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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E474B1 it is the complementary color #1B8B4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E474B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E474B1 shade: #E974AC, #FA86BF, #FF98D2, #FFAAE5 and #FFBCF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E474B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E474B1 shade: #E474B1, #D3629E, #C2508B, #B13E78 and #A02C65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E474B1 shade: #E372B0, #E37291, #E37273 and #E37272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E474B1 shade: #E372B0, #E372CE, #DA72E3, #BB72E3 and #9D72E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E474B1 shade matches the following richer shades: #E372B0, #F165B1 and #FE57B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E474B1 shade: #E372B0, #D680AF, #C88EAD, #BA9BAC and #ADA9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E474B1 shade: #DA72E3, #E372CF, #E372B0, #E37292 and #E37274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E474B1 shade: #D62E89, #DC509C, #E372B0, #EA95C3 and #F1B7D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E474B1 shade: #E474B1, #E3BC72 and #72DEE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E474B1 shade: #E474B1, #B0E372 and #72B0E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E474B1 shade: #E474B1, #E3BC72, #72E3A5 and #729AE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E474B1 shade: #E474B1, #E3DE72, #72E3A5 and #7278E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 22 / 11

HEX #E474B1

RGB 228 116 177

HSL 327.32, 0.67%, 0.67%

LAB 63.47, 50.5, -12.36

 

Complementary color

CMYK 81 / 0 / 44 / 45

HEX #1B8B4E

RGB 27 139 78

HSL 147.32, 0.67%, 0.33%

LAB 50.98, -44.59, 24.23

 

CMYK 0 / 50 / 26 / 9

HEX #E974AC

RGB 233 116 172

HSL 331.28, 0.73%, 0.68%

LAB 63.99, 51.42, -8.66

 

CMYK 0 / 46 / 24 / 2

HEX #FA86BF

RGB 250 134 191

HSL 330.52, 0.92%, 0.75%

LAB 70.27, 50.66, -9.77

 

CMYK 0 / 40 / 18 / 0

HEX #FF98D2

RGB 255 152 210

HSL 326.21, 1%, 0.8%

LAB 75.06, 45.99, -13.06

 

CMYK 0 / 33 / 10 / 0

HEX #FFAAE5

RGB 255 170 229

HSL 318.35, 1%, 0.83%

LAB 79.42, 39.7, -16.84

 

CMYK 0 / 26 / 3 / 0

HEX #FFBCF8

RGB 255 188 248

HSL 306.27, 1%, 0.87%

LAB 83.97, 33.53, -20.18

 

CMYK 0 / 49 / 22 / 11

HEX #E474B1

RGB 228 116 177

HSL 327.32, 0.67%, 0.67%

LAB 63.47, 50.5, -12.36

 

CMYK 0 / 54 / 25 / 17

HEX #D3629E

RGB 211 98 158

HSL 328.14, 0.56%, 0.61%

LAB 57.13, 51.2, -11.2

 

CMYK 0 / 59 / 28 / 24

HEX #C2508B

RGB 194 80 139

HSL 328.95, 0.48%, 0.54%

LAB 50.77, 51.79, -9.81

 

CMYK 0 / 65 / 32 / 31

HEX #B13E78

RGB 177 62 120

HSL 329.74, 0.48%, 0.47%

LAB 44.45, 52.14, -8.08

 

CMYK 0 / 73 / 37 / 37

HEX #A02C65

RGB 160 44 101

HSL 330.52, 0.57%, 0.4%

LAB 38.22, 52.05, -5.86

 

CMYK 0 / 50 / 22 / 11

HEX #E372B0

RGB 227 114 176

HSL 327.08, 0.67%, 0.67%

LAB 62.93, 51.02, -12.62

 

CMYK 0 / 50 / 36 / 11

HEX #E37291

RGB 227 114 145

HSL 343.54, 0.67%, 0.67%

LAB 62.01, 47.03, 3.77

 

CMYK 0 / 50 / 49 / 11

HEX #E37273

RGB 227 114 115

HSL 359.47, 0.67%, 0.67%

LAB 61.31, 43.91, 20.02

 

CMYK 0 / 50 / 50 / 11

HEX #E37272

RGB 227 114 114

HSL 0, 0.67%, 0.67%

LAB 61.29, 43.82, 20.56

 

CMYK 0 / 50 / 22 / 11

HEX #E372B0

RGB 227 114 176

HSL 327.08, 0.67%, 0.67%

LAB 62.93, 51.02, -12.62

 

CMYK 0 / 50 / 9 / 11

HEX #E372CE

RGB 227 114 206

HSL 311.15, 0.67%, 0.67%

LAB 64.02, 55.57, -27.95

 

CMYK 4 / 50 / 0 / 11

HEX #DA72E3

RGB 218 114 227

HSL 295.22, 0.67%, 0.67%

LAB 63.74, 56.64, -40.21

 

CMYK 18 / 50 / 0 / 11

HEX #BB72E3

RGB 187 114 227

HSL 278.76, 0.67%, 0.67%

LAB 60.02, 48.19, -46.32

 

CMYK 31 / 50 / 0 / 11

HEX #9D72E3

RGB 157 114 227

HSL 262.83, 0.67%, 0.67%

LAB 56.83, 40.27, -51.58

 

CMYK 0 / 50 / 22 / 11

HEX #E372B0

RGB 227 114 176

HSL 327.08, 0.67%, 0.67%

LAB 62.93, 51.02, -12.62

 

CMYK 0 / 58 / 27 / 5

HEX #F165B1

RGB 241 101 177

HSL 327.43, 0.83%, 0.67%

LAB 62.66, 61.49, -13.39

 

CMYK 0 / 66 / 30 / 0

HEX #FE57B2

RGB 254 87 178

HSL 327.31, 0.99%, 0.67%

LAB 62.59, 71, -13.87

 

CMYK 0 / 50 / 22 / 11

HEX #E372B0

RGB 227 114 176

HSL 327.08, 0.67%, 0.67%

LAB 62.93, 51.02, -12.62

 

CMYK 0 / 40 / 18 / 16

HEX #D680AF

RGB 214 128 175

HSL 327.21, 0.51%, 0.67%

LAB 64.02, 39.47, -10.58

 

CMYK 0 / 29 / 14 / 22

HEX #C88EAD

RGB 200 142 173

HSL 327.93, 0.35%, 0.67%

LAB 65.47, 26.74, -7.47

 

CMYK 0 / 17 / 8 / 27

HEX #BA9BAC

RGB 186 155 172

HSL 327.1, 0.18%, 0.67%

LAB 67.17, 14.37, -4.54

 

CMYK 0 / 2 / 1 / 32

HEX #ADA9AB

RGB 173 169 171

HSL 330, 0.02%, 0.67%

LAB 69.61, 1.8, -0.53

 

CMYK 4 / 50 / 0 / 11

HEX #DA72E3

RGB 218 114 227

HSL 295.22, 0.67%, 0.67%

LAB 63.74, 56.64, -40.21

 

CMYK 0 / 50 / 9 / 11

HEX #E372CF

RGB 227 114 207

HSL 310.62, 0.67%, 0.67%

LAB 64.06, 55.74, -28.45

 

CMYK 0 / 50 / 22 / 11

HEX #E372B0

RGB 227 114 176

HSL 327.08, 0.67%, 0.67%

LAB 62.93, 51.02, -12.62

 

CMYK 0 / 50 / 36 / 11

HEX #E37292

RGB 227 114 146

HSL 343.01, 0.67%, 0.67%

LAB 62.03, 47.14, 3.24

 

CMYK 0 / 50 / 49 / 11

HEX #E37274

RGB 227 114 116

HSL 358.94, 0.67%, 0.67%

LAB 61.33, 44, 19.47

 

CMYK 0 / 79 / 36 / 16

HEX #D62E89

RGB 214 46 137

HSL 327.5, 0.67%, 0.51%

LAB 49.56, 69.61, -10.08

 

CMYK 0 / 64 / 29 / 14

HEX #DC509C

RGB 220 80 156

HSL 327.43, 0.67%, 0.59%

LAB 55.43, 61.67, -12.44

 

CMYK 0 / 50 / 22 / 11

HEX #E372B0

RGB 227 114 176

HSL 327.08, 0.67%, 0.67%

LAB 62.93, 51.02, -12.62

 

CMYK 0 / 36 / 17 / 8

HEX #EA95C3

RGB 234 149 195

HSL 327.53, 0.67%, 0.75%

LAB 71.51, 38.29, -10.36

 

CMYK 0 / 24 / 11 / 5

HEX #F1B7D7

RGB 241 183 215

HSL 326.9, 0.67%, 0.83%

LAB 80.45, 25.87, -7.9

 

CMYK 0 / 49 / 22 / 11

HEX #E474B1

RGB 228 116 177

HSL 327.32, 0.67%, 0.67%

LAB 63.47, 50.5, -12.36

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 50 / 2 / 0 / 11

HEX #72DEE3

RGB 114 222 227

HSL 182.65, 0.67%, 0.67%

LAB 82.58, -29.71, -12.04

 

CMYK 0 / 49 / 22 / 11

HEX #E474B1

RGB 228 116 177

HSL 327.32, 0.67%, 0.67%

LAB 63.47, 50.5, -12.36

 

CMYK 22 / 0 / 50 / 11

HEX #B0E372

RGB 176 227 114

HSL 87.08, 0.67%, 0.67%

LAB 84.68, -34.66, 49.53

 

CMYK 50 / 22 / 0 / 11

HEX #72B0E3

RGB 114 176 227

HSL 207.08, 0.67%, 0.67%

LAB 69.59, -6.07, -31.77

 

CMYK 0 / 49 / 22 / 11

HEX #E474B1

RGB 228 116 177

HSL 327.32, 0.67%, 0.67%

LAB 63.47, 50.5, -12.36

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 50 / 0 / 27 / 11

HEX #72E3A5

RGB 114 227 165

HSL 147.08, 0.67%, 0.67%

LAB 82.5, -46.18, 20.59

 

CMYK 50 / 32 / 0 / 11

HEX #729AE3

RGB 114 154 227

HSL 218.76, 0.67%, 0.67%

LAB 63.54, 6.31, -41.2

 

CMYK 0 / 49 / 22 / 11

HEX #E474B1

RGB 228 116 177

HSL 327.32, 0.67%, 0.67%

LAB 63.47, 50.5, -12.36

 

CMYK 0 / 2 / 50 / 11

HEX #E3DE72

RGB 227 222 114

HSL 57.35, 0.67%, 0.67%

LAB 86.89, -12.6, 53.03

 

CMYK 50 / 0 / 27 / 11

HEX #72E3A5

RGB 114 227 165

HSL 147.08, 0.67%, 0.67%

LAB 82.5, -46.18, 20.59

 

CMYK 50 / 47 / 0 / 11

HEX #7278E3

RGB 114 120 227

HSL 236.81, 0.67%, 0.67%

LAB 54.61, 26.42, -55.34

 

Description

Color code: HEX #E474B1 | qconv.com Color code: HEX #E474B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 116 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 116 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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