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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E489AE it is the complementary color #1B7651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E489AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E489AE shade: #E989A9, #FA9BBC, #FFADCF, #FFBFE2 and #FFD1F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E489AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E489AE shade: #E489AE, #D3779B, #C26588, #B15375 and #A04162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E489AE shade: #E58BAF, #E58B97 and #E58B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E489AE shade: #E58BAF, #E58BC7, #E58BE0, #D18BE5 and #B98BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E489AE shade matches the following richer shades: #E58BAF, #F07FAD and #FC74AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E489AE shade: #E58BAF, #D996B1, #CDA2B4, #C2ADB6 and #B6B9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E489AE shade: #E58BE0, #E58BC8, #E58BB0, #E58B98 and #E5958B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E489AE shade: #D54781, #DD6998, #E58BAF, #ECACC6 and #F4CEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E489AE shade: #E489AE, #E5D18B and #8BD4E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E489AE shade: #E489AE, #B0E58B and #8BB0E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E489AE shade: #E489AE, #E5D18B, #8BE5BF and #8B9EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E489AE shade: #E489AE, #DDE58B, #8BE5BF and #928BE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 24 / 11

HEX #E489AE

RGB 228 137 174

HSL 335.6, 0.63%, 0.72%

LAB 67.61, 39.4, -4.51

 

Complementary color

CMYK 77 / 0 / 31 / 54

HEX #1B7651

RGB 27 118 81

HSL 155.6, 0.63%, 0.28%

LAB 43.92, -35.43, 13.07

 

CMYK 0 / 41 / 27 / 9

HEX #E989A9

RGB 233 137 169

HSL 340, 0.69%, 0.73%

LAB 68.08, 40.44, -0.93

 

CMYK 0 / 38 / 25 / 2

HEX #FA9BBC

RGB 250 155 188

HSL 339.16, 0.9%, 0.79%

LAB 74.44, 39.61, -1.93

 

CMYK 0 / 32 / 19 / 0

HEX #FFADCF

RGB 255 173 207

HSL 335.12, 1%, 0.84%

LAB 79.42, 34.7, -4.94

 

CMYK 0 / 25 / 11 / 0

HEX #FFBFE2

RGB 255 191 226

HSL 327.19, 1%, 0.87%

LAB 83.97, 28.23, -8.43

 

CMYK 0 / 18 / 4 / 0

HEX #FFD1F5

RGB 255 209 245

HSL 313.04, 1%, 0.91%

LAB 88.66, 21.97, -11.54

 

CMYK 0 / 40 / 24 / 11

HEX #E489AE

RGB 228 137 174

HSL 335.6, 0.63%, 0.72%

LAB 67.61, 39.4, -4.51

 

CMYK 0 / 44 / 27 / 17

HEX #D3779B

RGB 211 119 155

HSL 336.52, 0.51%, 0.65%

LAB 61.14, 40.24, -3.49

 

CMYK 0 / 48 / 30 / 24

HEX #C26588

RGB 194 101 136

HSL 337.42, 0.43%, 0.58%

LAB 54.61, 41.09, -2.33

 

CMYK 0 / 53 / 34 / 31

HEX #B15375

RGB 177 83 117

HSL 338.3, 0.38%, 0.51%

LAB 48.03, 41.94, -0.95

 

CMYK 0 / 59 / 39 / 37

HEX #A04162

RGB 160 65 98

HSL 339.16, 0.42%, 0.44%

LAB 41.43, 42.7, 0.75

 

CMYK 0 / 39 / 24 / 10

HEX #E58BAF

RGB 229 139 175

HSL 336, 0.63%, 0.72%

LAB 68.18, 38.84, -4.21

 

CMYK 0 / 39 / 34 / 10

HEX #E58B97

RGB 229 139 151

HSL 352, 0.63%, 0.72%

LAB 67.54, 35.65, 8.35

 

CMYK 0 / 39 / 39 / 10

HEX #E58B8B

RGB 229 139 139

HSL 0, 0.63%, 0.72%

LAB 67.27, 34.24, 14.69

 

CMYK 0 / 39 / 24 / 10

HEX #E58BAF

RGB 229 139 175

HSL 336, 0.63%, 0.72%

LAB 68.18, 38.84, -4.21

 

CMYK 0 / 39 / 13 / 10

HEX #E58BC7

RGB 229 139 199

HSL 320, 0.63%, 0.72%

LAB 68.93, 42.48, -16.51

 

CMYK 0 / 39 / 2 / 10

HEX #E58BE0

RGB 229 139 224

HSL 303.33, 0.63%, 0.72%

LAB 69.83, 46.71, -29

 

CMYK 9 / 39 / 0 / 10

HEX #D18BE5

RGB 209 139 229

HSL 286.67, 0.63%, 0.72%

LAB 67.78, 41.61, -35.1

 

CMYK 19 / 39 / 0 / 10

HEX #B98BE5

RGB 185 139 229

HSL 270.67, 0.63%, 0.72%

LAB 65.31, 34.51, -39.14

 

CMYK 0 / 39 / 24 / 10

HEX #E58BAF

RGB 229 139 175

HSL 336, 0.63%, 0.72%

LAB 68.18, 38.84, -4.21

 

CMYK 0 / 47 / 28 / 6

HEX #F07FAD

RGB 240 127 173

HSL 335.58, 0.79%, 0.72%

LAB 67.07, 48.43, -4.57

 

CMYK 0 / 54 / 32 / 1

HEX #FC74AB

RGB 252 116 171

HSL 335.74, 0.96%, 0.72%

LAB 66.62, 57.35, -3.91

 

CMYK 0 / 39 / 24 / 10

HEX #E58BAF

RGB 229 139 175

HSL 336, 0.63%, 0.72%

LAB 68.18, 38.84, -4.21

 

CMYK 0 / 31 / 18 / 15

HEX #D996B1

RGB 217 150 177

HSL 335.82, 0.47%, 0.72%

LAB 69.28, 29.07, -3.86

 

CMYK 0 / 21 / 12 / 20

HEX #CDA2B4

RGB 205 162 180

HSL 334.88, 0.3%, 0.72%

LAB 70.95, 18.73, -3.21

 

CMYK 0 / 11 / 6 / 24

HEX #C2ADB6

RGB 194 173 182

HSL 334.29, 0.15%, 0.72%

LAB 72.72, 9.13, -1.84

 

CMYK 2 / 0 / 1 / 27

HEX #B6B9B8

RGB 182 185 184

HSL 160, 0.02%, 0.72%

LAB 74.89, -1.23, 0.13

 

CMYK 0 / 39 / 2 / 10

HEX #E58BE0

RGB 229 139 224

HSL 303.33, 0.63%, 0.72%

LAB 69.83, 46.71, -29

 

CMYK 0 / 39 / 13 / 10

HEX #E58BC8

RGB 229 139 200

HSL 319.33, 0.63%, 0.72%

LAB 68.96, 42.64, -17.01

 

CMYK 0 / 39 / 23 / 10

HEX #E58BB0

RGB 229 139 176

HSL 335.33, 0.63%, 0.72%

LAB 68.21, 38.98, -4.72

 

CMYK 0 / 39 / 34 / 10

HEX #E58B98

RGB 229 139 152

HSL 351.33, 0.63%, 0.72%

LAB 67.57, 35.77, 7.82

 

CMYK 0 / 35 / 39 / 10

HEX #E5958B

RGB 229 149 139

HSL 6.67, 0.63%, 0.72%

LAB 69.48, 28.94, 17.77

 

CMYK 0 / 67 / 39 / 16

HEX #D54781

RGB 213 71 129

HSL 335.49, 0.63%, 0.56%

LAB 52.1, 60.18, -1.52

 

CMYK 0 / 52 / 31 / 13

HEX #DD6998

RGB 221 105 152

HSL 335.69, 0.63%, 0.64%

LAB 59.66, 50.27, -3.8

 

CMYK 0 / 39 / 24 / 10

HEX #E58BAF

RGB 229 139 175

HSL 336, 0.63%, 0.72%

LAB 68.18, 38.84, -4.21

 

CMYK 0 / 27 / 16 / 7

HEX #ECACC6

RGB 236 172 198

HSL 335.63, 0.63%, 0.8%

LAB 76.93, 27.25, -3.94

 

CMYK 0 / 16 / 9 / 4

HEX #F4CEDD

RGB 244 206 221

HSL 336.32, 0.63%, 0.88%

LAB 86.3, 15.74, -2.44

 

CMYK 0 / 40 / 24 / 11

HEX #E489AE

RGB 228 137 174

HSL 335.6, 0.63%, 0.72%

LAB 67.61, 39.4, -4.51

 

CMYK 0 / 9 / 39 / 10

HEX #E5D18B

RGB 229 209 139

HSL 46.67, 0.63%, 0.72%

LAB 84.03, -2.78, 37.24

 

CMYK 39 / 7 / 0 / 10

HEX #8BD4E5

RGB 139 212 229

HSL 191.33, 0.63%, 0.72%

LAB 80.87, -18.44, -15.55

 

CMYK 0 / 40 / 24 / 11

HEX #E489AE

RGB 228 137 174

HSL 335.6, 0.63%, 0.72%

LAB 67.61, 39.4, -4.51

 

CMYK 23 / 0 / 39 / 10

HEX #B0E58B

RGB 176 229 139

HSL 95.33, 0.63%, 0.72%

LAB 85.57, -32.61, 38.49

 

CMYK 39 / 23 / 0 / 10

HEX #8BB0E5

RGB 139 176 229

HSL 215.33, 0.63%, 0.72%

LAB 71.01, 0.65, -30.57

 

CMYK 0 / 40 / 24 / 11

HEX #E489AE

RGB 228 137 174

HSL 335.6, 0.63%, 0.72%

LAB 67.61, 39.4, -4.51

 

CMYK 0 / 9 / 39 / 10

HEX #E5D18B

RGB 229 209 139

HSL 46.67, 0.63%, 0.72%

LAB 84.03, -2.78, 37.24

 

CMYK 39 / 0 / 17 / 10

HEX #8BE5BF

RGB 139 229 191

HSL 154.67, 0.63%, 0.72%

LAB 84.63, -35.39, 10.12

 

CMYK 39 / 31 / 0 / 10

HEX #8B9EE5

RGB 139 158 229

HSL 227.33, 0.63%, 0.72%

LAB 66.21, 10.77, -38.01

 

CMYK 0 / 40 / 24 / 11

HEX #E489AE

RGB 228 137 174

HSL 335.6, 0.63%, 0.72%

LAB 67.61, 39.4, -4.51

 

CMYK 3 / 0 / 39 / 10

HEX #DDE58B

RGB 221 229 139

HSL 65.33, 0.63%, 0.72%

LAB 88.58, -15.98, 42.95

 

CMYK 39 / 0 / 17 / 10

HEX #8BE5BF

RGB 139 229 191

HSL 154.67, 0.63%, 0.72%

LAB 84.63, -35.39, 10.12

 

CMYK 36 / 39 / 0 / 10

HEX #928BE5

RGB 146 139 229

HSL 244.67, 0.63%, 0.72%

LAB 61.86, 23.58, -44.8

 

Description

Color code: HEX #E489AE | qconv.com Color code: HEX #E489AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 137 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 137 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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