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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4CB72 it is the complementary color #1B348D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4CB72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4CB72 shade: #E9CB6D, #FADD80, #FFEF93, #FFFFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4CB72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4CB72 shade: #E4CB72, #D3B95F, #C2A74C, #B19539 and #A08326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4CB72 shade: #E4CB72, #E4AC72, #E48D72 and #E47272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4CB72 shade: #E4CB72, #DEE472, #BFE472, #A1E472 and #82E472

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4CB72 shade matches the following richer shades: #E4CB72 and #F2D364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4CB72 shade: #E4CB72, #D6C37F, #C9BC8D, #BBB49A and #AEACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4CB72 shade: #E48C72, #E4AB72, #E4C972, #E0E472 and #C2E472

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4CB72 shade: #D7B12C, #DDBE4F, #E4CB72, #EBD894 and #F1E4B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4CB72 shade: #E4CB72, #75E472 and #9C72E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4CB72 shade: #E4CB72, #72E4C9 and #C972E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4CB72 shade: #E4CB72, #75E472, #728CE4 and #E072E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4CB72 shade: #E4CB72, #72E490, #728CE4 and #E472C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

Complementary color

CMYK 81 / 63 / 0 / 45

HEX #1B348D

RGB 27 52 141

HSL 226.84, 0.68%, 0.33%

LAB 25.6, 25.03, -51.95

 

CMYK 0 / 13 / 53 / 9

HEX #E9CB6D

RGB 233 203 109

HSL 45.48, 0.74%, 0.67%

LAB 82.45, -0.95, 50.25

 

CMYK 0 / 12 / 49 / 2

HEX #FADD80

RGB 250 221 128

HSL 45.74, 0.92%, 0.74%

LAB 88.73, -1.67, 49.02

 

CMYK 0 / 6 / 42 / 0

HEX #FFEF93

RGB 255 239 147

HSL 51.11, 1%, 0.79%

LAB 93.93, -6.96, 46.35

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 0 / 12 / 55 / 17

HEX #D3B95F

RGB 211 185 95

HSL 46.55, 0.57%, 0.6%

LAB 75.68, -1.83, 48.48

 

CMYK 0 / 14 / 61 / 24

HEX #C2A74C

RGB 194 167 76

HSL 46.27, 0.49%, 0.53%

LAB 69.2, -0.96, 49.66

 

CMYK 0 / 16 / 68 / 31

HEX #B19539

RGB 177 149 57

HSL 46, 0.51%, 0.46%

LAB 62.62, 0.08, 50.69

 

CMYK 0 / 18 / 76 / 37

HEX #A08326

RGB 160 131 38

HSL 45.74, 0.62%, 0.39%

LAB 55.93, 1.35, 51.34

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 0 / 25 / 50 / 11

HEX #E4AC72

RGB 228 172 114

HSL 30.53, 0.68%, 0.67%

LAB 74.33, 13.71, 37.65

 

CMYK 0 / 38 / 50 / 11

HEX #E48D72

RGB 228 141 114

HSL 14.21, 0.68%, 0.67%

LAB 67.1, 30.24, 28.33

 

CMYK 0 / 50 / 50 / 11

HEX #E47272

RGB 228 114 114

HSL 0, 0.68%, 0.67%

LAB 61.43, 44.18, 20.78

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 3 / 0 / 50 / 11

HEX #DEE472

RGB 222 228 114

HSL 63.16, 0.68%, 0.67%

LAB 88.08, -17.56, 54.34

 

CMYK 16 / 0 / 50 / 11

HEX #BFE472

RGB 191 228 114

HSL 79.47, 0.68%, 0.67%

LAB 85.9, -29.57, 51.21

 

CMYK 29 / 0 / 50 / 11

HEX #A1E472

RGB 161 228 114

HSL 95.26, 0.68%, 0.67%

LAB 84.11, -40.44, 48.64

 

CMYK 43 / 0 / 50 / 11

HEX #82E472

RGB 130 228 114

HSL 111.58, 0.68%, 0.67%

LAB 82.62, -50.43, 46.48

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 0 / 13 / 59 / 5

HEX #F2D364

RGB 242 211 100

HSL 46.9, 0.85%, 0.67%

LAB 85.19, -2.05, 57.84

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 0 / 9 / 41 / 16

HEX #D6C37F

RGB 214 195 127

HSL 46.9, 0.51%, 0.67%

LAB 78.96, -2.8, 36.58

 

CMYK 0 / 6 / 30 / 21

HEX #C9BC8D

RGB 201 188 141

HSL 47, 0.36%, 0.67%

LAB 76.26, -2.61, 25.49

 

CMYK 0 / 4 / 18 / 27

HEX #BBB49A

RGB 187 180 154

HSL 47.27, 0.2%, 0.67%

LAB 73.25, -1.9, 14.16

 

CMYK 0 / 1 / 3 / 32

HEX #AEACA8

RGB 174 172 168

HSL 40, 0.04%, 0.67%

LAB 70.41, -0.02, 2.3

 

CMYK 0 / 39 / 50 / 11

HEX #E48C72

RGB 228 140 114

HSL 13.68, 0.68%, 0.67%

LAB 66.87, 30.77, 28.04

 

CMYK 0 / 25 / 50 / 11

HEX #E4AB72

RGB 228 171 114

HSL 30, 0.68%, 0.67%

LAB 74.08, 14.24, 37.35

 

CMYK 0 / 12 / 50 / 11

HEX #E4C972

RGB 228 201 114

HSL 45.79, 0.68%, 0.67%

LAB 81.56, -1.54, 46.63

 

CMYK 2 / 0 / 50 / 11

HEX #E0E472

RGB 224 228 114

HSL 62.11, 0.68%, 0.67%

LAB 88.23, -16.76, 54.56

 

CMYK 15 / 0 / 50 / 11

HEX #C2E472

RGB 194 228 114

HSL 77.89, 0.68%, 0.67%

LAB 86.09, -28.43, 51.49

 

CMYK 0 / 18 / 80 / 16

HEX #D7B12C

RGB 215 177 44

HSL 46.67, 0.68%, 0.51%

LAB 73.59, 1.2, 67.52

 

CMYK 0 / 14 / 64 / 13

HEX #DDBE4F

RGB 221 190 79

HSL 46.9, 0.68%, 0.59%

LAB 77.74, -1.37, 58.4

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 0 / 8 / 37 / 8

HEX #EBD894

RGB 235 216 148

HSL 46.9, 0.69%, 0.75%

LAB 86.46, -3.02, 35.92

 

CMYK 0 / 5 / 24 / 5

HEX #F1E4B7

RGB 241 228 183

HSL 46.55, 0.67%, 0.83%

LAB 90.6, -2.5, 23.6

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 49 / 0 / 50 / 11

HEX #75E472

RGB 117 228 114

HSL 118.42, 0.68%, 0.67%

LAB 82.1, -54.13, 45.72

 

CMYK 32 / 50 / 0 / 11

HEX #9C72E4

RGB 156 114 228

HSL 262.11, 0.68%, 0.67%

LAB 56.79, 40.27, -52.22

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 50 / 0 / 12 / 11

HEX #72E4C9

RGB 114 228 201

HSL 165.79, 0.68%, 0.67%

LAB 83.59, -38.92, 3.23

 

CMYK 12 / 50 / 0 / 11

HEX #C972E4

RGB 201 114 228

HSL 285.79, 0.68%, 0.67%

LAB 61.7, 52.19, -44.12

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 49 / 0 / 50 / 11

HEX #75E472

RGB 117 228 114

HSL 118.42, 0.68%, 0.67%

LAB 82.1, -54.13, 45.72

 

CMYK 50 / 39 / 0 / 11

HEX #728CE4

RGB 114 140 228

HSL 226.32, 0.68%, 0.67%

LAB 59.83, 14.79, -47.59

 

CMYK 2 / 50 / 0 / 11

HEX #E072E4

RGB 224 114 228

HSL 297.89, 0.68%, 0.67%

LAB 64.55, 58.47, -39.45

 

CMYK 0 / 11 / 50 / 11

HEX #E4CB72

RGB 228 203 114

HSL 46.84, 0.68%, 0.67%

LAB 82.07, -2.57, 47.25

 

CMYK 50 / 0 / 37 / 11

HEX #72E490

RGB 114 228 144

HSL 135.79, 0.68%, 0.67%

LAB 82.42, -50.42, 31.29

 

CMYK 50 / 39 / 0 / 11

HEX #728CE4

RGB 114 140 228

HSL 226.32, 0.68%, 0.67%

LAB 59.83, 14.79, -47.59

 

CMYK 0 / 50 / 13 / 11

HEX #E472C6

RGB 228 114 198

HSL 315.79, 0.68%, 0.67%

LAB 63.84, 54.6, -23.7

 

Description

Color code: HEX #E4CB72 | qconv.com Color code: HEX #E4CB72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 203 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 203 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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