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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E44BBC it is the complementary color #1BB443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E44BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E44BBC shade: #E94BB7, #FA5DCA, #FF6FDD, #FF81F0 and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E44BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E44BBC shade: #E44BBC, #D339A9, #C22796, #B11583 and #A00370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E44BBC shade: #E449BB, #E44992, #E44968 and #E44949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E44BBC shade: #E449BB, #E349E4, #B949E4, #8F49E4 and #6549E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E44BBC shade matches the following richer shades: #E449BB and #F538C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E44BBC shade: #E449BB, #D35AB3, #C26BAB, #B17CA3 and #A08D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E44BBC shade: #B849E4, #E149E4, #E449BD, #E44994 and #E4496B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E44BBC shade: #BE1C94, #DE25AE, #E449BB, #E96DC9 and #EF91D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E44BBC shade: #E44BBC, #E48F49 and #49E4CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E44BBC shade: #E44BBC, #BDE449 and #49BDE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E44BBC shade: #E44BBC, #E48F49, #49E470 and #499EE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E44BBC shade: #E44BBC, #E4BD49, #49E470 and #4970E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 18 / 11

HEX #E44BBC

RGB 228 75 188

HSL 315.69, 0.74%, 0.59%

LAB 57.23, 69.94, -28.18

 

Complementary color

CMYK 85 / 0 / 63 / 29

HEX #1BB443

RGB 27 180 67

HSL 135.69, 0.74%, 0.41%

LAB 64.39, -60.51, 46.03

 

CMYK 0 / 68 / 21 / 9

HEX #E94BB7

RGB 233 75 183

HSL 318.99, 0.78%, 0.6%

LAB 57.82, 70.54, -24.32

 

CMYK 0 / 63 / 19 / 2

HEX #FA5DCA

RGB 250 93 202

HSL 318.34, 0.94%, 0.67%

LAB 63.69, 70.64, -25.93

 

CMYK 0 / 56 / 13 / 0

HEX #FF6FDD

RGB 255 111 221

HSL 314.17, 1%, 0.72%

LAB 67.91, 67.18, -30.01

 

CMYK 0 / 49 / 6 / 0

HEX #FF81F0

RGB 255 129 240

HSL 307.14, 1%, 0.75%

LAB 71.73, 61.98, -34.6

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 67 / 18 / 11

HEX #E44BBC

RGB 228 75 188

HSL 315.69, 0.74%, 0.59%

LAB 57.23, 69.94, -28.18

 

CMYK 0 / 73 / 20 / 17

HEX #D339A9

RGB 211 57 169

HSL 316.36, 0.64%, 0.53%

LAB 51.43, 69.41, -26.33

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 0 / 88 / 26 / 31

HEX #B11583

RGB 177 21 131

HSL 317.69, 0.79%, 0.39%

LAB 40.45, 65.98, -20.94

 

CMYK 0 / 98 / 30 / 37

HEX #A00370

RGB 160 3 112

HSL 318.34, 0.96%, 0.32%

LAB 35.42, 62.58, -17.09

 

CMYK 0 / 68 / 18 / 11

HEX #E449BB

RGB 228 73 187

HSL 315.87, 0.74%, 0.59%

LAB 56.93, 70.53, -28.08

 

CMYK 0 / 68 / 36 / 11

HEX #E44992

RGB 228 73 146

HSL 331.74, 0.74%, 0.59%

LAB 55.42, 65.51, -6.45

 

CMYK 0 / 68 / 54 / 11

HEX #E44968

RGB 228 73 104

HSL 348, 0.74%, 0.59%

LAB 54.3, 61.66, 16.89

 

CMYK 0 / 68 / 68 / 11

HEX #E44949

RGB 228 73 73

HSL 0, 0.74%, 0.59%

LAB 53.75, 59.7, 34.37

 

CMYK 0 / 68 / 18 / 11

HEX #E449BB

RGB 228 73 187

HSL 315.87, 0.74%, 0.59%

LAB 56.93, 70.53, -28.08

 

CMYK 0 / 68 / 0 / 11

HEX #E349E4

RGB 227 73 228

HSL 299.61, 0.74%, 0.59%

LAB 58.69, 76.4, -48.64

 

CMYK 19 / 68 / 0 / 11

HEX #B949E4

RGB 185 73 228

HSL 283.35, 0.74%, 0.59%

LAB 52.6, 67.39, -58.73

 

CMYK 37 / 68 / 0 / 11

HEX #8F49E4

RGB 143 73 228

HSL 267.1, 0.74%, 0.59%

LAB 47.24, 58.95, -67.64

 

CMYK 56 / 68 / 0 / 11

HEX #6549E4

RGB 101 73 228

HSL 250.84, 0.74%, 0.59%

LAB 42.96, 51.69, -74.8

 

CMYK 0 / 68 / 18 / 11

HEX #E449BB

RGB 228 73 187

HSL 315.87, 0.74%, 0.59%

LAB 56.93, 70.53, -28.08

 

CMYK 0 / 77 / 20 / 4

HEX #F538C3

RGB 245 56 195

HSL 315.87, 0.9%, 0.59%

LAB 58.21, 80.84, -30.47

 

CMYK 0 / 68 / 18 / 11

HEX #E449BB

RGB 228 73 187

HSL 315.87, 0.74%, 0.59%

LAB 56.93, 70.53, -28.08

 

CMYK 0 / 57 / 15 / 17

HEX #D35AB3

RGB 211 90 179

HSL 315.87, 0.58%, 0.59%

LAB 56.5, 57.94, -24.33

 

CMYK 0 / 45 / 12 / 24

HEX #C26BAB

RGB 194 107 171

HSL 315.86, 0.42%, 0.59%

LAB 57, 43.23, -19.14

 

CMYK 0 / 30 / 8 / 31

HEX #B17CA3

RGB 177 124 163

HSL 315.85, 0.25%, 0.59%

LAB 58.42, 26.87, -12.58

 

CMYK 0 / 12 / 3 / 37

HEX #A08D9B

RGB 160 141 155

HSL 315.79, 0.09%, 0.59%

LAB 60.68, 9.66, -4.8

 

CMYK 19 / 68 / 0 / 11

HEX #B849E4

RGB 184 73 228

HSL 282.97, 0.74%, 0.59%

LAB 52.46, 67.19, -58.95

 

CMYK 1 / 68 / 0 / 11

HEX #E149E4

RGB 225 73 228

HSL 298.84, 0.74%, 0.59%

LAB 58.39, 75.96, -49.14

 

CMYK 0 / 68 / 17 / 11

HEX #E449BD

RGB 228 73 189

HSL 315.1, 0.74%, 0.59%

LAB 57.01, 70.8, -29.1

 

CMYK 0 / 68 / 35 / 11

HEX #E44994

RGB 228 73 148

HSL 330.97, 0.74%, 0.59%

LAB 55.48, 65.73, -7.53

 

CMYK 0 / 68 / 53 / 11

HEX #E4496B

RGB 228 73 107

HSL 346.84, 0.74%, 0.59%

LAB 54.37, 61.89, 15.2

 

CMYK 0 / 85 / 22 / 25

HEX #BE1C94

RGB 190 28 148

HSL 315.56, 0.74%, 0.43%

LAB 44.11, 69.56, -25.45

 

CMYK 0 / 83 / 22 / 13

HEX #DE25AE

RGB 222 37 174

HSL 315.57, 0.74%, 0.51%

LAB 51.73, 77.76, -28.65

 

CMYK 0 / 68 / 18 / 11

HEX #E449BB

RGB 228 73 187

HSL 315.87, 0.74%, 0.59%

LAB 56.93, 70.53, -28.08

 

CMYK 0 / 53 / 14 / 9

HEX #E96DC9

RGB 233 109 201

HSL 315.48, 0.74%, 0.67%

LAB 63.74, 58.9, -25.5

 

CMYK 0 / 39 / 10 / 6

HEX #EF91D6

RGB 239 145 214

HSL 315.96, 0.75%, 0.75%

LAB 71.86, 45.03, -20.26

 

CMYK 0 / 67 / 18 / 11

HEX #E44BBC

RGB 228 75 188

HSL 315.69, 0.74%, 0.59%

LAB 57.23, 69.94, -28.18

 

CMYK 0 / 37 / 68 / 11

HEX #E48F49

RGB 228 143 73

HSL 27.1, 0.74%, 0.59%

LAB 66.99, 26.18, 49.65

 

CMYK 68 / 0 / 10 / 11

HEX #49E4CD

RGB 73 228 205

HSL 171.1, 0.74%, 0.59%

LAB 82.55, -45.41, -0.55

 

CMYK 0 / 67 / 18 / 11

HEX #E44BBC

RGB 228 75 188

HSL 315.69, 0.74%, 0.59%

LAB 57.23, 69.94, -28.18

 

CMYK 17 / 0 / 68 / 11

HEX #BDE449

RGB 189 228 73

HSL 75.1, 0.74%, 0.59%

LAB 85.4, -33.61, 68.06

 

CMYK 68 / 17 / 0 / 11

HEX #49BDE4

RGB 73 189 228

HSL 195.1, 0.74%, 0.59%

LAB 71.83, -20.39, -28.98

 

CMYK 0 / 67 / 18 / 11

HEX #E44BBC

RGB 228 75 188

HSL 315.69, 0.74%, 0.59%

LAB 57.23, 69.94, -28.18

 

CMYK 0 / 37 / 68 / 11

HEX #E48F49

RGB 228 143 73

HSL 27.1, 0.74%, 0.59%

LAB 66.99, 26.18, 49.65

 

CMYK 68 / 0 / 51 / 11

HEX #49E470

RGB 73 228 112

HSL 135.1, 0.74%, 0.59%

LAB 80.78, -64.26, 44.76

 

CMYK 68 / 31 / 0 / 11

HEX #499EE4

RGB 73 158 228

HSL 207.1, 0.74%, 0.59%

LAB 62.9, -3.58, -42.87

 

CMYK 0 / 67 / 18 / 11

HEX #E44BBC

RGB 228 75 188

HSL 315.69, 0.74%, 0.59%

LAB 57.23, 69.94, -28.18

 

CMYK 0 / 17 / 68 / 11

HEX #E4BD49

RGB 228 189 73

HSL 44.9, 0.74%, 0.59%

LAB 78.09, 1.77, 61.53

 

CMYK 68 / 0 / 51 / 11

HEX #49E470

RGB 73 228 112

HSL 135.1, 0.74%, 0.59%

LAB 80.78, -64.26, 44.76

 

CMYK 68 / 51 / 0 / 11

HEX #4970E4

RGB 73 112 228

HSL 224.9, 0.74%, 0.59%

LAB 50.22, 24.07, -63.08

 

Description

Color code: HEX #E44BBC | qconv.com Color code: HEX #E44BBC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 75 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 75 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 18 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 18% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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