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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D1E8 it is the complementary color #1B2E17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D1E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4D1E8 shade: #E9D1E3, #FAE3F6 and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D1E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4D1E8 shade: #E4D1E8, #D3BFD5, #C2ADC2, #B19BAF and #A0899C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4D1E8 shade: #E2CFE7, #E7CFE4, #E7CFDE, #E7CFD8 and #E7CFD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4D1E8 shade: #E2CFE7, #DCCFE7, #D6CFE7, #CFCFE7 and #CFCFE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4D1E8 shade matches the following richer shades: #E2CFE7, #E6C9EC, #EAC3F2, #EEBEF8 and #F2B8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4D1E8 shade: #E2CFE7, #DFD5E1, #DBDBDB, #D7E0D5 and #D3E6CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4D1E8 shade: #D6CFE7, #DCCFE7, #E2CFE7, #E7CFE5 and #E7CFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4D1E8 shade: #C298CB, #D2B4D9, #E2CFE7 and #F3EAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4D1E8 shade: #E4D1E8, #E7CFCF and #CFE7D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4D1E8 shade: #E4D1E8, #E7E2CF and #CFE7E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4D1E8 shade: #E4D1E8, #E7CFCF, #D3E7CF and #CFE6E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4D1E8 shade: #E4D1E8, #E7D6CF, #D3E7CF and #CFDFE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 10 / 0 / 9

HEX #E4D1E8

RGB 228 209 232

HSL 289.57, 0.33%, 0.86%

LAB 85.97, 10.64, -8.92

 

Complementary color

CMYK 41 / 0 / 50 / 82

HEX #1B2E17

RGB 27 46 23

HSL 109.57, 0.33%, 0.14%

LAB 16.74, -13.43, 12.43

 

CMYK 0 / 10 / 3 / 9

HEX #E9D1E3

RGB 233 209 227

HSL 315, 0.35%, 0.87%

LAB 86.24, 11.42, -5.82

 

CMYK 0 / 9 / 2 / 2

HEX #FAE3F6

RGB 250 227 246

HSL 310.43, 0.7%, 0.94%

LAB 92.54, 11.09, -6.36

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 2 / 10 / 0 / 9

HEX #E4D1E8

RGB 228 209 232

HSL 289.57, 0.33%, 0.86%

LAB 85.97, 10.64, -8.92

 

CMYK 1 / 10 / 0 / 16

HEX #D3BFD5

RGB 211 191 213

HSL 294.55, 0.21%, 0.79%

LAB 79.57, 10.97, -8.43

 

CMYK 0 / 11 / 0 / 24

HEX #C2ADC2

RGB 194 173 194

HSL 300, 0.15%, 0.72%

LAB 73.06, 11.32, -7.92

 

CMYK 0 / 12 / 1 / 31

HEX #B19BAF

RGB 177 155 175

HSL 305.45, 0.12%, 0.65%

LAB 66.43, 11.71, -7.4

 

CMYK 0 / 14 / 2 / 37

HEX #A0899C

RGB 160 137 156

HSL 310.43, 0.11%, 0.58%

LAB 59.68, 12.12, -6.87

 

CMYK 2 / 10 / 0 / 9

HEX #E2CFE7

RGB 226 207 231

HSL 287.5, 0.33%, 0.86%

LAB 85.28, 10.85, -9.43

 

CMYK 0 / 10 / 1 / 9

HEX #E7CFE4

RGB 231 207 228

HSL 307.5, 0.33%, 0.86%

LAB 85.61, 11.97, -7.3

 

CMYK 0 / 10 / 4 / 9

HEX #E7CFDE

RGB 231 207 222

HSL 322.5, 0.33%, 0.86%

LAB 85.45, 10.91, -4.36

 

CMYK 0 / 10 / 6 / 9

HEX #E7CFD8

RGB 231 207 216

HSL 337.5, 0.33%, 0.86%

LAB 85.29, 9.87, -1.4

 

CMYK 0 / 10 / 10 / 9

HEX #E7CFD1

RGB 231 207 209

HSL 355, 0.33%, 0.86%

LAB 85.11, 8.68, 2.05

 

CMYK 2 / 10 / 0 / 9

HEX #E2CFE7

RGB 226 207 231

HSL 287.5, 0.33%, 0.86%

LAB 85.28, 10.85, -9.43

 

CMYK 5 / 10 / 0 / 9

HEX #DCCFE7

RGB 220 207 231

HSL 272.5, 0.33%, 0.86%

LAB 84.8, 8.85, -10.2

 

CMYK 7 / 10 / 0 / 9

HEX #D6CFE7

RGB 214 207 231

HSL 257.5, 0.33%, 0.86%

LAB 84.32, 6.88, -10.96

 

CMYK 10 / 10 / 0 / 9

HEX #CFCFE7

RGB 207 207 231

HSL 240, 0.33%, 0.86%

LAB 83.79, 4.6, -11.81

 

CMYK 10 / 10 / 0 / 9

HEX #CFCFE7

RGB 207 207 231

HSL 240, 0.33%, 0.86%

LAB 83.79, 4.6, -11.81

 

CMYK 2 / 10 / 0 / 9

HEX #E2CFE7

RGB 226 207 231

HSL 287.5, 0.33%, 0.86%

LAB 85.28, 10.85, -9.43

 

CMYK 3 / 15 / 0 / 7

HEX #E6C9EC

RGB 230 201 236

HSL 289.71, 0.48%, 0.86%

LAB 84.3, 16.29, -13.51

 

CMYK 3 / 19 / 0 / 5

HEX #EAC3F2

RGB 234 195 242

HSL 289.79, 0.64%, 0.86%

LAB 83.41, 21.92, -18.02

 

CMYK 4 / 23 / 0 / 3

HEX #EEBEF8

RGB 238 190 248

HSL 289.66, 0.81%, 0.86%

LAB 82.8, 27.01, -22.11

 

CMYK 5 / 28 / 0 / 0

HEX #F2B8FE

RGB 242 184 254

HSL 289.71, 0.97%, 0.86%

LAB 82.01, 32.6, -26.48

 

CMYK 2 / 10 / 0 / 9

HEX #E2CFE7

RGB 226 207 231

HSL 287.5, 0.33%, 0.86%

LAB 85.28, 10.85, -9.43

 

CMYK 1 / 5 / 0 / 12

HEX #DFD5E1

RGB 223 213 225

HSL 290, 0.17%, 0.86%

LAB 86.36, 5.57, -4.68

 

CMYK 0 / 0 / 0 / 14

HEX #DBDBDB

RGB 219 219 219

HSL 0, 0%, 0.86%

LAB 87.41, 0, -0.01

 

CMYK 4 / 0 / 5 / 12

HEX #D7E0D5

RGB 215 224 213

HSL 109.09, 0.15%, 0.86%

LAB 88.24, -5, 4.32

 

CMYK 8 / 0 / 10 / 10

HEX #D3E6CF

RGB 211 230 207

HSL 109.57, 0.32%, 0.86%

LAB 89.37, -10.47, 9.06

 

CMYK 7 / 10 / 0 / 9

HEX #D6CFE7

RGB 214 207 231

HSL 257.5, 0.33%, 0.86%

LAB 84.32, 6.88, -10.96

 

CMYK 5 / 10 / 0 / 9

HEX #DCCFE7

RGB 220 207 231

HSL 272.5, 0.33%, 0.86%

LAB 84.8, 8.85, -10.2

 

CMYK 2 / 10 / 0 / 9

HEX #E2CFE7

RGB 226 207 231

HSL 287.5, 0.33%, 0.86%

LAB 85.28, 10.85, -9.43

 

CMYK 0 / 10 / 1 / 9

HEX #E7CFE5

RGB 231 207 229

HSL 305, 0.33%, 0.86%

LAB 85.64, 12.16, -7.79

 

CMYK 0 / 10 / 4 / 9

HEX #E7CFDE

RGB 231 207 222

HSL 322.5, 0.33%, 0.86%

LAB 85.45, 10.91, -4.36

 

CMYK 4 / 25 / 0 / 20

HEX #C298CB

RGB 194 152 203

HSL 289.41, 0.33%, 0.7%

LAB 68.2, 24.63, -20.2

 

CMYK 3 / 17 / 0 / 15

HEX #D2B4D9

RGB 210 180 217

HSL 288.65, 0.33%, 0.78%

LAB 76.89, 17.32, -14.59

 

CMYK 2 / 10 / 0 / 9

HEX #E2CFE7

RGB 226 207 231

HSL 287.5, 0.33%, 0.86%

LAB 85.28, 10.85, -9.43

 

CMYK 0 / 4 / 0 / 4

HEX #F3EAF4

RGB 243 234 244

HSL 294, 0.31%, 0.94%

LAB 93.64, 4.79, -3.76

 

CMYK 2 / 10 / 0 / 9

HEX #E4D1E8

RGB 228 209 232

HSL 289.57, 0.33%, 0.86%

LAB 85.97, 10.64, -8.92

 

CMYK 0 / 10 / 10 / 9

HEX #E7CFCF

RGB 231 207 207

HSL 0, 0.33%, 0.86%

LAB 85.06, 8.35, 3.04

 

CMYK 10 / 0 / 6 / 9

HEX #CFE7D9

RGB 207 231 217

HSL 145, 0.33%, 0.86%

LAB 89.59, -10.52, 4.12

 

CMYK 2 / 10 / 0 / 9

HEX #E4D1E8

RGB 228 209 232

HSL 289.57, 0.33%, 0.86%

LAB 85.97, 10.64, -8.92

 

CMYK 0 / 2 / 10 / 9

HEX #E7E2CF

RGB 231 226 207

HSL 47.5, 0.33%, 0.86%

LAB 89.81, -1.51, 9.88

 

CMYK 10 / 0 / 2 / 9

HEX #CFE7E2

RGB 207 231 226

HSL 167.5, 0.33%, 0.86%

LAB 89.82, -8.84, -0.27

 

CMYK 2 / 10 / 0 / 9

HEX #E4D1E8

RGB 228 209 232

HSL 289.57, 0.33%, 0.86%

LAB 85.97, 10.64, -8.92

 

CMYK 0 / 10 / 10 / 9

HEX #E7CFCF

RGB 231 207 207

HSL 0, 0.33%, 0.86%

LAB 85.06, 8.35, 3.04

 

CMYK 9 / 0 / 10 / 9

HEX #D3E7CF

RGB 211 231 207

HSL 110, 0.33%, 0.86%

LAB 89.63, -10.97, 9.43

 

CMYK 10 / 0 / 0 / 9

HEX #CFE6E7

RGB 207 230 231

HSL 182.5, 0.33%, 0.86%

LAB 89.69, -7.36, -3.08

 

CMYK 2 / 10 / 0 / 9

HEX #E4D1E8

RGB 228 209 232

HSL 289.57, 0.33%, 0.86%

LAB 85.97, 10.64, -8.92

 

CMYK 0 / 7 / 10 / 9

HEX #E7D6CF

RGB 231 214 207

HSL 17.5, 0.33%, 0.86%

LAB 86.79, 4.69, 5.55

 

CMYK 9 / 0 / 10 / 9

HEX #D3E7CF

RGB 211 231 207

HSL 110, 0.33%, 0.86%

LAB 89.63, -10.97, 9.43

 

CMYK 10 / 3 / 0 / 9

HEX #CFDFE7

RGB 207 223 231

HSL 200, 0.33%, 0.86%

LAB 87.88, -3.77, -5.74

 

Description

Color code: HEX #E4D1E8 | qconv.com Color code: HEX #E4D1E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 209 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 209 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 10 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 10% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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