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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D3C4 it is the complementary color #1B2C3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D3C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4D3C4 shade: #E9D3BF, #FAE5D2, #FFF7E5, #FFFFF8 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D3C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4D3C4 shade: #E4D3C4, #D3C1B1, #C2AF9E, #B19D8B and #A08B78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4D3C4 shade: #E4D3C4, #E4CAC4 and #E4C4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4D3C4 shade: #E4D3C4, #E4DBC4, #E3E4C4, #DBE4C4 and #D2E4C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4D3C4 shade matches the following richer shades: #E4D3C4, #EBD2BD, #F2D2B6 and #F9D1AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4D3C4 shade: #E4D3C4, #DDD3CB, #D6D4D2, #CFD4D9 and #C8D4E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4D3C4 shade: #E4C4C6, #E4CAC4, #E4D3C4, #E4DBC4 and #E4E4C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4D3C4 shade: #CAA88B, #D7BEA7, #E4D3C4, #F1E8E0 and #FEFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4D3C4 shade: #E4D3C4, #CEE4C4 and #C6C4E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4D3C4 shade: #E4D3C4, #C4E4D3 and #D3C4E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4D3C4 shade: #E4D3C4, #CEE4C4, #C4D5E4 and #D9C4E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4D3C4 shade: #E4D3C4, #C5E4C4, #C4D5E4 and #E3C4E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

Complementary color

CMYK 54 / 25 / 0 / 77

HEX #1B2C3B

RGB 27 44 59

HSL 208.13, 0.37%, 0.17%

LAB 17.23, -1.99, -11.75

 

CMYK 0 / 9 / 18 / 9

HEX #E9D3BF

RGB 233 211 191

HSL 28.57, 0.49%, 0.83%

LAB 85.84, 4.46, 12.67

 

CMYK 0 / 8 / 16 / 2

HEX #FAE5D2

RGB 250 229 210

HSL 28.5, 0.8%, 0.9%

LAB 92.14, 4.15, 11.85

 

CMYK 0 / 3 / 10 / 0

HEX #FFF7E5

RGB 255 247 229

HSL 41.54, 1%, 0.95%

LAB 97.41, -0.31, 9.59

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 0 / 9 / 16 / 17

HEX #D3C1B1

RGB 211 193 177

HSL 28.24, 0.28%, 0.76%

LAB 79.14, 3.72, 10.34

 

CMYK 0 / 10 / 19 / 24

HEX #C2AF9E

RGB 194 175 158

HSL 28.33, 0.23%, 0.69%

LAB 72.63, 4.04, 11.19

 

CMYK 0 / 11 / 21 / 31

HEX #B19D8B

RGB 177 157 139

HSL 28.42, 0.2%, 0.62%

LAB 66, 4.41, 12.1

 

CMYK 0 / 13 / 25 / 37

HEX #A08B78

RGB 160 139 120

HSL 28.5, 0.17%, 0.55%

LAB 59.25, 4.83, 13.08

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 0 / 11 / 14 / 11

HEX #E4CAC4

RGB 228 202 196

HSL 11.25, 0.37%, 0.83%

LAB 83.3, 8.14, 6.32

 

CMYK 0 / 14 / 14 / 11

HEX #E4C4C4

RGB 228 196 196

HSL 0, 0.37%, 0.83%

LAB 81.82, 11.31, 4.18

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 0 / 4 / 14 / 11

HEX #E4DBC4

RGB 228 219 196

HSL 43.13, 0.37%, 0.83%

LAB 87.55, -0.72, 12.41

 

CMYK 0 / 0 / 14 / 11

HEX #E3E4C4

RGB 227 228 196

HSL 61.88, 0.37%, 0.83%

LAB 89.77, -5.69, 15.53

 

CMYK 4 / 0 / 14 / 11

HEX #DBE4C4

RGB 219 228 196

HSL 76.88, 0.37%, 0.83%

LAB 89.17, -8.52, 14.6

 

CMYK 8 / 0 / 14 / 11

HEX #D2E4C4

RGB 210 228 196

HSL 93.75, 0.37%, 0.83%

LAB 88.53, -11.67, 13.6

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 0 / 11 / 20 / 8

HEX #EBD2BD

RGB 235 210 189

HSL 27.39, 0.53%, 0.83%

LAB 85.72, 5.41, 13.58

 

CMYK 0 / 13 / 25 / 5

HEX #F2D2B6

RGB 242 210 182

HSL 28, 0.7%, 0.83%

LAB 86.18, 7, 18

 

CMYK 0 / 16 / 30 / 2

HEX #F9D1AF

RGB 249 209 175

HSL 27.57, 0.86%, 0.83%

LAB 86.42, 9.21, 22.11

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 0 / 5 / 8 / 13

HEX #DDD3CB

RGB 221 211 203

HSL 26.67, 0.21%, 0.83%

LAB 85.14, 2.07, 5.17

 

CMYK 0 / 1 / 2 / 16

HEX #D6D4D2

RGB 214 212 210

HSL 30, 0.05%, 0.83%

LAB 85.01, 0.33, 1.22

 

CMYK 5 / 2 / 0 / 15

HEX #CFD4D9

RGB 207 212 217

HSL 210, 0.12%, 0.83%

LAB 84.67, -0.76, -3.06

 

CMYK 11 / 5 / 0 / 12

HEX #C8D4E0

RGB 200 212 224

HSL 210, 0.28%, 0.83%

LAB 84.35, -1.7, -7.31

 

CMYK 0 / 14 / 13 / 11

HEX #E4C4C6

RGB 228 196 198

HSL 356.25, 0.37%, 0.83%

LAB 81.87, 11.63, 3.18

 

CMYK 0 / 11 / 14 / 11

HEX #E4CAC4

RGB 228 202 196

HSL 11.25, 0.37%, 0.83%

LAB 83.3, 8.14, 6.32

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 0 / 4 / 14 / 11

HEX #E4DBC4

RGB 228 219 196

HSL 43.13, 0.37%, 0.83%

LAB 87.55, -0.72, 12.41

 

CMYK 0 / 0 / 14 / 11

HEX #E4E4C4

RGB 228 228 196

HSL 60, 0.37%, 0.83%

LAB 89.84, -5.33, 15.64

 

CMYK 0 / 17 / 31 / 21

HEX #CAA88B

RGB 202 168 139

HSL 27.62, 0.37%, 0.67%

LAB 71.16, 8.19, 19.64

 

CMYK 0 / 12 / 22 / 16

HEX #D7BEA7

RGB 215 190 167

HSL 28.75, 0.38%, 0.75%

LAB 78.5, 5.29, 14.87

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 0 / 4 / 7 / 5

HEX #F1E8E0

RGB 241 232 224

HSL 28.24, 0.38%, 0.91%

LAB 92.48, 1.68, 4.96

 

CMYK 0 / 0 / 1 / 0

HEX #FEFDFC

RGB 254 253 252

HSL 30, 0.5%, 0.99%

LAB 99.36, 0.16, 0.58

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 10 / 0 / 14 / 11

HEX #CEE4C4

RGB 206 228 196

HSL 101.25, 0.37%, 0.83%

LAB 88.25, -13.05, 13.17

 

CMYK 13 / 14 / 0 / 11

HEX #C6C4E4

RGB 198 196 228

HSL 243.75, 0.37%, 0.83%

LAB 80.23, 6.95, -15.61

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 14 / 0 / 7 / 11

HEX #C4E4D3

RGB 196 228 211

HSL 148.13, 0.37%, 0.83%

LAB 87.93, -13.73, 4.77

 

CMYK 7 / 14 / 0 / 11

HEX #D3C4E4

RGB 211 196 228

HSL 268.13, 0.37%, 0.83%

LAB 81.25, 11.17, -13.97

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 10 / 0 / 14 / 11

HEX #CEE4C4

RGB 206 228 196

HSL 101.25, 0.37%, 0.83%

LAB 88.25, -13.05, 13.17

 

CMYK 14 / 7 / 0 / 11

HEX #C4D5E4

RGB 196 213 228

HSL 208.13, 0.37%, 0.83%

LAB 84.45, -2.7, -9.33

 

CMYK 5 / 14 / 0 / 11

HEX #D9C4E4

RGB 217 196 228

HSL 279.38, 0.37%, 0.83%

LAB 81.75, 13.14, -13.18

 

CMYK 0 / 7 / 14 / 11

HEX #E4D3C4

RGB 228 211 196

HSL 28.13, 0.37%, 0.83%

LAB 85.54, 3.42, 9.54

 

CMYK 14 / 0 / 14 / 11

HEX #C5E4C4

RGB 197 228 196

HSL 118.13, 0.37%, 0.83%

LAB 87.65, -16.11, 12.23

 

CMYK 14 / 7 / 0 / 11

HEX #C4D5E4

RGB 196 213 228

HSL 208.13, 0.37%, 0.83%

LAB 84.45, -2.7, -9.33

 

CMYK 0 / 14 / 0 / 11

HEX #E3C4E4

RGB 227 196 228

HSL 298.13, 0.37%, 0.83%

LAB 82.6, 16.47, -11.82

 

Description

Color code: HEX #E4D3C4 | qconv.com Color code: HEX #E4D3C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 211 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 211 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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