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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3F65C it is the complementary color #1C09A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3F65C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3F65C shade: #E8F657, #F9FF6A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3F65C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3F65C shade: #E3F65C, #D2E449, #C1D236, #B0C023 and #9FAE10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3F65C shade: #E3F65A, #F6DF5A, #F6B55A, #F68B5A and #F6615A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3F65C shade: #E3F65A, #B9F65A, #8FF65A, #65F65A and #5AF67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3F65C shade matches the following richer shades: #E3F65A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3F65C shade: #E3F65A, #D9E868, #CEDA76, #C3CC84 and #B9BE92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3F65C shade: #F6B55A, #F6DF5A, #E4F65A, #BBF65A and #91F65A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3F65C shade: #D5F10D, #DCF433, #E3F65A, #EAF881 and #F0FAA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3F65C shade: #E3F65C, #5AF68C and #CA5AF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3F65C shade: #E3F65C, #5AE4F6 and #F65AE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3F65C shade: #E3F65C, #5AF68C, #6C5AF6 and #F65AC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3F65C shade: #E3F65C, #5AF6BB, #6C5AF6 and #F65A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 63 / 4

HEX #E3F65C

RGB 227 246 92

HSL 67.4, 0.9%, 0.66%

LAB 93.02, -25.89, 69.48

 

Complementary color

CMYK 83 / 94 / 0 / 36

HEX #1C09A3

RGB 28 9 163

HSL 247.4, 0.9%, 0.34%

LAB 20.39, 54.6, -74.09

 

CMYK 6 / 0 / 65 / 4

HEX #E8F657

RGB 232 246 87

HSL 65.28, 0.9%, 0.65%

LAB 93.34, -24.22, 71.88

 

CMYK 2 / 0 / 58 / 0

HEX #F9FF6A

RGB 249 255 106

HSL 62.42, 1%, 0.71%

LAB 97.11, -20.55, 68.67

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65C

RGB 227 246 92

HSL 67.4, 0.9%, 0.66%

LAB 93.02, -25.89, 69.48

 

CMYK 8 / 0 / 68 / 11

HEX #D2E449

RGB 210 228 73

HSL 66.97, 0.74%, 0.59%

LAB 86.83, -25.28, 69.98

 

CMYK 8 / 0 / 74 / 18

HEX #C1D236

RGB 193 210 54

HSL 66.54, 0.63%, 0.52%

LAB 80.57, -24.53, 70.03

 

CMYK 8 / 0 / 82 / 25

HEX #B0C023

RGB 176 192 35

HSL 66.11, 0.69%, 0.45%

LAB 74.22, -23.62, 69.35

 

CMYK 9 / 0 / 91 / 32

HEX #9FAE10

RGB 159 174 16

HSL 65.7, 0.83%, 0.37%

LAB 67.78, -22.5, 67.48

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65A

RGB 227 246 90

HSL 67.31, 0.9%, 0.66%

LAB 93.01, -26.02, 70.25

 

CMYK 0 / 9 / 63 / 4

HEX #F6DF5A

RGB 246 223 90

HSL 51.15, 0.9%, 0.66%

LAB 88.5, -7.13, 65.93

 

CMYK 0 / 26 / 63 / 4

HEX #F6B55A

RGB 246 181 90

HSL 35, 0.9%, 0.66%

LAB 78.1, 14.51, 54.53

 

CMYK 0 / 43 / 63 / 4

HEX #F68B5A

RGB 246 139 90

HSL 18.85, 0.9%, 0.66%

LAB 68.6, 36.48, 43.56

 

CMYK 0 / 61 / 63 / 4

HEX #F6615A

RGB 246 97 90

HSL 2.69, 0.9%, 0.66%

LAB 60.68, 56.66, 33.92

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65A

RGB 227 246 90

HSL 67.31, 0.9%, 0.66%

LAB 93.01, -26.02, 70.25

 

CMYK 25 / 0 / 63 / 4

HEX #B9F65A

RGB 185 246 90

HSL 83.46, 0.9%, 0.66%

LAB 90.31, -42.04, 66.57

 

CMYK 42 / 0 / 63 / 4

HEX #8FF65A

RGB 143 246 90

HSL 99.62, 0.9%, 0.66%

LAB 88.2, -56.22, 63.68

 

CMYK 59 / 0 / 63 / 4

HEX #65F65A

RGB 101 246 90

HSL 115.77, 0.9%, 0.66%

LAB 86.71, -67.5, 61.62

 

CMYK 63 / 0 / 50 / 4

HEX #5AF67A

RGB 90 246 122

HSL 132.31, 0.9%, 0.66%

LAB 86.75, -66.05, 47.47

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65A

RGB 227 246 90

HSL 67.31, 0.9%, 0.66%

LAB 93.01, -26.02, 70.25

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65A

RGB 227 246 90

HSL 67.31, 0.9%, 0.66%

LAB 93.01, -26.02, 70.25

 

CMYK 6 / 0 / 55 / 9

HEX #D9E868

RGB 217 232 104

HSL 67.03, 0.74%, 0.66%

LAB 88.67, -22.31, 59.46

 

CMYK 6 / 0 / 46 / 15

HEX #CEDA76

RGB 206 218 118

HSL 67.2, 0.57%, 0.66%

LAB 84.26, -18.58, 47.58

 

CMYK 4 / 0 / 35 / 20

HEX #C3CC84

RGB 195 204 132

HSL 67.5, 0.41%, 0.66%

LAB 79.87, -14.34, 34.89

 

CMYK 3 / 0 / 23 / 25

HEX #B9BE92

RGB 185 190 146

HSL 66.82, 0.25%, 0.66%

LAB 75.59, -9.13, 21.7

 

CMYK 0 / 26 / 63 / 4

HEX #F6B55A

RGB 246 181 90

HSL 35, 0.9%, 0.66%

LAB 78.1, 14.51, 54.53

 

CMYK 0 / 9 / 63 / 4

HEX #F6DF5A

RGB 246 223 90

HSL 51.15, 0.9%, 0.66%

LAB 88.5, -7.13, 65.93

 

CMYK 7 / 0 / 63 / 4

HEX #E4F65A

RGB 228 246 90

HSL 66.92, 0.9%, 0.66%

LAB 93.08, -25.62, 70.35

 

CMYK 24 / 0 / 63 / 4

HEX #BBF65A

RGB 187 246 90

HSL 82.69, 0.9%, 0.66%

LAB 90.42, -41.31, 66.73

 

CMYK 41 / 0 / 63 / 4

HEX #91F65A

RGB 145 246 90

HSL 98.85, 0.9%, 0.66%

LAB 88.29, -55.61, 63.8

 

CMYK 12 / 0 / 95 / 5

HEX #D5F10D

RGB 213 241 13

HSL 67.37, 0.9%, 0.5%

LAB 90.36, -32.01, 87.09

 

CMYK 10 / 0 / 79 / 4

HEX #DCF433

RGB 220 244 51

HSL 67.46, 0.9%, 0.58%

LAB 91.75, -29.75, 81.78

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65A

RGB 227 246 90

HSL 67.31, 0.9%, 0.66%

LAB 93.01, -26.02, 70.25

 

CMYK 6 / 0 / 48 / 3

HEX #EAF881

RGB 234 248 129

HSL 67.06, 0.89%, 0.74%

LAB 94.4, -21.22, 55.14

 

CMYK 4 / 0 / 32 / 2

HEX #F0FAA9

RGB 240 250 169

HSL 67.41, 0.89%, 0.82%

LAB 95.9, -15.64, 37.82

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65C

RGB 227 246 92

HSL 67.4, 0.9%, 0.66%

LAB 93.02, -25.89, 69.48

 

CMYK 63 / 0 / 43 / 4

HEX #5AF68C

RGB 90 246 140

HSL 139.23, 0.9%, 0.66%

LAB 86.99, -63.35, 39.13

 

CMYK 18 / 63 / 0 / 4

HEX #CA5AF6

RGB 202 90 246

HSL 283.08, 0.9%, 0.66%

LAB 58.53, 67.43, -59.17

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65C

RGB 227 246 92

HSL 67.4, 0.9%, 0.66%

LAB 93.02, -25.89, 69.48

 

CMYK 63 / 7 / 0 / 4

HEX #5AE4F6

RGB 90 228 246

HSL 186.92, 0.9%, 0.66%

LAB 84.13, -31.78, -19.83

 

CMYK 0 / 63 / 7 / 4

HEX #F65AE4

RGB 246 90 228

HSL 306.92, 0.9%, 0.66%

LAB 63.76, 74.54, -40.47

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65C

RGB 227 246 92

HSL 67.4, 0.9%, 0.66%

LAB 93.02, -25.89, 69.48

 

CMYK 63 / 0 / 43 / 4

HEX #5AF68C

RGB 90 246 140

HSL 139.23, 0.9%, 0.66%

LAB 86.99, -63.35, 39.13

 

CMYK 56 / 63 / 0 / 4

HEX #6C5AF6

RGB 108 90 246

HSL 246.92, 0.9%, 0.66%

LAB 48.45, 48.72, -75.95

 

CMYK 0 / 63 / 20 / 4

HEX #F65AC5

RGB 246 90 197

HSL 318.85, 0.9%, 0.66%

LAB 62.45, 70.09, -25.04

 

CMYK 8 / 0 / 63 / 4

HEX #E3F65C

RGB 227 246 92

HSL 67.4, 0.9%, 0.66%

LAB 93.02, -25.89, 69.48

 

CMYK 63 / 0 / 24 / 4

HEX #5AF6BB

RGB 90 246 187

HSL 157.31, 0.9%, 0.66%

LAB 87.81, -54.49, 16.47

 

CMYK 56 / 63 / 0 / 4

HEX #6C5AF6

RGB 108 90 246

HSL 246.92, 0.9%, 0.66%

LAB 48.45, 48.72, -75.95

 

CMYK 0 / 63 / 39 / 4

HEX #F65A96

RGB 246 90 150

HSL 336.92, 0.9%, 0.66%

LAB 60.88, 64.49, -0.41

 

Description

Color code: HEX #E3F65C | qconv.com Color code: HEX #E3F65C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 246 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 246 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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