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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E42BC9 it is the complementary color #1BD436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E42BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E42BC9 shade: #E92BC4, #FA3DD7, #FF4FEA, #FF61FD and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E42BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E42BC9 shade: #E42BC9, #D319B6, #C207A3, #B10090 and #A0007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E42BC9 shade: #E32BC8, #E32B97, #E32B65, #E32B33 and #E32B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E42BC9 shade: #E32BC8, #CD2BE3, #9B2BE3, #692BE3 and #372BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E42BC9 shade matches the following richer shades: #E32BC8 and #F717D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E42BC9 shade: #E32BC8, #D03EBB, #BD52AD, #A9659F and #967892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E42BC9 shade: #9A2BE3, #CB2BE3, #E32BCB, #E32B9A and #E32B68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E42BC9 shade: #A61691, #CB1AB1, #E32BC8, #E84FD2 and #ED74DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E42BC9 shade: #E42BC9, #E3682B and #2BE3B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E42BC9 shade: #E42BC9, #CBE32B and #2BCBE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E42BC9 shade: #E42BC9, #E3682B, #2BE343 and #2BA6E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E42BC9 shade: #E42BC9, #E3A02B, #2BE343 and #2B6FE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 12 / 11

HEX #E42BC9

RGB 228 43 201

HSL 308.76, 0.77%, 0.53%

LAB 54.49, 81.19, -39.94

 

Complementary color

CMYK 87 / 0 / 75 / 17

HEX #1BD436

RGB 27 212 54

HSL 128.76, 0.77%, 0.47%

LAB 74.56, -71.45, 61.95

 

CMYK 0 / 82 / 16 / 9

HEX #E92BC4

RGB 233 43 196

HSL 311.68, 0.81%, 0.54%

LAB 55.11, 81.54, -36.03

 

CMYK 0 / 76 / 14 / 2

HEX #FA3DD7

RGB 250 61 215

HSL 311.11, 0.95%, 0.61%

LAB 60.4, 83.17, -38.38

 

CMYK 0 / 69 / 8 / 0

HEX #FF4FEA

RGB 255 79 234

HSL 307.16, 1%, 0.65%

LAB 63.99, 81.45, -43.35

 

CMYK 0 / 62 / 1 / 0

HEX #FF61FD

RGB 255 97 253

HSL 300.76, 1%, 0.69%

LAB 67.2, 77.88, -48.8

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 81 / 12 / 11

HEX #E42BC9

RGB 228 43 201

HSL 308.76, 0.77%, 0.53%

LAB 54.49, 81.19, -39.94

 

CMYK 0 / 88 / 14 / 17

HEX #D319B6

RGB 211 25 182

HSL 309.35, 0.79%, 0.46%

LAB 49.4, 78.7, -37.13

 

CMYK 0 / 96 / 16 / 24

HEX #C207A3

RGB 194 7 163

HSL 309.95, 0.93%, 0.39%

LAB 44.61, 75.1, -33.64

 

CMYK 0 / 100 / 19 / 31

HEX #B10090

RGB 177 0 144

HSL 311.19, 1%, 0.35%

LAB 40.18, 70.16, -29.34

 

CMYK 0 / 100 / 22 / 37

HEX #A0007D

RGB 160 0 125

HSL 313.13, 1%, 0.31%

LAB 35.9, 64.5, -24.54

 

CMYK 0 / 81 / 12 / 11

HEX #E32BC8

RGB 227 43 200

HSL 308.8, 0.77%, 0.53%

LAB 54.27, 80.86, -39.72

 

CMYK 0 / 81 / 33 / 11

HEX #E32B97

RGB 227 43 151

HSL 324.78, 0.77%, 0.53%

LAB 52.17, 74.93, -14.3

 

CMYK 0 / 81 / 56 / 11

HEX #E32B65

RGB 227 43 101

HSL 341.09, 0.77%, 0.53%

LAB 50.69, 70.58, 13.69

 

CMYK 0 / 81 / 78 / 11

HEX #E32B33

RGB 227 43 51

HSL 357.39, 0.77%, 0.53%

LAB 49.86, 68.06, 42.32

 

CMYK 0 / 81 / 81 / 11

HEX #E32B2B

RGB 227 43 43

HSL 0, 0.77%, 0.53%

LAB 49.78, 67.82, 46.56

 

CMYK 0 / 81 / 12 / 11

HEX #E32BC8

RGB 227 43 200

HSL 308.8, 0.77%, 0.53%

LAB 54.27, 80.86, -39.72

 

CMYK 10 / 81 / 0 / 11

HEX #CD2BE3

RGB 205 43 227

HSL 292.83, 0.77%, 0.53%

LAB 52.12, 80.77, -58.77

 

CMYK 32 / 81 / 0 / 11

HEX #9B2BE3

RGB 155 43 227

HSL 276.52, 0.77%, 0.53%

LAB 44.58, 72.55, -71.34

 

CMYK 54 / 81 / 0 / 11

HEX #692BE3

RGB 105 43 227

HSL 260.22, 0.77%, 0.53%

LAB 38.34, 65.92, -81.82

 

CMYK 76 / 81 / 0 / 11

HEX #372BE3

RGB 55 43 227

HSL 243.91, 0.77%, 0.53%

LAB 34.16, 61.6, -88.86

 

CMYK 0 / 81 / 12 / 11

HEX #E32BC8

RGB 227 43 200

HSL 308.8, 0.77%, 0.53%

LAB 54.27, 80.86, -39.72

 

CMYK 0 / 91 / 13 / 3

HEX #F717D6

RGB 247 23 214

HSL 308.84, 0.93%, 0.53%

LAB 57.31, 89.78, -42.7

 

CMYK 0 / 81 / 12 / 11

HEX #E32BC8

RGB 227 43 200

HSL 308.8, 0.77%, 0.53%

LAB 54.27, 80.86, -39.72

 

CMYK 0 / 70 / 10 / 18

HEX #D03EBB

RGB 208 62 187

HSL 308.63, 0.61%, 0.53%

LAB 52.33, 69.56, -35.47

 

CMYK 0 / 57 / 8 / 26

HEX #BD52AD

RGB 189 82 173

HSL 308.97, 0.45%, 0.53%

LAB 51.69, 54.41, -28.54

 

CMYK 0 / 40 / 6 / 34

HEX #A9659F

RGB 169 101 159

HSL 308.82, 0.28%, 0.53%

LAB 52.11, 36.2, -19.92

 

CMYK 0 / 20 / 3 / 41

HEX #967892

RGB 150 120 146

HSL 308, 0.13%, 0.53%

LAB 54.02, 16.33, -9.63

 

CMYK 32 / 81 / 0 / 11

HEX #9A2BE3

RGB 154 43 227

HSL 276.2, 0.77%, 0.53%

LAB 44.44, 72.4, -71.58

 

CMYK 11 / 81 / 0 / 11

HEX #CB2BE3

RGB 203 43 227

HSL 292.17, 0.77%, 0.53%

LAB 51.8, 80.42, -59.3

 

CMYK 0 / 81 / 11 / 11

HEX #E32BCB

RGB 227 43 203

HSL 307.83, 0.77%, 0.53%

LAB 54.42, 81.27, -41.21

 

CMYK 0 / 81 / 32 / 11

HEX #E32B9A

RGB 227 43 154

HSL 323.8, 0.77%, 0.53%

LAB 52.28, 75.25, -15.92

 

CMYK 0 / 81 / 54 / 11

HEX #E32B68

RGB 227 43 104

HSL 340.11, 0.77%, 0.53%

LAB 50.76, 70.78, 11.97

 

CMYK 0 / 87 / 13 / 35

HEX #A61691

RGB 166 22 145

HSL 308.75, 0.77%, 0.37%

LAB 39.11, 65.3, -31.77

 

CMYK 0 / 87 / 13 / 20

HEX #CB1AB1

RGB 203 26 177

HSL 308.81, 0.77%, 0.45%

LAB 47.76, 76.34, -36.87

 

CMYK 0 / 81 / 12 / 11

HEX #E32BC8

RGB 227 43 200

HSL 308.8, 0.77%, 0.53%

LAB 54.27, 80.86, -39.72

 

CMYK 0 / 66 / 9 / 9

HEX #E84FD2

RGB 232 79 210

HSL 308.63, 0.77%, 0.61%

LAB 59.34, 72.61, -37.41

 

CMYK 0 / 51 / 8 / 7

HEX #ED74DB

RGB 237 116 219

HSL 308.93, 0.77%, 0.69%

LAB 66.22, 59.61, -31.71

 

CMYK 0 / 81 / 12 / 11

HEX #E42BC9

RGB 228 43 201

HSL 308.76, 0.77%, 0.53%

LAB 54.49, 81.19, -39.94

 

CMYK 0 / 54 / 81 / 11

HEX #E3682B

RGB 227 104 43

HSL 19.89, 0.77%, 0.53%

LAB 58.42, 44.52, 54.7

 

CMYK 81 / 0 / 22 / 11

HEX #2BE3B2

RGB 43 227 178

HSL 164.02, 0.77%, 0.53%

LAB 81.11, -55.13, 11.58

 

CMYK 0 / 81 / 12 / 11

HEX #E42BC9

RGB 228 43 201

HSL 308.76, 0.77%, 0.53%

LAB 54.49, 81.19, -39.94

 

CMYK 11 / 0 / 81 / 11

HEX #CBE32B

RGB 203 227 43

HSL 67.83, 0.77%, 0.53%

LAB 85.91, -28.94, 78.23

 

CMYK 81 / 11 / 0 / 11

HEX #2BCBE3

RGB 43 203 227

HSL 187.83, 0.77%, 0.53%

LAB 75.31, -31.08, -23.18

 

CMYK 0 / 81 / 12 / 11

HEX #E42BC9

RGB 228 43 201

HSL 308.76, 0.77%, 0.53%

LAB 54.49, 81.19, -39.94

 

CMYK 0 / 54 / 81 / 11

HEX #E3682B

RGB 227 104 43

HSL 19.89, 0.77%, 0.53%

LAB 58.42, 44.52, 54.7

 

CMYK 81 / 0 / 70 / 11

HEX #2BE343

RGB 43 227 67

HSL 127.83, 0.77%, 0.53%

LAB 79.53, -73.33, 62.49

 

CMYK 81 / 27 / 0 / 11

HEX #2BA6E3

RGB 43 166 227

HSL 199.89, 0.77%, 0.53%

LAB 64.43, -12.02, -39.98

 

CMYK 0 / 81 / 12 / 11

HEX #E42BC9

RGB 228 43 201

HSL 308.76, 0.77%, 0.53%

LAB 54.49, 81.19, -39.94

 

CMYK 0 / 30 / 81 / 11

HEX #E3A02B

RGB 227 160 43

HSL 38.15, 0.77%, 0.53%

LAB 70.63, 15.4, 65.7

 

CMYK 81 / 0 / 70 / 11

HEX #2BE343

RGB 43 227 67

HSL 127.83, 0.77%, 0.53%

LAB 79.53, -73.33, 62.49

 

CMYK 81 / 51 / 0 / 11

HEX #2B6FE3

RGB 43 111 227

HSL 217.83, 0.77%, 0.53%

LAB 48.8, 20.79, -64.88

 

Description

Color code: HEX #E42BC9 | qconv.com Color code: HEX #E42BC9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 43 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 43 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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