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Color name
HEX #E41CEA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E41CEA it is the complementary color #1BE315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E41CEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E41CEA shade: #E91CE5, #FA2EF8, #FF40FF, #FF52FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E41CEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E41CEA shade: #E41CEA, #D30AD7, #C200C4, #B100B1 and #A0009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E41CEA shade: #E41AEA, #EA1AB8, #EA1A80, #EA1A48 and #EA1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E41CEA shade: #E41AEA, #AC1AEA, #741AEA, #3C1AEA and #1A1AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E41CEA shade matches the following richer shades: #E41AEA and #F706FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E41CEA shade: #E41AEA, #D12FD6, #BE43C1, #AB57AD and #986B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E41CEA shade: #741AEA, #AC1AEA, #E31AEA, #EA1AB9 and #EA1A82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E41CEA shade: #9E0FA2, #C313C8, #E41AEA, #E840ED and #ED66F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E41CEA shade: #E41CEA, #EA3D1A and #1AEA90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E41CEA shade: #E41CEA, #EAE31A and #1AEAE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E41CEA shade: #E41CEA, #EA3D1A, #21EA1A and #1AC7EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E41CEA shade: #E41CEA, #EA7B1A, #21EA1A and #1A89EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 88 / 0 / 8

HEX #E41CEA

RGB 228 28 234

HSL 298.25, 0.83%, 0.51%

LAB 55.34, 88.6, -57.34

 

Complementary color

CMYK 88 / 0 / 91 / 11

HEX #1BE315

RGB 27 227 21

HSL 118.25, 0.83%, 0.49%

LAB 79.17, -77.3, 74.18

 

CMYK 0 / 88 / 2 / 9

HEX #E91CE5

RGB 233 28 229

HSL 301.17, 0.82%, 0.51%

LAB 55.9, 88.71, -53.59

 

CMYK 0 / 82 / 1 / 2

HEX #FA2EF8

RGB 250 46 248

HSL 300.59, 0.95%, 0.58%

LAB 60.83, 91.33, -56.19

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 3 / 88 / 0 / 8

HEX #E41CEA

RGB 228 28 234

HSL 298.25, 0.83%, 0.51%

LAB 55.34, 88.6, -57.34

 

CMYK 2 / 95 / 0 / 16

HEX #D30AD7

RGB 211 10 215

HSL 298.83, 0.91%, 0.44%

LAB 50.65, 85, -54.24

 

CMYK 1 / 100 / 0 / 23

HEX #C200C4

RGB 194 0 196

HSL 299.39, 1%, 0.38%

LAB 46.25, 80.28, -50.5

 

CMYK 0 / 100 / 0 / 31

HEX #B100B1

RGB 177 0 177

HSL 300, 1%, 0.35%

LAB 42.03, 74.71, -46.26

 

CMYK 0 / 100 / 1 / 37

HEX #A0009E

RGB 160 0 158

HSL 300.75, 1%, 0.31%

LAB 37.74, 69.04, -41.93

 

CMYK 3 / 89 / 0 / 8

HEX #E41AEA

RGB 228 26 234

HSL 298.27, 0.83%, 0.51%

LAB 55.25, 88.88, -57.49

 

CMYK 0 / 89 / 21 / 8

HEX #EA1AB8

RGB 234 26 184

HSL 314.42, 0.83%, 0.51%

LAB 53.7, 83.27, -31.27

 

CMYK 0 / 89 / 45 / 8

HEX #EA1A80

RGB 234 26 128

HSL 330.58, 0.83%, 0.51%

LAB 51.6, 77.61, -1.22

 

CMYK 0 / 89 / 69 / 8

HEX #EA1A48

RGB 234 26 72

HSL 346.73, 0.83%, 0.51%

LAB 50.33, 74.06, 31.05

 

CMYK 0 / 89 / 89 / 8

HEX #EA1A1A

RGB 234 26 26

HSL 0, 0.83%, 0.51%

LAB 49.86, 72.72, 55.29

 

CMYK 3 / 89 / 0 / 8

HEX #E41AEA

RGB 228 26 234

HSL 298.27, 0.83%, 0.51%

LAB 55.25, 88.88, -57.49

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 50 / 89 / 0 / 8

HEX #741AEA

RGB 116 26 234

HSL 265.96, 0.83%, 0.51%

LAB 38.54, 73.88, -85.43

 

CMYK 74 / 89 / 0 / 8

HEX #3C1AEA

RGB 60 26 234

HSL 249.81, 0.83%, 0.51%

LAB 33.22, 70.02, -94.41

 

CMYK 89 / 89 / 0 / 8

HEX #1A1AEA

RGB 26 26 234

HSL 240, 0.83%, 0.51%

LAB 31.58, 68.96, -97.19

 

CMYK 3 / 89 / 0 / 8

HEX #E41AEA

RGB 228 26 234

HSL 298.27, 0.83%, 0.51%

LAB 55.25, 88.88, -57.49

 

CMYK 3 / 98 / 0 / 0

HEX #F706FE

RGB 247 6 254

HSL 298.31, 0.99%, 0.51%

LAB 59.03, 96.54, -62.43

 

CMYK 3 / 89 / 0 / 8

HEX #E41AEA

RGB 228 26 234

HSL 298.27, 0.83%, 0.51%

LAB 55.25, 88.88, -57.49

 

CMYK 2 / 78 / 0 / 16

HEX #D12FD6

RGB 209 47 214

HSL 298.2, 0.67%, 0.51%

LAB 52.33, 78.42, -51

 

CMYK 2 / 65 / 0 / 24

HEX #BE43C1

RGB 190 67 193

HSL 298.57, 0.5%, 0.51%

LAB 50.47, 64.46, -42.08

 

CMYK 1 / 50 / 0 / 32

HEX #AB57AD

RGB 171 87 173

HSL 298.6, 0.34%, 0.51%

LAB 50.09, 46.82, -31.23

 

CMYK 1 / 30 / 0 / 40

HEX #986B99

RGB 152 107 153

HSL 298.7, 0.18%, 0.51%

LAB 51.26, 25.94, -17.89

 

CMYK 50 / 89 / 0 / 8

HEX #741AEA

RGB 116 26 234

HSL 265.96, 0.83%, 0.51%

LAB 38.54, 73.88, -85.43

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 3 / 89 / 0 / 8

HEX #E31AEA

RGB 227 26 234

HSL 297.98, 0.83%, 0.51%

LAB 55.08, 88.71, -57.77

 

CMYK 0 / 89 / 21 / 8

HEX #EA1AB9

RGB 234 26 185

HSL 314.13, 0.83%, 0.51%

LAB 53.74, 83.39, -31.78

 

CMYK 0 / 89 / 44 / 8

HEX #EA1A82

RGB 234 26 130

HSL 330, 0.83%, 0.51%

LAB 51.66, 77.77, -2.33

 

CMYK 2 / 91 / 0 / 36

HEX #9E0FA2

RGB 158 15 162

HSL 298.37, 0.83%, 0.35%

LAB 38.23, 67.51, -43.58

 

CMYK 3 / 91 / 0 / 22

HEX #C313C8

RGB 195 19 200

HSL 298.34, 0.83%, 0.43%

LAB 47.29, 79.22, -51.16

 

CMYK 3 / 89 / 0 / 8

HEX #E41AEA

RGB 228 26 234

HSL 298.27, 0.83%, 0.51%

LAB 55.25, 88.88, -57.49

 

CMYK 2 / 73 / 0 / 7

HEX #E840ED

RGB 232 64 237

HSL 298.27, 0.83%, 0.59%

LAB 58.92, 81.78, -53.29

 

CMYK 2 / 58 / 0 / 5

HEX #ED66F1

RGB 237 102 241

HSL 298.27, 0.83%, 0.67%

LAB 64.85, 69.56, -46.07

 

CMYK 3 / 88 / 0 / 8

HEX #E41CEA

RGB 228 28 234

HSL 298.25, 0.83%, 0.51%

LAB 55.34, 88.6, -57.34

 

CMYK 0 / 74 / 89 / 8

HEX #EA3D1A

RGB 234 61 26

HSL 10.1, 0.83%, 0.51%

LAB 52.84, 64.3, 57.46

 

CMYK 89 / 0 / 38 / 8

HEX #1AEA90

RGB 26 234 144

HSL 154.04, 0.83%, 0.51%

LAB 82.42, -66.25, 30.97

 

CMYK 3 / 88 / 0 / 8

HEX #E41CEA

RGB 228 28 234

HSL 298.25, 0.83%, 0.51%

LAB 55.34, 88.6, -57.34

 

CMYK 0 / 3 / 89 / 8

HEX #EAE31A

RGB 234 227 26

HSL 57.98, 0.83%, 0.51%

LAB 88.21, -16.52, 84.52

 

CMYK 89 / 0 / 3 / 8

HEX #1AEAE3

RGB 26 234 227

HSL 177.98, 0.83%, 0.51%

LAB 84.28, -46.3, -9.68

 

CMYK 3 / 88 / 0 / 8

HEX #E41CEA

RGB 228 28 234

HSL 298.25, 0.83%, 0.51%

LAB 55.34, 88.6, -57.34

 

CMYK 0 / 74 / 89 / 8

HEX #EA3D1A

RGB 234 61 26

HSL 10.1, 0.83%, 0.51%

LAB 52.84, 64.3, 57.46

 

CMYK 86 / 0 / 89 / 8

HEX #21EA1A

RGB 33 234 26

HSL 117.98, 0.83%, 0.51%

LAB 81.43, -78.61, 75.34

 

CMYK 89 / 15 / 0 / 8

HEX #1AC7EA

RGB 26 199 234

HSL 190.1, 0.83%, 0.51%

LAB 74.19, -28.01, -28.67

 

CMYK 3 / 88 / 0 / 8

HEX #E41CEA

RGB 228 28 234

HSL 298.25, 0.83%, 0.51%

LAB 55.34, 88.6, -57.34

 

CMYK 0 / 47 / 89 / 8

HEX #EA7B1A

RGB 234 123 26

HSL 27.98, 0.83%, 0.51%

LAB 63.12, 37.37, 65.13

 

CMYK 86 / 0 / 89 / 8

HEX #21EA1A

RGB 33 234 26

HSL 117.98, 0.83%, 0.51%

LAB 81.43, -78.61, 75.34

 

CMYK 89 / 41 / 0 / 8

HEX #1A89EA

RGB 26 137 234

HSL 207.98, 0.83%, 0.51%

LAB 56.14, 6.06, -57

 

Description

Color code: HEX #E41CEA | qconv.com Color code: HEX #E41CEA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 28 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 28 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 88 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 88% 0% 8% C M Y K

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Provide designers and agencies with accurate color values.

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