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Color name
HEX #E425FA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E425FA it is the complementary color #1BDA05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E425FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E425FA shade: #E925F5, #FA37FF, #FF49FF, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E425FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E425FA shade: #E425FA, #D313E7, #C201D4, #B100C1 and #A000AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E425FA shade: #E423FB, #FB23D7, #FB239D, #FB2362 and #FB2328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E425FA shade: #E423FB, #AA23FB, #7023FB, #3623FB and #2323FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E425FA shade matches the following richer shades: #E423FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E425FA shade: #E423FB, #D635E8, #C747D6, #B95AC4 and #AB6CB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E425FA shade: #6E23FB, #A823FB, #E123FB, #FB23DA and #FB23A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E425FA shade: #B304C7, #D705EF, #E423FB, #E94CFB and #EE74FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E425FA shade: #E425FA, #FB3523 and #23FB8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E425FA shade: #E425FA, #FBE123 and #23FBE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E425FA shade: #E425FA, #FB3523, #3CFB23 and #23E9FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E425FA shade: #E425FA, #FB7623, #3CFB23 and #23A8FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 85 / 0 / 2

HEX #E425FA

RGB 228 37 250

HSL 293.8, 0.96%, 0.56%

LAB 56.8, 89.59, -63.96

 

Complementary color

CMYK 88 / 0 / 98 / 15

HEX #1BDA05

RGB 27 218 5

HSL 113.8, 0.96%, 0.44%

LAB 76.31, -75.18, 73.6

 

CMYK 5 / 85 / 0 / 4

HEX #E925F5

RGB 233 37 245

HSL 296.54, 0.91%, 0.55%

LAB 57.31, 89.65, -60.31

 

CMYK 2 / 78 / 0 / 0

HEX #FA37FF

RGB 250 55 255

HSL 298.5, 1%, 0.61%

LAB 61.89, 90.4, -58.38

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 9 / 85 / 0 / 2

HEX #E425FA

RGB 228 37 250

HSL 293.8, 0.96%, 0.56%

LAB 56.8, 89.59, -63.96

 

CMYK 9 / 92 / 0 / 9

HEX #D313E7

RGB 211 19 231

HSL 294.34, 0.85%, 0.49%

LAB 51.93, 86.57, -61.28

 

CMYK 8 / 100 / 0 / 17

HEX #C201D4

RGB 194 1 212

HSL 294.88, 0.99%, 0.42%

LAB 47.29, 82.61, -58.08

 

CMYK 8 / 100 / 0 / 24

HEX #B100C1

RGB 177 0 193

HSL 295.03, 1%, 0.38%

LAB 43.06, 77.16, -54.04

 

CMYK 8 / 100 / 0 / 32

HEX #A000AE

RGB 160 0 174

HSL 295.17, 1%, 0.34%

LAB 38.78, 71.53, -49.88

 

CMYK 9 / 86 / 0 / 2

HEX #E423FB

RGB 228 35 251

HSL 293.61, 0.96%, 0.56%

LAB 56.74, 90.1, -64.61

 

CMYK 0 / 86 / 14 / 2

HEX #FB23D7

RGB 251 35 215

HSL 310, 0.96%, 0.56%

LAB 58.62, 89, -41.16

 

CMYK 0 / 86 / 37 / 2

HEX #FB239D

RGB 251 35 157

HSL 326.11, 0.96%, 0.56%

LAB 56.23, 82.55, -11.29

 

CMYK 0 / 86 / 61 / 2

HEX #FB2362

RGB 251 35 98

HSL 342.5, 0.96%, 0.56%

LAB 54.65, 78.08, 21.66

 

CMYK 0 / 86 / 84 / 2

HEX #FB2328

RGB 251 35 40

HSL 358.61, 0.96%, 0.56%

LAB 53.88, 75.86, 53.57

 

CMYK 9 / 86 / 0 / 2

HEX #E423FB

RGB 228 35 251

HSL 293.61, 0.96%, 0.56%

LAB 56.74, 90.1, -64.61

 

CMYK 32 / 86 / 0 / 2

HEX #AA23FB

RGB 170 35 251

HSL 277.5, 0.96%, 0.56%

LAB 47.9, 81.57, -79.37

 

CMYK 55 / 86 / 0 / 2

HEX #7023FB

RGB 112 35 251

HSL 261.39, 0.96%, 0.56%

LAB 40.59, 75.12, -91.65

 

CMYK 78 / 86 / 0 / 2

HEX #3623FB

RGB 54 35 251

HSL 245.28, 0.96%, 0.56%

LAB 35.89, 71.41, -99.59

 

CMYK 86 / 86 / 0 / 2

HEX #2323FB

RGB 35 35 251

HSL 240, 0.96%, 0.56%

LAB 35.05, 70.79, -101.01

 

CMYK 9 / 86 / 0 / 2

HEX #E423FB

RGB 228 35 251

HSL 293.61, 0.96%, 0.56%

LAB 56.74, 90.1, -64.61

 

CMYK 9 / 86 / 0 / 2

HEX #E423FB

RGB 228 35 251

HSL 293.61, 0.96%, 0.56%

LAB 56.74, 90.1, -64.61

 

CMYK 8 / 77 / 0 / 9

HEX #D635E8

RGB 214 53 232

HSL 293.97, 0.8%, 0.56%

LAB 54.73, 80.66, -57.33

 

CMYK 7 / 67 / 0 / 16

HEX #C747D6

RGB 199 71 214

HSL 293.71, 0.64%, 0.56%

LAB 53.5, 68.61, -49.24

 

CMYK 6 / 54 / 0 / 23

HEX #B95AC4

RGB 185 90 196

HSL 293.77, 0.47%, 0.56%

LAB 53.61, 53.58, -38.89

 

CMYK 4 / 39 / 0 / 30

HEX #AB6CB2

RGB 171 108 178

HSL 294, 0.31%, 0.56%

LAB 54.66, 36.61, -27.03

 

CMYK 56 / 86 / 0 / 2

HEX #6E23FB

RGB 110 35 251

HSL 260.83, 0.96%, 0.56%

LAB 40.38, 74.95, -92

 

CMYK 33 / 86 / 0 / 2

HEX #A823FB

RGB 168 35 251

HSL 276.94, 0.96%, 0.56%

LAB 47.61, 81.3, -79.84

 

CMYK 10 / 86 / 0 / 2

HEX #E123FB

RGB 225 35 251

HSL 292.78, 0.96%, 0.56%

LAB 56.26, 89.62, -65.41

 

CMYK 0 / 86 / 13 / 2

HEX #FB23DA

RGB 251 35 218

HSL 309.17, 0.96%, 0.56%

LAB 58.76, 89.39, -42.64

 

CMYK 0 / 86 / 36 / 2

HEX #FB23A1

RGB 251 35 161

HSL 325, 0.96%, 0.56%

LAB 56.37, 82.93, -13.44

 

CMYK 10 / 98 / 0 / 22

HEX #B304C7

RGB 179 4 199

HSL 293.85, 0.96%, 0.4%

LAB 43.94, 78.04, -56.11

 

CMYK 10 / 98 / 0 / 6

HEX #D705EF

RGB 215 5 239

HSL 293.85, 0.96%, 0.48%

LAB 52.72, 89.6, -64.5

 

CMYK 9 / 86 / 0 / 2

HEX #E423FB

RGB 228 35 251

HSL 293.61, 0.96%, 0.56%

LAB 56.74, 90.1, -64.61

 

CMYK 7 / 70 / 0 / 2

HEX #E94CFB

RGB 233 76 251

HSL 293.83, 0.96%, 0.64%

LAB 61.18, 80.41, -57.45

 

CMYK 6 / 54 / 0 / 1

HEX #EE74FC

RGB 238 116 252

HSL 293.82, 0.96%, 0.72%

LAB 67.8, 65.51, -47.47

 

CMYK 9 / 85 / 0 / 2

HEX #E425FA

RGB 228 37 250

HSL 293.8, 0.96%, 0.56%

LAB 56.8, 89.59, -63.96

 

CMYK 0 / 79 / 86 / 2

HEX #FB3523

RGB 251 53 35

HSL 5, 0.96%, 0.56%

LAB 55.25, 71.76, 57.02

 

CMYK 86 / 0 / 45 / 2

HEX #23FB8B

RGB 35 251 139

HSL 148.89, 0.96%, 0.56%

LAB 87.59, -72.28, 40.21

 

CMYK 9 / 85 / 0 / 2

HEX #E425FA

RGB 228 37 250

HSL 293.8, 0.96%, 0.56%

LAB 56.8, 89.59, -63.96

 

CMYK 0 / 10 / 86 / 2

HEX #FBE123

RGB 251 225 35

HSL 52.78, 0.96%, 0.56%

LAB 89.15, -8.21, 84.26

 

CMYK 86 / 0 / 10 / 2

HEX #23FBE1

RGB 35 251 225

HSL 172.78, 0.96%, 0.56%

LAB 89.29, -53.53, -1.23

 

CMYK 9 / 85 / 0 / 2

HEX #E425FA

RGB 228 37 250

HSL 293.8, 0.96%, 0.56%

LAB 56.8, 89.59, -63.96

 

CMYK 0 / 79 / 86 / 2

HEX #FB3523

RGB 251 53 35

HSL 5, 0.96%, 0.56%

LAB 55.25, 71.76, 57.02

 

CMYK 76 / 0 / 86 / 2

HEX #3CFB23

RGB 60 251 35

HSL 113.06, 0.96%, 0.56%

LAB 87.03, -80.14, 78.7

 

CMYK 86 / 7 / 0 / 2

HEX #23E9FB

RGB 35 233 251

HSL 185, 0.96%, 0.56%

LAB 84.79, -38.38, -21.55

 

CMYK 9 / 85 / 0 / 2

HEX #E425FA

RGB 228 37 250

HSL 293.8, 0.96%, 0.56%

LAB 56.8, 89.59, -63.96

 

CMYK 0 / 53 / 86 / 2

HEX #FB7623

RGB 251 118 35

HSL 23.06, 0.96%, 0.56%

LAB 64.63, 46.61, 64.56

 

CMYK 76 / 0 / 86 / 2

HEX #3CFB23

RGB 60 251 35

HSL 113.06, 0.96%, 0.56%

LAB 87.03, -80.14, 78.7

 

CMYK 86 / 33 / 0 / 2

HEX #23A8FB

RGB 35 168 251

HSL 203.06, 0.96%, 0.56%

LAB 66, -5.23, -50.66

 

Description

Color code: HEX #E425FA | qconv.com Color code: HEX #E425FA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 37 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 37 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 85 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 85% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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