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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4686E it is the complementary color #1B9791. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4686E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4686E shade: #E96869, #FA7A7C, #FF8C8F, #FF9EA2 and #FFB0B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4686E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4686E shade: #E4686E, #D3565B, #C24448, #B13235 and #A02022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4686E shade: #E4676D and #E46767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4686E shade: #E4676D, #E4678F, #E467B1, #E467D2 and #D467E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4686E shade matches the following richer shades: #E4676D and #F35960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4686E shade: #E4676D, #D6767A, #C78487, #B99394 and #AAA1A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4686E shade: #E467B0, #E4678F, #E4676E, #E48267 and #E4A467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4686E shade: #D4252E, #DE444C, #E4676D, #EA8A8F and #F1ADB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4686E shade: #E4686E, #D1E467 and #67A0E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4686E shade: #E4686E, #6EE467 and #676EE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4686E shade: #E4686E, #D1E467, #67E4DE and #7A67E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4686E shade: #E4686E, #ACE467, #67E4DE and #A067E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 52 / 11

HEX #E4686E

RGB 228 104 110

HSL 357.1, 0.7%, 0.65%

LAB 59.45, 48.71, 20.39

 

Complementary color

CMYK 82 / 0 / 4 / 41

HEX #1B9791

RGB 27 151 145

HSL 177.1, 0.7%, 0.35%

LAB 56.5, -32.83, -6.04

 

CMYK 0 / 55 / 55 / 9

HEX #E96869

RGB 233 104 105

HSL 359.53, 0.75%, 0.66%

LAB 60.11, 50.06, 24.27

 

CMYK 0 / 51 / 50 / 2

HEX #FA7A7C

RGB 250 122 124

HSL 359.06, 0.93%, 0.73%

LAB 66.29, 48.99, 22.21

 

CMYK 0 / 45 / 44 / 0

HEX #FF8C8F

RGB 255 140 143

HSL 358.43, 1%, 0.77%

LAB 70.87, 43.66, 17.97

 

CMYK 0 / 38 / 36 / 0

HEX #FF9EA2

RGB 255 158 162

HSL 357.53, 1%, 0.81%

LAB 75.03, 36.53, 13.29

 

CMYK 0 / 31 / 29 / 0

HEX #FFB0B5

RGB 255 176 181

HSL 356.2, 1%, 0.85%

LAB 79.41, 29.49, 9.16

 

CMYK 0 / 54 / 52 / 11

HEX #E4686E

RGB 228 104 110

HSL 357.1, 0.7%, 0.65%

LAB 59.45, 48.71, 20.39

 

CMYK 0 / 59 / 57 / 17

HEX #D3565B

RGB 211 86 91

HSL 357.6, 0.59%, 0.58%

LAB 53.23, 49.71, 22.66

 

CMYK 0 / 65 / 63 / 24

HEX #C24448

RGB 194 68 72

HSL 358.1, 0.51%, 0.51%

LAB 47.07, 50.57, 25.36

 

CMYK 0 / 72 / 70 / 31

HEX #B13235

RGB 177 50 53

HSL 358.58, 0.56%, 0.45%

LAB 41.03, 51.14, 28.61

 

CMYK 0 / 80 / 79 / 37

HEX #A02022

RGB 160 32 34

HSL 359.06, 0.67%, 0.38%

LAB 35.25, 51.12, 32.51

 

CMYK 0 / 55 / 52 / 11

HEX #E4676D

RGB 228 103 109

HSL 357.12, 0.7%, 0.65%

LAB 59.25, 49.11, 20.69

 

CMYK 0 / 55 / 55 / 11

HEX #E46767

RGB 228 103 103

HSL 0, 0.7%, 0.65%

LAB 59.13, 48.62, 23.99

 

CMYK 0 / 55 / 52 / 11

HEX #E4676D

RGB 228 103 109

HSL 357.12, 0.7%, 0.65%

LAB 59.25, 49.11, 20.69

 

CMYK 0 / 55 / 37 / 11

HEX #E4678F

RGB 228 103 143

HSL 340.8, 0.7%, 0.65%

LAB 60.05, 52.44, 2.11

 

CMYK 0 / 55 / 22 / 11

HEX #E467B1

RGB 228 103 177

HSL 324.48, 0.7%, 0.65%

LAB 61.11, 56.71, -15.93

 

CMYK 0 / 55 / 8 / 11

HEX #E467D2

RGB 228 103 210

HSL 308.64, 0.7%, 0.65%

LAB 62.38, 61.65, -32.72

 

CMYK 7 / 55 / 0 / 11

HEX #D467E4

RGB 212 103 228

HSL 292.32, 0.7%, 0.65%

LAB 61.04, 60.49, -45.06

 

CMYK 0 / 55 / 52 / 11

HEX #E4676D

RGB 228 103 109

HSL 357.12, 0.7%, 0.65%

LAB 59.25, 49.11, 20.69

 

CMYK 0 / 63 / 60 / 5

HEX #F35960

RGB 243 89 96

HSL 357.27, 0.87%, 0.65%

LAB 59.02, 59.44, 28.3

 

CMYK 0 / 55 / 52 / 11

HEX #E4676D

RGB 228 103 109

HSL 357.12, 0.7%, 0.65%

LAB 59.25, 49.11, 20.69

 

CMYK 0 / 45 / 43 / 16

HEX #D6767A

RGB 214 118 122

HSL 357.5, 0.54%, 0.65%

LAB 60.48, 37.79, 14.58

 

CMYK 0 / 34 / 32 / 22

HEX #C78487

RGB 199 132 135

HSL 357.31, 0.37%, 0.65%

LAB 61.99, 26.18, 9

 

CMYK 0 / 21 / 20 / 27

HEX #B99394

RGB 185 147 148

HSL 358.42, 0.21%, 0.65%

LAB 64.42, 14.41, 4.91

 

CMYK 0 / 5 / 5 / 33

HEX #AAA1A1

RGB 170 161 161

HSL 0, 0.05%, 0.65%

LAB 66.98, 3.26, 1.16

 

CMYK 0 / 55 / 23 / 11

HEX #E467B0

RGB 228 103 176

HSL 324.96, 0.7%, 0.65%

LAB 61.07, 56.57, -15.41

 

CMYK 0 / 55 / 37 / 11

HEX #E4678F

RGB 228 103 143

HSL 340.8, 0.7%, 0.65%

LAB 60.05, 52.44, 2.11

 

CMYK 0 / 55 / 52 / 11

HEX #E4676E

RGB 228 103 110

HSL 356.64, 0.7%, 0.65%

LAB 59.27, 49.19, 20.14

 

CMYK 0 / 43 / 55 / 11

HEX #E48267

RGB 228 130 103

HSL 12.96, 0.7%, 0.65%

LAB 64.51, 35.08, 31.02

 

CMYK 0 / 28 / 55 / 11

HEX #E4A467

RGB 228 164 103

HSL 29.28, 0.7%, 0.65%

LAB 72.24, 17.03, 40.75

 

CMYK 0 / 83 / 78 / 17

HEX #D4252E

RGB 212 37 46

HSL 356.91, 0.7%, 0.49%

LAB 46.33, 65.22, 40.5

 

CMYK 0 / 69 / 66 / 13

HEX #DE444C

RGB 222 68 76

HSL 356.88, 0.7%, 0.57%

LAB 52.05, 59.87, 30.3

 

CMYK 0 / 55 / 52 / 11

HEX #E4676D

RGB 228 103 109

HSL 357.12, 0.7%, 0.65%

LAB 59.25, 49.11, 20.69

 

CMYK 0 / 41 / 39 / 8

HEX #EA8A8F

RGB 234 138 143

HSL 356.88, 0.7%, 0.73%

LAB 67.76, 37.06, 13.24

 

CMYK 0 / 28 / 27 / 5

HEX #F1ADB1

RGB 241 173 177

HSL 356.47, 0.71%, 0.81%

LAB 77.14, 25.44, 7.88

 

CMYK 0 / 54 / 52 / 11

HEX #E4686E

RGB 228 104 110

HSL 357.1, 0.7%, 0.65%

LAB 59.45, 48.71, 20.39

 

CMYK 8 / 0 / 55 / 11

HEX #D1E467

RGB 209 228 103

HSL 69.12, 0.7%, 0.65%

LAB 87.01, -23.62, 57.85

 

CMYK 55 / 30 / 0 / 11

HEX #67A0E4

RGB 103 160 228

HSL 212.64, 0.7%, 0.65%

LAB 64.67, 0.75, -40.02

 

CMYK 0 / 54 / 52 / 11

HEX #E4686E

RGB 228 104 110

HSL 357.1, 0.7%, 0.65%

LAB 59.45, 48.71, 20.39

 

CMYK 52 / 0 / 55 / 11

HEX #6EE467

RGB 110 228 103

HSL 116.64, 0.7%, 0.65%

LAB 81.72, -57.37, 50.34

 

CMYK 55 / 52 / 0 / 11

HEX #676EE4

RGB 103 110 228

HSL 236.64, 0.7%, 0.65%

LAB 51.42, 30.48, -61.06

 

CMYK 0 / 54 / 52 / 11

HEX #E4686E

RGB 228 104 110

HSL 357.1, 0.7%, 0.65%

LAB 59.45, 48.71, 20.39

 

CMYK 8 / 0 / 55 / 11

HEX #D1E467

RGB 209 228 103

HSL 69.12, 0.7%, 0.65%

LAB 87.01, -23.62, 57.85

 

CMYK 55 / 0 / 3 / 11

HEX #67E4DE

RGB 103 228 222

HSL 177.12, 0.7%, 0.65%

LAB 83.78, -36.05, -7.64

 

CMYK 46 / 55 / 0 / 11

HEX #7A67E4

RGB 122 103 228

HSL 249.12, 0.7%, 0.65%

LAB 51.2, 38.55, -61.35

 

CMYK 0 / 54 / 52 / 11

HEX #E4686E

RGB 228 104 110

HSL 357.1, 0.7%, 0.65%

LAB 59.45, 48.71, 20.39

 

CMYK 25 / 0 / 55 / 11

HEX #ACE467

RGB 172 228 103

HSL 86.88, 0.7%, 0.65%

LAB 84.61, -37.68, 54.46

 

CMYK 55 / 0 / 3 / 11

HEX #67E4DE

RGB 103 228 222

HSL 177.12, 0.7%, 0.65%

LAB 83.78, -36.05, -7.64

 

CMYK 30 / 55 / 0 / 11

HEX #A067E4

RGB 160 103 228

HSL 267.36, 0.7%, 0.65%

LAB 54.84, 47.32, -55.3

 

Description

Color code: HEX #E4686E | qconv.com Color code: HEX #E4686E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 104 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 104 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 52 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 52% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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