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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3EAD6 it is the complementary color #1C1529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3EAD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3EAD6 shade: #E8EAD1, #F9FCE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3EAD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3EAD6 shade: #E3EAD6, #D2D8C3, #C1C6B0, #B0B49D and #9FA28A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3EAD6 shade: #E3EAD6, #E8EAD6, #EAE6D6, #EAE1D6 and #EADBD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3EAD6 shade: #E3EAD6, #DEEAD6, #D8EAD6, #D6EAD9 and #D6EADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3EAD6 shade matches the following richer shades: #E3EAD6, #E4EFD1, #E6F4CC, #E7F9C7 and #E9FDC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3EAD6 shade: #E3EAD6, #E1E5DB, #E0E0E0, #DEDBE5 and #DDD6EA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3EAD6 shade: #EAE6D6, #E8EAD6, #E3EAD6, #DEEAD6 and #D8EAD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3EAD6 shade: #BECEA0, #D0DCBB, #E3EAD6 and #F5F8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3EAD6 shade: #E3EAD6, #D6EAE1 and #E9D6EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3EAD6 shade: #E3EAD6, #D6E3EA and #EAD6E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3EAD6 shade: #E3EAD6, #D6EAE1, #DDD6EA and #EAD6DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3EAD6 shade: #E3EAD6, #D6EAE7, #DDD6EA and #EAD6D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

Complementary color

CMYK 32 / 49 / 0 / 84

HEX #1C1529

RGB 28 21 41

HSL 261, 0.32%, 0.12%

LAB 8.51, 9.05, -12.37

 

CMYK 1 / 0 / 11 / 8

HEX #E8EAD1

RGB 232 234 209

HSL 64.8, 0.37%, 0.87%

LAB 91.96, -4.92, 11.91

 

CMYK 1 / 0 / 10 / 1

HEX #F9FCE4

RGB 249 252 228

HSL 67.5, 0.8%, 0.94%

LAB 98.18, -5.04, 11.15

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 3 / 0 / 10 / 15

HEX #D2D8C3

RGB 210 216 195

HSL 77.14, 0.21%, 0.81%

LAB 85.38, -5.73, 9.65

HEX #D2D8C3

CMYK 3 / 0 / 11 / 22

HEX #C1C6B0

RGB 193 198 176

HSL 73.64, 0.16%, 0.73%

LAB 78.96, -5.62, 10.43

HEX #C1C6B0

CMYK 2 / 0 / 13 / 29

HEX #B0B49D

RGB 176 180 157

HSL 70.43, 0.13%, 0.66%

LAB 72.43, -5.51, 11.26

HEX #B0B49D

CMYK 2 / 0 / 15 / 36

HEX #9FA28A

RGB 159 162 138

HSL 67.5, 0.11%, 0.59%

LAB 65.78, -5.39, 12.13

HEX #9FA28A

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 1 / 0 / 9 / 8

HEX #E8EAD6

RGB 232 234 214

HSL 66, 0.32%, 0.88%

LAB 92.07, -4.1, 9.47

HEX #E8EAD6

CMYK 0 / 2 / 9 / 8

HEX #EAE6D6

RGB 234 230 214

HSL 48, 0.32%, 0.88%

LAB 91.21, -1.37, 8.26

HEX #EAE6D6

CMYK 0 / 4 / 9 / 8

HEX #EAE1D6

RGB 234 225 214

HSL 33, 0.32%, 0.88%

LAB 89.95, 1.2, 6.45

HEX #EAE1D6

CMYK 0 / 6 / 9 / 8

HEX #EADBD6

RGB 234 219 214

HSL 15, 0.32%, 0.88%

LAB 88.45, 4.3, 4.29

HEX #EADBD6

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 5 / 0 / 9 / 8

HEX #DEEAD6

RGB 222 234 214

HSL 96, 0.32%, 0.88%

LAB 91.34, -7.54, 8.33

HEX #DEEAD6

CMYK 8 / 0 / 9 / 8

HEX #D8EAD6

RGB 216 234 214

HSL 114, 0.32%, 0.88%

LAB 90.92, -9.57, 7.67

HEX #D8EAD6

CMYK 9 / 0 / 7 / 8

HEX #D6EAD9

RGB 214 234 217

HSL 129, 0.32%, 0.88%

LAB 90.85, -9.71, 5.99

HEX #D6EAD9

CMYK 9 / 0 / 5 / 8

HEX #D6EADF

RGB 214 234 223

HSL 147, 0.32%, 0.88%

LAB 90.99, -8.63, 3.07

HEX #D6EADF

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 5 / 0 / 13 / 6

HEX #E4EFD1

RGB 228 239 209

HSL 82, 0.48%, 0.88%

LAB 92.94, -8.83, 13.27

HEX #E4EFD1

CMYK 6 / 0 / 16 / 4

HEX #E6F4CC

RGB 230 244 204

HSL 81, 0.65%, 0.88%

LAB 94.26, -11.43, 17.74

HEX #E6F4CC

CMYK 7 / 0 / 20 / 2

HEX #E7F9C7

RGB 231 249 199

HSL 81.6, 0.81%, 0.88%

LAB 95.52, -14.31, 22.07

HEX #E7F9C7

CMYK 8 / 0 / 23 / 1

HEX #E9FDC2

RGB 233 253 194

HSL 80.34, 0.94%, 0.88%

LAB 96.6, -16.31, 26.12

HEX #E9FDC2

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 2 / 0 / 4 / 10

HEX #E1E5DB

RGB 225 229 219

HSL 84, 0.16%, 0.88%

LAB 90.4, -3.11, 4.39

HEX #E1E5DB

CMYK 3 / 4 / 0 / 10

HEX #DEDBE5

RGB 222 219 229

HSL 258, 0.16%, 0.88%

LAB 87.9, 2.84, -4.54

HEX #DEDBE5

CMYK 6 / 9 / 0 / 8

HEX #DDD6EA

RGB 221 214 234

HSL 261, 0.32%, 0.88%

LAB 86.7, 6.06, -8.95

HEX #DDD6EA

CMYK 0 / 2 / 9 / 8

HEX #EAE6D6

RGB 234 230 214

HSL 48, 0.32%, 0.88%

LAB 91.21, -1.37, 8.26

 

CMYK 1 / 0 / 9 / 8

HEX #E8EAD6

RGB 232 234 214

HSL 66, 0.32%, 0.88%

LAB 92.07, -4.1, 9.47

 

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 5 / 0 / 9 / 8

HEX #DEEAD6

RGB 222 234 214

HSL 96, 0.32%, 0.88%

LAB 91.34, -7.54, 8.33

HEX #DEEAD6

CMYK 8 / 0 / 9 / 8

HEX #D8EAD6

RGB 216 234 214

HSL 114, 0.32%, 0.88%

LAB 90.92, -9.57, 7.67

HEX #D8EAD6

CMYK 8 / 0 / 22 / 19

HEX #BECEA0

RGB 190 206 160

HSL 80.87, 0.32%, 0.72%

LAB 80.53, -13.4, 21.12

 

CMYK 5 / 0 / 15 / 14

HEX #D0DCBB

RGB 208 220 187

HSL 81.82, 0.32%, 0.8%

LAB 86.1, -9.8, 14.86

 

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 1 / 0 / 3 / 3

HEX #F5F8F1

RGB 245 248 241

HSL 85.71, 0.33%, 0.96%

LAB 97.19, -2.21, 3

HEX #F5F8F1

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 9 / 0 / 4 / 8

HEX #D6EAE1

RGB 214 234 225

HSL 153, 0.32%, 0.88%

LAB 91.04, -8.26, 2.1

HEX #D6EAE1

CMYK 0 / 9 / 0 / 8

HEX #E9D6EA

RGB 233 214 234

HSL 297, 0.32%, 0.88%

LAB 87.66, 10.05, -7.43

HEX #E9D6EA

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 9 / 3 / 0 / 8

HEX #D6E3EA

RGB 214 227 234

HSL 201, 0.32%, 0.88%

LAB 89.47, -2.99, -4.91

HEX #D6E3EA

CMYK 0 / 9 / 3 / 8

HEX #EAD6E3

RGB 234 214 227

HSL 321, 0.32%, 0.88%

LAB 87.55, 9.13, -3.88

HEX #EAD6E3

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 9 / 0 / 4 / 8

HEX #D6EAE1

RGB 214 234 225

HSL 153, 0.32%, 0.88%

LAB 91.04, -8.26, 2.1

HEX #D6EAE1

CMYK 6 / 9 / 0 / 8

HEX #DDD6EA

RGB 221 214 234

HSL 261, 0.32%, 0.88%

LAB 86.7, 6.06, -8.95

HEX #DDD6EA

CMYK 0 / 9 / 5 / 8

HEX #EAD6DF

RGB 234 214 223

HSL 333, 0.32%, 0.88%

LAB 87.44, 8.43, -1.93

HEX #EAD6DF

CMYK 3 / 0 / 9 / 8

HEX #E3EAD6

RGB 227 234 214

HSL 81, 0.32%, 0.88%

LAB 91.7, -5.83, 8.9

HEX #E3EAD6

CMYK 9 / 0 / 1 / 8

HEX #D6EAE7

RGB 214 234 231

HSL 171, 0.32%, 0.88%

LAB 91.19, -7.14, -0.81

HEX #D6EAE7

CMYK 6 / 9 / 0 / 8

HEX #DDD6EA

RGB 221 214 234

HSL 261, 0.32%, 0.88%

LAB 86.7, 6.06, -8.95

HEX #DDD6EA

CMYK 0 / 9 / 7 / 8

HEX #EAD6D9

RGB 234 214 217

HSL 351, 0.32%, 0.88%

LAB 87.29, 7.4, 1.02

HEX #EAD6D9

Description

Color code: HEX #E3EAD6 | qconv.com Color code: HEX #E3EAD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 234 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 234 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 9 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 9% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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