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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D9F3 it is the complementary color #1B260C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D9F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4D9F3 shade: #E9D9EE, #FAEBFF, #FFFDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D9F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4D9F3 shade: #E4D9F3, #D3C7E0, #C2B5CD, #B1A3BA and #A091A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4D9F3 shade: #E3D8F3, #EBD8F3, #F2D8F3, #F3D8ED and #F3D8E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4D9F3 shade: #E3D8F3, #DCD8F3 and #D8D8F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4D9F3 shade matches the following richer shades: #E3D8F3, #E3D4F7 and #E2D0FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4D9F3 shade: #E3D8F3, #E4DCEF, #E5E0EB, #E5E5E6 and #E6E9E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4D9F3 shade: #D8DBF3, #DCD8F3, #E3D8F3, #EAD8F3 and #F1D8F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4D9F3 shade: #B79ADF, #CDB9E9, #E3D8F3, #FAF8FD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4D9F3 shade: #E4D9F3, #F3D8E2 and #D8F3D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4D9F3 shade: #E4D9F3, #F3E3D8 and #D8F3E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4D9F3 shade: #E4D9F3, #F3D8E2, #E8F3D8 and #D8F3E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4D9F3 shade: #E4D9F3, #F3D8DA, #E8F3D8 and #D8F3F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 11 / 0 / 5

HEX #E4D9F3

RGB 228 217 243

HSL 265.38, 0.52%, 0.9%

LAB 88.25, 8.5, -11.34

 

Complementary color

CMYK 29 / 0 / 68 / 85

HEX #1B260C

RGB 27 38 12

HSL 85.38, 0.52%, 0.1%

LAB 13.51, -10.39, 14.68

 

CMYK 2 / 9 / 0 / 7

HEX #E9D9EE

RGB 233 217 238

HSL 285.71, 0.38%, 0.89%

LAB 88.51, 9.21, -8.28

 

CMYK 2 / 8 / 0 / 0

HEX #FAEBFF

RGB 250 235 255

HSL 285, 1%, 0.96%

LAB 94.72, 8.56, -7.82

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 6 / 11 / 0 / 5

HEX #E4D9F3

RGB 228 217 243

HSL 265.38, 0.52%, 0.9%

LAB 88.25, 8.5, -11.34

 

CMYK 6 / 11 / 0 / 12

HEX #D3C7E0

RGB 211 199 224

HSL 268.8, 0.29%, 0.83%

LAB 81.88, 8.78, -10.89

 

CMYK 5 / 12 / 0 / 20

HEX #C2B5CD

RGB 194 181 205

HSL 272.5, 0.19%, 0.76%

LAB 75.4, 9.08, -10.44

 

CMYK 5 / 12 / 0 / 27

HEX #B1A3BA

RGB 177 163 186

HSL 276.52, 0.14%, 0.68%

LAB 68.81, 9.4, -9.99

 

CMYK 4 / 13 / 0 / 35

HEX #A091A7

RGB 160 145 167

HSL 280.91, 0.11%, 0.61%

LAB 62.1, 9.75, -9.52

 

CMYK 7 / 11 / 0 / 5

HEX #E3D8F3

RGB 227 216 243

HSL 264.44, 0.53%, 0.9%

LAB 87.93, 8.7, -11.83

 

CMYK 3 / 11 / 0 / 5

HEX #EBD8F3

RGB 235 216 243

HSL 282.22, 0.53%, 0.9%

LAB 88.56, 11.32, -10.81

 

CMYK 0 / 11 / 0 / 5

HEX #F2D8F3

RGB 242 216 243

HSL 297.78, 0.53%, 0.9%

LAB 89.14, 13.63, -9.9

 

CMYK 0 / 11 / 2 / 5

HEX #F3D8ED

RGB 243 216 237

HSL 313.33, 0.53%, 0.9%

LAB 89.06, 12.89, -6.85

 

CMYK 0 / 11 / 6 / 5

HEX #F3D8E5

RGB 243 216 229

HSL 331.11, 0.53%, 0.9%

LAB 88.84, 11.5, -2.96

 

CMYK 7 / 11 / 0 / 5

HEX #E3D8F3

RGB 227 216 243

HSL 264.44, 0.53%, 0.9%

LAB 87.93, 8.7, -11.83

 

CMYK 9 / 11 / 0 / 5

HEX #DCD8F3

RGB 220 216 243

HSL 248.89, 0.53%, 0.9%

LAB 87.39, 6.43, -12.69

 

CMYK 11 / 11 / 0 / 5

HEX #D8D8F3

RGB 216 216 243

HSL 240, 0.53%, 0.9%

LAB 87.09, 5.15, -13.18

 

CMYK 7 / 11 / 0 / 5

HEX #E3D8F3

RGB 227 216 243

HSL 264.44, 0.53%, 0.9%

LAB 87.93, 8.7, -11.83

 

CMYK 8 / 14 / 0 / 3

HEX #E3D4F7

RGB 227 212 247

HSL 265.71, 0.69%, 0.9%

LAB 87.06, 11.58, -15.24

 

CMYK 10 / 17 / 0 / 2

HEX #E2D0FB

RGB 226 208 251

HSL 265.12, 0.84%, 0.9%

LAB 86.13, 14.17, -18.76

 

CMYK 7 / 11 / 0 / 5

HEX #E3D8F3

RGB 227 216 243

HSL 264.44, 0.53%, 0.9%

LAB 87.93, 8.7, -11.83

 

CMYK 5 / 8 / 0 / 6

HEX #E4DCEF

RGB 228 220 239

HSL 265.26, 0.37%, 0.9%

LAB 88.88, 6.17, -8.3

 

CMYK 3 / 5 / 0 / 8

HEX #E5E0EB

RGB 229 224 235

HSL 267.27, 0.22%, 0.9%

LAB 89.84, 3.68, -4.76

 

CMYK 0 / 0 / 0 / 10

HEX #E5E5E6

RGB 229 229 230

HSL 240, 0.02%, 0.9%

LAB 90.97, 0.18, -0.5

 

CMYK 1 / 0 / 3 / 9

HEX #E6E9E2

RGB 230 233 226

HSL 85.71, 0.14%, 0.9%

LAB 91.95, -2.24, 3.03

 

CMYK 11 / 10 / 0 / 5

HEX #D8DBF3

RGB 216 219 243

HSL 233.33, 0.53%, 0.9%

LAB 87.84, 3.58, -12.05

 

CMYK 9 / 11 / 0 / 5

HEX #DCD8F3

RGB 220 216 243

HSL 248.89, 0.53%, 0.9%

LAB 87.39, 6.43, -12.69

 

CMYK 7 / 11 / 0 / 5

HEX #E3D8F3

RGB 227 216 243

HSL 264.44, 0.53%, 0.9%

LAB 87.93, 8.7, -11.83

 

CMYK 4 / 11 / 0 / 5

HEX #EAD8F3

RGB 234 216 243

HSL 280, 0.53%, 0.9%

LAB 88.48, 10.99, -10.94

 

CMYK 1 / 11 / 0 / 5

HEX #F1D8F3

RGB 241 216 243

HSL 295.56, 0.53%, 0.9%

LAB 89.06, 13.3, -10.03

 

CMYK 18 / 31 / 0 / 13

HEX #B79ADF

RGB 183 154 223

HSL 265.22, 0.52%, 0.74%

LAB 68.39, 24.21, -31.05

 

CMYK 12 / 21 / 0 / 9

HEX #CDB9E9

RGB 205 185 233

HSL 265, 0.52%, 0.82%

LAB 78.2, 16.17, -21.31

 

CMYK 7 / 11 / 0 / 5

HEX #E3D8F3

RGB 227 216 243

HSL 264.44, 0.53%, 0.9%

LAB 87.93, 8.7, -11.83

 

CMYK 1 / 2 / 0 / 1

HEX #FAF8FD

RGB 250 248 253

HSL 264, 0.56%, 0.98%

LAB 97.85, 1.55, -2.17

 

CMYK 6 / 11 / 0 / 5

HEX #E4D9F3

RGB 228 217 243

HSL 265.38, 0.52%, 0.9%

LAB 88.25, 8.5, -11.34

 

CMYK 0 / 11 / 7 / 5

HEX #F3D8E2

RGB 243 216 226

HSL 337.78, 0.53%, 0.9%

LAB 88.76, 10.99, -1.49

 

CMYK 11 / 0 / 11 / 5

HEX #D8F3D9

RGB 216 243 217

HSL 122.22, 0.53%, 0.9%

LAB 93.32, -13.55, 9.57

 

CMYK 6 / 11 / 0 / 5

HEX #E4D9F3

RGB 228 217 243

HSL 265.38, 0.52%, 0.9%

LAB 88.25, 8.5, -11.34

 

CMYK 0 / 7 / 11 / 5

HEX #F3E3D8

RGB 243 227 216

HSL 24.44, 0.53%, 0.9%

LAB 91.21, 3.64, 7.32

 

CMYK 11 / 0 / 7 / 5

HEX #D8F3E3

RGB 216 243 227

HSL 144.44, 0.53%, 0.9%

LAB 93.56, -11.77, 4.72

 

CMYK 6 / 11 / 0 / 5

HEX #E4D9F3

RGB 228 217 243

HSL 265.38, 0.52%, 0.9%

LAB 88.25, 8.5, -11.34

 

CMYK 0 / 11 / 7 / 5

HEX #F3D8E2

RGB 243 216 226

HSL 337.78, 0.53%, 0.9%

LAB 88.76, 10.99, -1.49

 

CMYK 5 / 0 / 11 / 5

HEX #E8F3D8

RGB 232 243 216

HSL 84.44, 0.53%, 0.9%

LAB 94.4, -8.31, 11.77

 

CMYK 11 / 0 / 4 / 5

HEX #D8F3E9

RGB 216 243 233

HSL 157.78, 0.53%, 0.9%

LAB 93.7, -10.66, 1.82

 

CMYK 6 / 11 / 0 / 5

HEX #E4D9F3

RGB 228 217 243

HSL 265.38, 0.52%, 0.9%

LAB 88.25, 8.5, -11.34

 

CMYK 0 / 11 / 10 / 5

HEX #F3D8DA

RGB 243 216 218

HSL 355.56, 0.53%, 0.9%

LAB 88.56, 9.66, 2.43

 

CMYK 5 / 0 / 11 / 5

HEX #E8F3D8

RGB 232 243 216

HSL 84.44, 0.53%, 0.9%

LAB 94.4, -8.31, 11.77

 

CMYK 11 / 0 / 1 / 5

HEX #D8F3F1

RGB 216 243 241

HSL 175.56, 0.53%, 0.9%

LAB 93.91, -9.14, -2.03

 

Description

Color code: HEX #E4D9F3 | qconv.com Color code: HEX #E4D9F3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 217 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 217 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 11 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 11% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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