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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E455BB it is the complementary color #1BAA44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E455BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E455BB shade: #E955B6, #FA67C9, #FF79DC, #FF8BEF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E455BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E455BB shade: #E455BB, #D343A8, #C23195, #B11F82 and #A00D6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E455BB shade: #E453BB, #E45393, #E4536C and #E45353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E455BB shade: #E453BB, #E453E2, #BF53E4, #9853E4 and #7153E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E455BB shade matches the following richer shades: #E453BB and #F443C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E455BB shade: #E453BB, #D463B4, #C473AD, #B483A6 and #A4939F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E455BB shade: #C053E4, #E453E2, #E453BB, #E45394 and #E4536E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E455BB shade: #C61F96, #DF2FAC, #E453BB, #EA77C9 and #EF9AD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E455BB shade: #E455BB, #E49953 and #53E4D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E455BB shade: #E455BB, #BBE453 and #53BBE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E455BB shade: #E455BB, #E49953, #53E47C and #539EE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E455BB shade: #E455BB, #E4C553, #53E47C and #5372E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 18 / 11

HEX #E455BB

RGB 228 85 187

HSL 317.2, 0.73%, 0.61%

LAB 58.58, 65.94, -25.52

 

Complementary color

CMYK 84 / 0 / 60 / 33

HEX #1BAA44

RGB 27 170 68

HSL 137.2, 0.73%, 0.39%

LAB 61.13, -57.14, 41.84

 

CMYK 0 / 64 / 22 / 9

HEX #E955B6

RGB 233 85 182

HSL 320.68, 0.77%, 0.62%

LAB 59.16, 66.6, -21.7

 

CMYK 0 / 59 / 20 / 2

HEX #FA67C9

RGB 250 103 201

HSL 320, 0.94%, 0.69%

LAB 65.15, 66.39, -23.11

 

CMYK 0 / 53 / 14 / 0

HEX #FF79DC

RGB 255 121 220

HSL 315.67, 1%, 0.74%

LAB 69.54, 62.56, -26.95

 

CMYK 0 / 45 / 6 / 0

HEX #FF8BEF

RGB 255 139 239

HSL 308.28, 1%, 0.77%

LAB 73.52, 57.03, -31.28

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 63 / 18 / 11

HEX #E455BB

RGB 228 85 187

HSL 317.2, 0.73%, 0.61%

LAB 58.58, 65.94, -25.52

 

CMYK 0 / 68 / 20 / 17

HEX #D343A8

RGB 211 67 168

HSL 317.92, 0.62%, 0.55%

LAB 52.61, 65.83, -23.92

 

CMYK 0 / 75 / 23 / 24

HEX #C23195

RGB 194 49 149

HSL 318.62, 0.6%, 0.48%

LAB 46.76, 65.21, -21.9

 

CMYK 0 / 82 / 27 / 31

HEX #B11F82

RGB 177 31 130

HSL 319.32, 0.7%, 0.41%

LAB 41.12, 63.79, -19.29

 

CMYK 0 / 92 / 31 / 37

HEX #A00D6F

RGB 160 13 111

HSL 320, 0.85%, 0.34%

LAB 35.81, 61.19, -15.85

 

CMYK 0 / 64 / 18 / 11

HEX #E453BB

RGB 228 83 187

HSL 316.97, 0.73%, 0.61%

LAB 58.29, 66.74, -25.97

 

CMYK 0 / 64 / 36 / 11

HEX #E45393

RGB 228 83 147

HSL 333.52, 0.73%, 0.61%

LAB 56.87, 61.71, -4.89

 

CMYK 0 / 64 / 53 / 11

HEX #E4536C

RGB 228 83 108

HSL 349.66, 0.73%, 0.61%

LAB 55.85, 57.98, 16.65

 

CMYK 0 / 64 / 64 / 11

HEX #E45353

RGB 228 83 83

HSL 0, 0.73%, 0.61%

LAB 55.39, 56.23, 30.64

 

CMYK 0 / 64 / 18 / 11

HEX #E453BB

RGB 228 83 187

HSL 316.97, 0.73%, 0.61%

LAB 58.29, 66.74, -25.97

 

CMYK 0 / 64 / 1 / 11

HEX #E453E2

RGB 228 83 226

HSL 300.83, 0.73%, 0.61%

LAB 60.04, 72.64, -45.38

 

CMYK 16 / 64 / 0 / 11

HEX #BF53E4

RGB 191 83 228

HSL 284.69, 0.73%, 0.61%

LAB 54.93, 64.47, -54.94

 

CMYK 33 / 64 / 0 / 11

HEX #9853E4

RGB 152 83 228

HSL 268.55, 0.73%, 0.61%

LAB 50.05, 55.89, -63.04

 

CMYK 50 / 64 / 0 / 11

HEX #7153E4

RGB 113 83 228

HSL 252.41, 0.73%, 0.61%

LAB 46.04, 48.2, -69.74

 

CMYK 0 / 64 / 18 / 11

HEX #E453BB

RGB 228 83 187

HSL 316.97, 0.73%, 0.61%

LAB 58.29, 66.74, -25.97

 

CMYK 0 / 73 / 21 / 4

HEX #F443C1

RGB 244 67 193

HSL 317.29, 0.89%, 0.61%

LAB 59.06, 77.2, -28.01

 

CMYK 0 / 64 / 18 / 11

HEX #E453BB

RGB 228 83 187

HSL 316.97, 0.73%, 0.61%

LAB 58.29, 66.74, -25.97

 

CMYK 0 / 53 / 15 / 17

HEX #D463B4

RGB 212 99 180

HSL 316.99, 0.57%, 0.61%

LAB 58.24, 54.22, -22.22

 

CMYK 0 / 41 / 12 / 23

HEX #C473AD

RGB 196 115 173

HSL 317.04, 0.41%, 0.61%

LAB 58.99, 40, -17.25

 

CMYK 0 / 27 / 8 / 29

HEX #B483A6

RGB 180 131 166

HSL 317.14, 0.25%, 0.61%

LAB 60.51, 24.55, -11.13

 

CMYK 0 / 10 / 3 / 36

HEX #A4939F

RGB 164 147 159

HSL 317.65, 0.09%, 0.61%

LAB 62.73, 8.49, -4.01

 

CMYK 16 / 64 / 0 / 11

HEX #C053E4

RGB 192 83 228

HSL 285.1, 0.73%, 0.61%

LAB 55.07, 64.7, -54.72

 

CMYK 0 / 64 / 1 / 11

HEX #E453E2

RGB 228 83 226

HSL 300.83, 0.73%, 0.61%

LAB 60.04, 72.64, -45.38

 

CMYK 0 / 64 / 18 / 11

HEX #E453BB

RGB 228 83 187

HSL 316.97, 0.73%, 0.61%

LAB 58.29, 66.74, -25.97

 

CMYK 0 / 64 / 35 / 11

HEX #E45394

RGB 228 83 148

HSL 333.1, 0.73%, 0.61%

LAB 56.9, 61.83, -5.43

 

CMYK 0 / 64 / 52 / 11

HEX #E4536E

RGB 228 83 110

HSL 348.83, 0.73%, 0.61%

LAB 55.89, 58.14, 15.53

 

CMYK 0 / 84 / 24 / 22

HEX #C61F96

RGB 198 31 150

HSL 317.25, 0.73%, 0.45%

LAB 45.89, 70.93, -23.78

 

CMYK 0 / 79 / 23 / 13

HEX #DF2FAC

RGB 223 47 172

HSL 317.39, 0.73%, 0.53%

LAB 52.62, 75.44, -26.09

 

CMYK 0 / 64 / 18 / 11

HEX #E453BB

RGB 228 83 187

HSL 316.97, 0.73%, 0.61%

LAB 58.29, 66.74, -25.97

 

CMYK 0 / 49 / 14 / 8

HEX #EA77C9

RGB 234 119 201

HSL 317.22, 0.73%, 0.69%

LAB 65.67, 54.45, -22.52

 

CMYK 0 / 36 / 10 / 6

HEX #EF9AD7

RGB 239 154 215

HSL 316.94, 0.73%, 0.77%

LAB 73.78, 40.53, -17.9

 

CMYK 0 / 63 / 18 / 11

HEX #E455BB

RGB 228 85 187

HSL 317.2, 0.73%, 0.61%

LAB 58.58, 65.94, -25.52

 

CMYK 0 / 33 / 64 / 11

HEX #E49953

RGB 228 153 83

HSL 28.97, 0.73%, 0.61%

LAB 69.4, 21.45, 47.47

 

CMYK 64 / 0 / 7 / 11

HEX #53E4D3

RGB 83 228 211

HSL 172.97, 0.73%, 0.61%

LAB 82.93, -42.38, -3.13

 

CMYK 0 / 63 / 18 / 11

HEX #E455BB

RGB 228 85 187

HSL 317.2, 0.73%, 0.61%

LAB 58.58, 65.94, -25.52

 

CMYK 18 / 0 / 64 / 11

HEX #BBE453

RGB 187 228 83

HSL 76.97, 0.73%, 0.61%

LAB 85.34, -33.73, 64.09

 

CMYK 64 / 18 / 0 / 11

HEX #53BBE4

RGB 83 187 228

HSL 196.97, 0.73%, 0.61%

LAB 71.54, -17.79, -29.41

 

CMYK 0 / 63 / 18 / 11

HEX #E455BB

RGB 228 85 187

HSL 317.2, 0.73%, 0.61%

LAB 58.58, 65.94, -25.52

 

CMYK 0 / 33 / 64 / 11

HEX #E49953

RGB 228 153 83

HSL 28.97, 0.73%, 0.61%

LAB 69.4, 21.45, 47.47

 

CMYK 64 / 0 / 46 / 11

HEX #53E47C

RGB 83 228 124

HSL 136.97, 0.73%, 0.61%

LAB 81.17, -60.63, 39.49

 

CMYK 64 / 31 / 0 / 11

HEX #539EE4

RGB 83 158 228

HSL 208.97, 0.73%, 0.61%

LAB 63.26, -1.95, -42.3

 

CMYK 0 / 63 / 18 / 11

HEX #E455BB

RGB 228 85 187

HSL 317.2, 0.73%, 0.61%

LAB 58.58, 65.94, -25.52

 

CMYK 0 / 14 / 64 / 11

HEX #E4C553

RGB 228 197 83

HSL 47.17, 0.73%, 0.61%

LAB 80.21, -1.8, 59.52

 

CMYK 64 / 0 / 46 / 11

HEX #53E47C

RGB 83 228 124

HSL 136.97, 0.73%, 0.61%

LAB 81.17, -60.63, 39.49

 

CMYK 64 / 50 / 0 / 11

HEX #5372E4

RGB 83 114 228

HSL 227.17, 0.73%, 0.61%

LAB 51.24, 24.39, -61.42

 

Description

Color code: HEX #E455BB | qconv.com Color code: HEX #E455BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 85 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 85 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 18 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 18% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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