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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E49121 it is the complementary color #1B6EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E49121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E49121 shade: #E9911C, #FAA32F, #FFB542, #FFC755 and #FFD968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E49121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E49121 shade: #E49121, #D37F0E, #C26D00, #B15B00 and #A04900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E49121 shade: #E49121, #E45C21, #E42721 and #E42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E49121 shade: #E49121, #E4C521, #CDE421, #99E421 and #64E421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E49121 shade matches the following richer shades: #E49121 and #F8940C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E49121 shade: #E49121, #CF8E35, #BB8B49, #A7885D and #938571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E49121 shade: #E42721, #E45B21, #E48F21, #E4C321 and #D0E421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E49121 shade: #9E6314, #C37A18, #E49121, #E8A345 and #EDB56A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E49121 shade: #E49121, #4EE421 and #4121E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E49121 shade: #E49121, #21E48F and #8F21E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E49121 shade: #E49121, #4EE421, #2175E4 and #B621E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E49121 shade: #E49121, #21E42E, #2175E4 and #E421D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

Complementary color

CMYK 88 / 50 / 0 / 13

HEX #1B6EDE

RGB 27 110 222

HSL 214.46, 0.78%, 0.49%

LAB 47.83, 18.32, -63.64

 

CMYK 0 / 38 / 88 / 9

HEX #E9911C

RGB 233 145 28

HSL 34.24, 0.82%, 0.51%

LAB 67.77, 25.54, 68.1

 

CMYK 0 / 35 / 81 / 2

HEX #FAA32F

RGB 250 163 47

HSL 34.29, 0.95%, 0.58%

LAB 74.01, 23.65, 68.36

 

CMYK 0 / 29 / 74 / 0

HEX #FFB542

RGB 255 181 66

HSL 36.51, 1%, 0.63%

LAB 78.87, 16.99, 66.06

 

CMYK 0 / 22 / 67 / 0

HEX #FFC755

RGB 255 199 85

HSL 40.24, 1%, 0.67%

LAB 83.32, 8.56, 62.76

 

CMYK 0 / 15 / 59 / 0

HEX #FFD968

RGB 255 217 104

HSL 44.9, 1%, 0.7%

LAB 87.91, 0.5, 59.43

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 0 / 40 / 93 / 17

HEX #D37F0E

RGB 211 127 14

HSL 34.42, 0.88%, 0.44%

LAB 60.83, 25.6, 64.87

 

CMYK 0 / 44 / 100 / 24

HEX #C26D00

RGB 194 109 0

HSL 33.71, 1%, 0.38%

LAB 54.46, 27.88, 62

 

CMYK 0 / 49 / 100 / 31

HEX #B15B00

RGB 177 91 0

HSL 30.85, 1%, 0.35%

LAB 48.04, 30.35, 56.82

 

CMYK 0 / 54 / 100 / 37

HEX #A04900

RGB 160 73 0

HSL 27.38, 1%, 0.31%

LAB 41.59, 32.8, 51.65

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 0 / 60 / 86 / 11

HEX #E45C21

RGB 228 92 33

HSL 18.15, 0.78%, 0.51%

LAB 56.35, 50.25, 57.06

 

CMYK 0 / 83 / 86 / 11

HEX #E42721

RGB 228 39 33

HSL 1.85, 0.78%, 0.51%

LAB 49.56, 68.81, 51.42

 

CMYK 0 / 86 / 86 / 11

HEX #E42121

RGB 228 33 33

HSL 0, 0.78%, 0.51%

LAB 49.12, 70.07, 51.05

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 0 / 14 / 86 / 11

HEX #E4C521

RGB 228 197 33

HSL 50.46, 0.78%, 0.51%

LAB 79.92, -3.88, 76.37

 

CMYK 10 / 0 / 86 / 11

HEX #CDE421

RGB 205 228 33

HSL 67.08, 0.78%, 0.51%

LAB 86.29, -28.87, 80.82

 

CMYK 33 / 0 / 86 / 11

HEX #99E421

RGB 153 228 33

HSL 83.08, 0.78%, 0.51%

LAB 83.11, -48.93, 76.87

 

CMYK 56 / 0 / 86 / 11

HEX #64E421

RGB 100 228 33

HSL 99.38, 0.78%, 0.51%

LAB 80.91, -65.32, 74.11

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 0 / 40 / 95 / 3

HEX #F8940C

RGB 248 148 12

HSL 34.58, 0.94%, 0.51%

LAB 70.29, 29.98, 74

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 0 / 31 / 74 / 19

HEX #CF8E35

RGB 207 142 53

HSL 34.68, 0.62%, 0.51%

LAB 64.05, 16.86, 54.92

 

CMYK 0 / 26 / 61 / 27

HEX #BB8B49

RGB 187 139 73

HSL 34.74, 0.46%, 0.51%

LAB 61.23, 11.02, 41.82

 

CMYK 0 / 19 / 44 / 35

HEX #A7885D

RGB 167 136 93

HSL 34.86, 0.3%, 0.51%

LAB 58.62, 5.91, 27.5

 

CMYK 0 / 10 / 23 / 42

HEX #938571

RGB 147 133 113

HSL 35.29, 0.14%, 0.51%

LAB 56.26, 1.92, 12.71

 

CMYK 0 / 83 / 86 / 11

HEX #E42721

RGB 228 39 33

HSL 1.85, 0.78%, 0.51%

LAB 49.56, 68.81, 51.42

 

CMYK 0 / 60 / 86 / 11

HEX #E45B21

RGB 228 91 33

HSL 17.85, 0.78%, 0.51%

LAB 56.17, 50.7, 56.92

 

CMYK 0 / 37 / 86 / 11

HEX #E48F21

RGB 228 143 33

HSL 33.85, 0.78%, 0.51%

LAB 66.71, 24.61, 65.59

 

CMYK 0 / 14 / 86 / 11

HEX #E4C321

RGB 228 195 33

HSL 49.85, 0.78%, 0.51%

LAB 79.41, -2.86, 75.95

 

CMYK 9 / 0 / 86 / 11

HEX #D0E421

RGB 208 228 33

HSL 66.15, 0.78%, 0.51%

LAB 86.51, -27.65, 81.09

 

CMYK 0 / 37 / 87 / 38

HEX #9E6314

RGB 158 99 20

HSL 34.35, 0.78%, 0.35%

LAB 47.29, 17.94, 50.01

 

CMYK 0 / 37 / 88 / 24

HEX #C37A18

RGB 195 122 24

HSL 34.39, 0.78%, 0.43%

LAB 57.64, 21.6, 59.17

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 0 / 30 / 70 / 9

HEX #E8A345

RGB 232 163 69

HSL 34.6, 0.78%, 0.59%

LAB 72.08, 16.99, 57.11

 

CMYK 0 / 24 / 55 / 7

HEX #EDB56A

RGB 237 181 106

HSL 34.35, 0.78%, 0.67%

LAB 77.34, 11.93, 45.66

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 66 / 0 / 86 / 11

HEX #4EE421

RGB 78 228 33

HSL 106.15, 0.78%, 0.51%

LAB 80.3, -70.33, 73.34

 

CMYK 71 / 86 / 0 / 11

HEX #4121E4

RGB 65 33 228

HSL 249.85, 0.78%, 0.51%

LAB 33.59, 66.45, -90.36

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 86 / 0 / 37 / 11

HEX #21E48F

RGB 33 228 143

HSL 153.85, 0.78%, 0.51%

LAB 80.62, -63.9, 29.09

 

CMYK 37 / 86 / 0 / 11

HEX #8F21E4

RGB 143 33 228

HSL 273.85, 0.78%, 0.51%

LAB 42.04, 73.86, -76.12

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 66 / 0 / 86 / 11

HEX #4EE421

RGB 78 228 33

HSL 106.15, 0.78%, 0.51%

LAB 80.3, -70.33, 73.34

 

CMYK 86 / 49 / 0 / 11

HEX #2175E4

RGB 33 117 228

HSL 214.15, 0.78%, 0.51%

LAB 50.27, 16.58, -63.06

 

CMYK 20 / 86 / 0 / 11

HEX #B621E4

RGB 182 33 228

HSL 285.85, 0.78%, 0.51%

LAB 47.8, 79.39, -66.5

 

CMYK 0 / 36 / 86 / 11

HEX #E49121

RGB 228 145 33

HSL 34.46, 0.78%, 0.51%

LAB 67.17, 23.55, 65.96

 

CMYK 86 / 0 / 80 / 11

HEX #21E42E

RGB 33 228 46

HSL 124, 0.78%, 0.51%

LAB 79.62, -76.07, 69.31

 

CMYK 86 / 49 / 0 / 11

HEX #2175E4

RGB 33 117 228

HSL 214.15, 0.78%, 0.51%

LAB 50.27, 16.58, -63.06

 

CMYK 0 / 86 / 6 / 11

HEX #E421D7

RGB 228 33 215

HSL 304, 0.78%, 0.51%

LAB 54.54, 85.08, -47.87

 

Description

Color code: HEX #E49121 | qconv.com Color code: HEX #E49121 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 145 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 145 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 86% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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