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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4899C it is the complementary color #1B7663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4899C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4899C shade: #E98997, #FA9BAA, #FFADBD, #FFBFD0 and #FFD1E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4899C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4899C shade: #E4899C, #D37789, #C26576, #B15363 and #A04150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4899C shade: #E58B9D and #E58B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4899C shade: #E58B9D, #E58BB6, #E58BCE, #E38BE5 and #CB8BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4899C shade matches the following richer shades: #E58B9D, #F07F97 and #FC7490

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4899C shade: #E58B9D, #D996A4, #CDA2AB, #C2ADB2 and #B6B9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4899C shade: #E58BCE, #E58BB6, #E58B9E, #E58F8B and #E5A78B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4899C shade: #D54765, #DD6981, #E58B9D, #ECACBA and #F4CED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4899C shade: #E4899C, #E5E38B and #8BC2E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4899C shade: #E4899C, #9EE58B and #8B9EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4899C shade: #E4899C, #E5E38B, #8BE5D1 and #8B8CE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4899C shade: #E4899C, #CBE58B, #8BE5D1 and #A48BE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 32 / 11

HEX #E4899C

RGB 228 137 156

HSL 347.47, 0.63%, 0.72%

LAB 67.12, 36.97, 4.91

 

Complementary color

CMYK 77 / 0 / 16 / 54

HEX #1B7663

RGB 27 118 99

HSL 167.47, 0.63%, 0.28%

LAB 44.36, -30.76, 3.03

 

CMYK 0 / 41 / 35 / 9

HEX #E98997

RGB 233 137 151

HSL 351.25, 0.69%, 0.73%

LAB 67.61, 38.15, 8.51

 

CMYK 0 / 38 / 32 / 2

HEX #FA9BAA

RGB 250 155 170

HSL 350.53, 0.9%, 0.79%

LAB 73.98, 37.24, 7.31

 

CMYK 0 / 32 / 26 / 0

HEX #FFADBD

RGB 255 173 189

HSL 348.29, 1%, 0.84%

LAB 78.94, 32.13, 4.14

 

CMYK 0 / 25 / 18 / 0

HEX #FFBFD0

RGB 255 191 208

HSL 344.06, 1%, 0.87%

LAB 83.48, 25.42, 0.49

 

CMYK 0 / 18 / 11 / 0

HEX #FFD1E3

RGB 255 209 227

HSL 336.52, 1%, 0.91%

LAB 88.16, 18.95, -2.77

 

CMYK 0 / 40 / 32 / 11

HEX #E4899C

RGB 228 137 156

HSL 347.47, 0.63%, 0.72%

LAB 67.12, 36.97, 4.91

 

CMYK 0 / 44 / 35 / 17

HEX #D37789

RGB 211 119 137

HSL 348.26, 0.51%, 0.65%

LAB 60.65, 37.89, 6.14

 

CMYK 0 / 48 / 39 / 24

HEX #C26576

RGB 194 101 118

HSL 349.03, 0.43%, 0.58%

LAB 54.12, 38.85, 7.56

 

CMYK 0 / 53 / 44 / 31

HEX #B15363

RGB 177 83 99

HSL 349.79, 0.38%, 0.51%

LAB 47.54, 39.84, 9.24

 

CMYK 0 / 59 / 50 / 37

HEX #A04150

RGB 160 65 80

HSL 350.53, 0.42%, 0.44%

LAB 40.95, 40.78, 11.28

 

CMYK 0 / 39 / 31 / 10

HEX #E58B9D

RGB 229 139 157

HSL 348, 0.63%, 0.72%

LAB 67.69, 36.4, 5.19

 

CMYK 0 / 39 / 39 / 10

HEX #E58B8B

RGB 229 139 139

HSL 0, 0.63%, 0.72%

LAB 67.27, 34.24, 14.69

 

CMYK 0 / 39 / 31 / 10

HEX #E58B9D

RGB 229 139 157

HSL 348, 0.63%, 0.72%

LAB 67.69, 36.4, 5.19

 

CMYK 0 / 39 / 21 / 10

HEX #E58BB6

RGB 229 139 182

HSL 331.33, 0.63%, 0.72%

LAB 68.39, 39.86, -7.82

 

CMYK 0 / 39 / 10 / 10

HEX #E58BCE

RGB 229 139 206

HSL 315.33, 0.63%, 0.72%

LAB 69.17, 43.62, -20.04

 

CMYK 1 / 39 / 0 / 10

HEX #E38BE5

RGB 227 139 229

HSL 298.67, 0.63%, 0.72%

LAB 69.79, 47, -31.83

 

CMYK 11 / 39 / 0 / 10

HEX #CB8BE5

RGB 203 139 229

HSL 282.67, 0.63%, 0.72%

LAB 67.14, 39.82, -36.15

 

CMYK 0 / 39 / 31 / 10

HEX #E58B9D

RGB 229 139 157

HSL 348, 0.63%, 0.72%

LAB 67.69, 36.4, 5.19

 

CMYK 0 / 47 / 37 / 6

HEX #F07F97

RGB 240 127 151

HSL 347.26, 0.79%, 0.72%

LAB 66.47, 45.73, 7.01

 

CMYK 0 / 54 / 43 / 1

HEX #FC7490

RGB 252 116 144

HSL 347.65, 0.96%, 0.72%

LAB 65.9, 54.39, 10.4

 

CMYK 0 / 39 / 31 / 10

HEX #E58B9D

RGB 229 139 157

HSL 348, 0.63%, 0.72%

LAB 67.69, 36.4, 5.19

 

CMYK 0 / 31 / 24 / 15

HEX #D996A4

RGB 217 150 164

HSL 347.46, 0.47%, 0.72%

LAB 68.93, 27.13, 2.88

 

CMYK 0 / 21 / 17 / 20

HEX #CDA2AB

RGB 205 162 171

HSL 347.44, 0.3%, 0.72%

LAB 70.71, 17.26, 1.41

 

CMYK 0 / 11 / 8 / 24

HEX #C2ADB2

RGB 194 173 178

HSL 345.71, 0.15%, 0.72%

LAB 72.61, 8.42, 0.2

 

CMYK 2 / 0 / 1 / 27

HEX #B6B9B8

RGB 182 185 184

HSL 160, 0.02%, 0.72%

LAB 74.89, -1.23, 0.13

 

CMYK 0 / 39 / 10 / 10

HEX #E58BCE

RGB 229 139 206

HSL 315.33, 0.63%, 0.72%

LAB 69.17, 43.62, -20.04

 

CMYK 0 / 39 / 21 / 10

HEX #E58BB6

RGB 229 139 182

HSL 331.33, 0.63%, 0.72%

LAB 68.39, 39.86, -7.82

 

CMYK 0 / 39 / 31 / 10

HEX #E58B9E

RGB 229 139 158

HSL 347.33, 0.63%, 0.72%

LAB 67.72, 36.53, 4.67

 

CMYK 0 / 38 / 39 / 10

HEX #E58F8B

RGB 229 143 139

HSL 2.67, 0.63%, 0.72%

LAB 68.14, 32.13, 15.91

 

CMYK 0 / 27 / 39 / 10

HEX #E5A78B

RGB 229 167 139

HSL 18.67, 0.63%, 0.72%

LAB 73.65, 19.33, 23.48

 

CMYK 0 / 67 / 53 / 16

HEX #D54765

RGB 213 71 101

HSL 347.32, 0.63%, 0.56%

LAB 51.37, 57.59, 14.25

 

CMYK 0 / 52 / 42 / 13

HEX #DD6981

RGB 221 105 129

HSL 347.59, 0.63%, 0.64%

LAB 59.03, 47.61, 8.64

 

CMYK 0 / 39 / 31 / 10

HEX #E58B9D

RGB 229 139 157

HSL 348, 0.63%, 0.72%

LAB 67.69, 36.4, 5.19

 

CMYK 0 / 27 / 21 / 7

HEX #ECACBA

RGB 236 172 186

HSL 346.88, 0.63%, 0.8%

LAB 76.61, 25.43, 2.14

 

CMYK 0 / 16 / 12 / 4

HEX #F4CED6

RGB 244 206 214

HSL 347.37, 0.63%, 0.88%

LAB 86.12, 14.59, 1.01

 

CMYK 0 / 40 / 32 / 11

HEX #E4899C

RGB 228 137 156

HSL 347.47, 0.63%, 0.72%

LAB 67.12, 36.97, 4.91

 

CMYK 0 / 1 / 39 / 10

HEX #E5E38B

RGB 229 227 139

HSL 58.67, 0.63%, 0.72%

LAB 88.67, -11.9, 43.18

 

CMYK 39 / 15 / 0 / 10

HEX #8BC2E5

RGB 139 194 229

HSL 203.33, 0.63%, 0.72%

LAB 75.9, -9.1, -23.07

 

CMYK 0 / 40 / 32 / 11

HEX #E4899C

RGB 228 137 156

HSL 347.47, 0.63%, 0.72%

LAB 67.12, 36.97, 4.91

 

CMYK 31 / 0 / 39 / 10

HEX #9EE58B

RGB 158 229 139

HSL 107.33, 0.63%, 0.72%

LAB 84.57, -38.73, 37

 

CMYK 39 / 31 / 0 / 10

HEX #8B9EE5

RGB 139 158 229

HSL 227.33, 0.63%, 0.72%

LAB 66.21, 10.77, -38.01

 

CMYK 0 / 40 / 32 / 11

HEX #E4899C

RGB 228 137 156

HSL 347.47, 0.63%, 0.72%

LAB 67.12, 36.97, 4.91

 

CMYK 0 / 1 / 39 / 10

HEX #E5E38B

RGB 229 227 139

HSL 58.67, 0.63%, 0.72%

LAB 88.67, -11.9, 43.18

 

CMYK 39 / 0 / 9 / 10

HEX #8BE5D1

RGB 139 229 209

HSL 166.67, 0.63%, 0.72%

LAB 85.06, -31.52, 1.27

 

CMYK 39 / 39 / 0 / 10

HEX #8B8CE5

RGB 139 140 229

HSL 239.33, 0.63%, 0.72%

LAB 61.57, 21.17, -45.29

 

CMYK 0 / 40 / 32 / 11

HEX #E4899C

RGB 228 137 156

HSL 347.47, 0.63%, 0.72%

LAB 67.12, 36.97, 4.91

 

CMYK 11 / 0 / 39 / 10

HEX #CBE58B

RGB 203 229 139

HSL 77.33, 0.63%, 0.72%

LAB 87.29, -22.81, 41.04

 

CMYK 39 / 0 / 9 / 10

HEX #8BE5D1

RGB 139 229 209

HSL 166.67, 0.63%, 0.72%

LAB 85.06, -31.52, 1.27

 

CMYK 28 / 39 / 0 / 10

HEX #A48BE5

RGB 164 139 229

HSL 256.67, 0.63%, 0.72%

LAB 63.36, 28.5, -42.34

 

Description

Color code: HEX #E4899C | qconv.com Color code: HEX #E4899C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 137 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 137 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 32 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 32% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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