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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E46DDF it is the complementary color #1B9220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E46DDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E46DDF shade: #E96DDA, #FA7FED, #FF91FF, #FFA3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E46DDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E46DDF shade: #E46DDF, #D35BCC, #C249B9, #B137A6 and #A02593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E46DDF shade: #E46CDF, #E46CBF, #E46C9F, #E46C7E and #E46C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E46DDF shade: #E46CDF, #C96CE4, #A96CE4, #886CE4 and #6C6CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E46DDF shade matches the following richer shades: #E46CDF and #F25EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E46DDF shade: #E46CDF, #D67BD2, #C889C5, #BA97B9 and #ACA5AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E46DDF shade: #A86CE4, #C86CE4, #E46CE0, #E46CC0 and #E46CA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E46DDF shade: #D727CF, #DE4AD8, #E46CDF, #EB8FE7 and #F1B2EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E46DDF shade: #E46DDF, #E4886C and #6CE4B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E46DDF shade: #E46DDF, #E0E46C and #6CE0E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E46DDF shade: #E46DDF, #E4886C, #6CE470 and #6CC8E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E46DDF shade: #E46DDF, #E4AC6C, #6CE470 and #6CA4E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 2 / 11

HEX #E46DDF

RGB 228 109 223

HSL 302.52, 0.69%, 0.66%

LAB 63.97, 61.04, -37.54

 

Complementary color

CMYK 82 / 0 / 78 / 43

HEX #1B9220

RGB 27 146 32

HSL 122.52, 0.69%, 0.34%

LAB 52.83, -53.1, 47.93

 

CMYK 0 / 53 / 6 / 9

HEX #E96DDA

RGB 233 109 218

HSL 307.26, 0.74%, 0.67%

LAB 64.42, 61.58, -33.99

 

CMYK 0 / 49 / 5 / 2

HEX #FA7FED

RGB 250 127 237

HSL 306.34, 0.92%, 0.74%

LAB 70.61, 61.03, -34.74

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 52 / 2 / 11

HEX #E46DDF

RGB 228 109 223

HSL 302.52, 0.69%, 0.66%

LAB 63.97, 61.04, -37.54

 

CMYK 0 / 57 / 3 / 17

HEX #D35BCC

RGB 211 91 204

HSL 303.5, 0.58%, 0.59%

LAB 57.74, 61.48, -36.73

 

CMYK 0 / 62 / 5 / 24

HEX #C249B9

RGB 194 73 185

HSL 304.46, 0.5%, 0.52%

LAB 51.54, 61.68, -35.71

 

CMYK 0 / 69 / 6 / 31

HEX #B137A6

RGB 177 55 166

HSL 305.41, 0.53%, 0.45%

LAB 45.4, 61.48, -34.38

 

CMYK 0 / 77 / 8 / 37

HEX #A02593

RGB 160 37 147

HSL 306.34, 0.62%, 0.39%

LAB 39.42, 60.62, -32.59

 

CMYK 0 / 53 / 2 / 11

HEX #E46CDF

RGB 228 108 223

HSL 302.5, 0.69%, 0.66%

LAB 63.79, 61.51, -37.81

 

CMYK 0 / 53 / 16 / 11

HEX #E46CBF

RGB 228 108 191

HSL 318.5, 0.69%, 0.66%

LAB 62.49, 56.39, -21.8

 

CMYK 0 / 53 / 30 / 11

HEX #E46C9F

RGB 228 108 159

HSL 334.5, 0.69%, 0.66%

LAB 61.41, 51.98, -5.13

 

CMYK 0 / 53 / 45 / 11

HEX #E46C7E

RGB 228 108 126

HSL 351, 0.69%, 0.66%

LAB 60.54, 48.26, 12.65

 

CMYK 0 / 53 / 53 / 11

HEX #E46C6C

RGB 228 108 108

HSL 0, 0.69%, 0.66%

LAB 60.16, 46.62, 22.49

 

CMYK 0 / 53 / 2 / 11

HEX #E46CDF

RGB 228 108 223

HSL 302.5, 0.69%, 0.66%

LAB 63.79, 61.51, -37.81

 

CMYK 12 / 53 / 0 / 11

HEX #C96CE4

RGB 201 108 228

HSL 286.5, 0.69%, 0.66%

LAB 60.56, 55.2, -45.93

 

CMYK 26 / 53 / 0 / 11

HEX #A96CE4

RGB 169 108 228

HSL 270.5, 0.69%, 0.66%

LAB 56.84, 46.88, -52.05

 

CMYK 40 / 53 / 0 / 11

HEX #886CE4

RGB 136 108 228

HSL 254, 0.69%, 0.66%

LAB 53.56, 38.79, -57.49

 

CMYK 53 / 53 / 0 / 11

HEX #6C6CE4

RGB 108 108 228

HSL 240, 0.69%, 0.66%

LAB 51.28, 32.68, -61.26

 

CMYK 0 / 53 / 2 / 11

HEX #E46CDF

RGB 228 108 223

HSL 302.5, 0.69%, 0.66%

LAB 63.79, 61.51, -37.81

 

CMYK 0 / 61 / 2 / 5

HEX #F25EEC

RGB 242 94 236

HSL 302.43, 0.85%, 0.66%

LAB 64.11, 73.26, -44.41

 

CMYK 0 / 53 / 2 / 11

HEX #E46CDF

RGB 228 108 223

HSL 302.5, 0.69%, 0.66%

LAB 63.79, 61.51, -37.81

 

CMYK 0 / 43 / 2 / 16

HEX #D67BD2

RGB 214 123 210

HSL 302.64, 0.53%, 0.66%

LAB 64.25, 47.91, -29.96

 

CMYK 0 / 32 / 1 / 22

HEX #C889C5

RGB 200 137 197

HSL 302.86, 0.36%, 0.66%

LAB 65.12, 33.7, -21.48

 

CMYK 0 / 19 / 1 / 27

HEX #BA97B9

RGB 186 151 185

HSL 301.71, 0.2%, 0.66%

LAB 66.58, 18.99, -12.69

 

CMYK 0 / 4 / 0 / 33

HEX #ACA5AC

RGB 172 165 172

HSL 300, 0.04%, 0.66%

LAB 68.5, 3.83, -2.72

 

CMYK 26 / 53 / 0 / 11

HEX #A86CE4

RGB 168 108 228

HSL 270, 0.69%, 0.66%

LAB 56.73, 46.62, -52.23

 

CMYK 12 / 53 / 0 / 11

HEX #C86CE4

RGB 200 108 228

HSL 286, 0.69%, 0.66%

LAB 60.43, 54.94, -46.13

 

CMYK 0 / 53 / 2 / 11

HEX #E46CE0

RGB 228 108 224

HSL 302, 0.69%, 0.66%

LAB 63.84, 61.68, -38.3

 

CMYK 0 / 53 / 16 / 11

HEX #E46CC0

RGB 228 108 192

HSL 318, 0.69%, 0.66%

LAB 62.53, 56.54, -22.31

 

CMYK 0 / 53 / 30 / 11

HEX #E46CA0

RGB 228 108 160

HSL 334, 0.69%, 0.66%

LAB 61.44, 52.11, -5.66

 

CMYK 0 / 82 / 4 / 16

HEX #D727CF

RGB 215 39 207

HSL 302.73, 0.69%, 0.5%

LAB 52.29, 80.38, -47.01

 

CMYK 0 / 67 / 3 / 13

HEX #DE4AD8

RGB 222 74 216

HSL 302.43, 0.69%, 0.58%

LAB 57.45, 73.02, -43.89

 

CMYK 0 / 53 / 2 / 11

HEX #E46CDF

RGB 228 108 223

HSL 302.5, 0.69%, 0.66%

LAB 63.79, 61.51, -37.81

 

CMYK 0 / 39 / 2 / 8

HEX #EB8FE7

RGB 235 143 231

HSL 302.61, 0.7%, 0.74%

LAB 71.61, 47.71, -30.05

 

CMYK 0 / 26 / 1 / 5

HEX #F1B2EE

RGB 241 178 238

HSL 302.86, 0.69%, 0.82%

LAB 80.02, 32.5, -20.94

 

CMYK 0 / 52 / 2 / 11

HEX #E46DDF

RGB 228 109 223

HSL 302.52, 0.69%, 0.66%

LAB 63.97, 61.04, -37.54

 

CMYK 0 / 40 / 53 / 11

HEX #E4886C

RGB 228 136 108

HSL 14, 0.69%, 0.66%

LAB 65.89, 32.35, 30.05

 

CMYK 53 / 0 / 19 / 11

HEX #6CE4B8

RGB 108 228 184

HSL 158, 0.69%, 0.66%

LAB 82.99, -44.08, 11.29

 

CMYK 0 / 52 / 2 / 11

HEX #E46DDF

RGB 228 109 223

HSL 302.52, 0.69%, 0.66%

LAB 63.97, 61.04, -37.54

 

CMYK 2 / 0 / 53 / 11

HEX #E0E46C

RGB 224 228 108

HSL 62, 0.69%, 0.66%

LAB 88.17, -17.27, 57.23

 

CMYK 53 / 2 / 0 / 11

HEX #6CE0E4

RGB 108 224 228

HSL 182, 0.69%, 0.66%

LAB 82.97, -31.63, -12

 

CMYK 0 / 52 / 2 / 11

HEX #E46DDF

RGB 228 109 223

HSL 302.52, 0.69%, 0.66%

LAB 63.97, 61.04, -37.54

 

CMYK 0 / 40 / 53 / 11

HEX #E4886C

RGB 228 136 108

HSL 14, 0.69%, 0.66%

LAB 65.89, 32.35, 30.05

 

CMYK 53 / 0 / 51 / 11

HEX #6CE470

RGB 108 228 112

HSL 122, 0.69%, 0.66%

LAB 81.75, -56.76, 46.17

 

CMYK 53 / 12 / 0 / 11

HEX #6CC8E4

RGB 108 200 228

HSL 194, 0.69%, 0.66%

LAB 76.13, -19.8, -22.31

 

CMYK 0 / 52 / 2 / 11

HEX #E46DDF

RGB 228 109 223

HSL 302.52, 0.69%, 0.66%

LAB 63.97, 61.04, -37.54

 

CMYK 0 / 25 / 53 / 11

HEX #E4AC6C

RGB 228 172 108

HSL 32, 0.69%, 0.66%

LAB 74.24, 13.18, 40.65

 

CMYK 53 / 0 / 51 / 11

HEX #6CE470

RGB 108 228 112

HSL 122, 0.69%, 0.66%

LAB 81.75, -56.76, 46.17

 

CMYK 53 / 28 / 0 / 11

HEX #6CA4E4

RGB 108 164 228

HSL 212, 0.69%, 0.66%

LAB 66.01, -0.45, -37.9

 

Description

Color code: HEX #E46DDF | qconv.com Color code: HEX #E46DDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 109 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 109 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 2 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 2% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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