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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E42CF7 it is the complementary color #1BD308. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E42CF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E42CF7 shade: #E92CF2, #FA3EFF, #FF50FF, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E42CF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E42CF7 shade: #E42CF7, #D31AE4, #C208D1, #B100BE and #A000AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E42CF7 shade: #E42BF7, #F72BD3, #F72B9C, #F72B65 and #F72B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E42CF7 shade: #E42BF7, #AD2BF7, #762BF7, #3F2BF7 and #2B2BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E42CF7 shade matches the following richer shades: #E42BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E42CF7 shade: #E42BF7, #D63DE6, #C74FD4, #B961C2 and #AB72B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E42CF7 shade: #762BF7, #AD2BF7, #E32BF7, #F72BD5 and #F72B9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E42CF7 shade: #B707C9, #DB09F1, #E42BF7, #E953F9 and #EE7BFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E42CF7 shade: #E42CF7, #F7402B and #2BF791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E42CF7 shade: #E42CF7, #F7E32B and #2BF7E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E42CF7 shade: #E42CF7, #F7402B, #40F72B and #2BE3F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E42CF7 shade: #E42CF7, #F77D2B, #40F72B and #2BA6F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 82 / 0 / 3

HEX #E42CF7

RGB 228 44 247

HSL 294.38, 0.93%, 0.57%

LAB 57.09, 87.75, -61.83

 

Complementary color

CMYK 87 / 0 / 96 / 17

HEX #1BD308

RGB 27 211 8

HSL 114.38, 0.93%, 0.43%

LAB 74.09, -73.2, 71.5

 

CMYK 4 / 82 / 0 / 5

HEX #E92CF2

RGB 233 44 242

HSL 297.27, 0.88%, 0.56%

LAB 57.59, 87.84, -58.18

 

CMYK 2 / 76 / 0 / 0

HEX #FA3EFF

RGB 250 62 255

HSL 298.45, 1%, 0.62%

LAB 62.5, 88.64, -57.41

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 8 / 82 / 0 / 3

HEX #E42CF7

RGB 228 44 247

HSL 294.38, 0.93%, 0.57%

LAB 57.09, 87.75, -61.83

 

CMYK 7 / 89 / 0 / 11

HEX #D31AE4

RGB 211 26 228

HSL 294.95, 0.8%, 0.5%

LAB 52.05, 85.2, -59.4

 

CMYK 7 / 96 / 0 / 18

HEX #C208D1

RGB 194 8 209

HSL 295.52, 0.93%, 0.43%

LAB 47.3, 81.56, -56.35

 

CMYK 7 / 100 / 0 / 25

HEX #B100BE

RGB 177 0 190

HSL 295.89, 1%, 0.37%

LAB 42.86, 76.69, -52.6

 

CMYK 6 / 100 / 0 / 33

HEX #A000AB

RGB 160 0 171

HSL 296.14, 1%, 0.34%

LAB 38.58, 71.05, -48.41

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 0 / 83 / 15 / 3

HEX #F72BD3

RGB 247 43 211

HSL 310.59, 0.93%, 0.57%

LAB 58.23, 86.28, -39.55

 

CMYK 0 / 83 / 37 / 3

HEX #F72B9C

RGB 247 43 156

HSL 326.76, 0.93%, 0.57%

LAB 55.99, 80.04, -11.14

 

CMYK 0 / 83 / 59 / 3

HEX #F72B65

RGB 247 43 101

HSL 342.94, 0.93%, 0.57%

LAB 54.49, 75.69, 19.52

 

CMYK 0 / 83 / 81 / 3

HEX #F72B2E

RGB 247 43 46

HSL 359.12, 0.93%, 0.57%

LAB 53.71, 73.34, 50.13

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 30 / 83 / 0 / 3

HEX #AD2BF7

RGB 173 43 247

HSL 278.24, 0.93%, 0.57%

LAB 48.67, 79.24, -75.85

 

CMYK 52 / 83 / 0 / 3

HEX #762BF7

RGB 118 43 247

HSL 262.06, 0.93%, 0.57%

LAB 41.68, 72.26, -87.58

 

CMYK 74 / 83 / 0 / 3

HEX #3F2BF7

RGB 63 43 247

HSL 245.88, 0.93%, 0.57%

LAB 36.93, 67.77, -95.59

 

CMYK 83 / 83 / 0 / 3

HEX #2B2BF7

RGB 43 43 247

HSL 240, 0.93%, 0.57%

LAB 35.9, 66.83, -97.33

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 7 / 73 / 0 / 10

HEX #D63DE6

RGB 214 61 230

HSL 294.32, 0.77%, 0.57%

LAB 55.43, 77.98, -55.09

 

CMYK 6 / 63 / 0 / 17

HEX #C74FD4

RGB 199 79 212

HSL 294.14, 0.61%, 0.57%

LAB 54.54, 65.04, -46.45

 

CMYK 5 / 50 / 0 / 24

HEX #B961C2

RGB 185 97 194

HSL 294.43, 0.44%, 0.57%

LAB 54.82, 49.73, -35.85

 

CMYK 3 / 35 / 0 / 31

HEX #AB72B0

RGB 171 114 176

HSL 295.16, 0.28%, 0.57%

LAB 55.91, 32.89, -23.94

 

CMYK 52 / 83 / 0 / 3

HEX #762BF7

RGB 118 43 247

HSL 262.06, 0.93%, 0.57%

LAB 41.68, 72.26, -87.58

 

CMYK 30 / 83 / 0 / 3

HEX #AD2BF7

RGB 173 43 247

HSL 278.24, 0.93%, 0.57%

LAB 48.67, 79.24, -75.85

 

CMYK 8 / 83 / 0 / 3

HEX #E32BF7

RGB 227 43 247

HSL 294.12, 0.93%, 0.57%

LAB 56.85, 87.79, -62.21

 

CMYK 0 / 83 / 14 / 3

HEX #F72BD5

RGB 247 43 213

HSL 310, 0.93%, 0.57%

LAB 58.33, 86.54, -40.54

 

CMYK 0 / 83 / 36 / 3

HEX #F72B9F

RGB 247 43 159

HSL 325.88, 0.93%, 0.57%

LAB 56.09, 80.33, -12.75

 

CMYK 9 / 97 / 0 / 21

HEX #B707C9

RGB 183 7 201

HSL 294.43, 0.93%, 0.41%

LAB 44.85, 78.69, -55.76

 

CMYK 9 / 96 / 0 / 5

HEX #DB09F1

RGB 219 9 241

HSL 294.31, 0.93%, 0.49%

LAB 53.61, 90.21, -64.15

 

CMYK 8 / 83 / 0 / 3

HEX #E42BF7

RGB 228 43 247

HSL 294.41, 0.93%, 0.57%

LAB 57.01, 87.96, -61.94

 

CMYK 6 / 67 / 0 / 2

HEX #E953F9

RGB 233 83 249

HSL 294.22, 0.93%, 0.65%

LAB 61.95, 77.58, -55.11

 

CMYK 5 / 51 / 0 / 2

HEX #EE7BFA

RGB 238 123 250

HSL 294.33, 0.93%, 0.73%

LAB 68.93, 61.89, -44.6

 

CMYK 8 / 82 / 0 / 3

HEX #E42CF7

RGB 228 44 247

HSL 294.38, 0.93%, 0.57%

LAB 57.09, 87.75, -61.83

 

CMYK 0 / 74 / 83 / 3

HEX #F7402B

RGB 247 64 43

HSL 6.18, 0.93%, 0.57%

LAB 55.7, 67.59, 53.45

 

CMYK 83 / 0 / 41 / 3

HEX #2BF791

RGB 43 247 145

HSL 150, 0.93%, 0.57%

LAB 86.54, -69.29, 35.93

 

CMYK 8 / 82 / 0 / 3

HEX #E42CF7

RGB 228 44 247

HSL 294.38, 0.93%, 0.57%

LAB 57.09, 87.75, -61.83

 

CMYK 0 / 8 / 83 / 3

HEX #F7E32B

RGB 247 227 43

HSL 54.12, 0.93%, 0.57%

LAB 89.34, -10.7, 82.52

 

CMYK 83 / 0 / 8 / 3

HEX #2BF7E3

RGB 43 247 227

HSL 174.12, 0.93%, 0.57%

LAB 88.25, -50.83, -3.8

 

CMYK 8 / 82 / 0 / 3

HEX #E42CF7

RGB 228 44 247

HSL 294.38, 0.93%, 0.57%

LAB 57.09, 87.75, -61.83

 

CMYK 0 / 74 / 83 / 3

HEX #F7402B

RGB 247 64 43

HSL 6.18, 0.93%, 0.57%

LAB 55.7, 67.59, 53.45

 

CMYK 74 / 0 / 83 / 3

HEX #40F72B

RGB 64 247 43

HSL 113.82, 0.93%, 0.57%

LAB 85.9, -78.09, 76

 

CMYK 83 / 8 / 0 / 3

HEX #2BE3F7

RGB 43 227 247

HSL 185.88, 0.93%, 0.57%

LAB 83, -36.3, -22.15

 

CMYK 8 / 82 / 0 / 3

HEX #E42CF7

RGB 228 44 247

HSL 294.38, 0.93%, 0.57%

LAB 57.09, 87.75, -61.83

 

CMYK 0 / 49 / 83 / 3

HEX #F77D2B

RGB 247 125 43

HSL 24.12, 0.93%, 0.57%

LAB 65.45, 41.85, 62.12

 

CMYK 74 / 0 / 83 / 3

HEX #40F72B

RGB 64 247 43

HSL 113.82, 0.93%, 0.57%

LAB 85.9, -78.09, 76

 

CMYK 83 / 33 / 0 / 3

HEX #2BA6F7

RGB 43 166 247

HSL 203.82, 0.93%, 0.57%

LAB 65.36, -4.96, -49.49

 

Description

Color code: HEX #E42CF7 | qconv.com Color code: HEX #E42CF7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 44 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 44 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 82 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 82% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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