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Color name
HEX #E44F26

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E44F26 it is the complementary color #1BB0D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E44F26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E44F26 shade: #E94F21, #FA6134, #FF7347, #FF855A and #FF976D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E44F26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E44F26 shade: #E44F26, #D33D13, #C22B00, #B11900 and #A00700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E44F26 shade: #E44E25 and #E42525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E44F26 shade: #E44E25, #E48225, #E4B525, #DFE425 and #ACE425

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E44F26 shade matches the following richer shades: #E44E25 and #F84311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E44F26 shade: #E44E25, #D05A39, #BC654D, #A97061 and #957B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E44F26 shade: #E42565, #E42532, #E44B25, #E47E25 and #E4B125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E44F26 shade: #A33314, #C73E19, #E44E25, #E96C4A and #ED8A6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E44F26 shade: #E44F26, #98E425 and #254BE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E44F26 shade: #E44F26, #25E44B and #4B25E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E44F26 shade: #E44F26, #98E425, #25BEE4 and #7225E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E44F26 shade: #E44F26, #5EE425, #25BEE4 and #AB25E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 83 / 11

HEX #E44F26

RGB 228 79 38

HSL 12.95, 0.78%, 0.52%

LAB 54.27, 55.99, 53.19

 

Complementary color

CMYK 88 / 19 / 0 / 15

HEX #1BB0D9

RGB 27 176 217

HSL 192.95, 0.78%, 0.48%

LAB 66.74, -21.99, -30.89

 

CMYK 0 / 66 / 86 / 9

HEX #E94F21

RGB 233 79 33

HSL 13.8, 0.82%, 0.52%

LAB 55.1, 57.55, 56.37

 

CMYK 0 / 61 / 79 / 2

HEX #FA6134

RGB 250 97 52

HSL 13.64, 0.95%, 0.59%

LAB 60.89, 56.31, 54.27

 

CMYK 0 / 55 / 72 / 0

HEX #FF7347

RGB 255 115 71

HSL 14.35, 1%, 0.64%

LAB 64.94, 50.68, 49.44

 

CMYK 0 / 48 / 65 / 0

HEX #FF855A

RGB 255 133 90

HSL 15.64, 1%, 0.68%

LAB 68.59, 42.95, 43.84

 

CMYK 0 / 41 / 57 / 0

HEX #FF976D

RGB 255 151 109

HSL 17.26, 1%, 0.71%

LAB 72.56, 35.1, 38.71

 

CMYK 0 / 65 / 83 / 11

HEX #E44F26

RGB 228 79 38

HSL 12.95, 0.78%, 0.52%

LAB 54.27, 55.99, 53.19

 

CMYK 0 / 71 / 91 / 17

HEX #D33D13

RGB 211 61 19

HSL 13.13, 0.83%, 0.45%

LAB 48.55, 57, 54.97

 

CMYK 0 / 78 / 100 / 24

HEX #C22B00

RGB 194 43 0

HSL 13.3, 1%, 0.38%

LAB 43.06, 57.52, 55.77

 

CMYK 0 / 86 / 100 / 31

HEX #B11900

RGB 177 25 0

HSL 8.47, 1%, 0.35%

LAB 37.92, 57.25, 51.58

 

CMYK 0 / 96 / 100 / 37

HEX #A00700

RGB 160 7 0

HSL 2.63, 1%, 0.31%

LAB 33.19, 55.59, 47.16

 

CMYK 0 / 66 / 84 / 11

HEX #E44E25

RGB 228 78 37

HSL 12.88, 0.78%, 0.52%

LAB 54.11, 56.37, 53.49

 

CMYK 0 / 84 / 84 / 11

HEX #E42525

RGB 228 37 37

HSL 0, 0.78%, 0.52%

LAB 49.44, 69.33, 49.37

 

CMYK 0 / 66 / 84 / 11

HEX #E44E25

RGB 228 78 37

HSL 12.88, 0.78%, 0.52%

LAB 54.11, 56.37, 53.49

 

CMYK 0 / 43 / 84 / 11

HEX #E48225

RGB 228 130 37

HSL 29.21, 0.78%, 0.52%

LAB 63.83, 31.57, 61.88

 

CMYK 0 / 21 / 84 / 11

HEX #E4B525

RGB 228 181 37

HSL 45.24, 0.78%, 0.52%

LAB 75.87, 4.53, 72.04

 

CMYK 2 / 0 / 84 / 11

HEX #DFE425

RGB 223 228 37

HSL 61.57, 0.78%, 0.52%

LAB 87.63, -21.37, 81.66

 

CMYK 25 / 0 / 84 / 11

HEX #ACE425

RGB 172 228 37

HSL 77.59, 0.78%, 0.52%

LAB 84.17, -41.8, 77.34

 

CMYK 0 / 66 / 84 / 11

HEX #E44E25

RGB 228 78 37

HSL 12.88, 0.78%, 0.52%

LAB 54.11, 56.37, 53.49

 

CMYK 0 / 73 / 93 / 3

HEX #F84311

RGB 248 67 17

HSL 12.99, 0.94%, 0.52%

LAB 56.1, 66.46, 63.81

 

CMYK 0 / 66 / 84 / 11

HEX #E44E25

RGB 228 78 37

HSL 12.88, 0.78%, 0.52%

LAB 54.11, 56.37, 53.49

 

CMYK 0 / 57 / 73 / 18

HEX #D05A39

RGB 208 90 57

HSL 13.11, 0.62%, 0.52%

LAB 52.97, 44.69, 41.45

 

CMYK 0 / 46 / 59 / 26

HEX #BC654D

RGB 188 101 77

HSL 12.97, 0.45%, 0.52%

LAB 52.44, 32.61, 29.05

 

CMYK 0 / 34 / 43 / 34

HEX #A97061

RGB 169 112 97

HSL 12.5, 0.3%, 0.52%

LAB 52.82, 20.74, 17.58

 

CMYK 0 / 17 / 22 / 42

HEX #957B74

RGB 149 123 116

HSL 12.73, 0.13%, 0.52%

LAB 53.83, 8.9, 7.59

 

CMYK 0 / 84 / 56 / 11

HEX #E42565

RGB 228 37 101

HSL 339.9, 0.78%, 0.52%

LAB 50.4, 72.19, 13.33

 

CMYK 0 / 84 / 78 / 11

HEX #E42532

RGB 228 37 50

HSL 355.92, 0.78%, 0.52%

LAB 49.55, 69.69, 42.62

 

CMYK 0 / 67 / 84 / 11

HEX #E44B25

RGB 228 75 37

HSL 11.94, 0.78%, 0.52%

LAB 53.66, 57.58, 53.11

 

CMYK 0 / 45 / 84 / 11

HEX #E47E25

RGB 228 126 37

HSL 27.96, 0.78%, 0.52%

LAB 62.97, 33.65, 61.15

 

CMYK 0 / 22 / 84 / 11

HEX #E4B125

RGB 228 177 37

HSL 43.98, 0.78%, 0.52%

LAB 74.87, 6.63, 71.21

 

CMYK 0 / 69 / 88 / 36

HEX #A33314

RGB 163 51 20

HSL 13.01, 0.78%, 0.36%

LAB 38.21, 44.79, 42.83

 

CMYK 0 / 69 / 87 / 22

HEX #C73E19

RGB 199 62 25

HSL 12.76, 0.78%, 0.44%

LAB 46.52, 52.78, 50.2

 

CMYK 0 / 66 / 84 / 11

HEX #E44E25

RGB 228 78 37

HSL 12.88, 0.78%, 0.52%

LAB 54.11, 56.37, 53.49

 

CMYK 0 / 54 / 68 / 9

HEX #E96C4A

RGB 233 108 74

HSL 12.83, 0.78%, 0.6%

LAB 60.38, 46.12, 41.84

 

CMYK 0 / 42 / 53 / 7

HEX #ED8A6F

RGB 237 138 111

HSL 12.86, 0.78%, 0.68%

LAB 67.52, 35.04, 30.75

 

CMYK 0 / 65 / 83 / 11

HEX #E44F26

RGB 228 79 38

HSL 12.95, 0.78%, 0.52%

LAB 54.27, 55.99, 53.19

 

CMYK 33 / 0 / 84 / 11

HEX #98E425

RGB 152 228 37

HSL 83.87, 0.78%, 0.52%

LAB 83.07, -49.16, 75.97

 

CMYK 84 / 67 / 0 / 11

HEX #254BE4

RGB 37 75 228

HSL 228.06, 0.78%, 0.52%

LAB 39.63, 43.5, -80.42

 

CMYK 0 / 65 / 83 / 11

HEX #E44F26

RGB 228 79 38

HSL 12.95, 0.78%, 0.52%

LAB 54.27, 55.99, 53.19

 

CMYK 84 / 0 / 67 / 11

HEX #25E44B

RGB 37 228 75

HSL 131.94, 0.78%, 0.52%

LAB 79.83, -73.49, 59.75

 

CMYK 67 / 84 / 0 / 11

HEX #4B25E4

RGB 75 37 228

HSL 251.94, 0.78%, 0.52%

LAB 34.84, 65.66, -88.26

 

CMYK 0 / 65 / 83 / 11

HEX #E44F26

RGB 228 79 38

HSL 12.95, 0.78%, 0.52%

LAB 54.27, 55.99, 53.19

 

CMYK 33 / 0 / 84 / 11

HEX #98E425

RGB 152 228 37

HSL 83.87, 0.78%, 0.52%

LAB 83.07, -49.16, 75.97

 

CMYK 84 / 17 / 0 / 11

HEX #25BEE4

RGB 37 190 228

HSL 191.94, 0.78%, 0.52%

LAB 71.43, -24.81, -29.66

 

CMYK 50 / 84 / 0 / 11

HEX #7225E4

RGB 114 37 228

HSL 264.19, 0.78%, 0.52%

LAB 38.73, 69.25, -81.71

 

CMYK 0 / 65 / 83 / 11

HEX #E44F26

RGB 228 79 38

HSL 12.95, 0.78%, 0.52%

LAB 54.27, 55.99, 53.19

 

CMYK 59 / 0 / 84 / 11

HEX #5EE425

RGB 94 228 37

HSL 102.09, 0.78%, 0.52%

LAB 80.74, -66.65, 73.02

 

CMYK 84 / 17 / 0 / 11

HEX #25BEE4

RGB 37 190 228

HSL 191.94, 0.78%, 0.52%

LAB 71.43, -24.81, -29.66

 

CMYK 25 / 84 / 0 / 11

HEX #AB25E4

RGB 171 37 228

HSL 282.09, 0.78%, 0.52%

LAB 46.42, 76.81, -68.81

 

Description

Color code: HEX #E44F26 | qconv.com Color code: HEX #E44F26 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 79 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 79 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 83 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 83% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - Pyre Fox Website Con...
Link: http://pyrefox.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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