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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4AED1 it is the complementary color #1B512E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4AED1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4AED1 shade: #E9AECC, #FAC0DF, #FFD2F2, #FFE4FF and #FFF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4AED1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4AED1 shade: #E4AED1, #D39CBE, #C28AAB, #B17898 and #A06685

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4AED1 shade: #E4AFD1, #E4AFC3, #E4AFB5 and #E4AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4AED1 shade: #E4AFD1, #E4AFE0, #DAAFE4, #CCAFE4 and #BDAFE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4AED1 shade matches the following richer shades: #E4AFD1, #EDA6D4, #F69DD7 and #FE95D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4AED1 shade: #E4AFD1, #DCB7CF, #D3C0CC, #CAC9CA and #C2D1C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4AED1 shade: #DAAFE4, #E4AFE0, #E4AFD1, #E4AFC3 and #E4AFB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4AED1 shade: #D071AE, #DA90C0, #E4AFD1, #EFCEE3 and #F9EDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4AED1 shade: #E4AED1, #E4CCAF and #AFE4E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4AED1 shade: #E4AED1, #D1E4AF and #AFD1E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4AED1 shade: #E4AED1, #E4CCAF, #AFE4C1 and #AFC7E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4AED1 shade: #E4AED1, #E4DCAF, #AFE4C1 and #AFB7E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 8 / 11

HEX #E4AED1

RGB 228 174 209

HSL 321.11, 0.5%, 0.79%

LAB 76.9, 25.21, -10.06

 

Complementary color

CMYK 67 / 0 / 43 / 68

HEX #1B512E

RGB 27 81 46

HSL 141.11, 0.5%, 0.21%

LAB 30.19, -26.84, 15.46

 

CMYK 0 / 25 / 12 / 9

HEX #E9AECC

RGB 233 174 204

HSL 329.49, 0.57%, 0.8%

LAB 77.25, 26.1, -6.76

 

CMYK 0 / 23 / 11 / 2

HEX #FAC0DF

RGB 250 192 223

HSL 327.93, 0.85%, 0.87%

LAB 83.63, 25.51, -7.39

 

CMYK 0 / 18 / 5 / 0

HEX #FFD2F2

RGB 255 210 242

HSL 317.33, 1%, 0.91%

LAB 88.81, 20.93, -9.74

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 24 / 8 / 11

HEX #E4AED1

RGB 228 174 209

HSL 321.11, 0.5%, 0.79%

LAB 76.9, 25.21, -10.06

 

CMYK 0 / 26 / 10 / 17

HEX #D39CBE

RGB 211 156 190

HSL 322.91, 0.38%, 0.72%

LAB 70.42, 25.82, -9.48

 

CMYK 0 / 29 / 12 / 24

HEX #C28AAB

RGB 194 138 171

HSL 324.64, 0.31%, 0.65%

LAB 63.82, 26.48, -8.85

 

CMYK 0 / 32 / 14 / 31

HEX #B17898

RGB 177 120 152

HSL 326.32, 0.27%, 0.58%

LAB 57.12, 27.19, -8.18

 

CMYK 0 / 36 / 17 / 37

HEX #A06685

RGB 160 102 133

HSL 327.93, 0.23%, 0.51%

LAB 50.3, 27.97, -7.43

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 23 / 14 / 11

HEX #E4AFC3

RGB 228 175 195

HSL 337.36, 0.5%, 0.79%

LAB 76.74, 22.35, -2.68

 

CMYK 0 / 23 / 21 / 11

HEX #E4AFB5

RGB 228 175 181

HSL 353.21, 0.5%, 0.79%

LAB 76.37, 20.19, 4.42

 

CMYK 0 / 23 / 23 / 11

HEX #E4AFAF

RGB 228 175 175

HSL 0, 0.5%, 0.79%

LAB 76.22, 19.31, 7.47

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 23 / 2 / 11

HEX #E4AFE0

RGB 228 175 224

HSL 304.53, 0.5%, 0.79%

LAB 77.6, 27.32, -17.16

 

CMYK 4 / 23 / 0 / 11

HEX #DAAFE4

RGB 218 175 228

HSL 288.68, 0.5%, 0.79%

LAB 76.78, 24.79, -20.66

 

CMYK 11 / 23 / 0 / 11

HEX #CCAFE4

RGB 204 175 228

HSL 272.83, 0.5%, 0.79%

LAB 75.51, 20.27, -22.7

 

CMYK 17 / 23 / 0 / 11

HEX #BDAFE4

RGB 189 175 228

HSL 255.85, 0.5%, 0.79%

LAB 74.24, 15.52, -24.76

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 30 / 11 / 7

HEX #EDA6D4

RGB 237 166 212

HSL 321.13, 0.66%, 0.79%

LAB 76.09, 33.04, -12.82

 

CMYK 0 / 36 / 13 / 4

HEX #F69DD7

RGB 246 157 215

HSL 320.9, 0.83%, 0.79%

LAB 75.21, 41.25, -15.67

 

CMYK 0 / 41 / 15 / 0

HEX #FE95D9

RGB 254 149 217

HSL 321.14, 0.98%, 0.79%

LAB 74.56, 48.25, -17.66

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 17 / 6 / 14

HEX #DCB7CF

RGB 220 183 207

HSL 321.08, 0.35%, 0.79%

LAB 78.22, 17.27, -7.1

 

CMYK 0 / 9 / 3 / 17

HEX #D3C0CC

RGB 211 192 204

HSL 322.11, 0.18%, 0.79%

LAB 79.56, 8.79, -3.58

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9CA

RGB 202 201 202

HSL 300, 0.01%, 0.79%

LAB 81.07, 0.53, -0.39

 

CMYK 7 / 0 / 5 / 18

HEX #C2D1C7

RGB 194 209 199

HSL 140, 0.14%, 0.79%

LAB 82.48, -6.94, 3.21

 

CMYK 4 / 23 / 0 / 11

HEX #DAAFE4

RGB 218 175 228

HSL 288.68, 0.5%, 0.79%

LAB 76.78, 24.79, -20.66

 

CMYK 0 / 23 / 2 / 11

HEX #E4AFE0

RGB 228 175 224

HSL 304.53, 0.5%, 0.79%

LAB 77.6, 27.32, -17.16

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 23 / 14 / 11

HEX #E4AFC3

RGB 228 175 195

HSL 337.36, 0.5%, 0.79%

LAB 76.74, 22.35, -2.68

 

CMYK 0 / 23 / 21 / 11

HEX #E4AFB5

RGB 228 175 181

HSL 353.21, 0.5%, 0.79%

LAB 76.37, 20.19, 4.42

 

CMYK 0 / 46 / 16 / 18

HEX #D071AE

RGB 208 113 174

HSL 321.47, 0.5%, 0.63%

LAB 60.14, 45.13, -15.94

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 14 / 5 / 6

HEX #EFCEE3

RGB 239 206 227

HSL 321.82, 0.51%, 0.87%

LAB 86.03, 15.04, -6.08

 

CMYK 0 / 5 / 2 / 2

HEX #F9EDF5

RGB 249 237 245

HSL 320, 0.5%, 0.95%

LAB 94.87, 5.42, -2.42

 

CMYK 0 / 24 / 8 / 11

HEX #E4AED1

RGB 228 174 209

HSL 321.11, 0.5%, 0.79%

LAB 76.9, 25.21, -10.06

 

CMYK 0 / 11 / 23 / 11

HEX #E4CCAF

RGB 228 204 175

HSL 32.83, 0.5%, 0.79%

LAB 83.32, 3.93, 17.52

 

CMYK 23 / 0 / 1 / 11

HEX #AFE4E2

RGB 175 228 226

HSL 177.74, 0.5%, 0.79%

LAB 87.04, -17.26, -4.57

 

CMYK 0 / 24 / 8 / 11

HEX #E4AED1

RGB 228 174 209

HSL 321.11, 0.5%, 0.79%

LAB 76.9, 25.21, -10.06

 

CMYK 8 / 0 / 23 / 11

HEX #D1E4AF

RGB 209 228 175

HSL 81.51, 0.5%, 0.79%

LAB 88.03, -15.32, 23.82

 

CMYK 23 / 8 / 0 / 11

HEX #AFD1E4

RGB 175 209 228

HSL 201.51, 0.5%, 0.79%

LAB 82.01, -7.11, -13.11

 

CMYK 0 / 24 / 8 / 11

HEX #E4AED1

RGB 228 174 209

HSL 321.11, 0.5%, 0.79%

LAB 76.9, 25.21, -10.06

 

CMYK 0 / 11 / 23 / 11

HEX #E4CCAF

RGB 228 204 175

HSL 32.83, 0.5%, 0.79%

LAB 83.32, 3.93, 17.52

 

CMYK 23 / 0 / 15 / 11

HEX #AFE4C1

RGB 175 228 193

HSL 140.38, 0.5%, 0.79%

LAB 86.23, -23.87, 11.6

 

CMYK 23 / 13 / 0 / 11

HEX #AFC7E4

RGB 175 199 228

HSL 212.83, 0.5%, 0.79%

LAB 79.36, -1.83, -17.08

 

CMYK 0 / 24 / 8 / 11

HEX #E4AED1

RGB 228 174 209

HSL 321.11, 0.5%, 0.79%

LAB 76.9, 25.21, -10.06

 

CMYK 0 / 4 / 23 / 11

HEX #E4DCAF

RGB 228 220 175

HSL 50.94, 0.5%, 0.79%

LAB 87.38, -4.33, 23.14

 

CMYK 23 / 0 / 15 / 11

HEX #AFE4C1

RGB 175 228 193

HSL 140.38, 0.5%, 0.79%

LAB 86.23, -23.87, 11.6

 

CMYK 23 / 20 / 0 / 11

HEX #AFB7E4

RGB 175 183 228

HSL 230.94, 0.5%, 0.79%

LAB 75.19, 6.81, -23.41

 

Description

Color code: HEX #E4AED1 | qconv.com Color code: HEX #E4AED1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 174 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 174 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 8 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 8% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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