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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E442FB it is the complementary color #1BBD04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E442FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E442FB shade: #E942F6, #FA54FF, #FF66FF, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E442FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E442FB shade: #E442FB, #D330E8, #C21ED5, #B10CC2 and #A000AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E442FB shade: #E441FB, #FB41E0, #FB41AE, #FB417C and #FB414A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E442FB shade: #E441FB, #B241FB, #8041FB, #4D41FB and #4141FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E442FB shade matches the following richer shades: #E441FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E442FB shade: #E441FB, #D851EB, #CC60DC, #C170CC and #B580BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E442FB shade: #7F41FB, #B141FB, #E241FB, #FB41E2 and #FB41B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E442FB shade: #C905E5, #DE19FA, #E441FB, #EA6AFC and #EF92FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E442FB shade: #E442FB, #FB4D41 and #41FB98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E442FB shade: #E442FB, #FBE241 and #41FBE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E442FB shade: #E442FB, #FB4D41, #5AFB41 and #41EFFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E442FB shade: #E442FB, #FB8541, #5AFB41 and #41B7FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 74 / 0 / 2

HEX #E442FB

RGB 228 66 251

HSL 292.54, 0.96%, 0.62%

LAB 59.3, 82.67, -60.5

 

Complementary color

CMYK 86 / 0 / 98 / 26

HEX #1BBD04

RGB 27 189 4

HSL 112.54, 0.96%, 0.38%

LAB 67, -67.12, 66.16

 

CMYK 5 / 73 / 0 / 4

HEX #E942F6

RGB 233 66 246

HSL 295.67, 0.91%, 0.61%

LAB 59.77, 82.81, -56.92

 

CMYK 2 / 67 / 0 / 0

HEX #FA54FF

RGB 250 84 255

HSL 298.25, 1%, 0.66%

LAB 64.87, 81.87, -53.64

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 9 / 74 / 0 / 2

HEX #E442FB

RGB 228 66 251

HSL 292.54, 0.96%, 0.62%

LAB 59.3, 82.67, -60.5

 

CMYK 9 / 79 / 0 / 9

HEX #D330E8

RGB 211 48 232

HSL 293.15, 0.8%, 0.55%

LAB 53.8, 81.43, -58.84

 

CMYK 9 / 86 / 0 / 16

HEX #C21ED5

RGB 194 30 213

HSL 293.77, 0.75%, 0.48%

LAB 48.51, 79.36, -56.69

 

CMYK 9 / 94 / 0 / 24

HEX #B10CC2

RGB 177 12 194

HSL 294.4, 0.88%, 0.4%

LAB 43.51, 76.17, -53.89

 

CMYK 9 / 100 / 0 / 31

HEX #A000AF

RGB 160 0 175

HSL 294.86, 1%, 0.34%

LAB 38.84, 71.69, -50.36

 

CMYK 9 / 74 / 0 / 2

HEX #E441FB

RGB 228 65 251

HSL 292.58, 0.96%, 0.62%

LAB 59.2, 82.97, -60.67

 

CMYK 0 / 74 / 11 / 2

HEX #FB41E0

RGB 251 65 224

HSL 308.71, 0.96%, 0.62%

LAB 61.37, 83.49, -41.92

 

CMYK 0 / 74 / 31 / 2

HEX #FB41AE

RGB 251 65 174

HSL 324.84, 0.96%, 0.62%

LAB 59.29, 77.23, -16.6

 

CMYK 0 / 74 / 51 / 2

HEX #FB417C

RGB 251 65 124

HSL 340.97, 0.96%, 0.62%

LAB 57.79, 72.52, 10.5

 

CMYK 0 / 74 / 71 / 2

HEX #FB414A

RGB 251 65 74

HSL 357.1, 0.96%, 0.62%

LAB 56.86, 69.5, 38.5

 

CMYK 9 / 74 / 0 / 2

HEX #E441FB

RGB 228 65 251

HSL 292.58, 0.96%, 0.62%

LAB 59.2, 82.97, -60.67

 

CMYK 29 / 74 / 0 / 2

HEX #B241FB

RGB 178 65 251

HSL 276.45, 0.96%, 0.62%

LAB 52.07, 73.83, -72.51

 

CMYK 49 / 74 / 0 / 2

HEX #8041FB

RGB 128 65 251

HSL 260.32, 0.96%, 0.62%

LAB 46.09, 65.88, -82.53

 

CMYK 69 / 74 / 0 / 2

HEX #4D41FB

RGB 77 65 251

HSL 243.87, 0.96%, 0.62%

LAB 41.73, 59.86, -89.87

 

CMYK 74 / 74 / 0 / 2

HEX #4141FB

RGB 65 65 251

HSL 240, 0.96%, 0.62%

LAB 41.01, 58.85, -91.08

 

CMYK 9 / 74 / 0 / 2

HEX #E441FB

RGB 228 65 251

HSL 292.58, 0.96%, 0.62%

LAB 59.2, 82.97, -60.67

 

CMYK 9 / 74 / 0 / 2

HEX #E441FB

RGB 228 65 251

HSL 292.58, 0.96%, 0.62%

LAB 59.2, 82.97, -60.67

 

CMYK 8 / 66 / 0 / 8

HEX #D851EB

RGB 216 81 235

HSL 292.6, 0.79%, 0.62%

LAB 58.49, 72.21, -52.99

 

CMYK 7 / 56 / 0 / 14

HEX #CC60DC

RGB 204 96 220

HSL 292.26, 0.64%, 0.62%

LAB 58.39, 60.21, -44.84

 

CMYK 5 / 45 / 0 / 20

HEX #C170CC

RGB 193 112 204

HSL 292.83, 0.47%, 0.62%

LAB 59.24, 46.24, -34.57

 

CMYK 4 / 32 / 0 / 26

HEX #B580BC

RGB 181 128 188

HSL 293, 0.31%, 0.62%

LAB 60.69, 30.72, -23.37

 

CMYK 49 / 74 / 0 / 2

HEX #7F41FB

RGB 127 65 251

HSL 260, 0.96%, 0.62%

LAB 45.99, 65.73, -82.71

 

CMYK 29 / 74 / 0 / 2

HEX #B141FB

RGB 177 65 251

HSL 276.13, 0.96%, 0.62%

LAB 51.94, 73.65, -72.74

 

CMYK 10 / 74 / 0 / 2

HEX #E241FB

RGB 226 65 251

HSL 291.94, 0.96%, 0.62%

LAB 58.89, 82.59, -61.17

 

CMYK 0 / 74 / 10 / 2

HEX #FB41E2

RGB 251 65 226

HSL 308.06, 0.96%, 0.62%

LAB 61.46, 83.77, -42.9

 

CMYK 0 / 74 / 29 / 2

HEX #FB41B1

RGB 251 65 177

HSL 323.87, 0.96%, 0.62%

LAB 59.4, 77.57, -18.18

 

CMYK 12 / 98 / 0 / 10

HEX #C905E5

RGB 201 5 229

HSL 292.5, 0.96%, 0.46%

LAB 49.72, 85.99, -63.81

 

CMYK 11 / 90 / 0 / 2

HEX #DE19FA

RGB 222 25 250

HSL 292.53, 0.96%, 0.54%

LAB 55.2, 90.51, -66.58

 

CMYK 9 / 74 / 0 / 2

HEX #E441FB

RGB 228 65 251

HSL 292.58, 0.96%, 0.62%

LAB 59.2, 82.97, -60.67

 

CMYK 7 / 58 / 0 / 1

HEX #EA6AFC

RGB 234 106 252

HSL 292.6, 0.96%, 0.7%

LAB 65.62, 69.01, -50.95

 

CMYK 6 / 42 / 0 / 1

HEX #EF92FD

RGB 239 146 253

HSL 292.15, 0.96%, 0.78%

LAB 73.55, 51.37, -39.01

 

CMYK 9 / 74 / 0 / 2

HEX #E442FB

RGB 228 66 251

HSL 292.54, 0.96%, 0.62%

LAB 59.3, 82.67, -60.5

 

CMYK 0 / 69 / 74 / 2

HEX #FB4D41

RGB 251 77 65

HSL 3.87, 0.96%, 0.62%

LAB 58.23, 65.06, 45.01

 

CMYK 74 / 0 / 39 / 2

HEX #41FB98

RGB 65 251 152

HSL 148.06, 0.96%, 0.62%

LAB 88.15, -67.06, 34.63

 

CMYK 9 / 74 / 0 / 2

HEX #E442FB

RGB 228 66 251

HSL 292.54, 0.96%, 0.62%

LAB 59.3, 82.67, -60.5

 

CMYK 0 / 10 / 74 / 2

HEX #FBE241

RGB 251 226 65

HSL 51.94, 0.96%, 0.62%

LAB 89.53, -7.8, 76.51

 

CMYK 74 / 0 / 10 / 2

HEX #41FBE2

RGB 65 251 226

HSL 171.94, 0.96%, 0.62%

LAB 89.68, -50.79, -1.15

 

CMYK 9 / 74 / 0 / 2

HEX #E442FB

RGB 228 66 251

HSL 292.54, 0.96%, 0.62%

LAB 59.3, 82.67, -60.5

 

CMYK 0 / 69 / 74 / 2

HEX #FB4D41

RGB 251 77 65

HSL 3.87, 0.96%, 0.62%

LAB 58.23, 65.06, 45.01

 

CMYK 64 / 0 / 74 / 2

HEX #5AFB41

RGB 90 251 65

HSL 111.94, 0.96%, 0.62%

LAB 87.75, -73.55, 71.78

 

CMYK 74 / 5 / 0 / 2

HEX #41EFFB

RGB 65 239 251

HSL 183.87, 0.96%, 0.62%

LAB 86.91, -38.72, -18.32

 

CMYK 9 / 74 / 0 / 2

HEX #E442FB

RGB 228 66 251

HSL 292.54, 0.96%, 0.62%

LAB 59.3, 82.67, -60.5

 

CMYK 0 / 47 / 74 / 2

HEX #FB8541

RGB 251 133 65

HSL 21.94, 0.96%, 0.62%

LAB 67.77, 40.17, 55.17

 

CMYK 64 / 0 / 74 / 2

HEX #5AFB41

RGB 90 251 65

HSL 111.94, 0.96%, 0.62%

LAB 87.75, -73.55, 71.78

 

CMYK 74 / 27 / 0 / 2

HEX #41B7FB

RGB 65 183 251

HSL 201.94, 0.96%, 0.62%

LAB 70.84, -10.8, -43.01

 

Description

Color code: HEX #E442FB | qconv.com Color code: HEX #E442FB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 66 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 66 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 74 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 74% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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