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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E45ADD it is the complementary color #1BA522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E45ADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E45ADD shade: #E95AD8, #FA6CEB, #FF7EFE, #FF90FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E45ADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E45ADD shade: #E45ADD, #D348CA, #C236B7, #B124A4 and #A01291

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E45ADD shade: #E458DD, #E458B7, #E45892, #E4586C and #E45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E45ADD shade: #E458DD, #C558E4, #A058E4, #7A58E4 and #5858E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E45ADD shade matches the following richer shades: #E458DD and #F449EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E45ADD shade: #E458DD, #D468CF, #C578C1, #B587B3 and #A597A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E45ADD shade: #A058E4, #C658E4, #E458DD, #E458B8 and #E45892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E45ADD shade: #C921C0, #DE35D6, #E458DD, #EA7CE4 and #EF9FEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E45ADD shade: #E45ADD, #E47B58 and #58E4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E45ADD shade: #E45ADD, #DDE458 and #58DDE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E45ADD shade: #E45ADD, #E47B58, #58E45F and #58C1E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E45ADD shade: #E45ADD, #E4A558, #58E45F and #5897E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 3 / 11

HEX #E45ADD

RGB 228 90 221

HSL 303.04, 0.72%, 0.62%

LAB 60.81, 69.05, -41.37

 

Complementary color

CMYK 84 / 0 / 79 / 35

HEX #1BA522

RGB 27 165 34

HSL 123.04, 0.72%, 0.38%

LAB 59.21, -58.91, 53.46

 

CMYK 0 / 61 / 7 / 9

HEX #E95AD8

RGB 233 90 216

HSL 307.13, 0.76%, 0.63%

LAB 61.3, 69.5, -37.73

 

CMYK 0 / 57 / 6 / 2

HEX #FA6CEB

RGB 250 108 235

HSL 306.34, 0.93%, 0.7%

LAB 67.31, 69.29, -38.76

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFE

RGB 255 126 254

HSL 300.47, 1%, 0.75%

LAB 71.78, 65.7, -42.16

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 61 / 3 / 11

HEX #E45ADD

RGB 228 90 221

HSL 303.04, 0.72%, 0.62%

LAB 60.81, 69.05, -41.37

 

CMYK 0 / 66 / 4 / 17

HEX #D348CA

RGB 211 72 202

HSL 303.88, 0.61%, 0.55%

LAB 54.81, 68.98, -40.19

 

CMYK 0 / 72 / 6 / 24

HEX #C236B7

RGB 194 54 183

HSL 304.71, 0.56%, 0.49%

LAB 48.92, 68.44, -38.68

 

CMYK 0 / 80 / 7 / 31

HEX #B124A4

RGB 177 36 164

HSL 305.53, 0.66%, 0.42%

LAB 43.2, 67.17, -36.67

 

CMYK 0 / 89 / 9 / 37

HEX #A01291

RGB 160 18 145

HSL 306.34, 0.8%, 0.35%

LAB 37.75, 64.83, -33.99

 

CMYK 0 / 61 / 3 / 11

HEX #E458DD

RGB 228 88 221

HSL 303, 0.72%, 0.62%

LAB 60.51, 69.86, -41.83

 

CMYK 0 / 61 / 20 / 11

HEX #E458B7

RGB 228 88 183

HSL 319.29, 0.72%, 0.62%

LAB 58.87, 64.15, -22.77

 

CMYK 0 / 61 / 36 / 11

HEX #E45892

RGB 228 88 146

HSL 335.14, 0.72%, 0.62%

LAB 57.61, 59.52, -3.21

 

CMYK 0 / 61 / 53 / 11

HEX #E4586C

RGB 228 88 108

HSL 351.43, 0.72%, 0.62%

LAB 56.64, 55.85, 17.73

 

CMYK 0 / 61 / 61 / 11

HEX #E45858

RGB 228 88 88

HSL 0, 0.72%, 0.62%

LAB 56.27, 54.4, 28.88

 

CMYK 0 / 61 / 3 / 11

HEX #E458DD

RGB 228 88 221

HSL 303, 0.72%, 0.62%

LAB 60.51, 69.86, -41.83

 

CMYK 14 / 61 / 0 / 11

HEX #C558E4

RGB 197 88 228

HSL 286.71, 0.72%, 0.62%

LAB 56.54, 63.65, -52.33

 

CMYK 30 / 61 / 0 / 11

HEX #A058E4

RGB 160 88 228

HSL 270.86, 0.72%, 0.62%

LAB 51.9, 55.13, -60.02

 

CMYK 46 / 61 / 0 / 11

HEX #7A58E4

RGB 122 88 228

HSL 254.57, 0.72%, 0.62%

LAB 47.9, 47.12, -66.67

 

CMYK 61 / 61 / 0 / 11

HEX #5858E4

RGB 88 88 228

HSL 240, 0.72%, 0.62%

LAB 45.16, 41.12, -71.26

 

CMYK 0 / 61 / 3 / 11

HEX #E458DD

RGB 228 88 221

HSL 303, 0.72%, 0.62%

LAB 60.51, 69.86, -41.83

 

CMYK 0 / 70 / 4 / 4

HEX #F449EB

RGB 244 73 235

HSL 303.16, 0.89%, 0.62%

LAB 61.65, 81.16, -47.71

 

CMYK 0 / 61 / 3 / 11

HEX #E458DD

RGB 228 88 221

HSL 303, 0.72%, 0.62%

LAB 60.51, 69.86, -41.83

 

CMYK 0 / 51 / 2 / 17

HEX #D468CF

RGB 212 104 207

HSL 302.78, 0.56%, 0.62%

LAB 60.25, 56.25, -34.51

 

CMYK 0 / 39 / 2 / 23

HEX #C578C1

RGB 197 120 193

HSL 303.12, 0.4%, 0.62%

LAB 60.92, 41.17, -25.7

 

CMYK 0 / 25 / 1 / 29

HEX #B587B3

RGB 181 135 179

HSL 302.61, 0.24%, 0.62%

LAB 62, 25.06, -16.26

 

CMYK 0 / 8 / 1 / 35

HEX #A597A4

RGB 165 151 164

HSL 304.29, 0.07%, 0.62%

LAB 64.01, 7.56, -4.94

 

CMYK 30 / 61 / 0 / 11

HEX #A058E4

RGB 160 88 228

HSL 270.86, 0.72%, 0.62%

LAB 51.9, 55.13, -60.02

 

CMYK 13 / 61 / 0 / 11

HEX #C658E4

RGB 198 88 228

HSL 287.14, 0.72%, 0.62%

LAB 56.67, 63.89, -52.11

 

CMYK 0 / 61 / 3 / 11

HEX #E458DD

RGB 228 88 221

HSL 303, 0.72%, 0.62%

LAB 60.51, 69.86, -41.83

 

CMYK 0 / 61 / 19 / 11

HEX #E458B8

RGB 228 88 184

HSL 318.86, 0.72%, 0.62%

LAB 58.91, 64.29, -23.29

 

CMYK 0 / 61 / 36 / 11

HEX #E45892

RGB 228 88 146

HSL 335.14, 0.72%, 0.62%

LAB 57.61, 59.52, -3.21

 

CMYK 0 / 84 / 4 / 21

HEX #C921C0

RGB 201 33 192

HSL 303.21, 0.72%, 0.46%

LAB 48.65, 76.78, -44.27

 

CMYK 0 / 76 / 4 / 13

HEX #DE35D6

RGB 222 53 214

HSL 302.84, 0.72%, 0.54%

LAB 55, 79.38, -46.63

 

CMYK 0 / 61 / 3 / 11

HEX #E458DD

RGB 228 88 221

HSL 303, 0.72%, 0.62%

LAB 60.51, 69.86, -41.83

 

CMYK 0 / 47 / 3 / 8

HEX #EA7CE4

RGB 234 124 228

HSL 303.27, 0.72%, 0.7%

LAB 67.66, 56.43, -34.51

 

CMYK 0 / 33 / 2 / 6

HEX #EF9FEB

RGB 239 159 235

HSL 303, 0.71%, 0.78%

LAB 75.54, 41.35, -26.15

 

CMYK 0 / 61 / 3 / 11

HEX #E45ADD

RGB 228 90 221

HSL 303.04, 0.72%, 0.62%

LAB 60.81, 69.05, -41.37

 

CMYK 0 / 46 / 61 / 11

HEX #E47B58

RGB 228 123 88

HSL 15, 0.72%, 0.62%

LAB 62.81, 37.58, 37.07

 

CMYK 61 / 0 / 21 / 11

HEX #58E4B3

RGB 88 228 179

HSL 159, 0.72%, 0.62%

LAB 82.28, -49.22, 12.83

 

CMYK 0 / 61 / 3 / 11

HEX #E45ADD

RGB 228 90 221

HSL 303.04, 0.72%, 0.62%

LAB 60.81, 69.05, -41.37

 

CMYK 3 / 0 / 61 / 11

HEX #DDE458

RGB 221 228 88

HSL 63, 0.72%, 0.62%

LAB 87.76, -19.93, 65.36

 

CMYK 61 / 3 / 0 / 11

HEX #58DDE4

RGB 88 221 228

HSL 183, 0.72%, 0.62%

LAB 81.5, -33.83, -14.26

 

CMYK 0 / 61 / 3 / 11

HEX #E45ADD

RGB 228 90 221

HSL 303.04, 0.72%, 0.62%

LAB 60.81, 69.05, -41.37

 

CMYK 0 / 46 / 61 / 11

HEX #E47B58

RGB 228 123 88

HSL 15, 0.72%, 0.62%

LAB 62.81, 37.58, 37.07

 

CMYK 61 / 0 / 58 / 11

HEX #58E45F

RGB 88 228 95

HSL 123, 0.72%, 0.62%

LAB 80.95, -63.55, 52.88

 

CMYK 61 / 15 / 0 / 11

HEX #58C1E4

RGB 88 193 228

HSL 195, 0.72%, 0.62%

LAB 73.43, -20.05, -26.5

 

CMYK 0 / 61 / 3 / 11

HEX #E45ADD

RGB 228 90 221

HSL 303.04, 0.72%, 0.62%

LAB 60.81, 69.05, -41.37

 

CMYK 0 / 28 / 61 / 11

HEX #E4A558

RGB 228 165 88

HSL 33, 0.72%, 0.62%

LAB 72.3, 15.37, 48.36

 

CMYK 61 / 0 / 58 / 11

HEX #58E45F

RGB 88 228 95

HSL 123, 0.72%, 0.62%

LAB 80.95, -63.55, 52.88

 

CMYK 61 / 34 / 0 / 11

HEX #5897E4

RGB 88 151 228

HSL 213, 0.72%, 0.62%

LAB 61.49, 2.97, -45.06

 

Description

Color code: HEX #E45ADD | qconv.com Color code: HEX #E45ADD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 90 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 90 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 3 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 3% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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