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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E48A6F it is the complementary color #1B7590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E48A6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E48A6F shade: #E98A6A, #FA9C7D, #FFAE90, #FFC0A3 and #FFD2B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E48A6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E48A6F shade: #E48A6F, #D3785C, #C26649, #B15436 and #A04223

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E48A6F shade: #E3896D and #E36D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E48A6F shade: #E3896D, #E3A86D, #E3C86D, #DFE36D and #BFE36D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E48A6F shade matches the following richer shades: #E3896D and #F1815F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E48A6F shade: #E3896D, #D5907B, #C79889, #B99F97 and #ABA7A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E48A6F shade: #E36D93, #E36D73, #E3876D, #E3A66D and #E3C66D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E48A6F shade: #D55129, #DD6C4B, #E3896D, #EAA590 and #F0C1B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E48A6F shade: #E48A6F, #B2E36D and #6D83E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E48A6F shade: #E48A6F, #6DE387 and #876DE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E48A6F shade: #E48A6F, #B2E36D, #6DCAE3 and #9E6DE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E48A6F shade: #E48A6F, #8FE36D, #6DCAE3 and #C26DE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 51 / 11

HEX #E48A6F

RGB 228 138 111

HSL 13.85, 0.68%, 0.66%

LAB 66.38, 31.56, 29.04

 

Complementary color

CMYK 81 / 19 / 0 / 44

HEX #1B7590

RGB 27 117 144

HSL 193.85, 0.68%, 0.34%

LAB 45.59, -15.72, -21.97

 

CMYK 0 / 41 / 55 / 9

HEX #E98A6A

RGB 233 138 106

HSL 15.12, 0.74%, 0.66%

LAB 66.93, 33.08, 32.61

 

CMYK 0 / 38 / 50 / 2

HEX #FA9C7D

RGB 250 156 125

HSL 14.88, 0.93%, 0.74%

LAB 73.27, 31.89, 30.96

 

CMYK 0 / 32 / 44 / 0

HEX #FFAE90

RGB 255 174 144

HSL 16.22, 1%, 0.78%

LAB 78.2, 26.23, 27.41

 

CMYK 0 / 25 / 36 / 0

HEX #FFC0A3

RGB 255 192 163

HSL 18.91, 1%, 0.82%

LAB 82.7, 18.88, 23.41

 

CMYK 0 / 18 / 29 / 0

HEX #FFD2B6

RGB 255 210 182

HSL 23.01, 1%, 0.86%

LAB 87.35, 11.84, 19.81

 

CMYK 0 / 39 / 51 / 11

HEX #E48A6F

RGB 228 138 111

HSL 13.85, 0.68%, 0.66%

LAB 66.38, 31.56, 29.04

 

CMYK 0 / 43 / 56 / 17

HEX #D3785C

RGB 211 120 92

HSL 14.12, 0.57%, 0.59%

LAB 59.94, 32.8, 30.79

 

CMYK 0 / 47 / 62 / 24

HEX #C26649

RGB 194 102 73

HSL 14.38, 0.5%, 0.52%

LAB 53.44, 34.17, 32.74

 

CMYK 0 / 53 / 69 / 31

HEX #B15436

RGB 177 84 54

HSL 14.63, 0.53%, 0.45%

LAB 46.91, 35.66, 34.94

 

CMYK 0 / 59 / 78 / 37

HEX #A04223

RGB 160 66 35

HSL 14.88, 0.64%, 0.38%

LAB 40.4, 37.23, 37.33

 

CMYK 0 / 40 / 52 / 11

HEX #E3896D

RGB 227 137 109

HSL 14.24, 0.68%, 0.66%

LAB 66, 31.52, 29.62

 

CMYK 0 / 52 / 52 / 11

HEX #E36D6D

RGB 227 109 109

HSL 0, 0.68%, 0.66%

LAB 60.22, 45.86, 21.98

 

CMYK 0 / 40 / 52 / 11

HEX #E3896D

RGB 227 137 109

HSL 14.24, 0.68%, 0.66%

LAB 66, 31.52, 29.62

 

CMYK 0 / 26 / 52 / 11

HEX #E3A86D

RGB 227 168 109

HSL 30, 0.68%, 0.66%

LAB 73.18, 14.99, 38.79

 

CMYK 0 / 12 / 52 / 11

HEX #E3C86D

RGB 227 200 109

HSL 46.27, 0.68%, 0.66%

LAB 81.15, -1.86, 48.56

 

CMYK 2 / 0 / 52 / 11

HEX #DFE36D

RGB 223 227 109

HSL 62.03, 0.68%, 0.66%

LAB 87.84, -17.09, 56.37

 

CMYK 16 / 0 / 52 / 11

HEX #BFE36D

RGB 191 227 109

HSL 78.31, 0.68%, 0.66%

LAB 85.56, -29.58, 53.14

 

CMYK 0 / 40 / 52 / 11

HEX #E3896D

RGB 227 137 109

HSL 14.24, 0.68%, 0.66%

LAB 66, 31.52, 29.62

 

CMYK 0 / 46 / 61 / 5

HEX #F1815F

RGB 241 129 95

HSL 13.97, 0.84%, 0.66%

LAB 65.93, 39.98, 37.52

 

CMYK 0 / 40 / 52 / 11

HEX #E3896D

RGB 227 137 109

HSL 14.24, 0.68%, 0.66%

LAB 66, 31.52, 29.62

 

CMYK 0 / 32 / 42 / 16

HEX #D5907B

RGB 213 144 123

HSL 14, 0.52%, 0.66%

LAB 66.15, 23.65, 21.79

 

CMYK 0 / 24 / 31 / 22

HEX #C79889

RGB 199 152 137

HSL 14.52, 0.36%, 0.66%

LAB 66.83, 15.47, 14.69

 

CMYK 0 / 14 / 18 / 27

HEX #B99F97

RGB 185 159 151

HSL 14.12, 0.2%, 0.66%

LAB 67.54, 8.25, 7.7

 

CMYK 0 / 2 / 4 / 33

HEX #ABA7A5

RGB 171 167 165

HSL 20, 0.03%, 0.66%

LAB 68.76, 1.06, 1.53

 

CMYK 0 / 52 / 35 / 11

HEX #E36D93

RGB 227 109 147

HSL 340.68, 0.68%, 0.66%

LAB 61.11, 49.71, 1.32

 

CMYK 0 / 52 / 49 / 11

HEX #E36D73

RGB 227 109 115

HSL 356.95, 0.68%, 0.66%

LAB 60.34, 46.38, 18.7

 

CMYK 0 / 41 / 52 / 11

HEX #E3876D

RGB 227 135 109

HSL 13.22, 0.68%, 0.66%

LAB 65.56, 32.57, 29.05

 

CMYK 0 / 27 / 52 / 11

HEX #E3A66D

RGB 227 166 109

HSL 28.98, 0.68%, 0.66%

LAB 72.7, 16.06, 38.18

 

CMYK 0 / 13 / 52 / 11

HEX #E3C66D

RGB 227 198 109

HSL 45.25, 0.68%, 0.66%

LAB 80.64, -0.83, 47.94

 

CMYK 0 / 62 / 81 / 16

HEX #D55129

RGB 213 81 41

HSL 13.95, 0.68%, 0.5%

LAB 52.05, 50.04, 48.84

 

CMYK 0 / 51 / 66 / 13

HEX #DD6C4B

RGB 221 108 75

HSL 13.56, 0.68%, 0.58%

LAB 58.61, 41.69, 38.79

 

CMYK 0 / 40 / 52 / 11

HEX #E3896D

RGB 227 137 109

HSL 14.24, 0.68%, 0.66%

LAB 66, 31.52, 29.62

 

CMYK 0 / 29 / 38 / 8

HEX #EAA590

RGB 234 165 144

HSL 14, 0.68%, 0.74%

LAB 73.81, 22.91, 21.08

 

CMYK 0 / 20 / 25 / 6

HEX #F0C1B3

RGB 240 193 179

HSL 13.77, 0.67%, 0.82%

LAB 81.79, 14.75, 13.41

 

CMYK 0 / 39 / 51 / 11

HEX #E48A6F

RGB 228 138 111

HSL 13.85, 0.68%, 0.66%

LAB 66.38, 31.56, 29.04

 

CMYK 22 / 0 / 52 / 11

HEX #B2E36D

RGB 178 227 109

HSL 84.92, 0.68%, 0.66%

LAB 84.74, -34.45, 51.97

 

CMYK 52 / 42 / 0 / 11

HEX #6D83E3

RGB 109 131 227

HSL 228.81, 0.68%, 0.66%

LAB 57.1, 18.72, -51.38

 

CMYK 0 / 39 / 51 / 11

HEX #E48A6F

RGB 228 138 111

HSL 13.85, 0.68%, 0.66%

LAB 66.38, 31.56, 29.04

 

CMYK 52 / 0 / 41 / 11

HEX #6DE387

RGB 109 227 135

HSL 133.22, 0.68%, 0.66%

LAB 81.8, -52.75, 35

 

CMYK 41 / 52 / 0 / 11

HEX #876DE3

RGB 135 109 227

HSL 253.22, 0.68%, 0.66%

LAB 53.64, 37.7, -56.8

 

CMYK 0 / 39 / 51 / 11

HEX #E48A6F

RGB 228 138 111

HSL 13.85, 0.68%, 0.66%

LAB 66.38, 31.56, 29.04

 

CMYK 22 / 0 / 52 / 11

HEX #B2E36D

RGB 178 227 109

HSL 84.92, 0.68%, 0.66%

LAB 84.74, -34.45, 51.97

 

CMYK 52 / 11 / 0 / 11

HEX #6DCAE3

RGB 109 202 227

HSL 192.71, 0.68%, 0.66%

LAB 76.7, -20.89, -20.9

 

CMYK 30 / 52 / 0 / 11

HEX #9E6DE3

RGB 158 109 227

HSL 264.92, 0.68%, 0.66%

LAB 55.84, 43.31, -53.16

 

CMYK 0 / 39 / 51 / 11

HEX #E48A6F

RGB 228 138 111

HSL 13.85, 0.68%, 0.66%

LAB 66.38, 31.56, 29.04

 

CMYK 37 / 0 / 52 / 11

HEX #8FE36D

RGB 143 227 109

HSL 102.71, 0.68%, 0.66%

LAB 82.85, -46.59, 49.25

 

CMYK 52 / 11 / 0 / 11

HEX #6DCAE3

RGB 109 202 227

HSL 192.71, 0.68%, 0.66%

LAB 76.7, -20.89, -20.9

 

CMYK 15 / 52 / 0 / 11

HEX #C26DE3

RGB 194 109 227

HSL 283.22, 0.68%, 0.66%

LAB 59.85, 52.65, -46.55

 

Description

Color code: HEX #E48A6F | qconv.com Color code: HEX #E48A6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 138 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 138 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 51 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 51% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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