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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E402BF it is the complementary color #1BFD40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E402BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E402BF shade: #E902BA, #FA14CD, #FF26E0, #FF38F3 and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E402BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E402BF shade: #E402BF, #D300AC, #C20099, #B10086 and #A00073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E402BF shade: #E302BE, #E30282, #E30245, #E30208 and #E30202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E402BF shade: #E302BE, #CB02E3, #8F02E3, #5202E3 and #1502E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E402BF shade matches the following richer shades: #E302BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E402BF shade: #E302BE, #D115B2, #BE27A5, #AC3A99 and #994D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E402BF shade: #8D02E3, #C902E3, #E302C1, #E30285 and #E3024A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E402BF shade: #92017A, #BA029C, #E302BE, #FD12D6 and #FD3BDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E402BF shade: #E402BF, #E35102 and #02E3AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E402BF shade: #E402BF, #C1E302 and #02C1E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E402BF shade: #E402BF, #E35102, #02E324 and #0294E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E402BF shade: #E402BF, #E39402, #02E324 and #0251E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 16 / 11

HEX #E402BF

RGB 228 2 191

HSL 309.82, 0.98%, 0.45%

LAB 52.17, 85.23, -37.81

 

Complementary color

CMYK 89 / 0 / 75 / 1

HEX #1BFD40

RGB 27 253 64

HSL 129.82, 0.98%, 0.55%

LAB 87.41, -82.31, 71.45

 

CMYK 0 / 99 / 20 / 9

HEX #E902BA

RGB 233 2 186

HSL 312.21, 0.98%, 0.46%

LAB 52.85, 85.53, -33.77

 

CMYK 0 / 92 / 18 / 2

HEX #FA14CD

RGB 250 20 205

HSL 311.74, 0.96%, 0.53%

LAB 57.3, 89.53, -37.55

 

CMYK 0 / 85 / 12 / 0

HEX #FF26E0

RGB 255 38 224

HSL 308.57, 1%, 0.57%

LAB 59.91, 90.42, -44.17

 

CMYK 0 / 78 / 5 / 0

HEX #FF38F3

RGB 255 56 243

HSL 303.62, 1%, 0.61%

LAB 62.13, 89.33, -51.29

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 99 / 16 / 11

HEX #E402BF

RGB 228 2 191

HSL 309.82, 0.98%, 0.45%

LAB 52.17, 85.23, -37.81

 

CMYK 0 / 100 / 18 / 17

HEX #D300AC

RGB 211 0 172

HSL 311.09, 1%, 0.41%

LAB 48.04, 79.97, -33.38

 

CMYK 0 / 100 / 21 / 24

HEX #C20099

RGB 194 0 153

HSL 312.68, 1%, 0.38%

LAB 43.9, 74.49, -28.75

 

CMYK 0 / 100 / 24 / 31

HEX #B10086

RGB 177 0 134

HSL 314.58, 1%, 0.35%

LAB 39.7, 68.94, -23.96

 

CMYK 0 / 100 / 28 / 37

HEX #A00073

RGB 160 0 115

HSL 316.88, 1%, 0.31%

LAB 35.42, 63.3, -18.98

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 0 / 99 / 43 / 11

HEX #E30282

RGB 227 2 130

HSL 325.87, 0.98%, 0.45%

LAB 49.48, 78.62, -5.71

 

CMYK 0 / 99 / 70 / 11

HEX #E30245

RGB 227 2 69

HSL 342.13, 0.98%, 0.45%

LAB 48.01, 74.7, 29.69

 

CMYK 0 / 99 / 96 / 11

HEX #E30208

RGB 227 2 8

HSL 358.4, 0.98%, 0.45%

LAB 47.48, 73.27, 59.27

 

CMYK 0 / 99 / 99 / 11

HEX #E30202

RGB 227 2 2

HSL 0, 0.98%, 0.45%

LAB 47.47, 73.22, 60.98

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 11 / 99 / 0 / 11

HEX #CB02E3

RGB 203 2 227

HSL 293.6, 0.98%, 0.45%

LAB 49.84, 86.2, -62.46

 

CMYK 37 / 99 / 0 / 11

HEX #8F02E3

RGB 143 2 227

HSL 277.6, 0.98%, 0.45%

LAB 40.29, 78.63, -78.43

 

CMYK 64 / 99 / 0 / 11

HEX #5202E3

RGB 82 2 227

HSL 261.33, 0.98%, 0.45%

LAB 32.66, 73.96, -91.29

 

CMYK 91 / 99 / 0 / 11

HEX #1502E3

RGB 21 2 227

HSL 245.07, 0.98%, 0.45%

LAB 28.77, 72.31, -97.88

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 0 / 90 / 15 / 18

HEX #D115B2

RGB 209 21 178

HSL 309.89, 0.82%, 0.45%

LAB 48.64, 78.37, -36

 

CMYK 0 / 79 / 13 / 25

HEX #BE27A5

RGB 190 39 165

HSL 309.93, 0.66%, 0.45%

LAB 45.79, 69.31, -33.03

 

CMYK 0 / 66 / 11 / 33

HEX #AC3A99

RGB 172 58 153

HSL 310, 0.5%, 0.45%

LAB 44.37, 57.02, -28.3

 

CMYK 0 / 50 / 8 / 40

HEX #994D8C

RGB 153 77 140

HSL 310.26, 0.33%, 0.45%

LAB 44.19, 40.51, -20.97

 

CMYK 38 / 99 / 0 / 11

HEX #8D02E3

RGB 141 2 227

HSL 277.07, 0.98%, 0.45%

LAB 40, 78.42, -78.92

 

CMYK 11 / 99 / 0 / 11

HEX #C902E3

RGB 201 2 227

HSL 293.07, 0.98%, 0.45%

LAB 49.5, 85.91, -63.02

 

CMYK 0 / 99 / 15 / 11

HEX #E302C1

RGB 227 2 193

HSL 309.07, 0.98%, 0.45%

LAB 52.09, 85.3, -39.11

 

CMYK 0 / 99 / 41 / 11

HEX #E30285

RGB 227 2 133

HSL 325.07, 0.98%, 0.45%

LAB 49.58, 78.88, -7.38

 

CMYK 0 / 99 / 67 / 11

HEX #E3024A

RGB 227 2 74

HSL 340.8, 0.98%, 0.45%

LAB 48.09, 74.93, 26.74

 

CMYK 0 / 99 / 16 / 43

HEX #92017A

RGB 146 1 122

HSL 309.93, 0.99%, 0.29%

LAB 33, 61.24, -27.39

 

CMYK 0 / 99 / 16 / 27

HEX #BA029C

RGB 186 2 156

HSL 309.78, 0.98%, 0.37%

LAB 42.59, 73.18, -32.72

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 0 / 93 / 15 / 1

HEX #FD12D6

RGB 253 18 214

HSL 309.96, 0.98%, 0.53%

LAB 58.2, 91.37, -41.23

 

CMYK 0 / 77 / 13 / 1

HEX #FD3BDD

RGB 253 59 221

HSL 309.9, 0.98%, 0.61%

LAB 60.98, 85.14, -40.82

 

CMYK 0 / 99 / 16 / 11

HEX #E402BF

RGB 228 2 191

HSL 309.82, 0.98%, 0.45%

LAB 52.17, 85.23, -37.81

 

CMYK 0 / 64 / 99 / 11

HEX #E35102

RGB 227 81 2

HSL 21.07, 0.98%, 0.45%

LAB 54.26, 54.28, 64.13

 

CMYK 99 / 0 / 25 / 11

HEX #02E3AB

RGB 2 227 171

HSL 165.07, 0.98%, 0.45%

LAB 80.68, -58.87, 14.61

 

CMYK 0 / 99 / 16 / 11

HEX #E402BF

RGB 228 2 191

HSL 309.82, 0.98%, 0.45%

LAB 52.17, 85.23, -37.81

 

CMYK 15 / 0 / 99 / 11

HEX #C1E302

RGB 193 227 2

HSL 69.07, 0.98%, 0.45%

LAB 85.14, -33.74, 83.42

 

CMYK 99 / 15 / 0 / 11

HEX #02C1E3

RGB 2 193 227

HSL 189.07, 0.98%, 0.45%

LAB 72.03, -28.15, -28.23

 

CMYK 0 / 99 / 16 / 11

HEX #E402BF

RGB 228 2 191

HSL 309.82, 0.98%, 0.45%

LAB 52.17, 85.23, -37.81

 

CMYK 0 / 64 / 99 / 11

HEX #E35102

RGB 227 81 2

HSL 21.07, 0.98%, 0.45%

LAB 54.26, 54.28, 64.13

 

CMYK 99 / 0 / 84 / 11

HEX #02E324

RGB 2 227 36

HSL 129.07, 0.98%, 0.45%

LAB 79.09, -77.91, 71.26

 

CMYK 99 / 35 / 0 / 11

HEX #0294E3

RGB 2 148 227

HSL 201.07, 0.98%, 0.45%

LAB 58.73, -4, -48.99

 

CMYK 0 / 99 / 16 / 11

HEX #E402BF

RGB 228 2 191

HSL 309.82, 0.98%, 0.45%

LAB 52.17, 85.23, -37.81

 

CMYK 0 / 35 / 99 / 11

HEX #E39402

RGB 227 148 2

HSL 38.93, 0.98%, 0.45%

LAB 67.66, 21.07, 72.29

 

CMYK 99 / 0 / 84 / 11

HEX #02E324

RGB 2 227 36

HSL 129.07, 0.98%, 0.45%

LAB 79.09, -77.91, 71.26

 

CMYK 99 / 64 / 0 / 11

HEX #0251E3

RGB 2 81 227

HSL 218.93, 0.98%, 0.45%

LAB 40.32, 38.03, -78.74

 

Description

Color code: HEX #E402BF | qconv.com Color code: HEX #E402BF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 2 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 2 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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