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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E411CA it is the complementary color #1BEE35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E411CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E411CA shade: #E911C5, #FA23D8, #FF35EB, #FF47FE and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E411CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E411CA shade: #E411CA, #D300B7, #C200A4, #B10091 and #A0007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E411CA shade: #E411CA, #E41191, #E41158, #E4111F and #E41111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E411CA shade: #E411CA, #C511E4, #8C11E4, #5311E4 and #1B11E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E411CA shade matches the following richer shades: #E411CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E411CA shade: #E411CA, #D025BB, #BC39AC, #A84D9D and #94608E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E411CA shade: #8C11E4, #C411E4, #E411CB, #E41193 and #E4115B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E411CA shade: #970B86, #BD0EA8, #E411CA, #EF2FD8 and #F255DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E411CA shade: #E411CA, #E45411 and #11E4A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E411CA shade: #E411CA, #CBE411 and #11CBE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E411CA shade: #E411CA, #E45411, #11E42A and #11A1E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E411CA shade: #E411CA, #E49311, #11E42A and #1162E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

Complementary color

CMYK 89 / 0 / 78 / 7

HEX #1BEE35

RGB 27 238 53

HSL 127.39, 0.86%, 0.52%

LAB 82.72, -78.89, 70.24

 

CMYK 0 / 93 / 15 / 9

HEX #E911C5

RGB 233 17 197

HSL 310, 0.86%, 0.49%

LAB 53.77, 85.73, -38.71

 

CMYK 0 / 86 / 14 / 2

HEX #FA23D8

RGB 250 35 216

HSL 309.49, 0.96%, 0.56%

LAB 58.49, 88.94, -41.94

 

CMYK 0 / 79 / 8 / 0

HEX #FF35EB

RGB 255 53 235

HSL 305.94, 1%, 0.6%

LAB 61.49, 88.91, -47.86

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FE

RGB 255 71 254

HSL 300.33, 1%, 0.64%

LAB 64.1, 86.94, -54.27

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 100 / 13 / 17

HEX #D300B7

RGB 211 0 183

HSL 307.96, 1%, 0.41%

LAB 48.6, 81.35, -38.99

 

CMYK 0 / 100 / 15 / 24

HEX #C200A4

RGB 194 0 164

HSL 309.28, 1%, 0.38%

LAB 44.45, 75.86, -34.5

 

CMYK 0 / 100 / 18 / 31

HEX #B10091

RGB 177 0 145

HSL 310.85, 1%, 0.35%

LAB 40.23, 70.29, -29.87

 

CMYK 0 / 100 / 21 / 37

HEX #A0007E

RGB 160 0 126

HSL 312.75, 1%, 0.31%

LAB 35.95, 64.62, -25.09

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 93 / 36 / 11

HEX #E41191

RGB 228 17 145

HSL 323.6, 0.86%, 0.48%

LAB 50.62, 78.95, -13.05

 

CMYK 0 / 93 / 61 / 11

HEX #E41158

RGB 228 17 88

HSL 339.81, 0.86%, 0.48%

LAB 49.01, 74.58, 19.39

 

CMYK 0 / 93 / 86 / 11

HEX #E4111F

RGB 228 17 31

HSL 356.02, 0.86%, 0.48%

LAB 48.25, 72.48, 51.28

 

CMYK 0 / 93 / 93 / 11

HEX #E41111

RGB 228 17 17

HSL 0, 0.86%, 0.48%

LAB 48.18, 72.28, 57.04

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 14 / 93 / 0 / 11

HEX #C511E4

RGB 197 17 228

HSL 291.18, 0.86%, 0.48%

LAB 49.34, 84.19, -63.88

 

CMYK 39 / 93 / 0 / 11

HEX #8C11E4

RGB 140 17 228

HSL 274.98, 0.86%, 0.48%

LAB 40.54, 76.75, -78.61

 

CMYK 64 / 93 / 0 / 11

HEX #5311E4

RGB 83 17 228

HSL 258.77, 0.86%, 0.48%

LAB 33.65, 71.9, -90.22

 

CMYK 88 / 93 / 0 / 11

HEX #1B11E4

RGB 27 17 228

HSL 242.84, 0.86%, 0.48%

LAB 30, 69.85, -96.4

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 82 / 10 / 18

HEX #D025BB

RGB 208 37 187

HSL 307.37, 0.7%, 0.48%

LAB 49.88, 76.59, -39.33

 

CMYK 0 / 70 / 9 / 26

HEX #BC39AC

RGB 188 57 172

HSL 307.33, 0.53%, 0.48%

LAB 47.75, 64.33, -34.13

 

CMYK 0 / 54 / 7 / 34

HEX #A84D9D

RGB 168 77 157

HSL 307.25, 0.37%, 0.48%

LAB 47.06, 48.06, -26.54

 

CMYK 0 / 35 / 4 / 42

HEX #94608E

RGB 148 96 142

HSL 306.92, 0.21%, 0.48%

LAB 47.77, 28.73, -16.74

 

CMYK 39 / 93 / 0 / 11

HEX #8C11E4

RGB 140 17 228

HSL 274.98, 0.86%, 0.48%

LAB 40.54, 76.75, -78.61

 

CMYK 14 / 93 / 0 / 11

HEX #C411E4

RGB 196 17 228

HSL 290.9, 0.86%, 0.48%

LAB 49.18, 84.05, -64.16

 

CMYK 0 / 93 / 11 / 11

HEX #E411CB

RGB 228 17 203

HSL 307.11, 0.86%, 0.48%

LAB 53.17, 85.59, -43.16

 

CMYK 0 / 93 / 36 / 11

HEX #E41193

RGB 228 17 147

HSL 323.03, 0.86%, 0.48%

LAB 50.69, 79.14, -14.14

 

CMYK 0 / 93 / 60 / 11

HEX #E4115B

RGB 228 17 91

HSL 338.96, 0.86%, 0.48%

LAB 49.07, 74.76, 17.63

 

CMYK 0 / 93 / 11 / 41

HEX #970B86

RGB 151 11 134

HSL 307.29, 0.86%, 0.32%

LAB 35.08, 62.55, -31.55

 

CMYK 0 / 93 / 11 / 26

HEX #BD0EA8

RGB 189 14 168

HSL 307.2, 0.86%, 0.4%

LAB 44.18, 74.15, -37.37

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 80 / 10 / 6

HEX #EF2FD8

RGB 239 47 216

HSL 307.19, 0.86%, 0.56%

LAB 57.41, 84.53, -43.78

 

CMYK 0 / 65 / 8 / 5

HEX #F255DF

RGB 242 85 223

HSL 307.26, 0.86%, 0.64%

LAB 62.26, 74.72, -40.07

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 63 / 93 / 11

HEX #E45411

RGB 228 84 17

HSL 19.05, 0.86%, 0.48%

LAB 54.94, 53.5, 61.33

 

CMYK 93 / 0 / 26 / 11

HEX #11E4A8

RGB 17 228 168

HSL 162.94, 0.86%, 0.48%

LAB 80.98, -59.49, 16.62

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 11 / 0 / 93 / 11

HEX #CBE411

RGB 203 228 17

HSL 67.11, 0.86%, 0.48%

LAB 86.12, -29.99, 83.11

 

CMYK 93 / 11 / 0 / 11

HEX #11CBE4

RGB 17 203 228

HSL 187.11, 0.86%, 0.48%

LAB 75.1, -32.27, -24.06

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 63 / 93 / 11

HEX #E45411

RGB 228 84 17

HSL 19.05, 0.86%, 0.48%

LAB 54.94, 53.5, 61.33

 

CMYK 93 / 0 / 82 / 11

HEX #11E42A

RGB 17 228 42

HSL 127.11, 0.86%, 0.48%

LAB 79.48, -77.33, 70.2

 

CMYK 93 / 29 / 0 / 11

HEX #11A1E4

RGB 17 161 228

HSL 199.05, 0.86%, 0.48%

LAB 62.68, -10.56, -43.29

 

CMYK 0 / 93 / 11 / 11

HEX #E411CA

RGB 228 17 202

HSL 307.39, 0.86%, 0.48%

LAB 53.12, 85.46, -42.67

 

CMYK 0 / 36 / 93 / 11

HEX #E49311

RGB 228 147 17

HSL 36.97, 0.86%, 0.48%

LAB 67.58, 22.19, 70.13

 

CMYK 93 / 0 / 82 / 11

HEX #11E42A

RGB 17 228 42

HSL 127.11, 0.86%, 0.48%

LAB 79.48, -77.33, 70.2

 

CMYK 93 / 57 / 0 / 11

HEX #1162E4

RGB 17 98 228

HSL 216.97, 0.86%, 0.48%

LAB 44.88, 27.89, -71.83

 

Description

Color code: HEX #E411CA | qconv.com Color code: HEX #E411CA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 17 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 17 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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