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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E44B80 it is the complementary color #1BB47F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E44B80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E44B80 shade: #E94B7B, #FA5D8E, #FF6FA1, #FF81B4 and #FF93C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E44B80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E44B80 shade: #E44B80, #D3396D, #C2275A, #B11547 and #A00334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E44B80 shade: #E4497F, #E44955 and #E44949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E44B80 shade: #E4497F, #E449A8, #E449D2, #CC49E4 and #A249E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E44B80 shade matches the following richer shades: #E4497F and #F53879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E44B80 shade: #E4497F, #D35A84, #C26B89, #B17C8E and #A08D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E44B80 shade: #E449D2, #E449A9, #E4497F, #E44956 and #E46549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E44B80 shade: #BE1C54, #DE2565, #E4497F, #E96D98 and #EF91B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E44B80 shade: #E44B80, #E4CD49 and #49BDE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E44B80 shade: #E44B80, #7FE449 and #497FE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E44B80 shade: #E44B80, #E4CD49, #49E4AE and #4960E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E44B80 shade: #E44B80, #CDE449, #49E4AE and #6049E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 44 / 11

HEX #E44B80

RGB 228 75 128

HSL 339.22, 0.74%, 0.59%

LAB 55.16, 62.93, 3.83

 

Complementary color

CMYK 85 / 0 / 29 / 29

HEX #1BB47F

RGB 27 180 127

HSL 159.22, 0.74%, 0.41%

LAB 65.29, -50.01, 16.65

 

CMYK 0 / 68 / 47 / 9

HEX #E94B7B

RGB 233 75 123

HSL 341.77, 0.78%, 0.6%

LAB 55.87, 63.94, 7.93

 

CMYK 0 / 63 / 43 / 2

HEX #FA5D8E

RGB 250 93 142

HSL 341.27, 0.94%, 0.67%

LAB 61.75, 63.67, 5.57

 

CMYK 0 / 56 / 37 / 0

HEX #FF6FA1

RGB 255 111 161

HSL 339.17, 1%, 0.72%

LAB 65.91, 59.42, 0.78

 

CMYK 0 / 49 / 29 / 0

HEX #FF81B4

RGB 255 129 180

HSL 335.71, 1%, 0.75%

LAB 69.65, 53.27, -4.46

 

CMYK 0 / 42 / 22 / 0

HEX #FF93C7

RGB 255 147 199

HSL 331.11, 1%, 0.79%

LAB 73.71, 46.92, -9.02

 

CMYK 0 / 67 / 44 / 11

HEX #E44B80

RGB 228 75 128

HSL 339.22, 0.74%, 0.59%

LAB 55.16, 62.93, 3.83

 

CMYK 0 / 73 / 48 / 17

HEX #D3396D

RGB 211 57 109

HSL 339.74, 0.64%, 0.53%

LAB 49.35, 62.82, 6.52

 

CMYK 0 / 80 / 54 / 24

HEX #C2275A

RGB 194 39 90

HSL 340.26, 0.67%, 0.46%

LAB 43.74, 62.09, 9.85

 

CMYK 0 / 88 / 60 / 31

HEX #B11547

RGB 177 21 71

HSL 340.77, 0.79%, 0.39%

LAB 38.44, 60.41, 14.03

 

CMYK 0 / 98 / 68 / 37

HEX #A00334

RGB 160 3 52

HSL 341.27, 0.96%, 0.32%

LAB 33.53, 57.59, 19.18

 

CMYK 0 / 68 / 44 / 11

HEX #E4497F

RGB 228 73 127

HSL 339.1, 0.74%, 0.59%

LAB 54.86, 63.6, 3.99

 

CMYK 0 / 68 / 63 / 11

HEX #E44955

RGB 228 73 85

HSL 355.35, 0.74%, 0.59%

LAB 53.94, 60.37, 27.64

 

CMYK 0 / 68 / 68 / 11

HEX #E44949

RGB 228 73 73

HSL 0, 0.74%, 0.59%

LAB 53.75, 59.7, 34.37

 

CMYK 0 / 68 / 44 / 11

HEX #E4497F

RGB 228 73 127

HSL 339.1, 0.74%, 0.59%

LAB 54.86, 63.6, 3.99

 

CMYK 0 / 68 / 26 / 11

HEX #E449A8

RGB 228 73 168

HSL 323.23, 0.74%, 0.59%

LAB 56.17, 68.06, -18.21

 

CMYK 0 / 68 / 8 / 11

HEX #E449D2

RGB 228 73 210

HSL 306.97, 0.74%, 0.59%

LAB 57.95, 73.83, -39.63

 

CMYK 11 / 68 / 0 / 11

HEX #CC49E4

RGB 204 73 228

HSL 290.71, 0.74%, 0.59%

LAB 55.28, 71.42, -54.28

 

CMYK 29 / 68 / 0 / 11

HEX #A249E4

RGB 162 73 228

HSL 274.45, 0.74%, 0.59%

LAB 49.55, 62.67, -63.79

 

CMYK 0 / 68 / 44 / 11

HEX #E4497F

RGB 228 73 127

HSL 339.1, 0.74%, 0.59%

LAB 54.86, 63.6, 3.99

 

CMYK 0 / 77 / 51 / 4

HEX #F53879

RGB 245 56 121

HSL 339.37, 0.9%, 0.59%

LAB 55.71, 73.33, 9.18

 

CMYK 0 / 68 / 44 / 11

HEX #E4497F

RGB 228 73 127

HSL 339.1, 0.74%, 0.59%

LAB 54.86, 63.6, 3.99

 

CMYK 0 / 57 / 37 / 17

HEX #D35A84

RGB 211 90 132

HSL 339.17, 0.58%, 0.59%

LAB 54.89, 51.73, 0.74

 

CMYK 0 / 45 / 29 / 24

HEX #C26B89

RGB 194 107 137

HSL 339.31, 0.42%, 0.59%

LAB 55.88, 38.09, -1.05

 

CMYK 0 / 30 / 20 / 31

HEX #B17C8E

RGB 177 124 142

HSL 339.62, 0.25%, 0.59%

LAB 57.77, 23.31, -1.44

 

CMYK 0 / 12 / 8 / 37

HEX #A08D93

RGB 160 141 147

HSL 341.05, 0.09%, 0.59%

LAB 60.45, 8.18, -0.58

 

CMYK 0 / 68 / 8 / 11

HEX #E449D2

RGB 228 73 210

HSL 306.97, 0.74%, 0.59%

LAB 57.95, 73.83, -39.63

 

CMYK 0 / 68 / 26 / 11

HEX #E449A9

RGB 228 73 169

HSL 322.84, 0.74%, 0.59%

LAB 56.21, 68.18, -18.74

 

CMYK 0 / 68 / 44 / 11

HEX #E4497F

RGB 228 73 127

HSL 339.1, 0.74%, 0.59%

LAB 54.86, 63.6, 3.99

 

CMYK 0 / 68 / 62 / 11

HEX #E44956

RGB 228 73 86

HSL 354.97, 0.74%, 0.59%

LAB 53.95, 60.43, 27.08

 

CMYK 0 / 56 / 68 / 11

HEX #E46549

RGB 228 101 73

HSL 10.84, 0.74%, 0.59%

LAB 58.3, 47.58, 39.78

 

CMYK 0 / 85 / 56 / 25

HEX #BE1C54

RGB 190 28 84

HSL 339.26, 0.74%, 0.43%

LAB 41.87, 63.26, 10.89

 

CMYK 0 / 83 / 55 / 13

HEX #DE2565

RGB 222 37 101

HSL 339.24, 0.74%, 0.51%

LAB 49.24, 70.68, 11.54

 

CMYK 0 / 68 / 44 / 11

HEX #E4497F

RGB 228 73 127

HSL 339.1, 0.74%, 0.59%

LAB 54.86, 63.6, 3.99

 

CMYK 0 / 53 / 35 / 9

HEX #E96D98

RGB 233 109 152

HSL 339.19, 0.74%, 0.67%

LAB 62.11, 52.28, -0

 

CMYK 0 / 39 / 26 / 6

HEX #EF91B1

RGB 239 145 177

HSL 339.57, 0.75%, 0.75%

LAB 70.72, 39.46, -1.46

 

CMYK 0 / 67 / 44 / 11

HEX #E44B80

RGB 228 75 128

HSL 339.22, 0.74%, 0.59%

LAB 55.16, 62.93, 3.83

 

CMYK 0 / 10 / 68 / 11

HEX #E4CD49

RGB 228 205 73

HSL 51.1, 0.74%, 0.59%

LAB 82.18, -6.48, 65.74

 

CMYK 68 / 17 / 0 / 11

HEX #49BDE4

RGB 73 189 228

HSL 195.1, 0.74%, 0.59%

LAB 71.83, -20.39, -28.98

 

CMYK 0 / 67 / 44 / 11

HEX #E44B80

RGB 228 75 128

HSL 339.22, 0.74%, 0.59%

LAB 55.16, 62.93, 3.83

 

CMYK 44 / 0 / 68 / 11

HEX #7FE449

RGB 127 228 73

HSL 99.1, 0.74%, 0.59%

LAB 82.1, -55.47, 63.62

 

CMYK 68 / 44 / 0 / 11

HEX #497FE4

RGB 73 127 228

HSL 219.1, 0.74%, 0.59%

LAB 54.24, 14.78, -56.63

 

CMYK 0 / 67 / 44 / 11

HEX #E44B80

RGB 228 75 128

HSL 339.22, 0.74%, 0.59%

LAB 55.16, 62.93, 3.83

 

CMYK 0 / 10 / 68 / 11

HEX #E4CD49

RGB 228 205 73

HSL 51.1, 0.74%, 0.59%

LAB 82.18, -6.48, 65.74

 

CMYK 68 / 0 / 24 / 11

HEX #49E4AE

RGB 73 228 174

HSL 159.1, 0.74%, 0.59%

LAB 81.82, -52.86, 14.75

 

CMYK 68 / 58 / 0 / 11

HEX #4960E4

RGB 73 96 228

HSL 231.1, 0.74%, 0.59%

LAB 46.16, 34.04, -69.67

 

CMYK 0 / 67 / 44 / 11

HEX #E44B80

RGB 228 75 128

HSL 339.22, 0.74%, 0.59%

LAB 55.16, 62.93, 3.83

 

CMYK 10 / 0 / 68 / 11

HEX #CDE449

RGB 205 228 73

HSL 68.9, 0.74%, 0.59%

LAB 86.48, -27.29, 69.5

 

CMYK 68 / 0 / 24 / 11

HEX #49E4AE

RGB 73 228 174

HSL 159.1, 0.74%, 0.59%

LAB 81.82, -52.86, 14.75

 

CMYK 58 / 68 / 0 / 11

HEX #6049E4

RGB 96 73 228

HSL 248.9, 0.74%, 0.59%

LAB 42.54, 50.94, -75.51

 

Description

Color code: HEX #E44B80 | qconv.com Color code: HEX #E44B80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 75 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 75 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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