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Color name
HEX #E40D59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E40D59 it is the complementary color #1BF2A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E40D59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E40D59 shade: #E90D54, #FA1F67, #FF317A, #FF438D and #FF55A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E40D59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E40D59 shade: #E40D59, #D30046, #C20033, #B10020 and #A0000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E40D59 shade: #E30D59, #E30D1F and #E30D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E40D59 shade: #E30D59, #E30D92, #E30DCC, #C00DE3 and #860DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E40D59 shade matches the following richer shades: #E30D59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E40D59 shade: #E30D59, #CF215E, #BC3464, #A8476A and #955B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E40D59 shade: #E30DCD, #E30D94, #E30D5B, #E30D23 and #E3310D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E40D59 shade: #95093A, #BC0B49, #E30D59, #F2276F and #F54E89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E40D59 shade: #E40D59, #E3BF0D and #0DB1E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E40D59 shade: #E40D59, #5BE30D and #0D5BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E40D59 shade: #E40D59, #E3BF0D, #0DE394 and #0D31E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E40D59 shade: #E40D59, #C6E30D, #0DE394 and #2A0DE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 61 / 11

HEX #E40D59

RGB 228 13 89

HSL 338.79, 0.89%, 0.47%

LAB 48.89, 75.05, 18.61

 

Complementary color

CMYK 89 / 0 / 31 / 5

HEX #1BF2A6

RGB 27 242 166

HSL 158.79, 0.89%, 0.53%

LAB 85.25, -64.58, 23.57

 

CMYK 0 / 94 / 64 / 9

HEX #E90D54

RGB 233 13 84

HSL 340.64, 0.89%, 0.48%

LAB 49.8, 75.95, 23.07

 

CMYK 0 / 88 / 59 / 2

HEX #FA1F67

RGB 250 31 103

HSL 340.27, 0.96%, 0.55%

LAB 54.33, 78.8, 18.19

 

CMYK 0 / 81 / 52 / 0

HEX #FF317A

RGB 255 49 122

HSL 338.74, 1%, 0.6%

LAB 56.94, 77.74, 10.58

 

CMYK 0 / 74 / 45 / 0

HEX #FF438D

RGB 255 67 141

HSL 336.38, 1%, 0.63%

LAB 59.16, 74.37, 2.52

 

CMYK 0 / 67 / 37 / 0

HEX #FF55A0

RGB 255 85 160

HSL 333.53, 1%, 0.67%

LAB 61.91, 70.05, -4.52

 

CMYK 0 / 94 / 61 / 11

HEX #E40D59

RGB 228 13 89

HSL 338.79, 0.89%, 0.47%

LAB 48.89, 75.05, 18.61

 

CMYK 0 / 100 / 67 / 17

HEX #D30046

RGB 211 0 70

HSL 340.09, 1%, 0.41%

LAB 44.65, 71.16, 24.15

 

CMYK 0 / 100 / 74 / 24

HEX #C20033

RGB 194 0 51

HSL 344.23, 1%, 0.38%

LAB 40.75, 66.27, 30.33

 

CMYK 0 / 100 / 82 / 31

HEX #B10020

RGB 177 0 32

HSL 349.15, 1%, 0.35%

LAB 36.84, 61.45, 36.45

 

CMYK 0 / 100 / 92 / 37

HEX #A0000D

RGB 160 0 13

HSL 355.13, 1%, 0.31%

LAB 32.92, 56.71, 41.63

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 94 / 86 / 11

HEX #E30D1F

RGB 227 13 31

HSL 354.95, 0.89%, 0.47%

LAB 47.9, 72.65, 50.91

 

CMYK 0 / 94 / 94 / 11

HEX #E30D0D

RGB 227 13 13

HSL 0, 0.89%, 0.47%

LAB 47.81, 72.4, 58.03

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 94 / 36 / 11

HEX #E30D92

RGB 227 13 146

HSL 322.71, 0.89%, 0.47%

LAB 50.33, 79.22, -14.1

 

CMYK 0 / 94 / 10 / 11

HEX #E30DCC

RGB 227 13 204

HSL 306.45, 0.89%, 0.47%

LAB 52.93, 85.91, -44.15

 

CMYK 15 / 94 / 0 / 11

HEX #C00DE3

RGB 192 13 227

HSL 290.19, 0.89%, 0.47%

LAB 48.31, 83.71, -65.02

 

CMYK 41 / 94 / 0 / 11

HEX #860DE3

RGB 134 13 227

HSL 273.93, 0.89%, 0.47%

LAB 39.42, 76.47, -79.92

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 84 / 55 / 19

HEX #CF215E

RGB 207 33 94

HSL 338.97, 0.73%, 0.47%

LAB 45.85, 67.25, 10.69

 

CMYK 0 / 72 / 47 / 26

HEX #BC3464

RGB 188 52 100

HSL 338.82, 0.57%, 0.47%

LAB 44.33, 57.16, 4.31

 

CMYK 0 / 58 / 37 / 34

HEX #A8476A

RGB 168 71 106

HSL 338.35, 0.41%, 0.47%

LAB 44.05, 43.46, -0.23

 

CMYK 0 / 39 / 26 / 42

HEX #955B6F

RGB 149 91 111

HSL 339.31, 0.24%, 0.47%

LAB 45.66, 26.6, -1.25

 

CMYK 0 / 94 / 10 / 11

HEX #E30DCD

RGB 227 13 205

HSL 306.17, 0.89%, 0.47%

LAB 52.98, 86.04, -44.64

 

CMYK 0 / 94 / 35 / 11

HEX #E30D94

RGB 227 13 148

HSL 322.15, 0.89%, 0.47%

LAB 50.4, 79.42, -15.19

 

CMYK 0 / 94 / 60 / 11

HEX #E30D5B

RGB 227 13 91

HSL 338.13, 0.89%, 0.47%

LAB 48.73, 74.93, 17.13

 

CMYK 0 / 94 / 85 / 11

HEX #E30D23

RGB 227 13 35

HSL 353.83, 0.89%, 0.47%

LAB 47.93, 72.73, 48.97

 

CMYK 0 / 78 / 94 / 11

HEX #E3310D

RGB 227 49 13

HSL 10.09, 0.89%, 0.47%

LAB 50.16, 65.7, 59.35

 

CMYK 0 / 94 / 61 / 42

HEX #95093A

RGB 149 9 58

HSL 339, 0.89%, 0.31%

LAB 31.56, 54.31, 12.16

 

CMYK 0 / 94 / 61 / 26

HEX #BC0B49

RGB 188 11 73

HSL 338.98, 0.89%, 0.39%

LAB 40.27, 64.76, 15.6

 

CMYK 0 / 94 / 61 / 11

HEX #E30D59

RGB 227 13 89

HSL 338.69, 0.89%, 0.47%

LAB 48.69, 74.81, 18.31

 

CMYK 0 / 84 / 54 / 5

HEX #F2276F

RGB 242 39 111

HSL 338.72, 0.89%, 0.55%

LAB 53.47, 75.93, 11.94

 

CMYK 0 / 68 / 44 / 4

HEX #F54E89

RGB 245 78 137

HSL 338.8, 0.89%, 0.63%

LAB 58.67, 67.56, 3.94

 

CMYK 0 / 94 / 61 / 11

HEX #E40D59

RGB 228 13 89

HSL 338.79, 0.89%, 0.47%

LAB 48.89, 75.05, 18.61

 

CMYK 0 / 16 / 94 / 11

HEX #E3BF0D

RGB 227 191 13

HSL 49.91, 0.89%, 0.47%

LAB 78.24, -1.56, 78.45

 

CMYK 94 / 22 / 0 / 11

HEX #0DB1E3

RGB 13 177 227

HSL 194.02, 0.89%, 0.47%

LAB 67.33, -19.7, -35.47

 

CMYK 0 / 94 / 61 / 11

HEX #E40D59

RGB 228 13 89

HSL 338.79, 0.89%, 0.47%

LAB 48.89, 75.05, 18.61

 

CMYK 60 / 0 / 94 / 11

HEX #5BE30D

RGB 91 227 13

HSL 98.13, 0.89%, 0.47%

LAB 80.29, -67.72, 76.56

 

CMYK 94 / 60 / 0 / 11

HEX #0D5BE3

RGB 13 91 227

HSL 218.13, 0.89%, 0.47%

LAB 42.93, 31.89, -74.44

 

CMYK 0 / 94 / 61 / 11

HEX #E40D59

RGB 228 13 89

HSL 338.79, 0.89%, 0.47%

LAB 48.89, 75.05, 18.61

 

CMYK 0 / 16 / 94 / 11

HEX #E3BF0D

RGB 227 191 13

HSL 49.91, 0.89%, 0.47%

LAB 78.24, -1.56, 78.45

 

CMYK 94 / 0 / 35 / 11

HEX #0DE394

RGB 13 227 148

HSL 157.85, 0.89%, 0.47%

LAB 80.27, -63.61, 26.03

 

CMYK 94 / 78 / 0 / 11

HEX #0D31E3

RGB 13 49 227

HSL 229.91, 0.89%, 0.47%

LAB 33.62, 57.09, -89.8

 

CMYK 0 / 94 / 61 / 11

HEX #E40D59

RGB 228 13 89

HSL 338.79, 0.89%, 0.47%

LAB 48.89, 75.05, 18.61

 

CMYK 13 / 0 / 94 / 11

HEX #C6E30D

RGB 198 227 13

HSL 68.13, 0.89%, 0.47%

LAB 85.49, -31.61, 82.89

 

CMYK 94 / 0 / 35 / 11

HEX #0DE394

RGB 13 227 148

HSL 157.85, 0.89%, 0.47%

LAB 80.27, -63.61, 26.03

 

CMYK 81 / 94 / 0 / 11

HEX #2A0DE3

RGB 42 13 227

HSL 248.13, 0.89%, 0.47%

LAB 30.22, 70.76, -95.44

 

Description

Color code: HEX #E40D59 | qconv.com Color code: HEX #E40D59 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 13 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 13 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 61% 11% C M Y K

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Provide designers and agencies with accurate color values.

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