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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4AAE8 it is the complementary color #1B5517. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4AAE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4AAE8 shade: #E9AAE3, #FABCF6, #FFCEFF, #FFE0FF and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4AAE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4AAE8 shade: #E4AAE8, #D398D5, #C286C2, #B174AF and #A0629C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4AAE8 shade: #E4ABE8, #E8ABDB, #E8ABCB, #E8ABBB and #E8ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4AAE8 shade: #E4ABE8, #D4ABE8, #C3ABE8, #B3ABE8 and #ABABE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4AAE8 shade matches the following richer shades: #E4ABE8, #ECA2F1 and #F39AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4AAE8 shade: #E4ABE8, #DCB4DF, #D5BCD7, #CDC5CE and #C6CEC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4AAE8 shade: #C3ABE8, #D4ABE8, #E4ABE8, #E8ABDC and #E8ABCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4AAE8 shade: #CF6AD6, #DA8BDF, #E4ABE8, #EECBF1 and #F9ECFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4AAE8 shade: #E4AAE8, #E8B3AB and #ABE8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4AAE8 shade: #E4AAE8, #E8E4AB and #ABE8E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4AAE8 shade: #E4AAE8, #E8B3AB, #AFE8AB and #ABE0E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4AAE8 shade: #E4AAE8, #E8C5AB, #AFE8AB and #ABCEE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 27 / 0 / 9

HEX #E4AAE8

RGB 228 170 232

HSL 296.13, 0.57%, 0.79%

LAB 76.72, 31.47, -22.83

 

Complementary color

CMYK 68 / 0 / 73 / 67

HEX #1B5517

RGB 27 85 23

HSL 116.13, 0.57%, 0.21%

LAB 31.33, -32.21, 29.56

 

CMYK 0 / 27 / 3 / 9

HEX #E9AAE3

RGB 233 170 227

HSL 305.71, 0.59%, 0.79%

LAB 77.05, 32.18, -19.57

 

CMYK 0 / 25 / 2 / 2

HEX #FABCF6

RGB 250 188 246

HSL 303.87, 0.86%, 0.86%

LAB 83.41, 31.56, -20

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 2 / 27 / 0 / 9

HEX #E4AAE8

RGB 228 170 232

HSL 296.13, 0.57%, 0.79%

LAB 76.72, 31.47, -22.83

 

CMYK 1 / 29 / 0 / 16

HEX #D398D5

RGB 211 152 213

HSL 298.03, 0.42%, 0.72%

LAB 70.25, 32.12, -22.45

 

CMYK 0 / 31 / 0 / 24

HEX #C286C2

RGB 194 134 194

HSL 300, 0.33%, 0.64%

LAB 63.68, 32.82, -22.05

 

CMYK 0 / 34 / 1 / 31

HEX #B174AF

RGB 177 116 175

HSL 301.97, 0.28%, 0.57%

LAB 57.01, 33.55, -21.62

 

CMYK 0 / 39 / 2 / 37

HEX #A0629C

RGB 160 98 156

HSL 303.87, 0.25%, 0.51%

LAB 50.23, 34.32, -21.15

 

CMYK 2 / 26 / 0 / 9

HEX #E4ABE8

RGB 228 171 232

HSL 296.07, 0.57%, 0.79%

LAB 76.95, 30.94, -22.48

 

CMYK 0 / 26 / 6 / 9

HEX #E8ABDB

RGB 232 171 219

HSL 312.79, 0.57%, 0.79%

LAB 76.92, 29.9, -15.43

 

CMYK 0 / 26 / 13 / 9

HEX #E8ABCB

RGB 232 171 203

HSL 328.52, 0.57%, 0.79%

LAB 76.43, 27.19, -7.45

 

CMYK 0 / 26 / 19 / 9

HEX #E8ABBB

RGB 232 171 187

HSL 344.26, 0.57%, 0.79%

LAB 75.99, 24.68, 0.64

 

CMYK 0 / 26 / 26 / 9

HEX #E8ABAB

RGB 232 171 171

HSL 0, 0.57%, 0.79%

LAB 75.59, 22.36, 8.8

 

CMYK 2 / 26 / 0 / 9

HEX #E4ABE8

RGB 228 171 232

HSL 296.07, 0.57%, 0.79%

LAB 76.95, 30.94, -22.48

 

CMYK 9 / 26 / 0 / 9

HEX #D4ABE8

RGB 212 171 232

HSL 280.33, 0.57%, 0.79%

LAB 75.42, 25.81, -24.95

 

CMYK 16 / 26 / 0 / 9

HEX #C3ABE8

RGB 195 171 232

HSL 263.61, 0.57%, 0.79%

LAB 73.9, 20.46, -27.4

 

CMYK 23 / 26 / 0 / 9

HEX #B3ABE8

RGB 179 171 232

HSL 247.87, 0.57%, 0.79%

LAB 72.59, 15.56, -29.54

 

CMYK 26 / 26 / 0 / 9

HEX #ABABE8

RGB 171 171 232

HSL 240, 0.57%, 0.79%

LAB 71.97, 13.18, -30.55

 

CMYK 2 / 26 / 0 / 9

HEX #E4ABE8

RGB 228 171 232

HSL 296.07, 0.57%, 0.79%

LAB 76.95, 30.94, -22.48

 

CMYK 2 / 33 / 0 / 5

HEX #ECA2F1

RGB 236 162 241

HSL 296.2, 0.74%, 0.79%

LAB 76.08, 39.93, -28.61

 

CMYK 2 / 38 / 0 / 2

HEX #F39AF9

RGB 243 154 249

HSL 296.21, 0.89%, 0.79%

LAB 75.45, 47.7, -33.85

 

CMYK 2 / 26 / 0 / 9

HEX #E4ABE8

RGB 228 171 232

HSL 296.07, 0.57%, 0.79%

LAB 76.95, 30.94, -22.48

 

CMYK 1 / 19 / 0 / 13

HEX #DCB4DF

RGB 220 180 223

HSL 295.81, 0.4%, 0.79%

LAB 77.98, 21.79, -16.11

 

CMYK 1 / 13 / 0 / 16

HEX #D5BCD7

RGB 213 188 215

HSL 295.56, 0.25%, 0.79%

LAB 79.05, 13.63, -10.25

 

CMYK 0 / 4 / 0 / 19

HEX #CDC5CE

RGB 205 197 206

HSL 293.33, 0.08%, 0.79%

LAB 80.39, 4.42, -3.5

 

CMYK 4 / 0 / 4 / 19

HEX #C6CEC5

RGB 198 206 197

HSL 113.33, 0.08%, 0.79%

LAB 81.94, -4.38, 3.52

 

CMYK 16 / 26 / 0 / 9

HEX #C3ABE8

RGB 195 171 232

HSL 263.61, 0.57%, 0.79%

LAB 73.9, 20.46, -27.4

 

CMYK 9 / 26 / 0 / 9

HEX #D4ABE8

RGB 212 171 232

HSL 280.33, 0.57%, 0.79%

LAB 75.42, 25.81, -24.95

 

CMYK 2 / 26 / 0 / 9

HEX #E4ABE8

RGB 228 171 232

HSL 296.07, 0.57%, 0.79%

LAB 76.95, 30.94, -22.48

 

CMYK 0 / 26 / 5 / 9

HEX #E8ABDC

RGB 232 171 220

HSL 311.8, 0.57%, 0.79%

LAB 76.95, 30.07, -15.93

 

CMYK 0 / 26 / 13 / 9

HEX #E8ABCB

RGB 232 171 203

HSL 328.52, 0.57%, 0.79%

LAB 76.43, 27.19, -7.45

 

CMYK 3 / 50 / 0 / 16

HEX #CF6AD6

RGB 207 106 214

HSL 296.11, 0.57%, 0.63%

LAB 60.27, 55.14, -38.47

 

CMYK 2 / 38 / 0 / 13

HEX #DA8BDF

RGB 218 139 223

HSL 296.43, 0.57%, 0.71%

LAB 68.53, 43.17, -30.55

 

CMYK 2 / 26 / 0 / 9

HEX #E4ABE8

RGB 228 171 232

HSL 296.07, 0.57%, 0.79%

LAB 76.95, 30.94, -22.48

 

CMYK 1 / 16 / 0 / 5

HEX #EECBF1

RGB 238 203 241

HSL 295.26, 0.58%, 0.87%

LAB 85.62, 18.79, -14.12

 

CMYK 0 / 6 / 0 / 2

HEX #F9ECFA

RGB 249 236 250

HSL 295.71, 0.58%, 0.95%

LAB 94.75, 6.82, -5.18

 

CMYK 2 / 27 / 0 / 9

HEX #E4AAE8

RGB 228 170 232

HSL 296.13, 0.57%, 0.79%

LAB 76.72, 31.47, -22.83

 

CMYK 0 / 23 / 26 / 9

HEX #E8B3AB

RGB 232 179 171

HSL 7.87, 0.57%, 0.79%

LAB 77.48, 18.09, 11.5

 

CMYK 26 / 0 / 13 / 9

HEX #ABE8CB

RGB 171 232 203

HSL 151.48, 0.57%, 0.79%

LAB 87.33, -25.15, 7.9

 

CMYK 2 / 27 / 0 / 9

HEX #E4AAE8

RGB 228 170 232

HSL 296.13, 0.57%, 0.79%

LAB 76.72, 31.47, -22.83

 

CMYK 0 / 2 / 26 / 9

HEX #E8E4AB

RGB 232 228 171

HSL 56.07, 0.57%, 0.79%

LAB 89.67, -7.45, 28.38

 

CMYK 26 / 0 / 2 / 9

HEX #ABE8E4

RGB 171 232 228

HSL 176.07, 0.57%, 0.79%

LAB 87.96, -19.99, -4.3

 

CMYK 2 / 27 / 0 / 9

HEX #E4AAE8

RGB 228 170 232

HSL 296.13, 0.57%, 0.79%

LAB 76.72, 31.47, -22.83

 

CMYK 0 / 23 / 26 / 9

HEX #E8B3AB

RGB 232 179 171

HSL 7.87, 0.57%, 0.79%

LAB 77.48, 18.09, 11.5

 

CMYK 25 / 0 / 26 / 9

HEX #AFE8AB

RGB 175 232 171

HSL 116.07, 0.57%, 0.79%

LAB 86.88, -29.63, 23.96

 

CMYK 26 / 3 / 0 / 9

HEX #ABE0E8

RGB 171 224 232

HSL 187.87, 0.57%, 0.79%

LAB 85.9, -15.1, -9.44

 

CMYK 2 / 27 / 0 / 9

HEX #E4AAE8

RGB 228 170 232

HSL 296.13, 0.57%, 0.79%

LAB 76.72, 31.47, -22.83

 

CMYK 0 / 15 / 26 / 9

HEX #E8C5AB

RGB 232 197 171

HSL 25.57, 0.57%, 0.79%

LAB 81.85, 8.55, 17.65

 

CMYK 25 / 0 / 26 / 9

HEX #AFE8AB

RGB 175 232 171

HSL 116.07, 0.57%, 0.79%

LAB 86.88, -29.63, 23.96

 

CMYK 26 / 11 / 0 / 9

HEX #ABCEE8

RGB 171 206 232

HSL 205.57, 0.57%, 0.79%

LAB 81.09, -5.82, -16.65

 

Description

Color code: HEX #E4AAE8 | qconv.com Color code: HEX #E4AAE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 170 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 170 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 27 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 27% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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