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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E43F1F it is the complementary color #1BC0E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E43F1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E43F1F shade: #E93F1A, #FA512D, #FF6340, #FF7553 and #FF8766

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E43F1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E43F1F shade: #E43F1F, #D32D0C, #C21B00, #B10900 and #A00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E43F1F shade: #E44021 and #E42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E43F1F shade: #E44021, #E47521, #E4A921, #E4DE21 and #B5E421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E43F1F shade matches the following richer shades: #E44021 and #F8330C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E43F1F shade: #E44021, #CF4E35, #BB5C49, #A7695D and #937771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E43F1F shade: #E4216B, #E42137, #E43E21, #E47221 and #E4A621

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E43F1F shade: #9E2A14, #C33418, #E44021, #E86045 and #ED7F6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E43F1F shade: #E43F1F, #9FE421 and #2151E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E43F1F shade: #E43F1F, #21E43E and #3E21E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E43F1F shade: #E43F1F, #9FE421, #21C6E4 and #6521E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E43F1F shade: #E43F1F, #65E421, #21C6E4 and #9F21E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 86 / 11

HEX #E43F1F

RGB 228 63 31

HSL 9.75, 0.78%, 0.51%

LAB 52, 61.88, 54.32

 

Complementary color

CMYK 88 / 14 / 0 / 12

HEX #1BC0E0

RGB 27 192 224

HSL 189.75, 0.78%, 0.49%

LAB 71.77, -27.75, -26.98

 

CMYK 0 / 73 / 89 / 9

HEX #E93F1A

RGB 233 63 26

HSL 10.72, 0.82%, 0.51%

LAB 52.9, 63.34, 57.41

 

CMYK 0 / 68 / 82 / 2

HEX #FA512D

RGB 250 81 45

HSL 10.54, 0.95%, 0.58%

LAB 58.41, 62.61, 55.18

 

CMYK 0 / 61 / 75 / 0

HEX #FF6340

RGB 255 99 64

HSL 10.99, 1%, 0.63%

LAB 62.13, 57.58, 49.94

 

CMYK 0 / 54 / 67 / 0

HEX #FF7553

RGB 255 117 83

HSL 11.86, 1%, 0.66%

LAB 65.44, 50.32, 43.81

 

CMYK 0 / 47 / 60 / 0

HEX #FF8766

RGB 255 135 102

HSL 12.94, 1%, 0.7%

LAB 69.15, 42.72, 38.17

 

CMYK 0 / 72 / 86 / 11

HEX #E43F1F

RGB 228 63 31

HSL 9.75, 0.78%, 0.51%

LAB 52, 61.88, 54.32

 

CMYK 0 / 79 / 94 / 17

HEX #D32D0C

RGB 211 45 12

HSL 9.95, 0.89%, 0.44%

LAB 46.65, 62.14, 55.96

 

CMYK 0 / 86 / 100 / 24

HEX #C21B00

RGB 194 27 0

HSL 8.35, 1%, 0.38%

LAB 41.62, 61.6, 55.18

 

CMYK 0 / 95 / 100 / 31

HEX #B10900

RGB 177 9 0

HSL 3.05, 1%, 0.35%

LAB 37.01, 59.86, 51.2

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 72 / 86 / 11

HEX #E44021

RGB 228 64 33

HSL 9.54, 0.78%, 0.51%

LAB 52.14, 61.58, 53.57

 

CMYK 0 / 86 / 86 / 11

HEX #E42121

RGB 228 33 33

HSL 0, 0.78%, 0.51%

LAB 49.12, 70.07, 51.05

 

CMYK 0 / 72 / 86 / 11

HEX #E44021

RGB 228 64 33

HSL 9.54, 0.78%, 0.51%

LAB 52.14, 61.58, 53.57

 

CMYK 0 / 49 / 86 / 11

HEX #E47521

RGB 228 117 33

HSL 25.85, 0.78%, 0.51%

LAB 61.07, 38.18, 60.96

 

CMYK 0 / 26 / 86 / 11

HEX #E4A921

RGB 228 169 33

HSL 41.85, 0.78%, 0.51%

LAB 72.88, 10.76, 70.63

 

CMYK 0 / 3 / 86 / 11

HEX #E4DE21

RGB 228 222 33

HSL 58.15, 0.78%, 0.51%

LAB 86.43, -16.45, 81.65

 

CMYK 21 / 0 / 86 / 11

HEX #B5E421

RGB 181 228 33

HSL 74.46, 0.78%, 0.51%

LAB 84.7, -38.46, 78.85

 

CMYK 0 / 72 / 86 / 11

HEX #E44021

RGB 228 64 33

HSL 9.54, 0.78%, 0.51%

LAB 52.14, 61.58, 53.57

 

CMYK 0 / 79 / 95 / 3

HEX #F8330C

RGB 248 51 12

HSL 9.92, 0.94%, 0.51%

LAB 54.4, 71.14, 64.11

 

CMYK 0 / 72 / 86 / 11

HEX #E44021

RGB 228 64 33

HSL 9.54, 0.78%, 0.51%

LAB 52.14, 61.58, 53.57

 

CMYK 0 / 62 / 74 / 19

HEX #CF4E35

RGB 207 78 53

HSL 9.74, 0.62%, 0.51%

LAB 50.65, 49.69, 41

 

CMYK 0 / 51 / 61 / 27

HEX #BB5C49

RGB 187 92 73

HSL 10, 0.46%, 0.51%

LAB 50.33, 36.65, 28.67

 

CMYK 0 / 37 / 44 / 35

HEX #A7695D

RGB 167 105 93

HSL 9.73, 0.3%, 0.51%

LAB 50.81, 23.42, 17.14

 

CMYK 0 / 19 / 23 / 42

HEX #937771

RGB 147 119 113

HSL 10.59, 0.14%, 0.51%

LAB 52.5, 9.93, 7.41

 

CMYK 0 / 86 / 53 / 11

HEX #E4216B

RGB 228 33 107

HSL 337.23, 0.78%, 0.51%

LAB 50.27, 73.4, 9.48

 

CMYK 0 / 86 / 76 / 11

HEX #E42137

RGB 228 33 55

HSL 353.23, 0.78%, 0.51%

LAB 49.32, 70.67, 39.56

 

CMYK 0 / 73 / 86 / 11

HEX #E43E21

RGB 228 62 33

HSL 8.92, 0.78%, 0.51%

LAB 51.89, 62.27, 53.36

 

CMYK 0 / 50 / 86 / 11

HEX #E47221

RGB 228 114 33

HSL 24.92, 0.78%, 0.51%

LAB 60.46, 39.69, 60.46

 

CMYK 0 / 27 / 86 / 11

HEX #E4A621

RGB 228 166 33

HSL 40.92, 0.78%, 0.51%

LAB 72.15, 12.36, 70.03

 

CMYK 0 / 73 / 87 / 38

HEX #9E2A14

RGB 158 42 20

HSL 9.57, 0.78%, 0.35%

LAB 35.94, 46.66, 40.55

 

CMYK 0 / 73 / 88 / 24

HEX #C33418

RGB 195 52 24

HSL 9.82, 0.78%, 0.43%

LAB 44.41, 55.19, 48.62

 

CMYK 0 / 72 / 86 / 11

HEX #E44021

RGB 228 64 33

HSL 9.54, 0.78%, 0.51%

LAB 52.14, 61.58, 53.57

 

CMYK 0 / 59 / 70 / 9

HEX #E86045

RGB 232 96 69

HSL 9.94, 0.78%, 0.59%

LAB 57.99, 51.14, 41.73

 

CMYK 0 / 46 / 55 / 7

HEX #ED7F6A

RGB 237 127 106

HSL 9.62, 0.78%, 0.67%

LAB 65.14, 40.29, 30.41

 

CMYK 0 / 72 / 86 / 11

HEX #E43F1F

RGB 228 63 31

HSL 9.75, 0.78%, 0.51%

LAB 52, 61.88, 54.32

 

CMYK 30 / 0 / 86 / 11

HEX #9FE421

RGB 159 228 33

HSL 81.23, 0.78%, 0.51%

LAB 83.43, -46.77, 77.26

 

CMYK 86 / 64 / 0 / 11

HEX #2151E4

RGB 33 81 228

HSL 225.23, 0.78%, 0.51%

LAB 40.91, 39.53, -78.31

 

CMYK 0 / 72 / 86 / 11

HEX #E43F1F

RGB 228 63 31

HSL 9.75, 0.78%, 0.51%

LAB 52, 61.88, 54.32

 

CMYK 86 / 0 / 73 / 11

HEX #21E43E

RGB 33 228 62

HSL 128.92, 0.78%, 0.51%

LAB 79.7, -74.98, 64.41

 

CMYK 73 / 86 / 0 / 11

HEX #3E21E4

RGB 62 33 228

HSL 248.92, 0.78%, 0.51%

LAB 33.38, 66.28, -90.72

 

CMYK 0 / 72 / 86 / 11

HEX #E43F1F

RGB 228 63 31

HSL 9.75, 0.78%, 0.51%

LAB 52, 61.88, 54.32

 

CMYK 30 / 0 / 86 / 11

HEX #9FE421

RGB 159 228 33

HSL 81.23, 0.78%, 0.51%

LAB 83.43, -46.77, 77.26

 

CMYK 86 / 13 / 0 / 11

HEX #21C6E4

RGB 33 198 228

HSL 189.23, 0.78%, 0.51%

LAB 73.75, -29.06, -26.11

 

CMYK 56 / 86 / 0 / 11

HEX #6521E4

RGB 101 33 228

HSL 260.92, 0.78%, 0.51%

LAB 36.85, 69.18, -84.86

 

CMYK 0 / 72 / 86 / 11

HEX #E43F1F

RGB 228 63 31

HSL 9.75, 0.78%, 0.51%

LAB 52, 61.88, 54.32

 

CMYK 56 / 0 / 86 / 11

HEX #65E421

RGB 101 228 33

HSL 99.08, 0.78%, 0.51%

LAB 80.94, -65.06, 74.15

 

CMYK 86 / 13 / 0 / 11

HEX #21C6E4

RGB 33 198 228

HSL 189.23, 0.78%, 0.51%

LAB 73.75, -29.06, -26.11

 

CMYK 30 / 86 / 0 / 11

HEX #9F21E4

RGB 159 33 228

HSL 278.77, 0.78%, 0.51%

LAB 44.32, 76.01, -72.31

 

Description

Color code: HEX #E43F1F | qconv.com Color code: HEX #E43F1F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 63 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 63 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 86% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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