.83

 

CMYK 0 / 0 / 7 / 11

HEX #E3E4D3

RGB 227 228 211

HSL 63.53, 0.24%, 0.86%

LAB 90.1, -3.27, 8.17

 

CMYK 3 / 0 / 7 / 11

HEX #DEE4D3

RGB 222 228 211

HSL 81.18, 0.24%, 0.86%

LAB 89.73, -5, 7.59

 

CMYK 5 / 0 / 7 / 11

HEX #D9E4D3

RGB 217 228 211

HSL 98.82, 0.24%, 0.86%

LAB 89.37, -6.72, 7.02

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 0 / 6 / 12 / 8

HEX #EADCCD

RGB 234 220 205

HSL 31.03, 0.41%, 0.86%

LAB 88.49, 2.32, 9.08

 

CMYK 0 / 8 / 17 / 6

HEX #EFDCC7

RGB 239 220 199

HSL 31.5, 0.56%, 0.86%

LAB 88.76, 3.17, 12.67

 

CMYK 0 / 10 / 21 / 4

HEX #F5DDC1

RGB 245 221 193

HSL 32.31, 0.72%, 0.86%

LAB 89.38, 3.95, 16.76

 

CMYK 0 / 12 / 25 / 2

HEX #FBDDBC

RGB 251 221 188

HSL 31.43, 0.89%, 0.86%

LAB 89.79, 5.46, 20.01

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 0 / 1 / 2 / 13

HEX #DEDBD9

RGB 222 219 217

HSL 24, 0.07%, 0.86%

LAB 87.58, 0.67, 1.33

 

CMYK 3 / 1 / 0 / 13

HEX #D8DBDE

RGB 216 219 222

HSL 210, 0.08%, 0.86%

LAB 87.26, -0.46, -1.83

 

CMYK 7 / 4 / 0 / 11

HEX #D3DBE4

RGB 211 219 228

HSL 211.76, 0.24%, 0.86%

LAB 87.05, -0.98, -5.35

 

CMYK 12 / 7 / 0 / 8

HEX #CDDAEA

RGB 205 218 234

HSL 213.1, 0.41%, 0.86%

LAB 86.53, -1.22, -9.33

 

CMYK 0 / 7 / 7 / 11

HEX #E4D3D3

RGB 228 211 211

HSL 0, 0.24%, 0.86%

LAB 85.9, 5.87, 2.11

 

CMYK 0 / 6 / 7 / 11

HEX #E4D7D3

RGB 228 215 211

HSL 14.12, 0.24%, 0.86%

LAB 86.9, 3.78, 3.56

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 0 / 2 / 7 / 11

HEX #E4E0D3

RGB 228 224 211

HSL 45.88, 0.24%, 0.86%

LAB 89.16, -0.88, 6.83

 

CMYK 0 / 0 / 7 / 11

HEX #E3E4D3

RGB 227 228 211

HSL 63.53, 0.24%, 0.86%

LAB 90.1, -3.27, 8.17

 

CMYK 0 / 9 / 19 / 23

HEX #C5B3A0

RGB 197 179 160

HSL 30.81, 0.24%, 0.7%

LAB 73.96, 3.33, 12.03

 

CMYK 0 / 6 / 13 / 17

HEX #D4C7B9

RGB 212 199 185

HSL 31.11, 0.24%, 0.78%

LAB 80.93, 2.19, 8.63

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 0 / 2 / 3 / 4

HEX #F4F0EC

RGB 244 240 236

HSL 30, 0.27%, 0.94%

LAB 95, 0.65, 2.39

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 5 / 0 / 7 / 11

HEX #D8E4D3

RGB 216 228 211

HSL 102.35, 0.24%, 0.86%

LAB 89.29, -7.06, 6.91

 

CMYK 7 / 7 / 0 / 11

HEX #D5D3E4

RGB 213 211 228

HSL 247.06, 0.24%, 0.86%

LAB 85.17, 3.86, -8.12

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 7 / 0 / 4 / 11

HEX #D3E4DC

RGB 211 228 220

HSL 151.76, 0.24%, 0.86%

LAB 89.16, -7.13, 1.95

 

CMYK 4 / 7 / 0 / 11

HEX #DCD3E4

RGB 220 211 228

HSL 271.76, 0.24%, 0.86%

LAB 85.71, 6.18, -7.26

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 5 / 0 / 7 / 11

HEX #D8E4D3

RGB 216 228 211

HSL 102.35, 0.24%, 0.86%

LAB 89.29, -7.06, 6.91

 

CMYK 7 / 4 / 0 / 11

HEX #D3DBE4

RGB 211 219 228

HSL 211.76, 0.24%, 0.86%

LAB 87.05, -0.98, -5.35

 

CMYK 2 / 7 / 0 / 11

HEX #DFD3E4

RGB 223 211 228

HSL 282.35, 0.24%, 0.86%

LAB 85.95, 7.18, -6.88

 

CMYK 0 / 4 / 7 / 11

HEX #E4DCD3

RGB 228 220 211

HSL 31.76, 0.24%, 0.86%

LAB 88.15, 1.19, 5.38

 

CMYK 7 / 0 / 7 / 11

HEX #D3E4D3

RGB 211 228 211

HSL 120, 0.24%, 0.86%

LAB 88.94, -8.75, 6.35

 

CMYK 7 / 4 / 0 / 11

HEX #D3DBE4

RGB 211 219 228

HSL 211.76, 0.24%, 0.86%

LAB 87.05, -0.98, -5.35

 

CMYK 0 / 7 / 0 / 11

HEX #E4D3E4

RGB 228 211 228

HSL 300, 0.24%, 0.86%

LAB 86.35, 8.86, -6.24

 

Description

Color code: HEX #E4DCD3CE | qconv.com Color code: HEX #E4DCD3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 220 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 220 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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