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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E41584 it is the complementary color #1BEA7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E41584. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E41584 shade: #E9157F, #FA2792, #FF39A5, #FF4BB8 and #FF5DCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E41584. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E41584 shade: #E41584, #D30371, #C2005E, #B1004B and #A00038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E41584 shade: #E51584, #E5154D and #E51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E41584 shade: #E51584, #E515BC, #D515E5, #9D15E5 and #6515E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E41584 shade matches the following richer shades: #E51584 and #F90186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E41584 shade: #E51584, #D02983, #BC3E82, #A85280 and #94667F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E41584 shade: #D315E5, #E515BF, #E51587, #E51550 and #E51519

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E41584 shade: #990E59, #BF126F, #E51584, #EC3798 and #F05DAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E41584 shade: #E41584, #E59C15 and #15DAE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E41584 shade: #E41584, #87E515 and #1587E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E41584 shade: #E41584, #E59C15, #15E573 and #155EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E41584 shade: #E41584, #E5DA15, #15E573 and #1520E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 42 / 11

HEX #E41584

RGB 228 21 132

HSL 327.83, 0.83%, 0.49%

LAB 50.33, 77.29, -5.64

 

Complementary color

CMYK 88 / 0 / 47 / 8

HEX #1BEA7B

RGB 27 234 123

HSL 147.83, 0.83%, 0.51%

LAB 82.11, -69.89, 40.99

 

CMYK 0 / 91 / 45 / 9

HEX #E9157F

RGB 233 21 127

HSL 330, 0.83%, 0.5%

LAB 51.14, 77.97, -1.3

 

CMYK 0 / 84 / 42 / 2

HEX #FA2792

RGB 250 39 146

HSL 329.57, 0.95%, 0.57%

LAB 55.94, 80.6, -5.25

 

CMYK 0 / 78 / 35 / 0

HEX #FF39A5

RGB 255 57 165

HSL 327.27, 1%, 0.61%

LAB 58.88, 79.49, -11.92

 

CMYK 0 / 71 / 28 / 0

HEX #FF4BB8

RGB 255 75 184

HSL 323.67, 1%, 0.65%

LAB 61.44, 76.21, -19.04

 

CMYK 0 / 64 / 20 / 0

HEX #FF5DCB

RGB 255 93 203

HSL 319.26, 1%, 0.68%

LAB 64.48, 72.09, -25.2

 

CMYK 0 / 91 / 42 / 11

HEX #E41584

RGB 228 21 132

HSL 327.83, 0.83%, 0.49%

LAB 50.33, 77.29, -5.64

 

CMYK 0 / 99 / 46 / 17

HEX #D30371

RGB 211 3 113

HSL 328.27, 0.97%, 0.42%

LAB 45.78, 73.68, -1.1

 

CMYK 0 / 100 / 52 / 24

HEX #C2005E

RGB 194 0 94

HSL 330.93, 1%, 0.38%

LAB 41.65, 68.7, 4.37

 

CMYK 0 / 100 / 58 / 31

HEX #B1004B

RGB 177 0 75

HSL 334.58, 1%, 0.35%

LAB 37.58, 63.45, 10.27

 

CMYK 0 / 100 / 65 / 37

HEX #A00038

RGB 160 0 56

HSL 339, 1%, 0.31%

LAB 33.48, 58.2, 16.48

 

CMYK 0 / 91 / 42 / 10

HEX #E51584

RGB 229 21 132

HSL 327.98, 0.83%, 0.49%

LAB 50.52, 77.51, -5.33

 

CMYK 0 / 91 / 66 / 10

HEX #E5154D

RGB 229 21 77

HSL 343.85, 0.83%, 0.49%

LAB 49.17, 73.77, 26.36

 

CMYK 0 / 91 / 91 / 10

HEX #E51515

RGB 229 21 21

HSL 0, 0.83%, 0.49%

LAB 48.57, 72.09, 55.93

 

CMYK 0 / 91 / 42 / 10

HEX #E51584

RGB 229 21 132

HSL 327.98, 0.83%, 0.49%

LAB 50.52, 77.51, -5.33

 

CMYK 0 / 91 / 18 / 10

HEX #E515BC

RGB 229 21 188

HSL 311.83, 0.83%, 0.49%

LAB 52.76, 83.43, -35.13

 

CMYK 7 / 91 / 0 / 10

HEX #D515E5

RGB 213 21 229

HSL 295.38, 0.83%, 0.49%

LAB 52.22, 86.34, -59.67

 

CMYK 31 / 91 / 0 / 10

HEX #9D15E5

RGB 157 21 229

HSL 279.23, 0.83%, 0.49%

LAB 43.3, 78.32, -74.55

 

CMYK 56 / 91 / 0 / 10

HEX #6515E5

RGB 101 21 229

HSL 263.08, 0.83%, 0.49%

LAB 35.91, 72.55, -86.99

 

CMYK 0 / 91 / 42 / 10

HEX #E51584

RGB 229 21 132

HSL 327.98, 0.83%, 0.49%

LAB 50.52, 77.51, -5.33

 

CMYK 0 / 100 / 46 / 2

HEX #F90186

RGB 249 1 134

HSL 327.82, 0.99%, 0.49%

LAB 53.9, 83.66, -1.11

 

CMYK 0 / 91 / 42 / 10

HEX #E51584

RGB 229 21 132

HSL 327.98, 0.83%, 0.49%

LAB 50.52, 77.51, -5.33

 

CMYK 0 / 80 / 37 / 18

HEX #D02983

RGB 208 41 131

HSL 327.66, 0.67%, 0.49%

LAB 47.8, 68.83, -9.21

 

CMYK 0 / 67 / 31 / 26

HEX #BC3E82

RGB 188 62 130

HSL 327.62, 0.5%, 0.49%

LAB 46.64, 56.59, -10.7

 

CMYK 0 / 51 / 24 / 34

HEX #A85280

RGB 168 82 128

HSL 327.91, 0.34%, 0.49%

LAB 46.87, 40.88, -9.46

 

CMYK 0 / 31 / 14 / 42

HEX #94667F

RGB 148 102 127

HSL 327.39, 0.18%, 0.49%

LAB 48.67, 22.52, -6.43

 

CMYK 8 / 91 / 0 / 10

HEX #D315E5

RGB 211 21 229

HSL 294.81, 0.83%, 0.49%

LAB 51.89, 86.03, -60.23

 

CMYK 0 / 91 / 17 / 10

HEX #E515BF

RGB 229 21 191

HSL 310.96, 0.83%, 0.49%

LAB 52.9, 83.81, -36.65

 

CMYK 0 / 91 / 41 / 10

HEX #E51587

RGB 229 21 135

HSL 327.12, 0.83%, 0.49%

LAB 50.62, 77.77, -7

 

CMYK 0 / 91 / 65 / 10

HEX #E51550

RGB 229 21 80

HSL 342.98, 0.83%, 0.49%

LAB 49.22, 73.92, 24.6

 

CMYK 0 / 91 / 89 / 10

HEX #E51519

RGB 229 21 25

HSL 358.85, 0.83%, 0.49%

LAB 48.59, 72.14, 54.33

 

CMYK 0 / 91 / 42 / 40

HEX #990E59

RGB 153 14 89

HSL 327.63, 0.83%, 0.33%

LAB 33.58, 57.08, -5.24

 

CMYK 0 / 91 / 42 / 25

HEX #BF126F

RGB 191 18 111

HSL 327.75, 0.83%, 0.41%

LAB 42.24, 67.48, -5.53

 

CMYK 0 / 91 / 42 / 10

HEX #E51584

RGB 229 21 132

HSL 327.98, 0.83%, 0.49%

LAB 50.52, 77.51, -5.33

 

CMYK 0 / 77 / 36 / 7

HEX #EC3798

RGB 236 55 152

HSL 327.85, 0.83%, 0.57%

LAB 54.9, 74.1, -10.62

 

CMYK 0 / 61 / 28 / 6

HEX #F05DAC

RGB 240 93 172

HSL 327.76, 0.83%, 0.65%

LAB 61.07, 64, -12.93

 

CMYK 0 / 91 / 42 / 11

HEX #E41584

RGB 228 21 132

HSL 327.83, 0.83%, 0.49%

LAB 50.33, 77.29, -5.64

 

CMYK 0 / 32 / 91 / 10

HEX #E59C15

RGB 229 156 21

HSL 38.94, 0.83%, 0.49%

LAB 69.82, 17.88, 71.07

 

CMYK 91 / 5 / 0 / 10

HEX #15DAE5

RGB 21 218 229

HSL 183.17, 0.83%, 0.49%

LAB 79.59, -38.83, -17.77

 

CMYK 0 / 91 / 42 / 11

HEX #E41584

RGB 228 21 132

HSL 327.83, 0.83%, 0.49%

LAB 50.33, 77.29, -5.64

 

CMYK 41 / 0 / 91 / 10

HEX #87E515

RGB 135 229 21

HSL 87.12, 0.83%, 0.49%

LAB 82.51, -55.8, 78.07

 

CMYK 91 / 41 / 0 / 10

HEX #1587E5

RGB 21 135 229

HSL 207.12, 0.83%, 0.49%

LAB 55.22, 5.11, -55.68

 

CMYK 0 / 91 / 42 / 11

HEX #E41584

RGB 228 21 132

HSL 327.83, 0.83%, 0.49%

LAB 50.33, 77.29, -5.64

 

CMYK 0 / 32 / 91 / 10

HEX #E59C15

RGB 229 156 21

HSL 38.94, 0.83%, 0.49%

LAB 69.82, 17.88, 71.07

 

CMYK 91 / 0 / 50 / 10

HEX #15E573

RGB 21 229 115

HSL 147.12, 0.83%, 0.49%

LAB 80.42, -69.89, 42.73

 

CMYK 91 / 59 / 0 / 10

HEX #155EE5

RGB 21 94 229

HSL 218.94, 0.83%, 0.49%

LAB 43.98, 31.01, -73.87

 

CMYK 0 / 91 / 42 / 11

HEX #E41584

RGB 228 21 132

HSL 327.83, 0.83%, 0.49%

LAB 50.33, 77.29, -5.64

 

CMYK 0 / 5 / 91 / 10

HEX #E5DA15

RGB 229 218 21

HSL 56.83, 0.83%, 0.49%

LAB 85.43, -14.28, 82.93

 

CMYK 91 / 0 / 50 / 10

HEX #15E573

RGB 21 229 115

HSL 147.12, 0.83%, 0.49%

LAB 80.42, -69.89, 42.73

 

CMYK 91 / 86 / 0 / 10

HEX #1520E5

RGB 21 32 229

HSL 236.83, 0.83%, 0.49%

LAB 31.46, 65.44, -94.53

 

Description

Color code: HEX #E41584 | qconv.com Color code: HEX #E41584 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 21 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 21 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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