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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E461CF it is the complementary color #1B9E30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E461CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E461CF shade: #E961CA, #FA73DD, #FF85F0, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E461CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E461CF shade: #E461CF, #D34FBC, #C23DA9, #B12B96 and #A01983

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E461CF shade: #E462CF, #E462AC, #E46289, #E46266 and #E46262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E461CF shade: #E462CF, #D662E4, #B362E4, #9062E4 and #6D62E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E461CF shade matches the following richer shades: #E462CF and #F353DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E461CF shade: #E462CF, #D671C5, #C780BB, #B88FB1 and #A99DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E461CF shade: #B262E4, #D562E4, #E462D1, #E462AE and #E4628B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E461CF shade: #D123B5, #DE3FC5, #E462CF, #EA85DA and #F0A9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E461CF shade: #E461CF, #E49062 and #62E4C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E461CF shade: #E461CF, #D1E462 and #62D1E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E461CF shade: #E461CF, #E49062, #62E476 and #62B7E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E461CF shade: #E461CF, #E4B762, #62E476 and #6290E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 9 / 11

HEX #E461CF

RGB 228 97 207

HSL 309.62, 0.71%, 0.64%

LAB 61.26, 63.85, -32.76

 

Complementary color

CMYK 83 / 0 / 70 / 38

HEX #1B9E30

RGB 27 158 48

HSL 129.62, 0.71%, 0.36%

LAB 56.98, -55.55, 46.06

 

CMYK 0 / 58 / 13 / 9

HEX #E961CA

RGB 233 97 202

HSL 313.68, 0.76%, 0.65%

LAB 61.77, 64.43, -29.09

 

CMYK 0 / 54 / 12 / 2

HEX #FA73DD

RGB 250 115 221

HSL 312.89, 0.93%, 0.72%

LAB 67.88, 64.03, -30.12

 

CMYK 0 / 48 / 6 / 0

HEX #FF85F0

RGB 255 133 240

HSL 307.38, 1%, 0.76%

LAB 72.45, 60.08, -33.48

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 57 / 9 / 11

HEX #E461CF

RGB 228 97 207

HSL 309.62, 0.71%, 0.64%

LAB 61.26, 63.85, -32.76

 

CMYK 0 / 63 / 11 / 17

HEX #D34FBC

RGB 211 79 188

HSL 310.45, 0.6%, 0.57%

LAB 55.15, 64.04, -31.62

 

CMYK 0 / 69 / 13 / 24

HEX #C23DA9

RGB 194 61 169

HSL 311.28, 0.52%, 0.5%

LAB 49.1, 63.88, -30.18

 

CMYK 0 / 76 / 15 / 31

HEX #B12B96

RGB 177 43 150

HSL 312.09, 0.61%, 0.43%

LAB 43.18, 63.14, -28.29

 

CMYK 0 / 84 / 18 / 37

HEX #A01983

RGB 160 25 131

HSL 312.89, 0.73%, 0.36%

LAB 37.49, 61.47, -25.78

 

CMYK 0 / 57 / 9 / 11

HEX #E462CF

RGB 228 98 207

HSL 309.69, 0.71%, 0.64%

LAB 61.42, 63.41, -32.51

 

CMYK 0 / 57 / 25 / 11

HEX #E462AC

RGB 228 98 172

HSL 325.85, 0.71%, 0.64%

LAB 60.08, 58.31, -14.61

 

CMYK 0 / 57 / 40 / 11

HEX #E46289

RGB 228 98 137

HSL 342, 0.71%, 0.64%

LAB 59.01, 54.11, 4.09

 

CMYK 0 / 57 / 55 / 11

HEX #E46266

RGB 228 98 102

HSL 358.15, 0.71%, 0.64%

LAB 58.22, 50.89, 23.34

 

CMYK 0 / 57 / 57 / 11

HEX #E46262

RGB 228 98 98

HSL 0, 0.71%, 0.64%

LAB 58.14, 50.59, 25.55

 

CMYK 0 / 57 / 9 / 11

HEX #E462CF

RGB 228 98 207

HSL 309.69, 0.71%, 0.64%

LAB 61.42, 63.41, -32.51

 

CMYK 6 / 57 / 0 / 11

HEX #D662E4

RGB 214 98 228

HSL 293.54, 0.71%, 0.64%

LAB 60.46, 63.3, -45.97

 

CMYK 21 / 57 / 0 / 11

HEX #B362E4

RGB 179 98 228

HSL 277.38, 0.71%, 0.64%

LAB 56.01, 54.58, -53.31

 

CMYK 37 / 57 / 0 / 11

HEX #9062E4

RGB 144 98 228

HSL 261.23, 0.71%, 0.64%

LAB 52.14, 46.26, -59.73

 

CMYK 52 / 57 / 0 / 11

HEX #6D62E4

RGB 109 98 228

HSL 245.08, 0.71%, 0.64%

LAB 48.99, 38.84, -64.96

 

CMYK 0 / 57 / 9 / 11

HEX #E462CF

RGB 228 98 207

HSL 309.69, 0.71%, 0.64%

LAB 61.42, 63.41, -32.51

 

CMYK 0 / 66 / 10 / 5

HEX #F353DA

RGB 243 83 218

HSL 309.38, 0.87%, 0.64%

LAB 61.91, 74.95, -37.78

 

CMYK 0 / 57 / 9 / 11

HEX #E462CF

RGB 228 98 207

HSL 309.69, 0.71%, 0.64%

LAB 61.42, 63.41, -32.51

 

CMYK 0 / 47 / 8 / 16

HEX #D671C5

RGB 214 113 197

HSL 310.1, 0.55%, 0.64%

LAB 61.77, 50.72, -26.47

 

CMYK 0 / 36 / 6 / 22

HEX #C780BB

RGB 199 128 187

HSL 310.14, 0.39%, 0.64%

LAB 62.65, 36.44, -19.63

 

CMYK 0 / 22 / 4 / 28

HEX #B88FB1

RGB 184 143 177

HSL 310.24, 0.22%, 0.64%

LAB 64.17, 21.25, -11.84

 

CMYK 0 / 7 / 1 / 34

HEX #A99DA7

RGB 169 157 167

HSL 310, 0.07%, 0.64%

LAB 66.01, 6.22, -3.63

 

CMYK 22 / 57 / 0 / 11

HEX #B262E4

RGB 178 98 228

HSL 276.92, 0.71%, 0.64%

LAB 55.89, 54.33, -53.51

 

CMYK 7 / 57 / 0 / 11

HEX #D562E4

RGB 213 98 228

HSL 293.08, 0.71%, 0.64%

LAB 60.32, 63.05, -46.19

 

CMYK 0 / 57 / 8 / 11

HEX #E462D1

RGB 228 98 209

HSL 308.77, 0.71%, 0.64%

LAB 61.51, 63.72, -33.51

 

CMYK 0 / 57 / 24 / 11

HEX #E462AE

RGB 228 98 174

HSL 324.92, 0.71%, 0.64%

LAB 60.15, 58.58, -15.66

 

CMYK 0 / 57 / 39 / 11

HEX #E4628B

RGB 228 98 139

HSL 341.08, 0.71%, 0.64%

LAB 59.06, 54.32, 3

 

CMYK 0 / 83 / 13 / 18

HEX #D123B5

RGB 209 35 181

HSL 309.66, 0.71%, 0.48%

LAB 49.61, 76.39, -36.24

 

CMYK 0 / 72 / 11 / 13

HEX #DE3FC5

RGB 222 63 197

HSL 309.43, 0.71%, 0.56%

LAB 55.19, 73.92, -36.61

 

CMYK 0 / 57 / 9 / 11

HEX #E462CF

RGB 228 98 207

HSL 309.69, 0.71%, 0.64%

LAB 61.42, 63.41, -32.51

 

CMYK 0 / 43 / 7 / 8

HEX #EA85DA

RGB 234 133 218

HSL 309.5, 0.71%, 0.72%

LAB 68.99, 50.26, -26.92

 

CMYK 0 / 30 / 5 / 6

HEX #F0A9E5

RGB 240 169 229

HSL 309.3, 0.7%, 0.8%

LAB 77.61, 35.35, -19.73

 

CMYK 0 / 57 / 9 / 11

HEX #E461CF

RGB 228 97 207

HSL 309.62, 0.71%, 0.64%

LAB 61.26, 63.85, -32.76

 

CMYK 0 / 37 / 57 / 11

HEX #E49062

RGB 228 144 98

HSL 21.23, 0.71%, 0.64%

LAB 67.52, 27.3, 37.52

 

CMYK 57 / 0 / 14 / 11

HEX #62E4C4

RGB 98 228 196

HSL 165.23, 0.71%, 0.64%

LAB 82.95, -43.43, 4.88

 

CMYK 0 / 57 / 9 / 11

HEX #E461CF

RGB 228 97 207

HSL 309.62, 0.71%, 0.64%

LAB 61.26, 63.85, -32.76

 

CMYK 8 / 0 / 57 / 11

HEX #D1E462

RGB 209 228 98

HSL 68.77, 0.71%, 0.64%

LAB 86.96, -24.02, 60

 

CMYK 57 / 8 / 0 / 11

HEX #62D1E4

RGB 98 209 228

HSL 188.77, 0.71%, 0.64%

LAB 78.34, -26.3, -18.99

 

CMYK 0 / 57 / 9 / 11

HEX #E461CF

RGB 228 97 207

HSL 309.62, 0.71%, 0.64%

LAB 61.26, 63.85, -32.76

 

CMYK 0 / 37 / 57 / 11

HEX #E49062

RGB 228 144 98

HSL 21.23, 0.71%, 0.64%

LAB 67.52, 27.3, 37.52

 

CMYK 57 / 0 / 48 / 11

HEX #62E476

RGB 98 228 118

HSL 129.23, 0.71%, 0.64%

LAB 81.51, -58.35, 42.93

 

CMYK 57 / 20 / 0 / 11

HEX #62B7E4

RGB 98 183 228

HSL 200.77, 0.71%, 0.64%

LAB 70.92, -12.96, -30.33

 

CMYK 0 / 57 / 9 / 11

HEX #E461CF

RGB 228 97 207

HSL 309.62, 0.71%, 0.64%

LAB 61.26, 63.85, -32.76

 

CMYK 0 / 20 / 57 / 11

HEX #E4B762

RGB 228 183 98

HSL 39.23, 0.71%, 0.64%

LAB 76.83, 6.54, 48.77

 

CMYK 57 / 0 / 48 / 11

HEX #62E476

RGB 98 228 118

HSL 129.23, 0.71%, 0.64%

LAB 81.51, -58.35, 42.93

 

CMYK 57 / 37 / 0 / 11

HEX #6290E4

RGB 98 144 228

HSL 218.77, 0.71%, 0.64%

LAB 60.02, 8.99, -47.35

 

Description

Color code: HEX #E461CF | qconv.com Color code: HEX #E461CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 97 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 97 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 9 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 9% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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