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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4AC05 it is the complementary color #1B53FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4AC05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4AC05 shade: #E9AC00, #FABE13, #FFD026, #FFE239 and #FFF44C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4AC05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4AC05 shade: #E4AC05, #D39A00, #C28800, #B17600 and #A06400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4AC05 shade: #E6AD05, #E67105, #E63405 and #E60505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4AC05 shade: #E6AD05, #E2E605, #A5E605, #68E605 and #2CE605

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4AC05 shade matches the following richer shades: #E6AD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4AC05 shade: #E6AD05, #D3A418, #C09A2B, #AD913E and #9A8851

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4AC05 shade: #E63205, #E66E05, #E6AA05, #E6E605 and #AAE605

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4AC05 shade: #957003, #BD8F04, #E6AD05, #FAC21A and #FBCD42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4AC05 shade: #E4AC05, #14E605 and #5005E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4AC05 shade: #E4AC05, #05E6AA and #AA05E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4AC05 shade: #E4AC05, #14E605, #0541E6 and #D705E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4AC05 shade: #E4AC05, #05E639, #0541E6 and #E605B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 98 / 11

HEX #E4AC05

RGB 228 172 5

HSL 44.93, 0.96%, 0.46%

LAB 73.55, 8.76, 76

 

Complementary color

CMYK 89 / 67 / 0 / 2

HEX #1B53FA

RGB 27 83 250

HSL 224.93, 0.96%, 0.54%

LAB 43.24, 45.95, -86.88

 

CMYK 0 / 26 / 100 / 9

HEX #E9AC00

RGB 233 172 0

HSL 44.29, 1%, 0.46%

LAB 74.08, 10.88, 77.18

 

CMYK 0 / 24 / 92 / 2

HEX #FABE13

RGB 250 190 19

HSL 44.42, 0.96%, 0.53%

LAB 80.29, 8.94, 80.2

 

CMYK 0 / 18 / 85 / 0

HEX #FFD026

RGB 255 208 38

HSL 47, 1%, 0.57%

LAB 85.26, 2.13, 80.62

 

CMYK 0 / 11 / 78 / 0

HEX #FFE239

RGB 255 226 57

HSL 51.21, 1%, 0.61%

LAB 89.84, -6.43, 79.45

 

CMYK 0 / 4 / 70 / 0

HEX #FFF44C

RGB 255 244 76

HSL 56.31, 1%, 0.65%

LAB 94.52, -14.55, 77.66

 

CMYK 0 / 25 / 98 / 11

HEX #E4AC05

RGB 228 172 5

HSL 44.93, 0.96%, 0.46%

LAB 73.55, 8.76, 76

 

CMYK 0 / 27 / 100 / 17

HEX #D39A00

RGB 211 154 0

HSL 43.79, 1%, 0.41%

LAB 67.25, 10.87, 71.39

 

CMYK 0 / 30 / 100 / 24

HEX #C28800

RGB 194 136 0

HSL 42.06, 1%, 0.38%

LAB 60.85, 13.12, 66.15

 

CMYK 0 / 33 / 100 / 31

HEX #B17600

RGB 177 118 0

HSL 40, 1%, 0.35%

LAB 54.35, 15.46, 60.83

 

CMYK 0 / 38 / 100 / 37

HEX #A06400

RGB 160 100 0

HSL 37.5, 1%, 0.31%

LAB 47.74, 17.91, 55.44

 

CMYK 0 / 25 / 98 / 10

HEX #E6AD05

RGB 230 173 5

HSL 44.8, 0.96%, 0.46%

LAB 74.01, 9.1, 76.42

 

CMYK 0 / 51 / 98 / 10

HEX #E67105

RGB 230 113 5

HSL 28.8, 0.96%, 0.46%

LAB 60.47, 40.56, 67.41

 

CMYK 0 / 77 / 98 / 10

HEX #E63405

RGB 230 52 5

HSL 12.53, 0.96%, 0.46%

LAB 51.02, 65.65, 62.09

 

CMYK 0 / 98 / 98 / 10

HEX #E60505

RGB 230 5 5

HSL 0, 0.96%, 0.46%

LAB 48.19, 73.74, 60.78

 

CMYK 0 / 25 / 98 / 10

HEX #E6AD05

RGB 230 173 5

HSL 44.8, 0.96%, 0.46%

LAB 74.01, 9.1, 76.42

 

CMYK 2 / 0 / 98 / 10

HEX #E2E605

RGB 226 230 5

HSL 61.07, 0.96%, 0.46%

LAB 88.34, -21.57, 86.62

 

CMYK 28 / 0 / 98 / 10

HEX #A5E605

RGB 165 230 5

HSL 77.33, 0.96%, 0.46%

LAB 84.28, -45.91, 81.76

 

CMYK 55 / 0 / 98 / 10

HEX #68E605

RGB 104 230 5

HSL 93.6, 0.96%, 0.46%

LAB 81.59, -65.6, 78.5

 

CMYK 81 / 0 / 98 / 10

HEX #2CE605

RGB 44 230 5

HSL 109.6, 0.96%, 0.46%

LAB 80.26, -76.9, 76.87

 

CMYK 0 / 25 / 98 / 10

HEX #E6AD05

RGB 230 173 5

HSL 44.8, 0.96%, 0.46%

LAB 74.01, 9.1, 76.42

 

CMYK 0 / 25 / 98 / 10

HEX #E6AD05

RGB 230 173 5

HSL 44.8, 0.96%, 0.46%

LAB 74.01, 9.1, 76.42

 

CMYK 0 / 22 / 89 / 17

HEX #D3A418

RGB 211 164 24

HSL 44.92, 0.8%, 0.46%

LAB 69.8, 5.81, 69.56

 

CMYK 0 / 20 / 78 / 25

HEX #C09A2B

RGB 192 154 43

HSL 44.7, 0.63%, 0.46%

LAB 65.35, 3.34, 59.51

 

CMYK 0 / 16 / 64 / 32

HEX #AD913E

RGB 173 145 62

HSL 44.86, 0.47%, 0.46%

LAB 61.21, 0.81, 46.77

 

CMYK 0 / 12 / 47 / 40

HEX #9A8851

RGB 154 136 81

HSL 45.21, 0.31%, 0.46%

LAB 57.15, -0.95, 31.91

 

CMYK 0 / 78 / 98 / 10

HEX #E63205

RGB 230 50 5

HSL 12, 0.96%, 0.46%

LAB 50.82, 66.22, 61.99

 

CMYK 0 / 52 / 98 / 10

HEX #E66E05

RGB 230 110 5

HSL 28, 0.96%, 0.46%

LAB 59.88, 42.05, 67.05

 

CMYK 0 / 26 / 98 / 10

HEX #E6AA05

RGB 230 170 5

HSL 44, 0.96%, 0.46%

LAB 73.27, 10.68, 75.9

 

CMYK 0 / 0 / 98 / 10

HEX #E6E605

RGB 230 230 5

HSL 60, 0.96%, 0.46%

LAB 88.65, -19.9, 86.99

 

CMYK 26 / 0 / 98 / 10

HEX #AAE605

RGB 170 230 5

HSL 76, 0.96%, 0.46%

LAB 84.56, -44.04, 82.1

 

CMYK 0 / 25 / 98 / 42

HEX #957003

RGB 149 112 3

HSL 44.79, 0.96%, 0.3%

LAB 49.48, 5.99, 55.31

 

CMYK 0 / 24 / 98 / 26

HEX #BD8F04

RGB 189 143 4

HSL 45.08, 0.96%, 0.38%

LAB 62.06, 7.08, 66.1

 

CMYK 0 / 25 / 98 / 10

HEX #E6AD05

RGB 230 173 5

HSL 44.8, 0.96%, 0.46%

LAB 74.01, 9.1, 76.42

 

CMYK 0 / 22 / 90 / 2

HEX #FAC21A

RGB 250 194 26

HSL 45, 0.96%, 0.54%

LAB 81.28, 6.97, 79.78

 

CMYK 0 / 18 / 74 / 2

HEX #FBCD42

RGB 251 205 66

HSL 45.08, 0.96%, 0.62%

LAB 84.26, 2.87, 71.16

 

CMYK 0 / 25 / 98 / 11

HEX #E4AC05

RGB 228 172 5

HSL 44.93, 0.96%, 0.46%

LAB 73.55, 8.76, 76

 

CMYK 91 / 0 / 98 / 10

HEX #14E605

RGB 20 230 5

HSL 116, 0.96%, 0.46%

LAB 80.04, -78.87, 76.6

 

CMYK 65 / 98 / 0 / 10

HEX #5005E6

RGB 80 5 230

HSL 260, 0.96%, 0.46%

LAB 32.98, 74.12, -92.49

 

CMYK 0 / 25 / 98 / 11

HEX #E4AC05

RGB 228 172 5

HSL 44.93, 0.96%, 0.46%

LAB 73.55, 8.76, 76

 

CMYK 98 / 0 / 26 / 10

HEX #05E6AA

RGB 5 230 170

HSL 164, 0.96%, 0.46%

LAB 81.58, -60.14, 16.41

 

CMYK 26 / 98 / 0 / 10

HEX #AA05E6

RGB 170 5 230

HSL 284, 0.96%, 0.46%

LAB 44.76, 81.98, -72.67

 

CMYK 0 / 25 / 98 / 11

HEX #E4AC05

RGB 228 172 5

HSL 44.93, 0.96%, 0.46%

LAB 73.55, 8.76, 76

 

CMYK 91 / 0 / 98 / 10

HEX #14E605

RGB 20 230 5

HSL 116, 0.96%, 0.46%

LAB 80.04, -78.87, 76.6

 

CMYK 98 / 72 / 0 / 10

HEX #0541E6

RGB 5 65 230

HSL 224, 0.96%, 0.46%

LAB 36.98, 49.07, -85.95

 

CMYK 7 / 98 / 0 / 10

HEX #D705E6

RGB 215 5 230

HSL 296, 0.96%, 0.46%

LAB 52.14, 88.22, -60.35

 

CMYK 0 / 25 / 98 / 11

HEX #E4AC05

RGB 228 172 5

HSL 44.93, 0.96%, 0.46%

LAB 73.55, 8.76, 76

 

CMYK 98 / 0 / 75 / 10

HEX #05E639

RGB 5 230 57

HSL 133.87, 0.96%, 0.46%

LAB 80.14, -77.39, 66.46

 

CMYK 98 / 72 / 0 / 10

HEX #0541E6

RGB 5 65 230

HSL 224, 0.96%, 0.46%

LAB 36.98, 49.07, -85.95

 

CMYK 0 / 98 / 23 / 10

HEX #E605B1

RGB 230 5 177

HSL 314.13, 0.96%, 0.46%

LAB 51.96, 83.71, -29.95

 

Description

Color code: HEX #E4AC05 | qconv.com Color code: HEX #E4AC05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 172 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 172 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 98 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 98% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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