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Color name
HEX #E46126

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E46126 it is the complementary color #1B9ED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E46126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E46126 shade: #E96121, #FA7334, #FF8547, #FF975A and #FFA96D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E46126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E46126 shade: #E46126, #D34F13, #C23D00, #B12B00 and #A01900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E46126 shade: #E46025, #E42D25 and #E42525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E46126 shade: #E46025, #E49425, #E4C725, #CDE425 and #9AE425

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E46126 shade matches the following richer shades: #E46025 and #F85911

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E46126 shade: #E46025, #D06839, #BC6F4D, #A97761 and #957E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E46126 shade: #E42552, #E42B25, #E45E25, #E49125 and #E4C425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E46126 shade: #A34014, #C74F19, #E46025, #E97B4A and #ED966F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E46126 shade: #E46126, #85E425 and #2538E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E46126 shade: #E46126, #25E45E and #5E25E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E46126 shade: #E46126, #85E425, #25ABE4 and #8525E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E46126 shade: #E46126, #4BE425, #25ABE4 and #BE25E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 83 / 11

HEX #E46126

RGB 228 97 38

HSL 18.63, 0.78%, 0.52%

LAB 57.25, 48.08, 55.82

 

Complementary color

CMYK 88 / 27 / 0 / 15

HEX #1B9ED9

RGB 27 158 217

HSL 198.63, 0.78%, 0.48%

LAB 61.39, -12.36, -39.22

 

CMYK 0 / 58 / 86 / 9

HEX #E96121

RGB 233 97 33

HSL 19.2, 0.82%, 0.52%

LAB 58.02, 49.78, 58.77

 

CMYK 0 / 54 / 79 / 2

HEX #FA7334

RGB 250 115 52

HSL 19.09, 0.95%, 0.59%

LAB 64.03, 48.12, 57.28

 

CMYK 0 / 48 / 72 / 0

HEX #FF8547

RGB 255 133 71

HSL 20.22, 1%, 0.64%

LAB 68.38, 41.97, 53.15

 

CMYK 0 / 41 / 65 / 0

HEX #FF975A

RGB 255 151 90

HSL 22.18, 1%, 0.68%

LAB 72.32, 33.83, 48.21

 

CMYK 0 / 34 / 57 / 0

HEX #FFA96D

RGB 255 169 109

HSL 24.66, 1%, 0.71%

LAB 76.52, 25.76, 43.61

 

CMYK 0 / 57 / 83 / 11

HEX #E46126

RGB 228 97 38

HSL 18.63, 0.78%, 0.52%

LAB 57.25, 48.08, 55.82

 

CMYK 0 / 63 / 91 / 17

HEX #D34F13

RGB 211 79 19

HSL 18.75, 0.83%, 0.45%

LAB 51.25, 49.7, 56.86

 

CMYK 0 / 69 / 100 / 24

HEX #C23D00

RGB 194 61 0

HSL 18.87, 1%, 0.38%

LAB 45.37, 51.14, 56.85

 

CMYK 0 / 76 / 100 / 31

HEX #B12B00

RGB 177 43 0

HSL 14.58, 1%, 0.35%

LAB 39.71, 52.22, 52.34

 

CMYK 0 / 84 / 100 / 37

HEX #A01900

RGB 160 25 0

HSL 9.38, 1%, 0.31%

LAB 34.33, 52.32, 47.83

 

CMYK 0 / 58 / 84 / 11

HEX #E46025

RGB 228 96 37

HSL 18.53, 0.78%, 0.52%

LAB 57.07, 48.52, 56.07

 

CMYK 0 / 80 / 84 / 11

HEX #E42D25

RGB 228 45 37

HSL 2.51, 0.78%, 0.52%

LAB 50.1, 67.44, 49.97

 

CMYK 0 / 84 / 84 / 11

HEX #E42525

RGB 228 37 37

HSL 0, 0.78%, 0.52%

LAB 49.44, 69.33, 49.37

 

CMYK 0 / 58 / 84 / 11

HEX #E46025

RGB 228 96 37

HSL 18.53, 0.78%, 0.52%

LAB 57.07, 48.52, 56.07

 

CMYK 0 / 35 / 84 / 11

HEX #E49425

RGB 228 148 37

HSL 34.87, 0.78%, 0.52%

LAB 67.88, 22.05, 65.32

 

CMYK 0 / 13 / 84 / 11

HEX #E4C725

RGB 228 199 37

HSL 50.89, 0.78%, 0.52%

LAB 80.45, -4.81, 75.86

 

CMYK 10 / 0 / 84 / 11

HEX #CDE425

RGB 205 228 37

HSL 67.23, 0.78%, 0.52%

LAB 86.31, -28.77, 80.01

 

CMYK 32 / 0 / 84 / 11

HEX #9AE425

RGB 154 228 37

HSL 83.25, 0.78%, 0.52%

LAB 83.17, -48.44, 76.1

 

CMYK 0 / 58 / 84 / 11

HEX #E46025

RGB 228 96 37

HSL 18.53, 0.78%, 0.52%

LAB 57.07, 48.52, 56.07

 

CMYK 0 / 64 / 93 / 3

HEX #F85911

RGB 248 89 17

HSL 18.7, 0.94%, 0.52%

LAB 59.11, 58.27, 65.69

 

CMYK 0 / 58 / 84 / 11

HEX #E46025

RGB 228 96 37

HSL 18.53, 0.78%, 0.52%

LAB 57.07, 48.52, 56.07

 

CMYK 0 / 50 / 73 / 18

HEX #D06839

RGB 208 104 57

HSL 18.68, 0.62%, 0.52%

LAB 55.69, 37.74, 44.43

 

CMYK 0 / 41 / 59 / 26

HEX #BC6F4D

RGB 188 111 77

HSL 18.38, 0.45%, 0.52%

LAB 54.65, 27.21, 31.82

 

CMYK 0 / 30 / 43 / 34

HEX #A97761

RGB 169 119 97

HSL 18.33, 0.3%, 0.52%

LAB 54.54, 16.78, 19.9

 

CMYK 0 / 15 / 22 / 42

HEX #957E74

RGB 149 126 116

HSL 18.18, 0.13%, 0.52%

LAB 54.63, 7.18, 8.72

 

CMYK 0 / 84 / 64 / 11

HEX #E42552

RGB 228 37 82

HSL 345.86, 0.78%, 0.52%

LAB 50.01, 71.04, 24.37

 

CMYK 0 / 81 / 84 / 11

HEX #E42B25

RGB 228 43 37

HSL 1.88, 0.78%, 0.52%

LAB 49.92, 67.95, 49.81

 

CMYK 0 / 59 / 84 / 11

HEX #E45E25

RGB 228 94 37

HSL 17.91, 0.78%, 0.52%

LAB 56.72, 49.44, 55.77

 

CMYK 0 / 36 / 84 / 11

HEX #E49125

RGB 228 145 37

HSL 33.93, 0.78%, 0.52%

LAB 67.19, 23.65, 64.74

 

CMYK 0 / 14 / 84 / 11

HEX #E4C425

RGB 228 196 37

HSL 49.95, 0.78%, 0.52%

LAB 79.67, -3.27, 75.22

 

CMYK 0 / 61 / 88 / 36

HEX #A34014

RGB 163 64 20

HSL 18.46, 0.78%, 0.36%

LAB 40.42, 38.89, 44.65

 

CMYK 0 / 60 / 87 / 22

HEX #C74F19

RGB 199 79 25

HSL 18.62, 0.78%, 0.44%

LAB 49.26, 45.46, 52.39

 

CMYK 0 / 58 / 84 / 11

HEX #E46025

RGB 228 96 37

HSL 18.53, 0.78%, 0.52%

LAB 57.07, 48.52, 56.07

 

CMYK 0 / 47 / 68 / 9

HEX #E97B4A

RGB 233 123 74

HSL 18.49, 0.78%, 0.6%

LAB 63.33, 38.67, 45.23

 

CMYK 0 / 37 / 53 / 7

HEX #ED966F

RGB 237 150 111

HSL 18.57, 0.78%, 0.68%

LAB 70.15, 28.76, 34.13

 

CMYK 0 / 57 / 83 / 11

HEX #E46126

RGB 228 97 38

HSL 18.63, 0.78%, 0.52%

LAB 57.25, 48.08, 55.82

 

CMYK 42 / 0 / 84 / 11

HEX #85E425

RGB 133 228 37

HSL 89.84, 0.78%, 0.52%

LAB 82.17, -55.6, 74.83

 

CMYK 84 / 75 / 0 / 11

HEX #2538E4

RGB 37 56 228

HSL 234.03, 0.78%, 0.52%

LAB 35.64, 54.52, -87

 

CMYK 0 / 57 / 83 / 11

HEX #E46126

RGB 228 97 38

HSL 18.63, 0.78%, 0.52%

LAB 57.25, 48.08, 55.82

 

CMYK 84 / 0 / 59 / 11

HEX #25E45E

RGB 37 228 94

HSL 137.91, 0.78%, 0.52%

LAB 80, -71.4, 51.98

 

CMYK 59 / 84 / 0 / 11

HEX #5E25E4

RGB 94 37 228

HSL 257.91, 0.78%, 0.52%

LAB 36.56, 67.22, -85.36

 

CMYK 0 / 57 / 83 / 11

HEX #E46126

RGB 228 97 38

HSL 18.63, 0.78%, 0.52%

LAB 57.25, 48.08, 55.82

 

CMYK 42 / 0 / 84 / 11

HEX #85E425

RGB 133 228 37

HSL 89.84, 0.78%, 0.52%

LAB 82.17, -55.6, 74.83

 

CMYK 84 / 25 / 0 / 11

HEX #25ABE4

RGB 37 171 228

HSL 197.91, 0.78%, 0.52%

LAB 65.84, -14.89, -38.33

 

CMYK 42 / 84 / 0 / 11

HEX #8525E4

RGB 133 37 228

HSL 270.16, 0.78%, 0.52%

LAB 41.07, 71.5, -77.77

 

CMYK 0 / 57 / 83 / 11

HEX #E46126

RGB 228 97 38

HSL 18.63, 0.78%, 0.52%

LAB 57.25, 48.08, 55.82

 

CMYK 67 / 0 / 84 / 11

HEX #4BE425

RGB 75 228 37

HSL 108.06, 0.78%, 0.52%

LAB 80.24, -70.75, 72.39

 

CMYK 84 / 25 / 0 / 11

HEX #25ABE4

RGB 37 171 228

HSL 197.91, 0.78%, 0.52%

LAB 65.84, -14.89, -38.33

 

CMYK 17 / 84 / 0 / 11

HEX #BE25E4

RGB 190 37 228

HSL 288.06, 0.78%, 0.52%

LAB 49.34, 79.79, -63.94

 

Description

Color code: HEX #E46126 | qconv.com Color code: HEX #E46126 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 97 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 97 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 83 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 83% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Donice i rośliny, Kr...
Link: http://www.hydroponika.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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